Songs like Started from the Mud by Marko Penn
Based on a tempo of (+/- 10%) and a similar genre
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Neon Dreams
Machu Picchu
110 bpm • F# Maj • 03:09 • -6db
20% Popularity • 82% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 82% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Mitrani
Good Die Young
110 bpm • C# min • 03:26 • -9db
39% Popularity • 72% Danceability • 58% Energy • 10% Liveness
4% Instrumentalness • 61% Positiveness
39% Popularity • 72% Danceability • 58% Energy • 10% Liveness
4% Instrumentalness • 61% Positiveness
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Turbo
Hell On Earth
110 bpm • G Maj • 02:03 • -5.58db
40% Popularity • 72% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 72% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Marko Penn
Started from the Mud
110 bpm • F# Maj • 02:32 • -13.23db
37% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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T-ROC
Red Solo Cup
110 bpm • F min • 03:34 • -5.48db
0% Popularity • 44% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 44% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Sam Stan
Plz Don't
110 bpm • G# Maj • 03:01 • -10.3db
26% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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30
Ain't Nobody Else Like You
111 bpm • C# min • 02:36 • -8.33db
21% Popularity • 72% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 72% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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PJ Simas
Ocean Drop
109 bpm • G# Maj • 04:12 • -9.06db
25% Popularity • 77% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 77% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Daddy NAT
1night
111 bpm • G min • 02:54 • -8.59db
54% Popularity • 64% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 64% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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B.o.B
Roll Up
109 bpm • A# Maj • 02:48 • -8.17db
49% Popularity • 82% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 82% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Caye
Ear Candy
111 bpm • C Maj • 02:41 • -8db
52% Popularity • 69% Danceability • 53% Energy • 39% Liveness
1% Instrumentalness • 46% Positiveness
52% Popularity • 69% Danceability • 53% Energy • 39% Liveness
1% Instrumentalness • 46% Positiveness
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Se-Noj
Feel so Good
112 bpm • F# Maj • 03:08 • -6.06db
38% Popularity • 78% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 78% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Peking Duk
Stranger - Y2K Remix
112 bpm • E Maj • 02:57 • -9.04db
29% Popularity • 76% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 76% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Deerock
Old School Vibe
108 bpm • C Maj • 02:35 • -4.98db
41% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Passafire
Growing Up
108 bpm • A# Maj • 03:43 • -6.15db
35% Popularity • 66% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 66% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Checo
Paywall (Baby Tiger)
112 bpm • G Maj • 02:37 • -4.22db
16% Popularity • 82% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 82% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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OptycNerd
Marathons
112 bpm • B min • 04:39 • -8.45db
21% Popularity • 78% Danceability • 64% Energy • 49% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 78% Danceability • 64% Energy • 49% Liveness
0% Instrumentalness • 58% Positiveness
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Ojivolta
Game Plan - (Pink Slip Remix)
112 bpm • A# Maj • 02:47 • -7.81db
34% Popularity • 83% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 83% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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White Panda
How Good We Got It
112 bpm • E Maj • 02:58 • -9.88db
30% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Neon Dreams
High School Dropout
112 bpm • C min • 03:04 • -4.03db
33% Popularity • 72% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 72% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Xuitcasecity
Bout You
113 bpm • C# Maj • 03:04 • -3db
39% Popularity • 79% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 79% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Skeez
Leaving Arizona
113 bpm • A# Maj • 02:33 • -7.43db
28% Popularity • 34% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 34% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Carter Reeves
Aquarium
107 bpm • C# min • 03:12 • -5.51db
12% Popularity • 84% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 84% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Space Primates
My Life
107 bpm • E Maj • 03:05 • -4.75db
27% Popularity • 66% Danceability • 76% Energy • 58% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 66% Danceability • 76% Energy • 58% Liveness
0% Instrumentalness • 34% Positiveness
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Ollie Joseph
Mexico
107 bpm • G Maj • 02:54 • -4.99db
36% Popularity • 77% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 77% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Knowmads
Only Human
107 bpm • A# Maj • 02:24 • -10.19db
38% Popularity • 88% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
38% Popularity • 88% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
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Johnny 2 Phones
Go 2 Phones
106 bpm • C# Maj • 02:25 • -7.3db
25% Popularity • 69% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 69% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Luke Christopher
Jameson
114 bpm • G Maj • 04:05 • -6db
33% Popularity • 84% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 84% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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The Hip Abduction
Daydreamer
114 bpm • D Maj • 03:09 • -8.45db
32% Popularity • 66% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 66% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Sj
Can't Be Happier
106 bpm • C Maj • 03:05 • -5db
42% Popularity • 71% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 71% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 31% Positiveness
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TJ Hickey
Feel Free
