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Steel Bones
Songs like
Steel Bones
by
Bernie Green
Based on a tempo of (+/- 10%) and a similar genre
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Tommy Dorsey Orchestra
Song of India
169 bpm • F Maj • 03:14 • -14.57db
19% Popularity • 32% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 69% Positiveness
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Jackie Davis
Five Minutes More
168 bpm • F Maj • 02:46 • -14.17db
15% Popularity • 46% Danceability • 36% Energy • 8% Liveness
69% Instrumentalness • 88% Positiveness
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Julius Wechter
Peru '68
170 bpm • C Maj • 02:21 • -16.07db
12% Popularity • 55% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 87% Positiveness
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Bernie Green
The Virtuous Orchestra Suite
170 bpm • G# Maj • 03:20 • -17.77db
0% Popularity • 36% Danceability • 26% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Alain Goraguer
Upper Cut
171 bpm • F Maj • 02:40 • -11.08db
8% Popularity • 60% Danceability • 92% Energy • 30% Liveness
76% Instrumentalness • 97% Positiveness
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Quantum Harmonics Collective
Ephemeral Frequencies
172 bpm • C# min • 01:00 • -8.66db
15% Popularity • 40% Danceability • 94% Energy • 48% Liveness
98% Instrumentalness • 43% Positiveness
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Walter Wanderley
Song Of The Jet
172 bpm • D min • 02:41 • -9db
31% Popularity • 58% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Don Ralke
Face Beside the Fire
166 bpm • D Maj • 02:50 • -25.57db
19% Popularity • 39% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 48% Positiveness
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Bruno Nicolai
SensualitÃ
172 bpm • E min • 01:00 • -24.38db
12% Popularity • 8% Danceability • 5% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Bernie Green
Steel Bones
171 bpm • F Maj • 03:26 • -14.34db
1% Popularity • 42% Danceability • 32% Energy • 18% Liveness
56% Instrumentalness • 55% Positiveness
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Alain Goraguer
Générique
167 bpm • A# min • 01:36 • -11db
15% Popularity • 44% Danceability • 78% Energy • 37% Liveness
91% Instrumentalness • 87% Positiveness
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David Lindup
Mystique Beauty
173 bpm • F Maj • 02:55 • -15.79db
9% Popularity • 36% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
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Keith Mansfield
Teenage Travelogue
173 bpm • C Maj • 02:46 • -10.28db
18% Popularity • 52% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 64% Positiveness
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Don Ralke
Fascinating Rhythm
173 bpm • C min • 02:53 • -25db
20% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Hollyridge Strings
Shut Down
163 bpm • F Maj • 02:04 • -8.46db
13% Popularity • 47% Danceability • 79% Energy • 27% Liveness
90% Instrumentalness • 79% Positiveness
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Bernie Green
Idyl
174 bpm • C min • 02:31 • -9.05db
0% Popularity • 15% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Universal International Orchestra
Borderline Montuna
163 bpm • C Maj • 02:04 • -12.74db
14% Popularity • 48% Danceability • 41% Energy • 9% Liveness
53% Instrumentalness • 54% Positiveness
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Combustible Edison
The Corner Table
163 bpm • F min • 02:15 • -11.17db
8% Popularity • 46% Danceability • 48% Energy • 22% Liveness
10% Instrumentalness • 52% Positiveness
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Walter Wanderley
Cried, Cried (Choru, Choru)
163 bpm • G min • 02:26 • -8.46db
30% Popularity • 56% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Dominic Frontiere & His Orchestra
Venus Girl (Ix-Koben)
176 bpm • C Maj • 02:36 • -21.77db
15% Popularity • 11% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Riz Ortolani
Susan and Jane
176 bpm • F# min • 02:21 • -18.96db
9% Popularity • 8% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Bernie Green
Summer
175 bpm • F Maj • 02:27 • -11.99db
0% Popularity • 12% Danceability • 34% Energy • 12% Liveness
65% Instrumentalness • 14% Positiveness
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James Clarke
Girl of My Dreams
178 bpm • B min • 04:19 • -11.34db
14% Popularity • 25% Danceability • 33% Energy • 27% Liveness
8% Instrumentalness • 32% Positiveness
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Benedetto Ghiglia
Bugie
176 bpm • E min • 01:49 • -17db
9% Popularity • 54% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Jerry Goldsmith
All I Have To Do Is Take A Bite Of Your ...
