Songs like Start of Something Big by Miles Kane
Based on a tempo of (+/- 10%) and a similar genre
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The Enemy
Come into My World
156 bpm • F# Maj • 02:57 • -1.32db
9% Popularity • 40% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 40% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Miles Kane
Start of Something Big
156 bpm • G Maj • 02:17 • -2.68db
17% Popularity • 21% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 21% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Spector
Upset Boulevard
156 bpm • A min • 03:45 • -2.5db
16% Popularity • 30% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 30% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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The Enemy
Be Somebody
155 bpm • C# Maj • 03:04 • -4db
33% Popularity • 44% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 44% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Catfish and the Bottlemen
26
155 bpm • G# min • 03:39 • -3.48db
48% Popularity • 39% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 39% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Editors
Someone Says
157 bpm • C# Maj • 03:12 • -4.75db
5% Popularity • 38% Danceability • 91% Energy • 33% Liveness
25% Instrumentalness • 80% Positiveness
5% Popularity • 38% Danceability • 91% Energy • 33% Liveness
25% Instrumentalness • 80% Positiveness
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Little Man Tate
Who Invented These Lists?
157 bpm • A min • 02:54 • -3.86db
13% Popularity • 46% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 46% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Miles Kane
Kaka Boom
157 bpm • F# min • 02:57 • -3.32db
12% Popularity • 21% Danceability • 92% Energy • 15% Liveness
29% Instrumentalness • 55% Positiveness
12% Popularity • 21% Danceability • 92% Energy • 15% Liveness
29% Instrumentalness • 55% Positiveness
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Shambolics
My Time Is Now
155 bpm • C Maj • 03:22 • -7db
29% Popularity • 37% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 37% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Mystery Jets
Alice Springs
155 bpm • A Maj • 05:17 • -6.14db
18% Popularity • 39% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 39% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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The Little Flames
Put Your Dukes Up John
155 bpm • D Maj • 03:10 • -5.33db
16% Popularity • 34% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 34% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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The Last Shadow Puppets
Separate And Ever Deadly - Live From The...
157 bpm • G Maj • 02:57 • -7.8db
22% Popularity • 28% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 28% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 52% Positiveness
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Maximo Park
Kiss You Better
155 bpm • D# Maj • 02:05 • -2.72db
28% Popularity • 51% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 51% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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The Jaded Hearts Club
Nobody but Me
154 bpm • D Maj • 02:23 • -2.21db
24% Popularity • 47% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 47% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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The Amazons
Junk Food Forever
157 bpm • F min • 03:46 • -4db
33% Popularity • 19% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 19% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Enemy
Away from Here - US Version
158 bpm • C# Maj • 03:00 • -5db
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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The Little Flames
Isobella
158 bpm • D Maj • 03:56 • -6.36db
13% Popularity • 16% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 16% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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The Seahorses
Suicide Drive
154 bpm • E Maj • 03:31 • -9db
31% Popularity • 45% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 45% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Maximo Park
Parisian Skies
158 bpm • C Maj • 03:56 • -5.41db
28% Popularity • 47% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 47% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Strypes
What A Shame
158 bpm • D# min • 02:24 • -4.98db
23% Popularity • 37% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 37% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Miles Kane
Can You See Me Now
154 bpm • A min • 02:44 • -3db
21% Popularity • 50% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 50% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 75% Positiveness
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Spector
Twenty Nothing
159 bpm • D Maj • 03:25 • -3.29db
25% Popularity • 53% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 53% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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The Clause
Time of Our Lives
159 bpm • G# Maj • 03:09 • -4.19db
35% Popularity • 46% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 57% Positiveness
35% Popularity • 46% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 57% Positiveness
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The Fratellis
Jeannie Nitro
153 bpm • A min • 04:19 • -4.49db
31% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Maximo Park
Karaoke Plays
154 bpm • A Maj • 04:08 • -4.21db
29% Popularity • 48% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
29% Popularity • 48% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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The Cribs
I'm Alright Me
153 bpm • C Maj • 02:42 • -3.88db
23% Popularity • 30% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 30% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Miles Kane
Night Runner
159 bpm • F# min • 03:51 • -4.63db
13% Popularity • 52% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 52% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Twisted Wheel
Lucy the Castle
153 bpm • D Maj • 02:56 • -3.99db