115 bpm • B Maj • 02:58 • -3.33db
16% Popularity • 74% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 74% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Knowmads
Homecoming
115 bpm • C# Maj • 04:37 • -5.55db
34% Popularity • 80% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 80% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Brendan Bennett
3am in Chicago
106 bpm • C Maj • 03:02 • -7db
35% Popularity • 76% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 76% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Ethan Payton
On The Move
115 bpm • A Maj • 03:27 • -10.88db
22% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Erik Cain
Up, Up, and Away
115 bpm • F# min • 02:47 • -7.74db
35% Popularity • 88% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 88% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Hoodie Allen
60 Seconds
105 bpm • C# Maj • 03:24 • -5.62db
36% Popularity • 85% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 85% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Jack Vandervelde
My Mind - MC4D Remix
105 bpm • A Maj • 03:26 • -8db
28% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Knowmads
Smile for the Camera
105 bpm • C Maj • 03:03 • -7.58db
33% Popularity • 92% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 92% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Neon Dreams
Marching Bands
105 bpm • A Maj • 03:16 • -5db
38% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Ethan Payton
Roll With It
105 bpm • F min • 03:57 • -7.29db
15% Popularity • 84% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 84% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Bogie
Slow It Down
116 bpm • G min • 04:08 • -9.28db
22% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Amiigos
Clothes Off
116 bpm • F# min • 03:10 • -6.71db
38% Popularity • 70% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 70% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Mercocet
Open Your Eyes
116 bpm • F# Maj • 03:12 • -7.13db
35% Popularity • 81% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 81% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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J.Lerch
Papercut
116 bpm • A min • 03:02 • -8.29db
29% Popularity • 96% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 96% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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WATCH THE DUCK
Making Luv To The Beat - MERCE Remix
104 bpm • C Maj • 04:09 • -5.11db
51% Popularity • 77% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 77% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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benny mayne
I AIN'T SHIT
116 bpm • A# min • 03:00 • -12.03db
33% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Nic D
Milkshake
104 bpm • C Maj • 02:32 • -4.93db
34% Popularity • 90% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 90% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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John That
My Girl
104 bpm • C Maj • 03:10 • -10.61db
33% Popularity • 81% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 81% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Kaiydo
Fruit Punch
104 bpm • C Maj • 03:41 • -7.34db
47% Popularity • 80% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 80% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Alec King
F**K WOW HOLY SH*T
104 bpm • D Maj • 02:54 • -6db
44% Popularity • 85% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 85% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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C-Dot 416
Funk
104 bpm • C min • 03:17 • -10.35db
45% Popularity • 80% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 80% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Adam Nystrom
Margarita
104 bpm • G Maj • 03:46 • -6.16db
24% Popularity • 80% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 80% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Group Project
Sushi Date
104 bpm • D Maj • 03:21 • -7.42db
31% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Cody Johns
Smile
104 bpm • C# Maj • 03:17 • -5.83db
9% Popularity • 75% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 75% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Good Husbands
Better Days
103 bpm • C Maj • 03:29 • -8.33db
24% Popularity • 92% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 92% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Hoodie Allen
No Interruption
103 bpm • C# Maj • 03:35 • -6.46db
60% Popularity • 50% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 50% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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C-Dot 416
Getaway
117 bpm • G min • 03:24 • -6.33db
30% Popularity • 75% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 75% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Jonah Renna
Cupid Tryouts
103 bpm • E Maj • 03:55 • -6.87db
31% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Rexx Life Raj
Burn Baby Burn
118 bpm • B Maj • 02:48 • -6.25db
26% Popularity • 84% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 84% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Vice
Obsession (25/7)
102 bpm • A# Maj • 04:00 • -8.04db
29% Popularity • 76% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 76% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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The Good Husbands
In Bloom
118 bpm • G Maj • 04:19 • -5.49db
39% Popularity • 82% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 82% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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30
Met Too Young
102 bpm • E Maj • 02:53 • -7.13db
24% Popularity • 68% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 68% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Kap Slap
Fuckin Amazing
102 bpm • C# Maj • 03:24 • -6.06db
25% Popularity • 81% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 81% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Mitrani
Golden Eyes
102 bpm • A Maj • 04:29 • -10.86db
32% Popularity • 77% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 77% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Goons
Bad Bitch
119 bpm • G Maj • 03:11 • -10.58db
15% Popularity • 94% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 94% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Marko Penn