178 bpm • G# min • 02:16 • -17.11db
10% Popularity • 10% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 31% Positiveness
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ÃŒxtahuele
El Naddaha
178 bpm • G# Maj • 02:46 • -10.91db
11% Popularity • 37% Danceability • 35% Energy • 11% Liveness
75% Instrumentalness • 29% Positiveness
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Perrey and Kingsley
Computer In Love
160 bpm • A# min • 02:07 • -21.1db
14% Popularity • 66% Danceability • 49% Energy • 5% Liveness
66% Instrumentalness • 97% Positiveness
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Georges Delerue et son Orchestra
Avenue Henri Martin - Remastered
179 bpm • B min • 01:44 • -19.45db
4% Popularity • 31% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Warren Barker Orchestra
Blue Night On the Strip
179 bpm • D Maj • 02:40 • -16.55db
12% Popularity • 27% Danceability • 18% Energy • 36% Liveness
11% Instrumentalness • 14% Positiveness
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Dean Elliott And His Big Band
Will You Still Be Mine?
179 bpm • F Maj • 03:16 • -14.18db
7% Popularity • 50% Danceability • 36% Energy • 33% Liveness
3% Instrumentalness • 68% Positiveness
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Freddy Martin
Bubbles In The Wine - 1995 - Remaster; D...
159 bpm • G# Maj • 02:41 • -15.19db
6% Popularity • 59% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 92% Positiveness
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David Lindup
Motility
158 bpm • G# Maj • 01:29 • -13db
9% Popularity • 48% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Basil Kirchin
Club Date
181 bpm • C# min • 01:05 • -8.56db
13% Popularity • 18% Danceability • 33% Energy • 21% Liveness
55% Instrumentalness • 13% Positiveness
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Cal Tjader
Almond Tree
181 bpm • F min • 02:58 • -14.24db
10% Popularity • 48% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
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Syd Dale
The Mad Hatter's Ball
181 bpm • C Maj • 02:32 • -2.81db
15% Popularity • 33% Danceability • 85% Energy • 46% Liveness
67% Instrumentalness • 90% Positiveness
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Muzak Orchestra
Copy Cat
157 bpm • E min • 02:27 • -11.87db
12% Popularity • 61% Danceability • 54% Energy • 6% Liveness
53% Instrumentalness • 92% Positiveness
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Dudley Moore Trio
Italy
182 bpm • G# Maj • 03:13 • -16.07db
10% Popularity • 14% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Manfred Minnich
Bossa Nova Party - Remastered
157 bpm • C Maj • 02:47 • -7.19db
11% Popularity • 36% Danceability • 56% Energy • 20% Liveness
86% Instrumentalness • 68% Positiveness
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Si Zentner
Charade
157 bpm • A min • 02:38 • -10.16db
35% Popularity • 56% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 60% Positiveness
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Alain Goraguer
Place St-Marc
157 bpm • F Maj • 01:40 • -16db
12% Popularity • 66% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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John Buzon Trio
Mr. Ghost Goes To Town - Remastered
156 bpm • A# min • 02:20 • -14db
27% Popularity • 57% Danceability • 51% Energy • 17% Liveness
52% Instrumentalness • 96% Positiveness
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Bernie Green
My Heart Sings (All of a Sudden)
156 bpm • F Maj • 02:10 • -8.5db
0% Popularity • 54% Danceability • 74% Energy • 23% Liveness
2% Instrumentalness • 35% Positiveness
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Don Ralke
Black Panther
183 bpm • C min • 03:18 • -28db
21% Popularity • 60% Danceability • 22% Energy • 10% Liveness
27% Instrumentalness • 71% Positiveness
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Ralph Dollimore
Gun on the Run
154 bpm • F min • 01:15 • -11.96db
9% Popularity • 49% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 69% Positiveness
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Si Zentner
The Fugitive Theme - Remastered
156 bpm • C Maj • 02:03 • -12.31db
25% Popularity • 36% Danceability • 55% Energy • 28% Liveness
85% Instrumentalness • 91% Positiveness
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Elliott Fisher
Mister Kiss Kiss Bang Bang - Remastered
154 bpm • F min • 01:52 • -13.68db
19% Popularity • 37% Danceability • 41% Energy • 22% Liveness
32% Instrumentalness • 50% Positiveness
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Billy May
The Sweetest Sounds
186 bpm • G min • 01:53 • -22.92db
8% Popularity • 14% Danceability • 13% Energy • 14% Liveness
55% Instrumentalness • 8% Positiveness
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I Marc 4
Max
155 bpm • C Maj • 01:21 • -8.48db
22% Popularity • 61% Danceability • 65% Energy • 17% Liveness
98% Instrumentalness • 89% Positiveness
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Werner Tautz
The Winslow Boy
152 bpm • C Maj • 02:50 • -11db
19% Popularity • 34% Danceability • 60% Energy • 70% Liveness
0% Instrumentalness • 74% Positiveness
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Richard Marino & His Orchestra
Rots-O-Ruck - Remastered
152 bpm • G Maj • 02:01 • -18db
16% Popularity • 59% Danceability • 38% Energy • 8% Liveness
32% Instrumentalness • 75% Positiveness
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Martial Solal
Poursuite - Bande originale du film "À ...
