Songs like Standing On the Corner (From "the Most Happy Fella") [Arr. For Flute and Voice] by Jane Rutter
Based on a tempo of (+/- 10%) and a similar genre
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Anne-Marguerite Michaud
The Music-Box
120 bpm • G# Maj • 01:34 • -27.6db
10% Popularity • 54% Danceability • 7% Energy • 11% Liveness
62% Instrumentalness • 83% Positiveness
10% Popularity • 54% Danceability • 7% Energy • 11% Liveness
62% Instrumentalness • 83% Positiveness
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Fredell caparon
rest of your days
120 bpm • C Maj • 02:18 • -23.74db
9% Popularity • 56% Danceability • 10% Energy • 11% Liveness
65% Instrumentalness • 22% Positiveness
9% Popularity • 56% Danceability • 10% Energy • 11% Liveness
65% Instrumentalness • 22% Positiveness
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Cello Covers
Calm Your Nerves with Cello Music
120 bpm • D Maj • 04:17 • -29.3db
21% Popularity • 62% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 8% Positiveness
21% Popularity • 62% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 8% Positiveness
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蔡榮吉
天鵝
120 bpm • A min • 03:15 • -16.43db
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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KiriVi
DreamScape
120 bpm • C Maj • 01:43 • -27.26db
15% Popularity • 47% Danceability • 6% Energy • 33% Liveness
28% Instrumentalness • 60% Positiveness
15% Popularity • 47% Danceability • 6% Energy • 33% Liveness
28% Instrumentalness • 60% Positiveness
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Daniel Borgens
Minimalist Musings
120 bpm • C Maj • 01:36 • -37.88db
23% Popularity • 75% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 60% Positiveness
23% Popularity • 75% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 60% Positiveness
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Anatolia Amoretti
Once Every Lifetime
120 bpm • F Maj • 01:54 • -16.49db
26% Popularity • 28% Danceability • 10% Energy • 9% Liveness
11% Instrumentalness • 8% Positiveness
26% Popularity • 28% Danceability • 10% Energy • 9% Liveness
11% Instrumentalness • 8% Positiveness
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Edino Krieger
Romanceiro
120 bpm • A Maj • 02:55 • -24.63db
9% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
9% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
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Alan Hovhaness
The Garden of Adonis, Op. 245: I. Largo
121 bpm • C min • 02:00 • -26.15db
12% Popularity • 23% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
12% Popularity • 23% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11:...
119 bpm • A# Maj • 07:03 • -25db
8% Popularity • 21% Danceability • 6% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 6% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
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Francesco Lecce
Sonate e Partite: No. 19, Allegro (Recom...
118 bpm • F Maj • 02:03 • -12.6db
22% Popularity • 48% Danceability • 19% Energy • 5% Liveness
89% Instrumentalness • 98% Positiveness
22% Popularity • 48% Danceability • 19% Energy • 5% Liveness
89% Instrumentalness • 98% Positiveness
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Juan Martínez Pérez
Eclipses
118 bpm • E Maj • 02:17 • -12.7db
29% Popularity • 42% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 12% Positiveness
29% Popularity • 42% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 12% Positiveness
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Martin Romberg
Nilmë, variasjoner over et gammelt tema...
118 bpm • A min • 05:54 • -25.64db
14% Popularity • 42% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
14% Popularity • 42% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Franz Schubert
Schwanengesang, D. 957 (Arr. for Flute &...
