Songs like Stars Fell On Alabama by Lizz Wright
Based on a tempo of (+/- 10%) and a similar genre
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Tierney Sutton
You're Nearer
90 bpm • D# Maj • 03:12 • -22.01db
13% Popularity • 43% Danceability • 3% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
13% Popularity • 43% Danceability • 3% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
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Lizz Wright
Stars Fell On Alabama
90 bpm • D Maj • 03:52 • -14.39db
49% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
49% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Lina Nyberg
Trial
90 bpm • G Maj • 05:40 • -18db
21% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Marek Johnson
Hommage
89 bpm • C Maj • 03:34 • -15.47db
37% Popularity • 27% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
37% Popularity • 27% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
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Anthony Strong
Overjoyed
91 bpm • F Maj • 03:28 • -14db
37% Popularity • 40% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 40% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Cécile McLorin Salvant
Easy Come, Easy Go Blues
89 bpm • A Maj • 02:32 • -15.94db
35% Popularity • 56% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 56% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Hailey Tuck
Junk
91 bpm • A# Maj • 02:59 • -13.39db
35% Popularity • 56% Danceability • 17% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
35% Popularity • 56% Danceability • 17% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
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Lizz Wright
When I Close My Eyes
90 bpm • F Maj • 03:15 • -12db
36% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Nnenna Freelon
The Very Thought of You
91 bpm • D# Maj • 06:01 • -16.03db
39% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Lynne Arriale Trio
Take It with Me
89 bpm • D# Maj • 05:06 • -19.67db
26% Popularity • 39% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 39% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Connie Lansberg
What'll I Do
91 bpm • A# Maj • 04:05 • -14db
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Roberta Gambarini
Lover Man
92 bpm • F Maj • 05:58 • -13.55db
15% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Erika Ingrid
On My Worst Day (I'm Still In Love With ...
88 bpm • C Maj • 03:44 • -15.2db
35% Popularity • 44% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 44% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Carin Lundin
Tribute to Miss A
88 bpm • G# Maj • 03:10 • -14.05db
22% Popularity • 55% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 55% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Cécile McLorin Salvant
Monday
88 bpm • F min • 02:01 • -15.47db
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Lizz Wright
A Taste Of Honey - Alternate Version
88 bpm • E min • 04:05 • -23db
17% Popularity • 30% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 30% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
45% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Ellen Andersson
Once Upon a Summertime
88 bpm • B Maj • 04:39 • -16.83db
32% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Rickie Lee Jones
The Moon Is Made of Gold
92 bpm • E min • 03:00 • -16.3db
54% Popularity • 65% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 65% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Shelby Lynne
The Look Of Love
87 bpm • C Maj • 03:21 • -16db
47% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
47% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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George Benson
Since I Fell For You
93 bpm • G Maj • 02:58 • -12.75db
47% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lizz Wright
Chasing Strange
88 bpm • A# Maj • 03:45 • -14.82db
24% Popularity • 70% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
24% Popularity • 70% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Simone Kopmajer
Sleepwalk
93 bpm • C# min • 03:20 • -13.46db
33% Popularity • 80% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 80% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Hailey Tuck
Polkadots & Moonbeams
87 bpm • A# Maj • 05:06 • -11.12db
46% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Heather Rigdon
Sunday Morning With You
87 bpm • G# Maj • 03:02 • -10.34db
55% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Kevin Mahogany
How Did She Look?
93 bpm • C min • 04:06 • -17.94db
11% Popularity • 43% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 43% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Sinne Eeg
Remembering You
93 bpm • A# Maj • 06:14 • -18.74db
14% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lizz Wright
I'm Confessin'
87 bpm • C# Maj • 02:58 • -16db
47% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Emma Smith
Nice Girls Don't Stay for Breakfast
93 bpm • C Maj • 03:37 • -15.21db
36% Popularity • 55% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
36% Popularity • 55% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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Karen Rosenberg
Who Needs Paris
94 bpm • F Maj • 04:00 • -11.86db
35% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Bria Skonberg
Sway
94 bpm • A min • 03:15 • -13db
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Shelby Lynne
Just A Little Lovin'
94 bpm • A# min • 05:19 • -15db
45% Popularity • 80% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
45% Popularity • 80% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
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Cécile McLorin Salvant
Moon Song
86 bpm • F min • 03:04 • -14db
38% Popularity • 34% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 34% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Lizz Wright
Get Together
92 bpm • D Maj • 04:41 • -13.96db
21% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Danilo Perez
Fiddle and the Drum
94 bpm • A# Maj • 04:05 • -14.77db
4% Popularity • 34% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 34% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Chris Connor
I've Got A Crush On You
94 bpm • D min • 02:18 • -20db
37% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rigmor Gustafsson
Close to You
94 bpm • C# Maj • 04:03 • -15.55db
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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David Sanborn
Don't Let Me Be Lonely Tonight
94 bpm • D min • 06:06 • -9.14db
30% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Lisa Bassenge
Still Crazy After All These Years
94 bpm • G Maj • 03:37 • -11.47db
45% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Lizz Wright
Lead The Way
87 bpm • B min • 04:22 • -12db
24% Popularity • 51% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 51% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Roberta Gambarini
Porgy, I's Your Woman Now/I Loves You , ...
85 bpm • C min • 07:24 • -15.44db
10% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Sachal Vasandani
That's All
85 bpm • C# min • 04:11 • -11db
19% Popularity • 60% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 60% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Rigmor Gustafsson
The Way He Makes Me Feel
95 bpm • C Maj • 02:47 • -8.8db
20% Popularity • 66% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 66% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Nnenna Freelon
Overjoyed
85 bpm • C Maj • 04:45 • -10db
29% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Lauren Henderson
Dindi
96 bpm • C Maj • 03:43 • -15db
37% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
37% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Lizz Wright
I Feel The Earth Move
87 bpm • F Maj • 04:54 • -12db
12% Popularity • 51% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
12% Popularity • 51% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Cécile McLorin Salvant
One Step Ahead
85 bpm • C min • 02:09 • -16db
44% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Peter Cincotti
Fool On The Hill / Nature Boy
85 bpm • D min • 03:46 • -19db
40% Popularity • 40% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
40% Popularity • 40% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Silva & Steini
It Might As Well Be Spring
96 bpm • E Maj • 03:07 • -19.41db
33% Popularity • 42% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 42% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 16% Positiveness
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Rachael & Vilray
Hate is the Basis (of Love)
96 bpm • A min • 03:33 • -9.18db
35% Popularity • 70% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 70% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Emma Smith
Makin' Whoopee
96 bpm • F min • 04:24 • -16db
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Lizz Wright
Strange
95 bpm • E Maj • 03:32 • -14.87db
11% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Massimo Faraò
Moon Blue
84 bpm • A min • 03:29 • -12.03db
14% Popularity • 63% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 63% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Cassandre McKinley
Plain Gold Ring
96 bpm • F min • 04:27 • -15db
10% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Karen Rosenberg
Behind Me
96 bpm • D min • 06:20 • -14db
40% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Sinne Eeg
Spring Waltz
84 bpm • A# Maj • 03:26 • -16db
22% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Johanna Linnea Jakobsson
Bewitched, Bothered and Bewildered
97 bpm • F Maj • 06:43 • -16.95db
36% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Heather Rigdon
Gravity For Grace
97 bpm • G# min • 03:56 • -13.25db
48% Popularity • 43% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 43% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lara Louise
Golden Earrings
97 bpm • G Maj • 03:18 • -12.93db
47% Popularity • 71% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
47% Popularity • 71% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
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Massimo Faraò
Isn't It a Pity
97 bpm • D# Maj • 05:48 • -17.08db
33% Popularity • 49% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 49% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Lizz Wright
Here And Now
97 bpm • E min • 04:28 • -13db
9% Popularity • 22% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
9% Popularity • 22% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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Katrine Madsen
You Are So Beautiful to Me
97 bpm • C# Maj • 04:33 • -19.5db
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Malene Mortensen
Another Day
83 bpm • G min • 04:09 • -13db
39% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kevin Mahogany
Pretty Blue
83 bpm • D min • 03:57 • -14db
37% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Spencer Day
If I Loved You
98 bpm • G Maj • 04:10 • -11db
37% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Ann Hampton Callaway
A Kiss To Build A Dream On
98 bpm • G Maj • 03:05 • -12db
47% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lizz Wright
Trouble
83 bpm • D Maj • 05:12 • -7.58db
19% Popularity • 42% Danceability • 60% Energy • 38% Liveness
1% Instrumentalness • 61% Positiveness
19% Popularity • 42% Danceability • 60% Energy • 38% Liveness
1% Instrumentalness • 61% Positiveness
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Rebekka Blöndal
With You
83 bpm • F min • 04:31 • -15.31db
35% Popularity • 41% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 41% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Julie London
Ev'ry Time We Say Goodbye
83 bpm • G min • 04:20 • -18.52db
41% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Lisa Bassenge
Three Cigarettes in an Ashtray
83 bpm • F Maj • 03:07 • -11db
51% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
51% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Kat Edmonson
Oh My Love
82 bpm • B min • 02:46 • -11.56db
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Kaiak
Flowers
98 bpm • F min • 02:56 • -15.9db
43% Popularity • 40% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 40% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Lizz Wright
This Is
98 bpm • A min • 04:10 • -12.46db
21% Popularity • 57% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 57% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Shelby Lynne
I Only Want To Be With You
99 bpm • C Maj • 03:50 • -14db
58% Popularity • 89% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
58% Popularity • 89% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Lara Louise
Blue Velvet
82 bpm • C Maj • 03:51 • -14.1db
46% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Kendrick Scott
This Song In Me
82 bpm • C# Maj • 04:53 • -10.7db
15% Popularity • 52% Danceability • 50% Energy • 37% Liveness
10% Instrumentalness • 37% Positiveness
15% Popularity • 52% Danceability • 50% Energy • 37% Liveness
10% Instrumentalness • 37% Positiveness
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Gabrielle Stravelli
Dream Dancing
99 bpm • F Maj • 03:50 • -12db
15% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Kat Edmonson
Just Like Heaven
99 bpm • G# Maj • 04:12 • -11.38db
52% Popularity • 72% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 72% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Emilie Schiøtt
Power to Choose
82 bpm • A# Maj • 03:02 • -12.75db
37% Popularity • 53% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 53% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Danilo Perez
. . . Till Then
99 bpm • A Maj • 03:47 • -14.77db
15% Popularity • 50% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 50% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Ann Hampton Callaway
Blusette
99 bpm • G# Maj • 03:37 • -12.09db
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Tierney Sutton
Answer Me My Love
82 bpm • G Maj • 03:45 • -16.57db
18% Popularity • 42% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
18% Popularity • 42% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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Martina DaSilva
Autumn Leaves
82 bpm • G# Maj • 03:56 • -14.63db
18% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lyambiko
I Got Rhythm
82 bpm • G# Maj • 03:25 • -10.21db
20% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Anthony Strong
My Foolish Heart
81 bpm • A# Maj • 04:13 • -17.66db
32% Popularity • 46% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 46% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Kaiak
Take on Me
99 bpm • A# Maj • 04:30 • -19db
42% Popularity • 32% Danceability • 20% Energy • 91% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 32% Danceability • 20% Energy • 91% Liveness
0% Instrumentalness • 14% Positiveness
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Ann Hampton Callaway
Will You Love Me Tomorrow?
82 bpm • C Maj • 06:51 • -14db
15% Popularity • 33% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 33% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ruth Cameron
Waitin' For The Train To Come In
100 bpm • C Maj • 03:10 • -15db
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Weeks
I Only Have Eyes For You
81 bpm • C Maj • 04:10 • -17.91db
42% Popularity • 54% Danceability • 9% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 54% Danceability • 9% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Rachael & Vilray
I've Drawn Your Face
81 bpm • D# Maj • 03:41 • -13.37db
40% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Malene Mortensen
Que Sera Sera
81 bpm • A Maj • 03:14 • -8db
45% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Lina Nyberg
Night and Day
81 bpm • B min • 04:09 • -22.23db
37% Popularity • 63% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 63% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ann Hampton Callaway
In a Sentinmental Mood
82 bpm • A# Maj • 05:20 • -15.37db
14% Popularity • 31% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 31% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Ruth Cameron
Happiness Is Just A Thing Called Joe
100 bpm • D# Maj • 05:17 • -16db
23% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Bria Skonberg
Dance Me to the End of Love
81 bpm • E min • 05:36 • -17.72db
41% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sachal Vasandani
Blue in Green
100 bpm • G# Maj • 03:46 • -21.64db
38% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
38% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Rigmor Gustafsson
After The Rain
100 bpm • G Maj • 02:52 • -10.87db
44% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Staci Griesbach
Here You Come Again
81 bpm • A# min • 05:09 • -12.19db
33% Popularity • 37% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 37% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