153 bpm • G# Maj • 02:14 • -15.22db
11% Popularity • 41% Danceability • 53% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
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Dickie Harrell
Drivin' Around The Block - Remastered
151 bpm • C Maj • 02:15 • -12.68db
13% Popularity • 37% Danceability • 75% Energy • 4% Liveness
41% Instrumentalness • 62% Positiveness
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Bernie Green
Double Blues
151 bpm • D# min • 02:19 • -15.5db
0% Popularity • 47% Danceability • 51% Energy • 24% Liveness
27% Instrumentalness • 71% Positiveness
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Bob Thompson
Star Fire
151 bpm • B min • 02:43 • -18.59db
17% Popularity • 45% Danceability • 30% Energy • 34% Liveness
16% Instrumentalness • 66% Positiveness
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Hollyridge Strings
I Get Around
151 bpm • A min • 02:17 • -8.62db
12% Popularity • 45% Danceability • 78% Energy • 28% Liveness
51% Instrumentalness • 91% Positiveness
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André Popp
Musique mécanique
150 bpm • A# Maj • 02:30 • -11db
12% Popularity • 71% Danceability • 36% Energy • 10% Liveness
88% Instrumentalness • 81% Positiveness
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Billy May
Patricia
150 bpm • C Maj • 02:10 • -13db
21% Popularity • 61% Danceability • 34% Energy • 5% Liveness
91% Instrumentalness • 91% Positiveness
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Carlo Rustichelli
Sexy Lucy - M42
150 bpm • A Maj • 01:11 • -10db
19% Popularity • 26% Danceability • 25% Energy • 9% Liveness
69% Instrumentalness • 12% Positiveness
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The Mariachi Brass
These Boots Are Made For Walkin'
150 bpm • A# Maj • 02:54 • -7.92db
8% Popularity • 52% Danceability • 61% Energy • 25% Liveness
77% Instrumentalness • 67% Positiveness
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Bernie Green
Two Guitars, A Banjo And A Mandolin
150 bpm • F min • 02:30 • -10.22db
0% Popularity • 40% Danceability • 47% Energy • 28% Liveness
74% Instrumentalness • 37% Positiveness
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Bill Le Sage
Bossa Noches
149 bpm • F Maj • 02:30 • -25db
26% Popularity • 63% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 69% Positiveness
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Ralph Dollimore
Ocean Terminal
149 bpm • F Maj • 01:29 • -12.71db
15% Popularity • 66% Danceability • 60% Energy • 7% Liveness
93% Instrumentalness • 91% Positiveness
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Eddie Baxter
Where Was I - Remastered
190 bpm • D# Maj • 02:48 • -27.81db
11% Popularity • 27% Danceability • 5% Energy • 34% Liveness
1% Instrumentalness • 34% Positiveness
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Jonah Jones
Serenata - 1996 Digital Remaster
149 bpm • C Maj • 02:47 • -17db
25% Popularity • 54% Danceability • 35% Energy • 50% Liveness
66% Instrumentalness • 65% Positiveness
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The Sweet Waves
Cool Ways
148 bpm • D min • 01:38 • -17.39db
15% Popularity • 46% Danceability • 27% Energy • 9% Liveness
11% Instrumentalness • 46% Positiveness
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Don Ralke
Zulu Magic
147 bpm • A# min • 01:55 • -23.44db
15% Popularity • 56% Danceability • 43% Energy • 14% Liveness
69% Instrumentalness • 80% Positiveness
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Frank Samuels
Hollywood Holiday
147 bpm • F min • 01:42 • -14.97db
26% Popularity • 31% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
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James Clarke
The Free Life
147 bpm • A# Maj • 03:00 • -14db
17% Popularity • 52% Danceability • 40% Energy • 11% Liveness
7% Instrumentalness • 74% Positiveness
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David Lindup
Juggernaut
147 bpm • G Maj • 01:50 • -13db
8% Popularity • 56% Danceability • 61% Energy • 11% Liveness
70% Instrumentalness • 68% Positiveness
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Denny McLain
The Girl From Ipanema / Meditation
147 bpm • F Maj • 03:17 • -14.44db
21% Popularity • 36% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Bernie Green
Pentagon
147 bpm • F Maj • 02:40 • -6.7db
0% Popularity • 55% Danceability • 94% Energy • 5% Liveness