117 bpm • D min • 04:24 • -23.15db
16% Popularity • 29% Danceability • 7% Energy • 14% Liveness
67% Instrumentalness • 20% Positiveness
16% Popularity • 29% Danceability • 7% Energy • 14% Liveness
67% Instrumentalness • 20% Positiveness
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Carlos Salzedo
5 Preludes for Harp Alone: No. 2, Quietu...
117 bpm • F# min • 02:24 • -31.67db
3% Popularity • 40% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
3% Popularity • 40% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Gavin Bryars
Ah, Belinda
117 bpm • C min • 02:03 • -17.88db
14% Popularity • 31% Danceability • 10% Energy • 7% Liveness
52% Instrumentalness • 29% Positiveness
14% Popularity • 31% Danceability • 10% Energy • 7% Liveness
52% Instrumentalness • 29% Positiveness
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Jane Rutter
Flor De Lis
117 bpm • G Maj • 04:41 • -11.6db
3% Popularity • 72% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
3% Popularity • 72% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Erkki Melartin
Hyvyyden voiman ihmeelliseen suojaan
117 bpm • C Maj • 02:39 • -21.33db
18% Popularity • 25% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 18% Positiveness
18% Popularity • 25% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 18% Positiveness
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Ingo Höricht
Cloudy Sunrise
124 bpm • A min • 03:27 • -13.13db
11% Popularity • 28% Danceability • 19% Energy • 8% Liveness
36% Instrumentalness • 13% Positiveness
11% Popularity • 28% Danceability • 19% Energy • 8% Liveness
36% Instrumentalness • 13% Positiveness
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Bello
Sous la lune
116 bpm • E Maj • 01:51 • -18.79db
8% Popularity • 32% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
8% Popularity • 32% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
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Mr & Mrs Cello
Amarcord
116 bpm • D# Maj • 02:11 • -16.08db
18% Popularity • 28% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 28% Positiveness
18% Popularity • 28% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 28% Positiveness
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Fatih Marufoğlu
Fugue for 3 Mandolins & Mandola
124 bpm • G Maj • 02:30 • -14.46db
8% Popularity • 74% Danceability • 40% Energy • 8% Liveness
91% Instrumentalness • 93% Positiveness
8% Popularity • 74% Danceability • 40% Energy • 8% Liveness
91% Instrumentalness • 93% Positiveness
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Edvard Grieg
二つの悲しき旋律: 第1曲: 傷�...
124 bpm • G# Maj • 03:16 • -20.15db
8% Popularity • 19% Danceability • 10% Energy • 20% Liveness
53% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 10% Energy • 20% Liveness
53% Instrumentalness • 4% Positiveness
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Francesco Lecce
Sonate e Partite: No. 7, Vivace (Recompo...
124 bpm • G Maj • 01:18 • -10.98db
23% Popularity • 54% Danceability • 22% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
23% Popularity • 54% Danceability • 22% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899 (Arr. I. Jo...
124 bpm • D# min • 05:06 • -22.62db
11% Popularity • 27% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
11% Popularity • 27% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Wayne Liesching
Tango Fantasy
125 bpm • C min • 02:18 • -10.95db
10% Popularity • 53% Danceability • 33% Energy • 26% Liveness
19% Instrumentalness • 30% Positiveness
10% Popularity • 53% Danceability • 33% Energy • 26% Liveness
19% Instrumentalness • 30% Positiveness
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Brian Byrne
Helen And Albert In Cafe
115 bpm • A Maj • 01:21 • -24.83db
17% Popularity • 50% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
17% Popularity • 50% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Friedrich Burgmüller
3 Nocturnes: No. 3 in C Major
115 bpm • C Maj • 02:13 • -17.48db
10% Popularity • 32% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 43% Positiveness
10% Popularity • 32% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 43% Positiveness
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Laurel Zucker
Laurel Zucker -Sailing
115 bpm • C# Maj • 03:31 • -25db
11% Popularity • 36% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 34% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 34% Positiveness
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Luke Faulkner
The Road to Casterbridge
115 bpm • A min • 03:09 • -25.58db
33% Popularity • 22% Danceability • 5% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
33% Popularity • 22% Danceability • 5% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
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Franz Schubert
Introduction & Variations on "Trockne Bl...
125 bpm • C# min • 02:54 • -16.32db
15% Popularity • 43% Danceability • 9% Energy • 15% Liveness
67% Instrumentalness • 26% Positiveness
15% Popularity • 43% Danceability • 9% Energy • 15% Liveness
67% Instrumentalness • 26% Positiveness
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Miljan Minic
Note Eruption
115 bpm • A min • 02:00 • -22.31db
11% Popularity • 32% Danceability • 1% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
11% Popularity • 32% Danceability • 1% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
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Philippe Gaubert
Sur l'eau
126 bpm • F# Maj • 03:26 • -25db
9% Popularity • 27% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
9% Popularity • 27% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Armonía divina
Te doy gracias
126 bpm • A Maj • 04:48 • -10.74db
11% Popularity • 27% Danceability • 27% Energy • 18% Liveness
36% Instrumentalness • 11% Positiveness
11% Popularity • 27% Danceability • 27% Energy • 18% Liveness
36% Instrumentalness • 11% Positiveness
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Rodrigo Riera
Preludio criollo - Duo violín y guitarr...
126 bpm • G min • 04:06 • -22.13db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
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John Dowland
Slow Renaissance Dance
114 bpm • E min • 02:32 • -9.22db
0% Popularity • 37% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
0% Popularity • 37% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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slowed nation
Concerto in F Minor, BWV. 1056. I. Adagi...
114 bpm • E Maj • 03:29 • -34.28db
11% Popularity • 43% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
11% Popularity • 43% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Giovanni Sollima
Strada lunga
126 bpm • D Maj • 01:46 • -14.34db
15% Popularity • 28% Danceability • 19% Energy • 9% Liveness
23% Instrumentalness • 26% Positiveness
15% Popularity • 28% Danceability • 19% Energy • 9% Liveness
23% Instrumentalness • 26% Positiveness
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Joaquín Rodrigo
Concierto De Aranjuez
127 bpm • F# min • 03:58 • -24.29db
13% Popularity • 21% Danceability • 4% Energy • 14% Liveness
80% Instrumentalness • 5% Positiveness
13% Popularity • 21% Danceability • 4% Energy • 14% Liveness
80% Instrumentalness • 5% Positiveness
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Dalwyn Henshall
Three Welsh Dances: No. 3, Allegro assai
127 bpm • D Maj • 01:08 • -28.63db
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Takako Nishizaki
The Shepherd Girl (arr. for violin and o...
127 bpm • D min • 03:06 • -19.34db
19% Popularity • 21% Danceability • 13% Energy • 23% Liveness
76% Instrumentalness • 21% Positiveness
19% Popularity • 21% Danceability • 13% Energy • 23% Liveness
76% Instrumentalness • 21% Positiveness
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Anja Linder
Sonata for Arpeggione and Keyboard in A ...
113 bpm • E Maj • 03:55 • -26.49db
8% Popularity • 26% Danceability • 2% Energy • 20% Liveness
80% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 2% Energy • 20% Liveness
80% Instrumentalness • 5% Positiveness
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Patricia Spero
Le Cygne
128 bpm • A min • 02:48 • -21.96db
15% Popularity • 26% Danceability • 11% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
15% Popularity • 26% Danceability • 11% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
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John Ottman
Paint Me A Rembrandt / Harry Accepts
128 bpm • F# min • 03:29 • -23.33db
14% Popularity • 25% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 25% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 7% Positiveness
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Edvard Grieg
二つの悲しき旋律: 第2曲: 過�...