Options
119 bpm • G Maj • 03:38 • -9.01db
9% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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LÉON
Tired of Talking - Remix
101 bpm • A min • 03:26 • -8.5db
32% Popularity • 70% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 70% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Knowmads
Presidents
120 bpm • E min • 03:00 • -8db
29% Popularity • 85% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 85% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Mantaraybryn
Tropics
120 bpm • C Maj • 02:27 • -6db
37% Popularity • 83% Danceability • 77% Energy • 46% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 83% Danceability • 77% Energy • 46% Liveness
0% Instrumentalness • 66% Positiveness
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ACADEMY
Closer to Me
101 bpm • B Maj • 02:27 • -4.7db
24% Popularity • 78% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 78% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Xuitcasecity
Summer In The City
120 bpm • D Maj • 02:30 • -5.85db
40% Popularity • 72% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 72% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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DEV
Trouble
120 bpm • B min • 03:04 • -11db
6% Popularity • 80% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
6% Popularity • 80% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Kai Straw
My Soul Is Lemonade
120 bpm • D# Maj • 03:10 • -7db
37% Popularity • 82% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 82% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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DOUBLECAMP
Dreamers
120 bpm • C Maj • 02:58 • -3.87db
51% Popularity • 77% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 77% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Function Adams
Jungle Juice
120 bpm • A# Maj • 03:26 • -7db
29% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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JTM
Gun Shy
120 bpm • A min • 03:02 • -11.1db
11% Popularity • 73% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 73% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Captain Cuts
Cocaina
120 bpm • E min • 03:28 • -4.38db
30% Popularity • 81% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 81% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Timeflies
Semi-Charmed
120 bpm • G Maj • 02:59 • -5.77db
33% Popularity • 75% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 75% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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CRO
Dream
120 bpm • A min • 03:15 • -4db
28% Popularity • 66% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 66% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Life of Dillon
Rocks
120 bpm • G Maj • 03:13 • -5db
31% Popularity • 63% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 63% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Ocean Park Standoff
If You Were Mine
120 bpm • G# Maj • 03:24 • -3.61db
45% Popularity • 66% Danceability • 77% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 66% Danceability • 77% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
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Peewee Longway
Skydiving
120 bpm • G# Maj • 02:56 • -7.7db
33% Popularity • 95% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 95% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jay Ham
Ooh La La
120 bpm • C# Maj • 02:21 • -5.12db
13% Popularity • 63% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 63% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Lick Twist
High Bun
120 bpm • G Maj • 03:20 • -7db
23% Popularity • 72% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 72% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Two Friends
Just A Kid
120 bpm • A Maj • 03:34 • -4.7db
39% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Brevner
Last Call
100 bpm • C Maj • 04:52 • -5db
23% Popularity • 55% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 55% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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mansionz
Wicked - Rat City Remix
100 bpm • D# min • 02:52 • -2.77db
25% Popularity • 60% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 60% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Marko Penn
Blame It on the Dope
100 bpm • F# min • 02:35 • -5.58db
24% Popularity • 89% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 89% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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The Revelries
Blonde Hair. Blue Eyes
100 bpm • E Maj • 03:31 • -4.82db
24% Popularity • 62% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 62% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Walkabout
Onlysmokecigsontheweekend
100 bpm • F# min • 02:28 • -13.17db
44% Popularity • 86% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
44% Popularity • 86% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Two Friends
Life's Too Short
100 bpm • C Maj • 03:31 • -6db
55% Popularity • 65% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 65% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Christopher
Roll With Me
100 bpm • F Maj • 03:17 • -5.12db
20% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Wingtip
Rewind
100 bpm • G# min • 03:17 • -7.12db
42% Popularity • 66% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 66% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Nick Hall
FAST TRACK
100 bpm • D min • 02:40 • -7db
32% Popularity • 82% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 82% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Jack Bennett
In This Moment
100 bpm • A min • 02:59 • -11.24db
25% Popularity • 82% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 82% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Shumaq
Orange Cashmere
100 bpm • C Maj • 01:55 • -5.77db
45% Popularity • 80% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 80% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Hoodie Allen
Wasting All My Time
100 bpm • G Maj • 03:04 • -7db
28% Popularity • 80% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 80% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Jordan Mitchell
Too Old to Go Out
100 bpm • C Maj • 01:57 • -6.98db
31% Popularity • 87% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 87% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
