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Brian Clout
Songs like
Brian Clout
by
Barmy Army
Based on a tempo of (+/- 10%) and a similar genre
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Hyman Hearst
Stop
83 bpm • F# Maj • 01:46 • -13.88db
9% Popularity • 58% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Izrael
Ortodox Plan
84 bpm • C Maj • 03:57 • -10.86db
7% Popularity • 74% Danceability • 64% Energy • 9% Liveness
87% Instrumentalness • 71% Positiveness
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Cyril Pounier
Whispers in the Wind
83 bpm • C# min • 01:50 • -11.98db
29% Popularity • 52% Danceability • 76% Energy • 37% Liveness
87% Instrumentalness • 31% Positiveness
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Ziggy Marley
666 - Live
82 bpm • A min • 05:40 • -24.09db
8% Popularity • 26% Danceability • 26% Energy • 91% Liveness
14% Instrumentalness • 34% Positiveness
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SirPOniro
Sir Party time
82 bpm • G# min • 01:07 • -18.52db
28% Popularity • 69% Danceability • 58% Energy • 9% Liveness
91% Instrumentalness • 96% Positiveness
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dj justhzo
side chairs
84 bpm • G Maj • 02:08 • -12.17db
9% Popularity • 65% Danceability • 63% Energy • 25% Liveness
95% Instrumentalness • 70% Positiveness
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Faust
25 Yellow Doors
84 bpm • B min • 04:30 • -8.51db
10% Popularity • 35% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Gary Clail
Two Thieves And A Liar
81 bpm • A# min • 05:51 • -9db
10% Popularity • 72% Danceability • 46% Energy • 16% Liveness
3% Instrumentalness • 61% Positiveness
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Ritmo Pop
Un año sin ti
84 bpm • F# min • 02:42 • -18.58db
17% Popularity • 75% Danceability • 57% Energy • 10% Liveness
97% Instrumentalness • 40% Positiveness
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Glen Avenue Gang
I Like to Drive
81 bpm • D Maj • 04:16 • -8.7db
9% Popularity • 41% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Blue In Heaven
I Just Wanna
81 bpm • D Maj • 05:48 • -10.8db
13% Popularity • 56% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Los Pumpkin Kids
Kreisi
85 bpm • D Maj • 03:52 • -19.67db
7% Popularity • 31% Danceability • 70% Energy • 16% Liveness
80% Instrumentalness • 68% Positiveness
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NINE ALWAYS
MIRROR MIRROR
81 bpm • C Maj • 01:56 • -16.18db
7% Popularity • 73% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Barmy Army
Billy Bonds M.B.E.
85 bpm • B min • 06:03 • -13.68db
1% Popularity • 64% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Rick Stevens
Rockstar
85 bpm • D min • 04:52 • -18.36db
7% Popularity • 67% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 83% Positiveness
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Myra Swaniawski
Optical
86 bpm • A Maj • 03:57 • -5.38db
28% Popularity • 48% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Omvalu Orthon
Tradeable
80 bpm • A# min • 01:52 • -11.37db
25% Popularity • 54% Danceability • 66% Energy • 12% Liveness
74% Instrumentalness • 60% Positiveness
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Portishead
Elysium - Parlour Talk Remix / Instrumen...