128 bpm • G Maj • 04:37 • -21.22db
8% Popularity • 17% Danceability • 9% Energy • 23% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 9% Energy • 23% Liveness
85% Instrumentalness • 4% Positiveness
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Pekka Syrjäniemi
Niin levoton on tänään maailmamme
112 bpm • A min • 02:19 • -20.42db
17% Popularity • 36% Danceability • 7% Energy • 14% Liveness
86% Instrumentalness • 26% Positiveness
17% Popularity • 36% Danceability • 7% Energy • 14% Liveness
86% Instrumentalness • 26% Positiveness
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Panu Aaltio
Snowfall
112 bpm • G Maj • 02:33 • -34.6db
14% Popularity • 25% Danceability • 1% Energy • 9% Liveness
24% Instrumentalness • 10% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 9% Liveness
24% Instrumentalness • 10% Positiveness
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Bernard Andrès
Algues: VI. —
112 bpm • C Maj • 01:49 • -25.63db
14% Popularity • 37% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 20% Positiveness
14% Popularity • 37% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 20% Positiveness
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Mohammad Taherkhani
Study in E Minor by Francisco Tarrega
112 bpm • E min • 01:22 • -29.12db
39% Popularity • 56% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
39% Popularity • 56% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Jane Rutter
Exotic Dance No. 1
129 bpm • D Maj • 01:53 • -20.59db
1% Popularity • 39% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
1% Popularity • 39% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Harish Powar
Once Upon a Time
129 bpm • E Maj • 02:09 • -23.24db
27% Popularity • 49% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 45% Positiveness
27% Popularity • 49% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 45% Positiveness
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Jean Charnaux
Estudo em Mi Maior
112 bpm • E Maj • 01:40 • -17.83db
20% Popularity • 39% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
20% Popularity • 39% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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Manuel de Falla
7 Canciones populares Españolas (Excerp...
111 bpm • A min • 01:42 • -22.89db
14% Popularity • 24% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
14% Popularity • 24% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Anne-Marguerite Michaud
Children's Hour: The Sandman
111 bpm • G Maj • 01:32 • -27.76db
12% Popularity • 43% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
12% Popularity • 43% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
► Preview
Alexandre Tansman
Sonatine pour basson et piano: II. Aria ...
130 bpm • A min • 02:51 • -26db
9% Popularity • 17% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 8% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 8% Positiveness
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Jane Rutter
Wave
130 bpm • G Maj • 04:00 • -12.91db
4% Popularity • 68% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 63% Positiveness
4% Popularity • 68% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 63% Positiveness
► Preview
G. I. Gurdjieff
Danse derviche da Musiques des Sayyids e...
130 bpm • D min • 01:03 • -11.2db
9% Popularity • 61% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
9% Popularity • 61% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
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Hu-Wei Huang
Pictures from Bashu (arr. Yi-Wen Jiang f...
131 bpm • A min • 01:31 • -26.99db
18% Popularity • 25% Danceability • 3% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
18% Popularity • 25% Danceability • 3% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
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Claire Jones
J.S. Bach: The Well-Tempered Clavier, Bo...
131 bpm • C Maj • 02:27 • -23.82db
11% Popularity • 34% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 55% Positiveness
11% Popularity • 34% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 55% Positiveness
► Preview
Ruth Byrchmore
Abracadabra
110 bpm • F Maj • 01:46 • -17.31db
8% Popularity • 57% Danceability • 9% Energy • 17% Liveness
68% Instrumentalness • 68% Positiveness
8% Popularity • 57% Danceability • 9% Energy • 17% Liveness
68% Instrumentalness • 68% Positiveness
► Preview
Paul Reade
Victorian Kitchen Garden Suite (Arr. for...
110 bpm • A# Maj • 02:38 • -31.83db
14% Popularity • 29% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
14% Popularity • 29% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Jane Rutter
Lua Soberana
111 bpm • E Maj • 03:27 • -9.79db
1% Popularity • 51% Danceability • 40% Energy • 10% Liveness
96% Instrumentalness • 47% Positiveness
1% Popularity • 51% Danceability • 40% Energy • 10% Liveness
96% Instrumentalness • 47% Positiveness
► Preview
Marcel Barsotti
Rabbit with Gravy
110 bpm • G min • 01:36 • -30.08db
18% Popularity • 40% Danceability • 3% Energy • 13% Liveness
78% Instrumentalness • 18% Positiveness
18% Popularity • 40% Danceability • 3% Energy • 13% Liveness
78% Instrumentalness • 18% Positiveness
► Preview
Tomaso Albinoni
Adagio in G Minor
110 bpm • D min • 01:45 • -21.85db
17% Popularity • 56% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
17% Popularity • 56% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
► Preview
João Marcondes
Movimento II - Jobim-açu
110 bpm • C Maj • 02:43 • -21.67db
11% Popularity • 48% Danceability • 2% Energy • 12% Liveness
39% Instrumentalness • 34% Positiveness
11% Popularity • 48% Danceability • 2% Energy • 12% Liveness
39% Instrumentalness • 34% Positiveness
► Preview
George Frideric Handel
Theme and Variations in G Minor
109 bpm • G min • 07:57 • -30.81db
11% Popularity • 32% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
11% Popularity • 32% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
► Preview
Franz Schubert
Allegretto in C Minor, D. 915 (Arr. I. J...
109 bpm • G# Maj • 05:30 • -27.36db
11% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
11% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Jane Rutter
Ainda Me Recordo
110 bpm • F Maj • 02:56 • -11.16db
4% Popularity • 61% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 83% Positiveness
4% Popularity • 61% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 83% Positiveness
► Preview
Anders Jormin
Murmurations of Starlings
109 bpm • G Maj • 05:52 • -20.13db
7% Popularity • 22% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
7% Popularity • 22% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Gregor Strniša
Tugomer
132 bpm • C Maj • 05:01 • -17.36db
15% Popularity • 25% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
15% Popularity • 25% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Shinya Kiyozuka
微笑みの生まれる場所 ~黄昏�...
132 bpm • G# Maj • 02:41 • -20.64db
13% Popularity • 31% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 31% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Alan Hovhaness
Suite for Flute & Harp, Op. 245 "The Gar...
109 bpm • E min • 01:51 • -22.78db
8% Popularity • 36% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
8% Popularity • 36% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Jean-Marie Leclair
Jolie Gigue
109 bpm • A# Maj • 02:04 • -12.37db
2% Popularity • 64% Danceability • 16% Energy • 13% Liveness
87% Instrumentalness • 92% Positiveness
2% Popularity • 64% Danceability • 16% Energy • 13% Liveness
87% Instrumentalness • 92% Positiveness
► Preview
Jane Rutter
Tico Tico no Fubá
131 bpm • C Maj • 03:09 • -9.33db
3% Popularity • 75% Danceability • 49% Energy • 17% Liveness
93% Instrumentalness • 81% Positiveness
3% Popularity • 75% Danceability • 49% Energy • 17% Liveness
93% Instrumentalness • 81% Positiveness
► Preview
Desi Kaur
Lost in Translation
109 bpm • B Maj • 01:54 • -22.97db
10% Popularity • 37% Danceability • 5% Energy • 12% Liveness
15% Instrumentalness • 90% Positiveness
10% Popularity • 37% Danceability • 5% Energy • 12% Liveness
15% Instrumentalness • 90% Positiveness
► Preview
Francois Couture
Sonate pour quatre guitares No. 1: II.
133 bpm • B min • 01:09 • -23.53db
27% Popularity • 66% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
27% Popularity • 66% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
► Preview
Charles Koechlin
Les Confidences d'un Joueur de Clarinett...
133 bpm • C# min • 01:09 • -19.41db
8% Popularity • 32% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
8% Popularity • 32% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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Enrique Granados
8 Valses poéticos, H. 136 (Arr. for Cel...
108 bpm • A Maj • 01:33 • -19.58db
11% Popularity • 47% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 25% Positiveness
11% Popularity • 47% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 25% Positiveness
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Ferenc Farkas
Danses hongroises du 17ème Siècle: I. ...
108 bpm • F Maj • 02:28 • -25db
9% Popularity • 54% Danceability • 3% Energy • 14% Liveness
96% Instrumentalness • 22% Positiveness
9% Popularity • 54% Danceability • 3% Energy • 14% Liveness
96% Instrumentalness • 22% Positiveness
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Allexandre Goz
The Fountain
134 bpm • D# min • 01:21 • -20.53db
11% Popularity • 66% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 39% Positiveness
11% Popularity • 66% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 39% Positiveness
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Jacarmony
Beyond
107 bpm • C Maj • 01:13 • -23.69db
17% Popularity • 58% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
17% Popularity • 58% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
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Sachiko Goto
Battement Tendu - 1 "Evita" On This Nigh...
