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Stala še jest věc diviná
Songs like
Stala še jest věc diviná
by
The Rose Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Emily Tulloch
Our Lovely Star
129 bpm • A min • 02:54 • -19db
10% Popularity • 29% Danceability • 12% Energy • 7% Liveness
22% Instrumentalness • 29% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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James MacMillan
Miserere
129 bpm • E min • 12:34 • -26db
22% Popularity • 17% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
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Krzysztof Borek
Missa Mater Matris (After Des Prez's NJE...
129 bpm • C# min • 07:56 • -22.6db
7% Popularity • 17% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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J. David Moore
Annua Gaudia (2)
129 bpm • C# min • 03:31 • -17.77db
5% Popularity • 26% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Mikołaj Zieleński
Beata es Virgo Maria
128 bpm • G# min • 04:01 • -15.14db
2% Popularity • 21% Danceability • 24% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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Bill Douglas
Deep Peace - Choral Version
130 bpm • D# Maj • 04:48 • -19.41db
36% Popularity • 20% Danceability • 14% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: "Ombra mai fu"
130 bpm • G Maj • 03:06 • -16.22db
8% Popularity • 17% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Victor Zupanc
Laudent Deum
128 bpm • C# Maj • 03:24 • -17.16db
3% Popularity • 23% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio de Salazar
Un ciego que contrabajo canta
128 bpm • B Maj • 05:08 • -22.86db
0% Popularity • 33% Danceability • 12% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
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Mikołaj Zieleński
Motetto de Sancto Stanislao
130 bpm • F Maj • 02:32 • -14.83db
1% Popularity • 20% Danceability • 33% Energy • 12% Liveness
12% Instrumentalness • 9% Positiveness
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Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
30% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Josquin des Prez
Salve Regina a5
128 bpm • G min • 07:31 • -19.91db
2% Popularity • 18% Danceability • 16% Energy • 6% Liveness
37% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Karl Jenkins
Chorale: Elegia
130 bpm • G Maj • 04:18 • -14.55db
31% Popularity • 16% Danceability • 30% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Alexander Nikolsky
Vo iskhode israileve, Op. 19, No. 2
130 bpm • G Maj • 05:58 • -19.06db
0% Popularity • 16% Danceability • 12% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
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Victor Zupanc
Dum Pater Familias
128 bpm • F min • 03:20 • -22.96db
1% Popularity • 22% Danceability • 7% Energy • 20% Liveness
69% Instrumentalness • 3% Positiveness
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Jacob Clemens non Papa
Sanctus
130 bpm • D Maj • 02:31 • -29db
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Gilles Binchois
Veni Creator Spiritus
130 bpm • C Maj • 02:06 • -26.07db
9% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
131 bpm • D Maj • 01:35 • -21.23db
20% Popularity • 26% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Pulefano
Ta'a Roa
127 bpm • F Maj • 02:18 • -15.31db
10% Popularity • 73% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Fabián Pérez Ximeno
Ay, galeguiños
131 bpm • E Maj • 05:22 • -16.71db
0% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Eric Whitacre
Lux Aurumque
131 bpm • C# min • 04:11 • -25.19db
11% Popularity • 16% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Robert Pearsall
Lay a Garland
131 bpm • D Maj • 03:14 • -26db
19% Popularity • 16% Danceability • 10% Energy • 10% Liveness
59% Instrumentalness • 3% Positiveness
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Harry Hagan OSB
Pange Lingua Gloriosi, Sing of Glory
127 bpm • C Maj • 02:53 • -25.68db
43% Popularity • 22% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Projectkoor Oriolus
Tebe Poém
131 bpm • C Maj • 01:45 • -25.29db
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Gerónimo Gonzáles
Serenísima una noche
131 bpm • D# Maj • 03:25 • -22.75db
2% Popularity • 26% Danceability • 10% Energy • 11% Liveness
9% Instrumentalness • 16% Positiveness
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The Rose Ensemble
Jesu Redemptor Omnium
126 bpm • F Maj • 04:05 • -24.31db
0% Popularity • 24% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
24% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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The Newton Brothers
Holy God We Praise Thy Name
126 bpm • F Maj • 06:02 • -13.16db
26% Popularity • 27% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Gabriela Beňačková
Song To The Moon - Excerpt From The Oper...
