Songs like Star Wars: A Cappella Strikes Back (Medley) by BYU Noteworthy
Based on a tempo of (+/- 10%) and a similar genre
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City Of Enoch
Scars
95 bpm • A Maj • 03:45 • -9.66db
18% Popularity • 51% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 51% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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BYU Noteworthy
You'll Be in My Heart
95 bpm • C Maj • 03:49 • -7.16db
25% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Grant Lemon
Pillar of Light
95 bpm • C Maj • 03:59 • -7.06db
32% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Dallyn Vail Bayles
Joseph's Lullaby
95 bpm • E Maj • 03:58 • -14.52db
12% Popularity • 25% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 25% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Voice Male
Be Still, My Soul
94 bpm • C min • 04:32 • -13.92db
29% Popularity • 27% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 27% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Canyon View Youth Choir
Fire of the Covenant
94 bpm • D Maj • 04:41 • -12.57db
11% Popularity • 35% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 35% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Shawna Edwards
Oh Noah!
96 bpm • C Maj • 01:57 • -10.2db
33% Popularity • 73% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 73% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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BYU Noteworthy
Star Wars: A Cappella Strikes Back (Medl...
95 bpm • B Maj • 04:01 • -7.4db
7% Popularity • 31% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
7% Popularity • 31% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Michael R. Hicks
Born Still in the Arms of God
94 bpm • C Maj • 04:23 • -10.55db
14% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Edward Partridge
Let Zion in Her Beauty Rise (Arr. J. Kas...
93 bpm • F Maj • 02:48 • -14.9db
18% Popularity • 16% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 16% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Sage Patchin
For You
97 bpm • B Maj • 03:45 • -8db
26% Popularity • 66% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 66% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Noelle Bybee
Press Forward
97 bpm • A# Maj • 04:00 • -7db
33% Popularity • 48% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 48% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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David Wesley
Real Life Offering
93 bpm • F# Maj • 03:50 • -9.06db
13% Popularity • 69% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 69% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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BYU Noteworthy
Thank God I Do
96 bpm • G Maj • 04:11 • -8.14db
15% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Tyler Castleton and Wayne Burton
Peace
93 bpm • A# Maj • 03:46 • -13.18db
11% Popularity • 21% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 21% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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City Of Enoch
The Calm
98 bpm • C# min • 03:54 • -8.7db
14% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Helga CamÃn
Better Life
98 bpm • B Maj • 02:39 • -4db
26% Popularity • 68% Danceability • 85% Energy • 67% Liveness
2% Instrumentalness • 39% Positiveness
26% Popularity • 68% Danceability • 85% Energy • 67% Liveness
2% Instrumentalness • 39% Positiveness
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Logan Shelton
Battle Cry
92 bpm • G# Maj • 03:35 • -3.61db
20% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Seal
Waiting for You (Arr. C. Papworth)
98 bpm • B Maj • 03:30 • -4.45db
0% Popularity • 37% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 37% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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BYU Noteworthy
His Perfect Love
97 bpm • D Maj • 03:06 • -9.68db
27% Popularity • 27% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 27% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Michael McLean
The Best Two Years
92 bpm • D Maj • 03:31 • -10.75db
23% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Camry Pula
Change
92 bpm • D Maj • 03:28 • -5.76db
30% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Shawna Edwards
More Than Enough
98 bpm • G Maj • 03:39 • -8.22db
37% Popularity • 59% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 59% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Beyond 5
I Need Thee Every Hour
99 bpm • C Maj • 03:22 • -11db
42% Popularity • 25% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 25% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Tanner Linford
He Is There
99 bpm • D Maj • 02:58 • -7db
29% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Nik Day
Solid Ground
99 bpm • A Maj • 03:42 • -6.35db
26% Popularity • 54% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 54% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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April Meservy
Unbroken
91 bpm • F# Maj • 02:57 • -9.44db
25% Popularity • 58% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 58% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Mercy River
Be Loved
91 bpm • C# Maj • 04:02 • -8.62db
8% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Shawna Edwards
Restored
91 bpm • C Maj • 03:41 • -9.18db
33% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Chris Rupp
I Love to Tell the Story
100 bpm • A# Maj • 03:50 • -11.04db
13% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Mackenzie Tolk
Beautiful Savior
100 bpm • B Maj • 02:57 • -11.48db
15% Popularity • 21% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 21% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Angie Killian
Come, Follow Me
100 bpm • C Maj • 02:37 • -9db
21% Popularity • 49% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 49% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Lex de Azevedo