80 bpm • C# Maj • 05:27 • -18.42db
10% Popularity • 75% Danceability • 47% Energy • 28% Liveness
80% Instrumentalness • 32% Positiveness
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Ritmos Sin Sentido
Dime que no te vas a ir
86 bpm • A Maj • 01:10 • -21.83db
17% Popularity • 83% Danceability • 19% Energy • 7% Liveness
97% Instrumentalness • 35% Positiveness
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Bass-o-Matic
My Tears Have Gone
80 bpm • A# min • 04:23 • -16.85db
8% Popularity • 76% Danceability • 55% Energy • 14% Liveness
39% Instrumentalness • 93% Positiveness
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LeMar
Her Eyez
80 bpm • D Maj • 03:30 • -7.78db
8% Popularity • 63% Danceability • 86% Energy • 31% Liveness
37% Instrumentalness • 24% Positiveness
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Rodolphe Materiza
Don't Believe Him
80 bpm • C# Maj • 02:10 • -11.09db
29% Popularity • 68% Danceability • 57% Energy • 12% Liveness
93% Instrumentalness • 92% Positiveness
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Pete Jones
Kiss Me
80 bpm • C Maj • 03:53 • -10.25db
9% Popularity • 56% Danceability • 66% Energy • 66% Liveness
21% Instrumentalness • 11% Positiveness
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Pedro Marcelinos
More Time
80 bpm • B Maj • 01:56 • -10.71db
30% Popularity • 72% Danceability • 82% Energy • 8% Liveness
90% Instrumentalness • 96% Positiveness
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Equardos
Forehead
80 bpm • A Maj • 02:30 • -18.06db
8% Popularity • 51% Danceability • 42% Energy • 30% Liveness
1% Instrumentalness • 35% Positiveness
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Alexander Reed
Soul of the Tides
80 bpm • D Maj • 01:39 • -10.82db
17% Popularity • 68% Danceability • 61% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
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Shafiq R Rehman
Distorted Reality
80 bpm • C Maj • 07:39 • -15.82db
20% Popularity • 51% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Barmy Army
Civil Liberty
79 bpm • D Maj • 04:46 • -17.53db
0% Popularity • 65% Danceability • 42% Energy • 25% Liveness
44% Instrumentalness • 57% Positiveness
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SCProductions
Arointed
79 bpm • D Maj • 02:13 • -11.71db
21% Popularity • 77% Danceability • 70% Energy • 14% Liveness
74% Instrumentalness • 89% Positiveness
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Ritmo Norteno
El pasito del borracho
87 bpm • F# min • 01:24 • -21.04db
17% Popularity • 76% Danceability • 12% Energy • 6% Liveness
97% Instrumentalness • 47% Positiveness
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Mr Dreamz
Uncontrolled desires
88 bpm • F min • 01:10 • -13.69db
21% Popularity • 76% Danceability • 67% Energy • 20% Liveness
14% Instrumentalness • 78% Positiveness
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Rock Juice
Where we go
88 bpm • C# min • 01:05 • -21.6db
22% Popularity • 56% Danceability • 47% Energy • 13% Liveness
33% Instrumentalness • 44% Positiveness
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African Head Charge
My God
78 bpm • G# Maj • 04:13 • -15.14db
9% Popularity • 69% Danceability • 35% Energy • 17% Liveness
59% Instrumentalness • 58% Positiveness
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Barmy Army
England 2 Yugoslavia 0
87 bpm • F min • 04:39 • -9.64db
0% Popularity • 57% Danceability • 91% Energy • 19% Liveness
37% Instrumentalness • 56% Positiveness
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Little annie
Bless Those (Little Annie's Prayer)
89 bpm • A# min • 03:27 • -10.43db
9% Popularity • 61% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Gary Clail
Privatise The Air
77 bpm • B Maj • 04:33 • -9.52db
8% Popularity • 62% Danceability • 49% Energy • 16% Liveness
2% Instrumentalness • 56% Positiveness
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dani yankee
Horizontes de Manhattan
77 bpm • A# Maj • 03:07 • -15.77db
9% Popularity • 50% Danceability • 65% Energy • 9% Liveness
92% Instrumentalness • 46% Positiveness
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Metaries
Bañaso
77 bpm • G min • 03:07 • -16.57db
10% Popularity • 53% Danceability • 69% Energy • 21% Liveness
94% Instrumentalness • 75% Positiveness
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New Age Steppers
Chemical Specialist
77 bpm • C Maj • 04:21 • -19.23db
11% Popularity • 78% Danceability • 34% Energy • 23% Liveness
7% Instrumentalness • 62% Positiveness
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Nick Simone
Invictus Epictetus!
