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Step by Step
Songs like
Step by Step
by
Brandon Davis
Based on a tempo of (+/- 10%) and a similar genre
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David J
Once
142 bpm • A Maj • 03:05 • -5.6db
37% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Combs
Nothing Like You
142 bpm • F Maj • 03:16 • -8db
58% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Drew Green
Little More Be Alright
142 bpm • F# Maj • 03:35 • -6db
39% Popularity • 60% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
61% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Coffey Anderson
Better Today
142 bpm • B Maj • 04:10 • -5.89db
41% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Marlowe
I'll Keep the Country
142 bpm • C# Maj • 03:31 • -5db
48% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Drew Baldridge
Can She Have This Dance
142 bpm • A Maj • 03:33 • -7.71db
49% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Luke Combs
The Other Guy
142 bpm • F# Maj • 03:10 • -4.71db
59% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
60% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Austin Michael
Every Boy's Girl
142 bpm • B Maj • 03:09 • -3.53db
46% Popularity • 71% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Rayne Johnson
Front Seat
142 bpm • F# Maj • 03:29 • -7db
47% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Brandon Davis
Step by Step
142 bpm • G# Maj • 03:58 • -5.65db
47% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Drew Baldridge
I Do Two
141 bpm • C Maj • 03:44 • -4.61db
42% Popularity • 52% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Jon Langston
Give You My All
143 bpm • B Maj • 02:51 • -6db
41% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Dylan Scott
Lay Down With You
143 bpm • D# Maj • 03:02 • -5.01db
47% Popularity • 50% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Spencer Crandall
Made
141 bpm • F Maj • 03:15 • -4.36db
54% Popularity • 53% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Cooper Alan
Ain't Friends Anymore
144 bpm • A# Maj • 03:20 • -8.07db
42% Popularity • 56% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
53% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Steven Champion
A Beer Won't Bitch
144 bpm • C# Maj • 03:10 • -5.26db
44% Popularity • 49% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Morgan Wallen
Sand In My Boots (The Dangerous Sessions...
140 bpm • D# Maj • 03:16 • -9db
53% Popularity • 41% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Waylon Nihipali
He’s Her Life
144 bpm • D Maj • 04:03 • -7db
34% Popularity • 59% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Cooper Alan
Tough Ones
144 bpm • D# Maj • 03:13 • -6db
56% Popularity • 53% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Mason Horne
Cheap Shots
144 bpm • G Maj • 03:31 • -4.99db
47% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Wolfe
Something To Talk About
140 bpm • B Maj • 02:45 • -7.25db
49% Popularity • 55% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Rich
Better Than You’re Used To
144 bpm • A# Maj • 03:18 • -5db
48% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Steven Champion
She Ain't That Girl
140 bpm • G min • 03:26 • -6db
38% Popularity • 48% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Alexandra Kay
How Do We Go
144 bpm • F Maj • 03:26 • -5.69db
53% Popularity • 56% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Canaan Cox
When It Comes to You
144 bpm • G# Maj • 03:11 • -7db
51% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Wallen
Rednecks, Red Letters, Red Dirt
140 bpm • F# Maj • 03:05 • -4.29db
59% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Jenna Paulette
The Girl I Was
144 bpm • G# Maj • 03:38 • -5.68db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Noah Hicks
Making Up My Mind
144 bpm • D Maj • 03:01 • -4.23db
45% Popularity • 43% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Chayce Beckham
Till The Day I Die
144 bpm • G Maj • 03:58 • -4.74db
43% Popularity • 52% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
51% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Priscilla Block
Ever Since You Left
140 bpm • E Maj • 02:44 • -3db
39% Popularity • 61% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Dylan Scott
Livin' My Best Life
140 bpm • G Maj • 03:22 • -3.68db
52% Popularity • 60% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Brandon Davis
Pretty (Daughter Version)
144 bpm • G Maj • 03:27 • -8.42db
35% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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AIMP Nashville
Ask Me How I Know
144 bpm • C# Maj • 03:52 • -7db
39% Popularity • 53% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Restless Road
One Step Ahead
140 bpm • C# Maj • 03:16 • -4.1db
37% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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The Tuten Brothers
Make Me Wanna Be
140 bpm • A Maj • 03:15 • -6.01db
31% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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CHASE WRIGHT
My Kinda Morning
140 bpm • B Maj • 02:47 • -7db
38% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Brandon Davis
Same Time Tomorrow
144 bpm • A# Maj • 03:31 • -5.98db
23% Popularity • 64% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Drew Parker
While You're Gone
140 bpm • C# Maj • 03:46 • -5.64db
48% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Alexandra Kay
All the Cowboys
144 bpm • A Maj • 03:48 • -6.29db
41% Popularity • 50% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Bryan Andrews
Liquor & Pills
140 bpm • C Maj • 04:15 • -6.7db
47% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jon Langston
Try Missing You
144 bpm • F# Maj • 03:26 • -5.92db
43% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ryan Waters Band
Stayin' Quit
140 bpm • F# Maj • 03:06 • -8.81db
41% Popularity • 49% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Stell
Prayed For You - Wedding Version
140 bpm • A Maj • 03:25 • -5.67db
44% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Tuten Brothers
See You When I See You
140 bpm • F# Maj • 03:00 • -5.41db
40% Popularity • 73% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Noah Thompson
Make You Rich
144 bpm • A Maj • 03:35 • -5.43db
35% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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David J
Because of You
144 bpm • B Maj • 03:05 • -6db
45% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Waters Band
Ain't For Sale
144 bpm • G# min • 03:19 • -8.92db
44% Popularity • 55% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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CHASE WRIGHT
Drive
144 bpm • A# min • 03:34 • -5db
46% Popularity • 60% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
66% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Drew Baldridge
First
144 bpm • D# Maj • 03:21 • -5db
33% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sean Stemaly
Hello, You Up
144 bpm • A Maj • 03:26 • -5db
38% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Brandon Davis
Afraid to Fight
140 bpm • G Maj • 04:24 • -6.65db
2% Popularity • 68% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Alexandra Kay
Backroad Therapy
144 bpm • D# Maj • 03:39 • -6.75db
54% Popularity • 57% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Steven Champion
This Road I'm On
140 bpm • C# Maj • 02:56 • -6.19db
41% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Kane Brown
For My Daughter
140 bpm • C# Maj • 03:43 • -8db
53% Popularity • 54% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Drew Baldridge
That's You
144 bpm • G# Maj • 03:24 • -4db
36% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Luke Combs
Used to You
140 bpm • F# Maj • 03:56 • -6.97db
60% Popularity • 58% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Brandon Davis
Hearts Don't Rust
140 bpm • A# Maj • 04:09 • -3db
29% Popularity • 50% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Kelsey Hart
Give You Mine
144 bpm • B Maj • 03:10 • -6db
44% Popularity • 53% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Elvie Shane
My Boy (My Girl Version)
144 bpm • A Maj • 03:26 • -5.88db
47% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Ryan Waters Band
I'm The One
140 bpm • G Maj • 02:57 • -9.18db
31% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Sam Grow
The Blame
140 bpm • C# Maj • 03:10 • -6.57db
46% Popularity • 51% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Kyle Coulahan
Fell In Love Again
144 bpm • A# Maj • 03:39 • -6.48db
44% Popularity • 48% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Brandon Davis
Hearts Don't Rust - Acoustic
140 bpm • A# Maj • 04:09 • -8.38db
14% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Braden
Try Losing One
140 bpm • D Maj • 03:39 • -7.75db
50% Popularity • 46% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Steven Champion
Mama Was Daddy Too
140 bpm • C# Maj • 04:00 • -7.36db
20% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Britnee Kellogg
Hey Mama
140 bpm • E Maj • 03:32 • -7.34db
41% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Elvie Shane
Sundress
144 bpm • G Maj • 03:30 • -5.38db
39% Popularity • 62% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Mitch Rossell
Son
140 bpm • D Maj • 04:36 • -5.84db
44% Popularity • 46% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Tim McGraw
My Little Girl
145 bpm • C Maj • 03:38 • -3.41db
54% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Derek Austin
The Bullet
145 bpm • B Maj • 03:21 • -8.04db
39% Popularity • 56% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Jennifer Hart
Half the Man
139 bpm • D Maj • 03:22 • -5.56db
42% Popularity • 64% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Dillon Carmichael
Dancing Away with My Heart
145 bpm • A Maj • 03:47 • -7.62db
43% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
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Priscilla Block
Like A Boy
146 bpm • G# Maj • 03:43 • -5.45db
45% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Brandon Davis
Family Tree
146 bpm • A# Maj • 03:41 • -7.92db
22% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Riggs
Don't Stop Now
139 bpm • C Maj • 02:51 • -4.87db
39% Popularity • 57% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Cooper Alan
Take Forever (Hally's Song)
146 bpm • B Maj • 03:04 • -5.98db
71% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Mitch Rossell
Then Again
146 bpm • D Maj • 03:25 • -6.61db
46% Popularity • 55% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Canaan Cox
Out of Nowhere
146 bpm • C Maj • 03:35 • -4db
47% Popularity • 44% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Todd Cameron
Ruin My Truck
146 bpm • G# Maj • 03:13 • -3.31db
42% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Dalton Dover
Hear About a Girl
138 bpm • A# Maj • 03:08 • -4.08db
34% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Kelsey Hart
4x4
146 bpm • C Maj • 03:19 • -5.07db
41% Popularity • 46% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Roman Alexander
Cocktail Conversations
146 bpm • G Maj • 03:24 • -6db
31% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Smithfield
Something Sexy
146 bpm • C Maj • 03:14 • -4.08db
40% Popularity • 62% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Sammy Arriaga
on God.
146 bpm • G Maj • 02:35 • -5.33db
39% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Drew Green
The Rest of Our Lives
138 bpm • D Maj • 03:14 • -5.4db
46% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jimmie Allen
down home
146 bpm • A Maj • 03:22 • -3.62db
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Drew Baldridge
Big Prayers
138 bpm • C# Maj • 03:27 • -4.53db
40% Popularity • 52% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Brandon Davis
See You In It
146 bpm • D Maj • 03:24 • -4.49db
24% Popularity • 56% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Step by Step