20% Popularity • 53% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 53% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Spector
True Love (For Now)
160 bpm • G# Maj • 03:37 • -4.13db
20% Popularity • 31% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 31% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Klaxons
Magick
152 bpm • F min • 03:30 • -3db
31% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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We Are Scientists
Cash Cow
160 bpm • C Maj • 02:35 • -4db
34% Popularity • 41% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 41% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Editors
Bones
152 bpm • F# min • 04:06 • -3db
43% Popularity • 34% Danceability • 94% Energy • 39% Liveness
6% Instrumentalness • 36% Positiveness
43% Popularity • 34% Danceability • 94% Energy • 39% Liveness
6% Instrumentalness • 36% Positiveness
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Miles Kane
Telepathy
151 bpm • E min • 03:06 • -3.79db
28% Popularity • 40% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 40% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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The Zutons
Havana Gang Brawl
160 bpm • F min • 04:30 • -6.01db
25% Popularity • 49% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 49% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Ian Brown
Crowning Of The Poor
161 bpm • F min • 03:18 • -4.87db
21% Popularity • 46% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 46% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Klaxons
It's Not Over Yet
152 bpm • A Maj • 03:35 • -4db
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Palma Violets
Johnny Bagga' Donuts
161 bpm • E Maj • 03:07 • -2.92db
11% Popularity • 10% Danceability • 87% Energy • 9% Liveness
28% Instrumentalness • 36% Positiveness
11% Popularity • 10% Danceability • 87% Energy • 9% Liveness
28% Instrumentalness • 36% Positiveness
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The Lathums
Facets
162 bpm • A min • 02:32 • -2.53db
37% Popularity • 30% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 30% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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The Enemy
Gimme the Sign
162 bpm • C# Maj • 03:09 • -3.01db
17% Popularity • 29% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 29% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Miles Kane
Inhaler
162 bpm • B min • 03:02 • -4db
39% Popularity • 37% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 37% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Maximo Park
Graffiti
150 bpm • E Maj • 03:05 • -3db
39% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
39% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
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Editors
Blood
150 bpm • F# min • 03:27 • -5db
14% Popularity • 38% Danceability • 93% Energy • 20% Liveness
7% Instrumentalness • 61% Positiveness
14% Popularity • 38% Danceability • 93% Energy • 20% Liveness
7% Instrumentalness • 61% Positiveness
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Little Man Tate
Little Big Man
162 bpm • A Maj • 03:10 • -3.47db
13% Popularity • 32% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 32% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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The Amazons
Little Something
150 bpm • G# min • 04:05 • -5.94db
27% Popularity • 31% Danceability • 78% Energy • 24% Liveness
23% Instrumentalness • 16% Positiveness
27% Popularity • 31% Danceability • 78% Energy • 24% Liveness
23% Instrumentalness • 16% Positiveness
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The Cribs
Hey Scenesters!
150 bpm • B min • 03:11 • -3.56db
35% Popularity • 30% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 30% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Twisted Wheel
We Are Us
150 bpm • D Maj • 03:37 • -2.66db
15% Popularity • 23% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 23% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Spector
Celestine
149 bpm • F Maj • 03:42 • -4db
32% Popularity • 49% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 49% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Miles Kane
Caught in the Act
164 bpm • C# Maj • 02:55 • -2.83db
19% Popularity • 32% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 32% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Little Man Tate
Back of the Pub Quiz
150 bpm • C Maj • 03:43 • -6.91db
14% Popularity • 45% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 45% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Jake Bugg
All Your Reasons
149 bpm • F Maj • 05:08 • -3.45db
25% Popularity • 37% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 37% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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The Cribs
You're Gonna Lose Us
163 bpm • E Maj • 02:38 • -1.97db
28% Popularity • 40% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 40% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Lathums
Pagans Delight
164 bpm • D min • 02:27 • -3.67db
30% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The Enemy
1-2-3-4
164 bpm • F# Maj • 02:59 • -2.15db
13% Popularity • 41% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 41% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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Miles Kane
Quicksand
164 bpm • D Maj • 03:19 • -3.25db
24% Popularity • 34% Danceability • 94% Energy • 32% Liveness
19% Instrumentalness • 83% Positiveness
24% Popularity • 34% Danceability • 94% Energy • 32% Liveness
19% Instrumentalness • 83% Positiveness
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Circa Waves
I Can Sleep Tonight
148 bpm • D min • 03:31 • -5.45db
22% Popularity • 46% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 46% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Maximo Park
By The Monument
165 bpm • A min • 02:59 • -3.36db
35% Popularity • 39% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 39% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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The Zutons
Why Won't You Give Me Your Love?