77 bpm • C# Maj • 05:09 • -9.94db
7% Popularity • 18% Danceability • 98% Energy • 9% Liveness
30% Instrumentalness • 87% Positiveness
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James K Brown
Downtown Ride
90 bpm • E Maj • 03:12 • -7.04db
12% Popularity • 73% Danceability • 69% Energy • 5% Liveness
16% Instrumentalness • 85% Positiveness
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Bateria Rock
Almas gemelas
90 bpm • A Maj • 01:07 • -20.72db
17% Popularity • 77% Danceability • 33% Energy • 9% Liveness
97% Instrumentalness • 77% Positiveness
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Blackjesus Yoshua
The Thirteenth Day
90 bpm • C Maj • 04:14 • -8.06db
8% Popularity • 68% Danceability • 54% Energy • 18% Liveness
95% Instrumentalness • 32% Positiveness
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The Mighty King of Hell
Have You seen the rain
90 bpm • B min • 03:30 • -36.22db
8% Popularity • 69% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Ritmo Chicano
Te perdi pero te amo
90 bpm • B min • 01:08 • -19.83db
17% Popularity • 74% Danceability • 39% Energy • 12% Liveness
97% Instrumentalness • 83% Positiveness
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Bateria Chicana
Mi fantasia
90 bpm • F# Maj • 01:22 • -17.69db
17% Popularity • 72% Danceability • 66% Energy • 8% Liveness
97% Instrumentalness • 50% Positiveness
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Bomb The Bass
One To One Religion
90 bpm • C# Maj • 04:15 • -14db
12% Popularity • 61% Danceability • 42% Energy • 36% Liveness
62% Instrumentalness • 47% Positiveness
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Tackhead
Reality
91 bpm • C# Maj • 07:07 • -10.59db
7% Popularity • 78% Danceability • 70% Energy • 30% Liveness
3% Instrumentalness • 36% Positiveness
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Camo
Colliding With Reality
91 bpm • G# Maj • 03:20 • -10.71db
10% Popularity • 72% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Playhouse
Which Way
91 bpm • G Maj • 01:32 • -13.77db
32% Popularity • 71% Danceability • 48% Energy • 12% Liveness
80% Instrumentalness • 41% Positiveness
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Rimera
JAZZ PUNK
75 bpm • D Maj • 01:05 • -9.17db
32% Popularity • 40% Danceability • 79% Energy • 81% Liveness
0% Instrumentalness • 65% Positiveness
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Bateria Chicana
Tu me Querias
92 bpm • F# min • 01:04 • -20.95db
17% Popularity • 66% Danceability • 33% Energy • 9% Liveness
97% Instrumentalness • 50% Positiveness
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Barmy Army
Liquidator
92 bpm • C Maj • 02:14 • -11.8db
1% Popularity • 78% Danceability • 68% Energy • 6% Liveness
20% Instrumentalness • 97% Positiveness
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Metaxis
Pakalollo 90
92 bpm • G Maj • 03:58 • -12.48db
8% Popularity • 51% Danceability • 80% Energy • 30% Liveness
86% Instrumentalness • 8% Positiveness
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Bramkillers
Hey You
75 bpm • A min • 02:16 • -28.7db
8% Popularity • 60% Danceability • 28% Energy • 7% Liveness
94% Instrumentalness • 93% Positiveness
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Vibra Roquera
Sonrie aunque le duela
92 bpm • E Maj • 01:09 • -20.39db
17% Popularity • 72% Danceability • 37% Energy • 7% Liveness
97% Instrumentalness • 62% Positiveness
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Whorgasm
Tell Him to Get a Bigger Tv
92 bpm • G Maj • 03:08 • -10.39db
8% Popularity • 64% Danceability • 80% Energy • 7% Liveness
56% Instrumentalness • 55% Positiveness
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Fun Boy Three
The Farm Yard Connection
92 bpm • C# min • 02:46 • -5.03db
11% Popularity • 72% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bomb The Bass
Sleepyhead
93 bpm • A# min • 03:58 • -11.06db
12% Popularity • 70% Danceability • 70% Energy • 15% Liveness
14% Instrumentalness • 80% Positiveness
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Silver Showers
Psychik Poison
93 bpm • A Maj • 04:04 • -11.01db
10% Popularity • 80% Danceability • 66% Energy • 5% Liveness
11% Instrumentalness • 68% Positiveness
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MUHAG
Massoud
93 bpm • C# min • 04:57 • -7.02db
13% Popularity • 71% Danceability • 72% Energy • 10% Liveness
69% Instrumentalness • 39% Positiveness
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Dead Internet Theory
RipMeShadow
93 bpm • G# Maj • 01:40 • -5.22db
9% Popularity • 37% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Noel Locke
Love
94 bpm • G# Maj • 03:21 • -9.04db
25% Popularity • 75% Danceability • 80% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
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ABUSADOR NYC
Suburban
94 bpm • F min • 02:05 • -8.35db
8% Popularity • 45% Danceability • 91% Energy • 10% Liveness
78% Instrumentalness • 96% Positiveness
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Ritmos Sin Sentido
Mueve tu cintura
94 bpm • E Maj • 01:09 • -20.46db
17% Popularity • 79% Danceability • 36% Energy • 6% Liveness
97% Instrumentalness • 56% Positiveness
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BTA
I Got to Get Up
94 bpm • C Maj • 03:16 • -10.98db
20% Popularity • 69% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Keith Leblanc
Get This
94 bpm • B min • 02:45 • -6.13db
10% Popularity • 68% Danceability • 80% Energy • 4% Liveness
2% Instrumentalness • 36% Positiveness
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CHIMAMAKA
Bem
95 bpm • G min • 01:17 • -16.46db
33% Popularity • 62% Danceability • 68% Energy • 86% Liveness
9% Instrumentalness • 94% Positiveness
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Quick Eddie
Muscle
95 bpm • A Maj • 02:19 • -13.39db
17% Popularity • 76% Danceability • 72% Energy • 8% Liveness
82% Instrumentalness • 52% Positiveness
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Liam Cooper
Michelangelo Buonarroti
95 bpm • G Maj • 03:16 • -14.79db
30% Popularity • 73% Danceability • 57% Energy • 40% Liveness
78% Instrumentalness • 36% Positiveness
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Lynn Morton
Not Crazy
95 bpm • F Maj • 03:37 • -10.73db
24% Popularity • 76% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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African Head Charge
Pursuit
96 bpm • D Maj • 03:53 • -7.79db
7% Popularity • 66% Danceability • 91% Energy • 12% Liveness
3% Instrumentalness • 52% Positiveness
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Marcos Villafan
Stream
97 bpm • C Maj • 04:02 • -18.69db
28% Popularity • 70% Danceability • 34% Energy • 14% Liveness
54% Instrumentalness • 59% Positiveness
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Glen Avenue Gang
Love and Peace
97 bpm • A Maj • 03:25 • -9.35db
9% Popularity • 69% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Perry Malachi
Batman Is Here
97 bpm • E min • 02:11 • -15.53db
31% Popularity • 58% Danceability • 52% Energy • 19% Liveness
16% Instrumentalness • 18% Positiveness
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Bomb The Bass
Somewhere
71 bpm • F# Maj • 05:04 • -15.52db
8% Popularity • 20% Danceability • 55% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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Patrik Å Ãma
Here we go again
97 bpm • D min • 04:04 • -10.77db
20% Popularity • 77% Danceability • 88% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
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DjMarianelabest
Donatee Freestyle
97 bpm • C min • 02:40 • -25.3db
12% Popularity • 56% Danceability • 23% Energy • 40% Liveness
96% Instrumentalness • 67% Positiveness
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Sly & Robbie
Fatigue Chic
97 bpm • A# min • 04:51 • -8.64db
9% Popularity • 78% Danceability • 73% Energy • 10% Liveness
76% Instrumentalness • 72% Positiveness
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bicflame
HBO
97 bpm • C# Maj • 04:18 • -13.98db
15% Popularity • 49% Danceability • 33% Energy • 10% Liveness
71% Instrumentalness • 13% Positiveness
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A Guy Called Gerald
Music Sweet Music
98 bpm • B min • 05:11 • -18.88db
9% Popularity • 63% Danceability • 48% Energy • 26% Liveness
18% Instrumentalness • 40% Positiveness
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Smith
Walk On - mixed
98 bpm • A# min • 03:12 • -7.55db
11% Popularity • 66% Danceability • 96% Energy • 18% Liveness
39% Instrumentalness • 86% Positiveness
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Carlo Karacho
Aus Der Mitte Entspringt Ein Fluss - Rad...