Line Upon Line
100 bpm • D# Maj • 03:35 • -8db
22% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Wayne Rodrigues
Unwritten (Arr. J. Donkin)
100 bpm • A# Maj • 03:04 • -5.41db
7% Popularity • 62% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 62% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Allyse Smith
To Be Like Him
90 bpm • F Maj • 06:26 • -11db
8% Popularity • 41% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 41% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Shawna Edwards
Liken the Scriptures
90 bpm • G Maj • 02:47 • -9.11db
35% Popularity • 70% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 70% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Liahona Olayan
Live Forever
90 bpm • E Maj • 02:53 • -5.64db
30% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Angie Killian
Step by Step
90 bpm • F Maj • 04:21 • -10.02db
19% Popularity • 49% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 49% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Patch Crowe
If We Love Him - Male Version
101 bpm • C Maj • 03:45 • -6.31db
35% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jericho Road
Homeward Bound
100 bpm • F Maj • 04:20 • -10.01db
20% Popularity • 31% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 31% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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BYU Noteworthy
Savior, Redeemer of My Soul
101 bpm • A Maj • 03:03 • -10.21db
8% Popularity • 21% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 21% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Beyond 5
Come Thou Fount of Every Blessing
89 bpm • D# Maj • 03:14 • -12db
39% Popularity • 36% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 36% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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BYU Vocal Point
In Christ Alone
102 bpm • A Maj • 03:27 • -9.85db
36% Popularity • 29% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 29% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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April Meservy
Truth Speak
102 bpm • A Maj • 02:12 • -12.5db
33% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Lauryn Judd
If We Love Him
101 bpm • F Maj • 03:44 • -4.14db
36% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jericho Road
Abide with Me / Abide with Me; 'tis Even...
89 bpm • D Maj • 04:05 • -12.04db
17% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Madilyn Paige
Come Unto Jesus
102 bpm • A# Maj • 03:24 • -8.41db
38% Popularity • 63% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 63% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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BYU Noteworthy
I'm Trying to Be Like Jesus
102 bpm • A# Maj • 03:27 • -8.91db
35% Popularity • 24% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 24% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Kalli Jackson
Dearest Children, God Is Near You
103 bpm • A# Maj • 03:40 • -12.05db
29% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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April Meservy
Coming Home
102 bpm • F Maj • 03:49 • -11.7db
24% Popularity • 52% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 52% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Noelle Bybee
Lift Your Eyes
103 bpm • D Maj • 03:13 • -6.19db
35% Popularity • 60% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 60% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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McKenna Hixson
Strong
87 bpm • F Maj • 03:07 • -6db
39% Popularity • 61% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 61% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Mark Schultz
This Is My Father's World
87 bpm • C# Maj • 02:51 • -12db
42% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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BYU Noteworthy
You Say
102 bpm • F Maj • 04:13 • -5.49db
23% Popularity • 30% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 30% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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Elenyi
I Need Thee Every Hour / Señor Te Neces...
103 bpm • D# Maj • 02:57 • -12.81db
35% Popularity • 60% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 60% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Freddie Ashby
Teach Me to Walk in the Light / Love One...
87 bpm • D Maj • 05:48 • -12.75db
14% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Clayton Pixton
Teach Me To Walk In The Light
104 bpm • A Maj • 01:49 • -14.13db
33% Popularity • 42% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 42% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Everson
Don't You Fear
87 bpm • A Maj • 04:53 • -9.58db
26% Popularity • 27% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 27% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Chris Rupp
Old Church Choir
104 bpm • C Maj • 02:54 • -6.88db
23% Popularity • 68% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 68% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Blake Gillette
Choose to Serve the Lord
86 bpm • F Maj • 03:16 • -6db
31% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Christian Affleck
The Body of Christ
104 bpm • C Maj • 02:48 • -5.98db
31% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Lauryn Judd
We Stand
105 bpm • F# Maj • 02:31 • -5.13db
26% Popularity • 63% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 63% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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City Of Enoch
Beautiful
86 bpm • C min • 03:07 • -5.5db
20% Popularity • 38% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 38% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Truman Brothers
Higher
105 bpm • G# Maj • 03:23 • -5.98db
15% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Voice Male
Where Can I Turn for Peace?
86 bpm • C Maj • 02:32 • -11.92db
33% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Allyse Smith
Homeward Bound
86 bpm • D# Maj • 03:45 • -11db
13% Popularity • 34% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 34% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jericho Road
In Humility, Our Savior
105 bpm • F Maj • 04:34 • -11.74db
13% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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David Haas
We Are Called
106 bpm • A Maj • 04:38 • -7.71db
33% Popularity • 37% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 37% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Twila Paris
How Beautiful
105 bpm • A Maj • 04:40 • -8.59db
41% Popularity • 30% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 30% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Nik Day
Last Time
106 bpm • C Maj • 03:13 • -6.98db
24% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Brynleigh Kinne
When the Time is Right
106 bpm • C Maj • 03:03 • -7.84db
30% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Stephen Brown
Sun’s Gonna Rise
106 bpm • C# Maj • 03:52 • -5.67db
22% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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John Canaan
Keep The Commandments
85 bpm • F Maj • 02:29 • -11.52db
29% Popularity • 26% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 26% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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City Of Enoch
Trust in You
106 bpm • G# Maj • 03:21 • -5.67db
14% Popularity • 61% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 61% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Hannah Morby
Ask of God - Female Version
85 bpm • A# Maj • 03:00 • -6.46db
33% Popularity • 56% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 56% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Rebecca Mohler
Nearer My God to Thee
106 bpm • D Maj • 03:15 • -19.29db
25% Popularity • 48% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 48% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Mercy River
If We're Honest
107 bpm • A# Maj • 03:16 • -9.7db
15% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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BYU Noteworthy
Isn't She Lovely
107 bpm • E Maj • 02:46 • -5.56db
7% Popularity • 44% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 44% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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BYU Vocal Point
I Need Thee Every Hour (Arr. McKay Crock...
84 bpm • A# Maj • 03:35 • -13.73db
39% Popularity • 16% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
39% Popularity • 16% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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City Of Enoch
Because He Lives (Amen)
85 bpm • C Maj • 03:11 • -5.08db
15% Popularity • 34% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 34% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Tonga Sisters
Because I Have Been Given Much
107 bpm • D# Maj • 03:01 • -11db
19% Popularity • 41% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 41% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Brian Richton
Stand
84 bpm • F# Maj • 04:17 • -5.17db
20% Popularity • 50% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 50% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Freddie Ashby
Come, Thou Fount of Every Blessing
84 bpm • A# Maj • 06:13 • -15.37db
26% Popularity • 26% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 26% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Angie Killian
I Am Thankful
108 bpm • C Maj • 03:02 • -13.3db
26% Popularity • 51% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 51% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Nichole Nordeman
How Deep The Father's Love For Us
108 bpm • D Maj • 03:47 • -14db
35% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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BYU Vocal Point
Be Still, My Soul (Arr. Michael R. Hicks...
84 bpm • B Maj • 04:19 • -15.95db
38% Popularity • 21% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 21% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Kirsten Milsap
My Name Is Hope
84 bpm • A# Maj • 04:52 • -11.3db
8% Popularity • 27% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 27% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Gabrielle Mckeon
He Believes in You
84 bpm • G Maj • 03:24 • -6.63db
24% Popularity • 41% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 41% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Nik Day
He Loves You Enough
108 bpm • C# Maj • 02:41 • -5.17db
27% Popularity • 75% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 75% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Shawna Edwards
God's Love
108 bpm • D Maj • 03:40 • -11.54db
23% Popularity • 75% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 75% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Michael R. Hicks Youth choir
The Spirit Of God
108 bpm • D# Maj • 05:51 • -14db
29% Popularity • 21% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
29% Popularity • 21% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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BYU Vocal Point
Nearer, My God, to Thee (Arr. James L. S...
84 bpm • D# Maj • 03:11 • -9.86db
46% Popularity • 20% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 20% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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BYU Noteworthy
How Great Thou Art (Arr. Catherine Papwo...
83 bpm • A# Maj • 04:09 • -7.81db
10% Popularity • 18% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 18% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Chris Rupp
I Will Rise
83 bpm • B Maj • 04:19 • -8.42db
12% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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John Canaan
When He Comes Again
83 bpm • F Maj • 04:17 • -11.76db
23% Popularity • 34% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 34% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Michael R. Hicks
Efy Medley: As Sisters in Zion / We'll B...
83 bpm • F Maj • 05:35 • -15.43db
39% Popularity • 12% Danceability • 20% Energy • 27% Liveness
8% Instrumentalness • 14% Positiveness
39% Popularity • 12% Danceability • 20% Energy • 27% Liveness
8% Instrumentalness • 14% Positiveness
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Hannah Eyre
Trust With All Your Heart
83 bpm • G Maj • 03:55 • -5.49db
23% Popularity • 51% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 51% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Ethington
Army Of Helaman
109 bpm • C Maj • 04:32 • -18db
35% Popularity • 36% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
35% Popularity • 36% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness