Songs like Stars, Stars, Stars - Edited From Original Medley "Do You Want To Play Games/Stars, Stars, Stars" by Daniel Jenkins
Based on a tempo of (+/- 10%) and a similar genre
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The Pirates Of Penzance
Oh, False One, You Have Deceived
76 bpm • G Maj • 03:40 • -12db
21% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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John Williams
Miracle Of Miracles
76 bpm • B Maj • 02:04 • -13db
37% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Rodgers & Hammerstein
Oklahoma! / Finale: Oh, What A Beautiful...
76 bpm • A Maj • 03:58 • -14db
17% Popularity • 44% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
17% Popularity • 44% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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Carol Hall
The Bus From Amarillo - The Best Little ...
76 bpm • G# Maj • 03:47 • -7.67db
8% Popularity • 45% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 45% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Maury Yeston
Unusual Way
77 bpm • C# min • 05:00 • -12.51db
23% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Stephen Lee Anderson
Heaven Help Me
77 bpm • A Maj • 01:51 • -12.58db
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Jeanine Tesori
Bring Me to Light
78 bpm • A Maj • 03:26 • -9.4db
21% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Sherman Edwards
1776: Momma Look Sharp
74 bpm • G# Maj • 03:24 • -23db
20% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Zero Mostel
Sabbath Prayer
78 bpm • F Maj • 02:26 • -20.59db
20% Popularity • 26% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 26% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Frederick Loewe
Camelot: Fie on Goodness
78 bpm • D# Maj • 03:34 • -13.65db
17% Popularity • 60% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 60% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Stephanie D'Abruzzo
Mix Tape
74 bpm • A Maj • 03:35 • -14.86db
9% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Joe Darion
I Really Like Him - Man Of La Mancha/196...
78 bpm • F Maj • 02:20 • -16.1db
14% Popularity • 59% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 59% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Barbra Streisand
Don't Rain On My Parade
79 bpm • A# Maj • 02:44 • -7.71db
37% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Zero Mostel
Prologue: Tradition
78 bpm • G Maj • 06:54 • -13.25db
10% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Frederick Loewe
Camelot: C'est moi
74 bpm • G Maj • 03:28 • -12db
24% Popularity • 63% Danceability • 35% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 63% Danceability • 35% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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John Tartaglia
There's a Fine, Fine Line (Reprise) / Wh...
78 bpm • A min • 01:43 • -16.92db
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Darion
Dulcinea, The Impossible Dream (Reprise)...
79 bpm • G Maj • 05:55 • -17.47db
12% Popularity • 37% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 37% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Burton Lane
Look to the Rainbow
73 bpm • C# Maj • 02:33 • -14.2db
19% Popularity • 38% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 38% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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John Hickok
Another Pyramid
73 bpm • F Maj • 03:35 • -7.9db
29% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Shannon Bolin
Overture: Six Months Out of Every Year
73 bpm • G Maj • 04:43 • -11db
12% Popularity • 63% Danceability • 47% Energy • 83% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 63% Danceability • 47% Energy • 83% Liveness
0% Instrumentalness • 68% Positiveness
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Cy Coleman
Sweet Charity: Baby, Dream Your Dream
73 bpm • B Maj • 03:45 • -16db
16% Popularity • 40% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 40% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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"Les Misérables Original London Cast" Ensemble
Wedding Chorale / Beggars At the Feast
73 bpm • E min • 02:16 • -8.18db
31% Popularity • 43% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 43% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Jesse L. Martin
I'll Cover You (Reprise)
80 bpm • E Maj • 02:51 • -11.57db
32% Popularity • 38% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 38% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Marcia Lewis
When You're Good to Mama
80 bpm • C# Maj • 03:22 • -12.88db
33% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Santino Fontana
"Do I Love You Because You're Beautiful?...
80 bpm • G Maj • 02:37 • -8.77db
33% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Burton Lane
How Are Things in Glocca Morra?
80 bpm • C# Maj • 02:58 • -15.44db
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Kenneth Nelson
Metaphor
80 bpm • G Maj • 04:13 • -11.47db
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Stephen Bogardus
We're Only Thinking of Him
81 bpm • F min • 01:16 • -15.89db
21% Popularity • 55% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 55% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Julia Deakin
Where Is Love?
71 bpm • C Maj • 03:35 • -23.78db
28% Popularity • 13% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 13% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Karen Ziemba
Opening / Lord Carry Me Home
71 bpm • C# Maj • 04:20 • -9.4db
0% Popularity • 25% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 25% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
The Book Report
81 bpm • D# Maj • 05:10 • -13db
29% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Kiddy-Widdy-Win...
81 bpm • A min • 02:49 • -18.56db
16% Popularity • 46% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 46% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Shirley Jones
Piano Lesson / If You Don’t Mind Me Sa...
81 bpm • G Maj • 01:58 • -10.71db
29% Popularity • 59% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 59% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ethel Merman
An Old-Fashioned Wedding
82 bpm • D# Maj • 02:48 • -10.09db
14% Popularity • 40% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 40% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
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Paulo Szot
Some Enchanted Evening
82 bpm • C Maj • 02:57 • -18.14db
31% Popularity • 22% Danceability • 13% Energy • 8% Liveness
50% Instrumentalness • 22% Positiveness
31% Popularity • 22% Danceability • 13% Energy • 8% Liveness
50% Instrumentalness • 22% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Stubby Kaye
Runyonland Music / Fugue For Tinhorns / ...
71 bpm • A min • 03:21 • -21db
13% Popularity • 40% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 40% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Walter Bobbie
Fugue for Tinhorns
82 bpm • G# Maj • 01:27 • -17.93db
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Brandon Uranowitz
They Can't Take That Away from Me
70 bpm • C# min • 02:10 • -13.2db
15% Popularity • 24% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 24% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Eric Berry
War Is A Science
82 bpm • G Maj • 04:35 • -9.27db
18% Popularity • 52% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 52% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Daniel Jenkins
I Want To Go Home - 1996 Original Broadw...
82 bpm • A Maj • 02:58 • -14.98db
6% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Steve Devereux
Bless Yore Beautiful Hide
82 bpm • A Maj • 02:08 • -13db
13% Popularity • 59% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 59% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Nathan Lane
'Til Him
82 bpm • F Maj • 03:42 • -15.21db
20% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
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Gwen Verdon
Two Lost Souls
82 bpm • G Maj • 02:18 • -12db
14% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
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Fiorello! - Original Broadway Cast
Politics And Poker
82 bpm • G Maj • 03:58 • -12db
12% Popularity • 71% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 71% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Carol Hall
20 Fans - The Best Little Whorehouse In ...
82 bpm • G Maj • 04:24 • -7.51db
10% Popularity • 46% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 46% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
82 bpm • D Maj • 03:02 • -12.99db
23% Popularity • 54% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 54% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Sally Dexter
I'd Do Anything
83 bpm • D min • 02:43 • -15db
36% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Richard Adler
The Pajama Game: Small Talk
83 bpm • C# Maj • 03:52 • -13.14db
12% Popularity • 33% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 33% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Nunsense 30th Anniversary Cast
Growing Up Catholic
83 bpm • G# Maj • 02:38 • -13.84db
10% Popularity • 32% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 32% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Douglas Sills
Into the Fire
83 bpm • D Maj • 03:50 • -11db
27% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Keith Carradine
If I Had This Truck
83 bpm • G# Maj • 04:17 • -10.82db
15% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Roger Bart
Suppertime
83 bpm • G Maj • 04:38 • -12.58db
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Robert Preston
Marian The Librarian
83 bpm • C# Maj • 02:40 • -13.34db
31% Popularity • 52% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 52% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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David Burns
Everybody Ought to Have a Maid
83 bpm • F# min • 03:49 • -16.85db
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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William Finn
Sailing
83 bpm • C# Maj • 03:06 • -12.02db
19% Popularity • 19% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 19% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Matthew Broderick
Brotherhood of Man
84 bpm • A# Maj • 05:50 • -13.79db
15% Popularity • 57% Danceability • 23% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 57% Danceability • 23% Energy • 52% Liveness
0% Instrumentalness • 45% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Hunter Parrish
Save the People
84 bpm • G Maj • 03:36 • -8.65db
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Sean Hayes
Half as Big as Life
84 bpm • F min • 02:05 • -7.97db
15% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Songs for a New World Ensemble
Hear My Song
84 bpm • G Maj • 05:41 • -11.72db
17% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Ross Lekites
I'll Go Home with Bonnie Jean
84 bpm • G Maj • 02:19 • -8.76db
11% Popularity • 61% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 61% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Daniel Jenkins
I Want To Go Home/ Stars, Stars, Stars (...
84 bpm • C Maj • 03:43 • -12.86db
1% Popularity • 22% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 22% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Shirley Jones
Out Of My Dreams
84 bpm • D# Maj • 02:33 • -22.12db
26% Popularity • 16% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 16% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Julia Migenes
Matchmaker, Matchmaker
68 bpm • E Maj • 03:42 • -14.74db
11% Popularity • 54% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 54% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
34% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Jonathan Pryce
Reviewing The Situation
84 bpm • F Maj • 04:53 • -15.27db
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Henry Krieger
Side Show: I Will Never Leave You - Voic...
85 bpm • F Maj • 03:02 • -13db
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Alison Fraser
Hold On
85 bpm • G# min • 03:03 • -12db
24% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Kirby Ward
What Causes That?
85 bpm • C Maj • 03:42 • -21db
18% Popularity • 60% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 60% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Sherman Edwards
1776: He Plays the Violin
68 bpm • C min • 03:03 • -11db
25% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Richard Adler
The Pajama Game: Hey There
85 bpm • F# Maj • 03:32 • -12db
20% Popularity • 27% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 27% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Barbra Streisand
I'm The Greatest Star
85 bpm • C Maj • 04:00 • -11.05db
22% Popularity • 57% Danceability • 21% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 57% Danceability • 21% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
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Linda Ronstadt
Poor Wandering One
86 bpm • G# Maj • 03:58 • -15db
25% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kieran McIlroy
Bidin' My Time
85 bpm • C Maj • 01:45 • -19.47db
20% Popularity • 46% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 46% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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William Finn
I Feel So Much Spring
86 bpm • A Maj • 03:39 • -12.6db
13% Popularity • 24% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 24% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Sherman Edwards
1776: Molasses to Rum
87 bpm • A Maj • 04:40 • -9.67db
19% Popularity • 41% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 41% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
88 bpm • D Maj • 02:53 • -11.94db
20% Popularity • 41% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 41% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Those Canaan Days
88 bpm • F min • 03:16 • -15db
12% Popularity • 35% Danceability • 21% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 35% Danceability • 21% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