80% Instrumentalness • 95% Positiveness
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Hugo Montenegro & His Orchestra
Meet Mr. Solo
146 bpm • E Maj • 02:26 • -17db
14% Popularity • 28% Danceability • 15% Energy • 11% Liveness
74% Instrumentalness • 16% Positiveness
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Peter Thomas Sound Orchester
Hey, O' Connor
146 bpm • F min • 01:44 • -16.35db
9% Popularity • 55% Danceability • 35% Energy • 8% Liveness
74% Instrumentalness • 74% Positiveness
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The Tikiyaki Orchestra
Bachelor #2
146 bpm • C Maj • 02:00 • -10.23db
28% Popularity • 62% Danceability • 85% Energy • 10% Liveness
83% Instrumentalness • 66% Positiveness
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Esquivel And His Orchestra
Jalousie (Jealousy)
146 bpm • D Maj • 02:35 • -11.94db
2% Popularity • 53% Danceability • 42% Energy • 28% Liveness
41% Instrumentalness • 34% Positiveness
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Gino Marinacci Ensemble
Always
146 bpm • F min • 02:47 • -13.56db
16% Popularity • 47% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Milt Buckner
The Late, Late Show - Remastered
146 bpm • A min • 03:38 • -13.93db
22% Popularity • 76% Danceability • 31% Energy • 13% Liveness
55% Instrumentalness • 55% Positiveness
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Si Zentner
The Swingin' Eye
146 bpm • F min • 02:54 • -11.03db
14% Popularity • 56% Danceability • 48% Energy • 26% Liveness
16% Instrumentalness • 69% Positiveness
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Peter Thomas Sound Orchester
Shaker
145 bpm • F Maj • 01:15 • -14.33db
13% Popularity • 35% Danceability • 28% Energy • 31% Liveness
83% Instrumentalness • 57% Positiveness
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Combustible Edison
Pavillion
145 bpm • C Maj • 01:10 • -14.19db
10% Popularity • 65% Danceability • 50% Energy • 7% Liveness
50% Instrumentalness • 93% Positiveness
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Don Jackson
Glamorous Nights
145 bpm • D Maj • 01:39 • -7.23db
14% Popularity • 26% Danceability • 84% Energy • 33% Liveness
29% Instrumentalness • 59% Positiveness
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Tak Shindo
Stumbling
145 bpm • D min • 02:08 • -12.84db
21% Popularity • 43% Danceability • 34% Energy • 13% Liveness
81% Instrumentalness • 51% Positiveness
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Bernie Green
Saxophobia
145 bpm • A Maj • 01:46 • -13.77db
0% Popularity • 64% Danceability • 49% Energy • 14% Liveness
84% Instrumentalness • 97% Positiveness
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Dean Elliott And His Big Band
Trees
144 bpm • F min • 02:37 • -14db
13% Popularity • 52% Danceability • 40% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Lou Busch
Cool - Remastered
144 bpm • C min • 02:33 • -13.29db
21% Popularity • 39% Danceability • 30% Energy • 20% Liveness
56% Instrumentalness • 55% Positiveness
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Combustible Edison
Summer Samba
145 bpm • G min • 03:25 • -14.36db
9% Popularity • 59% Danceability • 42% Energy • 10% Liveness
28% Instrumentalness • 39% Positiveness
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Echolocation Phoenix
Luminous Tides
144 bpm • E Maj • 01:04 • -9.47db
16% Popularity • 49% Danceability • 69% Energy • 80% Liveness
24% Instrumentalness • 64% Positiveness
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Quantum Gears
Hypotenuse Groove
144 bpm • B min • 01:04 • -11.7db
15% Popularity • 57% Danceability • 73% Energy • 45% Liveness
96% Instrumentalness • 86% Positiveness
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Bernie Green
A Frangesa
145 bpm • D# Maj • 01:35 • -18.62db
0% Popularity • 67% Danceability • 50% Energy • 7% Liveness
30% Instrumentalness • 93% Positiveness
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Si Zentner
Yes! We Have No Bananas
205 bpm • G# Maj • 02:30 • -13.91db
30% Popularity • 44% Danceability • 20% Energy • 9% Liveness
7% Instrumentalness • 79% Positiveness
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Combustible Edison
The Veldt
204 bpm • G Maj • 03:54 • -10.84db
10% Popularity • 39% Danceability • 39% Energy • 10% Liveness
47% Instrumentalness • 58% Positiveness
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Steel Bones