107 bpm • G Maj • 01:26 • -20.95db
15% Popularity • 43% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
15% Popularity • 43% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Milo Paulus
The Long Day Closes: II. An Unquiet Day
107 bpm • E Maj • 02:16 • -16.09db
15% Popularity • 21% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
15% Popularity • 21% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 (Arr. A.S. ...
136 bpm • G Maj • 01:03 • -22.56db
10% Popularity • 33% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
10% Popularity • 33% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Paul Mattua
Masque of Us
107 bpm • A# Maj • 01:29 • -28.93db
17% Popularity • 48% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 19% Positiveness
17% Popularity • 48% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 19% Positiveness
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Henri Büsser
Les cygnes
106 bpm • A Maj • 02:32 • -22.79db
15% Popularity • 27% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
15% Popularity • 27% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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最好的時光三重奏
來自依帕內瑪的女孩
136 bpm • F Maj • 04:08 • -17.6db
13% Popularity • 32% Danceability • 13% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
13% Popularity • 32% Danceability • 13% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
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Nino Rota
Sarabanda e Toccata per Arpa: II. Toccat...
106 bpm • A min • 02:30 • -24db
17% Popularity • 31% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
17% Popularity • 31% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Daniel Borgens
Mystical Interplay
136 bpm • C min • 02:07 • -36.39db
7% Popularity • 41% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 32% Positiveness
7% Popularity • 41% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 32% Positiveness
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Michael Raven
Dark Sonata
136 bpm • G Maj • 02:07 • -36.66db
12% Popularity • 54% Danceability • 2% Energy • 14% Liveness
85% Instrumentalness • 26% Positiveness
12% Popularity • 54% Danceability • 2% Energy • 14% Liveness
85% Instrumentalness • 26% Positiveness
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Jane Rutter
Romance
136 bpm • B min • 01:52 • -17.91db
2% Popularity • 40% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
2% Popularity • 40% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Dmitri Shostakovich
Spanish Songs, Op. 100 (Arr. for Cello &...
136 bpm • D# Maj • 02:15 • -26.51db
13% Popularity • 19% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Carlo Corazza
Suite Modale: II. L'istesso tempo
105 bpm • E min • 02:26 • -14.71db
11% Popularity • 29% Danceability • 15% Energy • 12% Liveness
84% Instrumentalness • 30% Positiveness
11% Popularity • 29% Danceability • 15% Energy • 12% Liveness
84% Instrumentalness • 30% Positiveness
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Domenico Scarlatti
Sonata in A Major, K. 323 - Bonus Track
106 bpm • E Maj • 01:56 • -29.63db
19% Popularity • 35% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
19% Popularity • 35% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Franz Schubert
Arpeggione Sonata in A Minor, D. 821 (Ar...
105 bpm • E Maj • 09:07 • -19.85db
11% Popularity • 39% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
11% Popularity • 39% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Daniel Borgens
Whimsical Waltz Variations
136 bpm • F min • 01:52 • -29.98db
11% Popularity • 40% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
11% Popularity • 40% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
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Jane Rutter
The Last Post - Remix
137 bpm • C Maj • 05:49 • -11.2db
1% Popularity • 58% Danceability • 62% Energy • 23% Liveness
80% Instrumentalness • 11% Positiveness
1% Popularity • 58% Danceability • 62% Energy • 23% Liveness
80% Instrumentalness • 11% Positiveness
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Niccolò Paganini
Ghiribizzi, Ms 43: No. 8 in C Major. And...
137 bpm • C Maj • 01:10 • -33.7db
23% Popularity • 32% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
23% Popularity • 32% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