132 bpm • F# Maj • 06:05 • -24db
13% Popularity • 23% Danceability • 3% Energy • 58% Liveness
0% Instrumentalness • 4% Positiveness
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The Hamrahlíð Choir
Nú vil ég enn í nafni þínu
132 bpm • D min • 02:58 • -34.49db
10% Popularity • 18% Danceability • 3% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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The Rose Ensemble
Stabat Iuxta Christi Crucem
126 bpm • F# Maj • 07:09 • -27.62db
3% Popularity • 22% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Þorkell Sigurbjörnsson
Nú hverfur sól í haf
126 bpm • G# min • 03:22 • -28.42db
18% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
132 bpm • D min • 05:17 • -24.56db
14% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Bobby Previte
Gloria
132 bpm • C Maj • 06:04 • -10.33db
0% Popularity • 21% Danceability • 68% Energy • 11% Liveness
24% Instrumentalness • 10% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Timothy C. Takach
Il-Presepju Tal-Milied
126 bpm • C min • 04:57 • -20.9db
0% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Dan Forrest
Good Night, Dear Heart
126 bpm • B Maj • 03:59 • -27.84db
30% Popularity • 18% Danceability • 6% Energy • 11% Liveness
26% Instrumentalness • 3% Positiveness
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M'ANAM
Tenebrae
133 bpm • F min • 03:14 • -21.25db
7% Popularity • 16% Danceability • 8% Energy • 30% Liveness
2% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Agnus Dei, Op. 11 (Barber Adagio...
133 bpm • A# min • 08:00 • -24db
27% Popularity • 16% Danceability • 9% Energy • 34% Liveness
81% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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The Rose Ensemble
No Luna i ka Halekai No ka Ma'alewa
125 bpm • C# Maj • 02:43 • -16.88db
18% Popularity • 66% Danceability • 37% Energy • 11% Liveness
9% Instrumentalness • 46% Positiveness
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Georgs Pelēcis
Pelécis : Concertino bianco for Piano i...
125 bpm • C Maj • 04:51 • -23.99db
9% Popularity • 49% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 27% Positiveness
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The Swingle Singers
Ode to Joy
125 bpm • D Maj • 02:05 • -21.78db
12% Popularity • 23% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 32% Positiveness
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Alexander Sheremetiev
Nine sili nebesniye
125 bpm • C# min • 03:45 • -23.13db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Kamerkoor JIP
Miks Ma Ei Tapa Ennast
125 bpm • D Maj • 04:54 • -18.52db
11% Popularity • 20% Danceability • 19% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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Juan Garcia de Zespedes
Hermoso amor que forxas tus flechas
125 bpm • D# min • 03:30 • -18.35db
0% Popularity • 25% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 16% Positiveness
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The Newton Brothers
Nearer My God To Thee
125 bpm • G# Maj • 04:47 • -15.39db
29% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Nicola Matteis
Ayres for the Violin: Diverse bizzarie s...
134 bpm • B Maj • 04:43 • -18.2db
9% Popularity • 42% Danceability • 19% Energy • 17% Liveness
55% Instrumentalness • 52% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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子羊の群れキリスト教会
いつもいつものアレルヤ
124 bpm • D min • 06:07 • -25.55db
11% Popularity • 24% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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The Newton Brothers
O Sons and Daughters
125 bpm • G min • 03:35 • -20.47db
26% Popularity • 28% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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George Fenton
The Gallery (Jerusalem)
134 bpm • D# Maj • 02:21 • -16.35db
13% Popularity • 23% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Jacob Clemens non Papa
Ego Flos Campi
134 bpm • G# Maj • 06:05 • -25.6db
12% Popularity • 16% Danceability • 6% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Bournemouth Symphony Chorus
Kyrie: Call to Prayer
134 bpm • C# Maj • 02:46 • -25.82db
10% Popularity • 20% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Un dolce tormento
134 bpm • C# min • 03:29 • -24.09db
15% Popularity • 33% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio Gabriel "Ariel" G. Arambulo
When the Song of the Angels is Stilled
124 bpm • D# Maj • 02:47 • -36.34db
15% Popularity • 17% Danceability • 2% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Tomoko Sunazaki
The Devil's Suggestion - O You Who Are I...
123 bpm • A min • 07:12 • -25.21db
17% Popularity • 24% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Dmitry Bortniansky
Retche Gospod Gospodevi moyemu
135 bpm • F# Maj • 07:59 • -23.26db
1% Popularity • 16% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Johann Joseph Fux
Salve Salus Mundi
123 bpm • F Maj • 04:16 • -22.5db
2% Popularity • 20% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Rose Ensemble
'Ula No Weo
123 bpm • F Maj • 02:24 • -15db
13% Popularity • 77% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Ato Episcopus Trecensis
O Adiutor Omnium Seculorum
135 bpm • F min • 05:32 • -23.92db
3% Popularity • 22% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Jocelyn Pook
How Sweet The Moonlight [The Merchant of...
135 bpm • D# Maj • 04:19 • -22.58db
24% Popularity • 19% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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St.Petersburg Chamber Choir
Our Father
136 bpm • F Maj • 03:26 • -28.28db
25% Popularity • 15% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
29% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Francisco Guerrero
Ave Virgo Sanctissima
136 bpm • B min • 04:01 • -23db
4% Popularity • 17% Danceability • 12% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
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Pérotin
Beata Viscera II
122 bpm • G Maj • 02:57 • -24.66db
8% Popularity • 19% Danceability • 3% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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The Rose Ensemble
Beata Dei Genitrix Maria
135 bpm • A min • 01:56 • -20.57db
1% Popularity • 20% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
136 bpm • D# min • 04:52 • -29.48db
12% Popularity • 15% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Gloria: Gloria in excelsis Deo
136 bpm • C# Maj • 02:19 • -15.84db
29% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
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Pēteris Vasks
Vasara (Summer)
137 bpm • A min • 04:22 • -26.33db
15% Popularity • 20% Danceability • 6% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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The Newton Brothers
Holy Holy Holy
137 bpm • D Maj • 02:25 • -13.26db
22% Popularity • 21% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Pérotin
Beata Viscera II (Arr. Paul Smith / Apol...
137 bpm • G Maj • 02:56 • -14db
19% Popularity • 16% Danceability • 16% Energy • 18% Liveness
15% Instrumentalness • 6% Positiveness
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The Rose Ensemble
Lei Gardenia
122 bpm • D# Maj • 02:13 • -16.29db
10% Popularity • 35% Danceability • 19% Energy • 15% Liveness
53% Instrumentalness • 16% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Choir of the Monks of Chevetogne
Exaltation of the Holy Cross: Irmos of t...
138 bpm • G# min • 02:18 • -24db
19% Popularity • 20% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Dan Forrest
Requiem for the Living: I. Introit - Kyr...
138 bpm • D min • 10:20 • -19.94db
8% Popularity • 15% Danceability • 14% Energy • 33% Liveness
90% Instrumentalness • 3% Positiveness
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Anna Thorvaldsdottir
Heyr þú oss himnum á
138 bpm • D min • 04:22 • -27.71db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
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Gjermund Larsen
Solistvals (Soloist's Waltz)
138 bpm • G Maj • 03:59 • -22db
9% Popularity • 18% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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The Rose Ensemble
Saltarello
122 bpm • B min • 03:31 • -20.16db
2% Popularity • 60% Danceability • 32% Energy • 21% Liveness
98% Instrumentalness • 96% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Divna Ljubojević
Heruvimska pesma
138 bpm • D# min • 02:12 • -12db
14% Popularity • 21% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Stala še jest věc diviná