98 bpm • E min • 04:31 • -9.63db
22% Popularity • 70% Danceability • 79% Energy • 16% Liveness
2% Instrumentalness • 61% Positiveness
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Dave Stewart
Take Me For What I Am
98 bpm • F# min • 04:52 • -14.92db
8% Popularity • 74% Danceability • 53% Energy • 7% Liveness
2% Instrumentalness • 73% Positiveness
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Man Atom
It's a Sound
98 bpm • G Maj • 03:22 • -10.55db
10% Popularity • 62% Danceability • 85% Energy • 13% Liveness
25% Instrumentalness • 67% Positiveness
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Radio Sect
Mirage
98 bpm • D# Maj • 03:21 • -6.98db
7% Popularity • 76% Danceability • 77% Energy • 12% Liveness
4% Instrumentalness • 70% Positiveness
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Keith Leblanc
Heaven on Earth
99 bpm • A# min • 04:33 • -6.47db
9% Popularity • 75% Danceability • 80% Energy • 8% Liveness
34% Instrumentalness • 14% Positiveness
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Tackhead
Ticking Time Bomb
99 bpm • B min • 04:23 • -9.59db
7% Popularity • 74% Danceability • 93% Energy • 73% Liveness
3% Instrumentalness • 81% Positiveness
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Robztrail
Believe Me
99 bpm • C# Maj • 03:37 • -11.22db
9% Popularity • 59% Danceability • 82% Energy • 22% Liveness
89% Instrumentalness • 21% Positiveness
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G-Light
Cherish the Time
99 bpm • G# Maj • 06:15 • -7.27db
12% Popularity • 72% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Rory Noel
Unstoppable Resistance
100 bpm • F# min • 02:25 • -11.14db
19% Popularity • 82% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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The Lilac Time
Dreaming
99 bpm • A# min • 03:52 • -7.75db
8% Popularity • 70% Danceability • 90% Energy • 29% Liveness
2% Instrumentalness • 62% Positiveness
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Volcano Martini
Diapir
100 bpm • E min • 02:53 • -20.16db
13% Popularity • 70% Danceability • 24% Energy • 81% Liveness
15% Instrumentalness • 73% Positiveness
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Anne Lemmen
Fruit Reggae Shake
100 bpm • B Maj • 02:28 • -13.16db
8% Popularity • 82% Danceability • 74% Energy • 6% Liveness
4% Instrumentalness • 97% Positiveness
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Dead Internet Theory
Endless Knot
100 bpm • D Maj • 05:01 • -7.87db
8% Popularity • 24% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Havannah
Tanzen Und Abhängen
100 bpm • C Maj • 03:00 • -21.44db
9% Popularity • 77% Danceability • 87% Energy • 9% Liveness
89% Instrumentalness • 91% Positiveness
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The Big Mackoofy
Psychedelic Love Medicine (12.5 Million ...
100 bpm • D Maj • 04:48 • -6.78db
12% Popularity • 67% Danceability • 72% Energy • 19% Liveness
2% Instrumentalness • 35% Positiveness
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Jim Bopalouie
How Bout Now?
100 bpm • B min • 02:55 • -4.56db
5% Popularity • 57% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Oracle Kai
Higher State - Remix
100 bpm • F# min • 03:31 • -12.97db
6% Popularity • 83% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Dj Jodon 0880
relacion
100 bpm • C# Maj • 02:25 • -13.79db
12% Popularity • 68% Danceability • 55% Energy • 39% Liveness
86% Instrumentalness • 78% Positiveness
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Brian Clout