148 bpm • C Maj • 03:22 • -2.37db
29% Popularity • 26% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 26% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Young Knives
Fit 4 U
147 bpm • E min • 03:16 • -5db
18% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Mystery Jets
Half in Love with Elizabeth
147 bpm • A min • 03:19 • -3db
30% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Miles Kane
Come Closer
165 bpm • F# min • 02:59 • -5.16db
52% Popularity • 51% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 51% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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We Are Scientists
The Great Escape
147 bpm • A Maj • 03:18 • -5db
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Sunshine Underground
My Army
147 bpm • D Maj • 04:09 • -4.58db
10% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Babyshambles
A'rebours
166 bpm • A Maj • 03:23 • -5.74db
28% Popularity • 36% Danceability • 79% Energy • 43% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 36% Danceability • 79% Energy • 43% Liveness
0% Instrumentalness • 81% Positiveness
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The Last Shadow Puppets
Hang The Cyst
166 bpm • D min • 06:42 • -7.7db
36% Popularity • 18% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
36% Popularity • 18% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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Maximo Park
Girls Who Play Guitar
166 bpm • A Maj • 03:12 • -3db
39% Popularity • 52% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 52% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Twisted Wheel
One Night on the Street
146 bpm • A Maj • 02:33 • -2.38db
8% Popularity • 41% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 41% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Little Man Tate
European Lover
146 bpm • E Maj • 03:13 • -4.3db
28% Popularity • 32% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 32% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Catfish and the Bottlemen
Rango
146 bpm • C# Maj • 02:57 • -5.12db
52% Popularity • 43% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 43% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Jake Bugg
Seen It All
167 bpm • D Maj • 02:51 • -5.86db
57% Popularity • 38% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 38% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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The Enemy
Make a Man
167 bpm • F# Maj • 02:47 • -1.63db
8% Popularity • 19% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 19% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Spector
Friday Night, Don't Ever Let It End
167 bpm • F Maj • 03:49 • -3.05db
27% Popularity • 37% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 37% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Twisted Wheel
Let Them Have It All
146 bpm • B min • 03:12 • -2.07db
14% Popularity • 29% Danceability • 99% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 29% Danceability • 99% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Maximo Park
Apply Some Pressure
168 bpm • A Maj • 03:20 • -4db
53% Popularity • 38% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 38% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Catfish and the Bottlemen
Fallout
146 bpm • G# Maj • 03:30 • -3.76db
58% Popularity • 36% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 36% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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DMA'S
Play It Out
145 bpm • A# min • 03:24 • -2.37db
28% Popularity • 34% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 34% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Klaxons
Atlantis To Interzone
145 bpm • A min • 03:16 • -3.27db
42% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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The Holloways
Dancefloor
168 bpm • E Maj • 03:57 • -2.65db
18% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Twisted Wheel
What's Your Name
168 bpm • E Maj • 03:57 • -2.81db
8% Popularity • 15% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 15% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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The Rakes
1989
168 bpm • F# min • 03:00 • -1.57db
31% Popularity • 49% Danceability • 94% Energy • 5% Liveness
11% Instrumentalness • 84% Positiveness
31% Popularity • 49% Danceability • 94% Energy • 5% Liveness
11% Instrumentalness • 84% Positiveness
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Maximo Park
Going Missing
145 bpm • E min • 03:42 • -5db
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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The Maccabees
Latchmere
168 bpm • C Maj • 03:01 • -3.99db
36% Popularity • 19% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 19% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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The Zutons
Long Time Coming
168 bpm • E min • 02:18 • -3.7db
23% Popularity • 46% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 46% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Klaxons
Totem On The Timeline
168 bpm • E Maj • 02:41 • -3.31db
35% Popularity • 35% Danceability • 91% Energy • 48% Liveness
78% Instrumentalness • 73% Positiveness
35% Popularity • 35% Danceability • 91% Energy • 48% Liveness
78% Instrumentalness • 73% Positiveness
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The Paddingtons
First Comes First
168 bpm • C# min • 02:55 • -0.64db
13% Popularity • 21% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 21% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Arctic Monkeys
Put Your Dukes Up John
169 bpm • F Maj • 03:03 • -4.12db
42% Popularity • 34% Danceability • 99% Energy • 75% Liveness
10% Instrumentalness • 37% Positiveness
42% Popularity • 34% Danceability • 99% Energy • 75% Liveness
10% Instrumentalness • 37% Positiveness
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The Cribs
Girls Like Mystery
144 bpm • D# Maj • 02:50 • -2.64db
19% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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The Lathums
Winstanley Manor
144 bpm • A min • 03:39 • -4.19db
24% Popularity • 51% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 51% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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We Are Scientists
Can't Lose
169 bpm • F# min • 03:31 • -5.59db
28% Popularity • 44% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 44% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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Spector
No Adventure
144 bpm • G min • 03:36 • -3.19db
15% Popularity • 31% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 31% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 18% Positiveness
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The Little Flames
If Tomorrow Never Comes
144 bpm • A min • 02:53 • -5.5db
13% Popularity • 27% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 27% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Maccabees
Precious Time
169 bpm • G Maj • 04:17 • -5.45db
39% Popularity • 34% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 34% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Richard Hawley
You and I
143 bpm • B min • 03:26 • -6.5db
41% Popularity • 24% Danceability • 89% Energy • 32% Liveness
35% Instrumentalness • 31% Positiveness
41% Popularity • 24% Danceability • 89% Energy • 32% Liveness
35% Instrumentalness • 31% Positiveness
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Ocean Colour Scene
You've Got It Bad
143 bpm • A# Maj • 04:26 • -7db
35% Popularity • 42% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 42% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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The Cribs
You Were Always the One
143 bpm • E Maj • 02:28 • -4db
28% Popularity • 35% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 35% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Little Man Tate
London Skies London Eyes
170 bpm • D Maj • 03:23 • -5.83db
7% Popularity • 37% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 37% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Miles Kane
LA Five Four (309)
170 bpm • D Maj • 02:49 • -3.99db
14% Popularity • 22% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 22% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Maccabees
O.A.V.I.P.
170 bpm • E Maj • 02:20 • -4.94db
22% Popularity • 40% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 40% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The K's
TV
170 bpm • C# min • 03:17 • -4.5db
38% Popularity • 39% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 39% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness