Songs like Step or Stone (Breath or Bone) by Leon Vynehall
Based on a tempo of (+/- 10%) and a similar genre
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Josh Wink
Talking To You
124 bpm • C Maj • 08:49 • -9db
11% Popularity • 81% Danceability • 45% Energy • 11% Liveness
77% Instrumentalness • 50% Positiveness
11% Popularity • 81% Danceability • 45% Energy • 11% Liveness
77% Instrumentalness • 50% Positiveness
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Mathew Jonson
Dayz
124 bpm • E min • 08:11 • -10.02db
14% Popularity • 78% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 79% Positiveness
14% Popularity • 78% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 79% Positiveness
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Dauwd
Kolido
124 bpm • C# Maj • 06:51 • -11db
29% Popularity • 81% Danceability • 58% Energy • 43% Liveness
88% Instrumentalness • 10% Positiveness
29% Popularity • 81% Danceability • 58% Energy • 43% Liveness
88% Instrumentalness • 10% Positiveness
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DJ Koze
Driven
124 bpm • C Maj • 06:39 • -9.69db
11% Popularity • 87% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 47% Positiveness
11% Popularity • 87% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 47% Positiveness
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Peggy Gou
Shero
124 bpm • A# min • 06:42 • -7db
37% Popularity • 71% Danceability • 93% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
37% Popularity • 71% Danceability • 93% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
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Terrence Parker
Saved Forever - C2 Mix
124 bpm • F# min • 07:38 • -7db
14% Popularity • 80% Danceability • 67% Energy • 5% Liveness
91% Instrumentalness • 65% Positiveness
14% Popularity • 80% Danceability • 67% Energy • 5% Liveness
91% Instrumentalness • 65% Positiveness
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Apollonia
Visa americain
124 bpm • C Maj • 06:43 • -7.32db
7% Popularity • 80% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
7% Popularity • 80% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 40% Positiveness
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Makam
The Hague Soul
124 bpm • D# min • 08:02 • -12db
23% Popularity • 87% Danceability • 55% Energy • 10% Liveness
87% Instrumentalness • 55% Positiveness
23% Popularity • 87% Danceability • 55% Energy • 10% Liveness
87% Instrumentalness • 55% Positiveness
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Kerri Chandler
Turn Off The Lights (Who's Afraid Of The...
124 bpm • B min • 08:08 • -8db
12% Popularity • 68% Danceability • 89% Energy • 6% Liveness
17% Instrumentalness • 20% Positiveness
12% Popularity • 68% Danceability • 89% Energy • 6% Liveness
17% Instrumentalness • 20% Positiveness
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Palms Trax
In Gold
124 bpm • G min • 06:18 • -10.24db
22% Popularity • 75% Danceability • 62% Energy • 7% Liveness
94% Instrumentalness • 50% Positiveness
22% Popularity • 75% Danceability • 62% Energy • 7% Liveness
94% Instrumentalness • 50% Positiveness
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Skatebård
Why Not?
124 bpm • F Maj • 06:27 • -10db
16% Popularity • 64% Danceability • 70% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
16% Popularity • 64% Danceability • 70% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Nathan Micay
Generation Nostalgia - Original
124 bpm • G Maj • 07:30 • -9db
9% Popularity • 80% Danceability • 61% Energy • 4% Liveness
86% Instrumentalness • 63% Positiveness
9% Popularity • 80% Danceability • 61% Energy • 4% Liveness
86% Instrumentalness • 63% Positiveness
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Black Loops
Dub Me Please - Original Mix
124 bpm • G# Maj • 07:14 • -8.81db
20% Popularity • 87% Danceability • 60% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
20% Popularity • 87% Danceability • 60% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
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Dinky
Casa - Axel Boman Dub Mix
124 bpm • B Maj • 09:48 • -8db
14% Popularity • 76% Danceability • 90% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
14% Popularity • 76% Danceability • 90% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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Peggy Gou
Troop - Galcher Lustwerk Remix
124 bpm • A# min • 07:25 • -11.51db
17% Popularity • 62% Danceability • 75% Energy • 4% Liveness
93% Instrumentalness • 59% Positiveness
17% Popularity • 62% Danceability • 75% Energy • 4% Liveness
93% Instrumentalness • 59% Positiveness
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Octave One
Jazzo / Lose Myself - Paul Woolford Rewo...
124 bpm • F Maj • 07:54 • -10.47db
17% Popularity • 76% Danceability • 85% Energy • 21% Liveness
92% Instrumentalness • 22% Positiveness
17% Popularity • 76% Danceability • 85% Energy • 21% Liveness
92% Instrumentalness • 22% Positiveness
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Young Marco
Video Days
124 bpm • C# Maj • 06:13 • -8.96db
12% Popularity • 70% Danceability • 96% Energy • 27% Liveness
80% Instrumentalness • 10% Positiveness
12% Popularity • 70% Danceability • 96% Energy • 27% Liveness
80% Instrumentalness • 10% Positiveness
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D'julz
Ze Box
124 bpm • B min • 05:48 • -9db
8% Popularity • 73% Danceability • 75% Energy • 16% Liveness
86% Instrumentalness • 54% Positiveness
8% Popularity • 73% Danceability • 75% Energy • 16% Liveness
86% Instrumentalness • 54% Positiveness
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Kerri Chandler
Return 2 Acid
124 bpm • A Maj • 08:31 • -9db
7% Popularity • 83% Danceability • 82% Energy • 10% Liveness
77% Instrumentalness • 36% Positiveness
7% Popularity • 83% Danceability • 82% Energy • 10% Liveness
77% Instrumentalness • 36% Positiveness
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Henrik Schwarz
Where We At - Version 3
124 bpm • C# min • 09:18 • -12.1db
17% Popularity • 73% Danceability • 81% Energy • 20% Liveness
85% Instrumentalness • 34% Positiveness
17% Popularity • 73% Danceability • 81% Energy • 20% Liveness
85% Instrumentalness • 34% Positiveness
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Satoshi Tomiie
Bassline
124 bpm • C# min • 06:51 • -11.26db
25% Popularity • 80% Danceability • 92% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
25% Popularity • 80% Danceability • 92% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
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The Persuader
Sugsankan
124 bpm • F min • 05:21 • -13.61db
7% Popularity • 82% Danceability • 54% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
7% Popularity • 82% Danceability • 54% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
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Dauwd
Take Four
124 bpm • G# Maj • 04:48 • -13.88db
27% Popularity • 71% Danceability • 63% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
27% Popularity • 71% Danceability • 63% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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PBR Streetgang
Late Night Party Line
124 bpm • F# Maj • 06:14 • -6.31db
7% Popularity • 81% Danceability • 84% Energy • 5% Liveness
89% Instrumentalness • 67% Positiveness
7% Popularity • 81% Danceability • 84% Energy • 5% Liveness
89% Instrumentalness • 67% Positiveness
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Leon Vynehall
This is the Place
124 bpm • C# Maj • 05:58 • -10.91db
19% Popularity • 80% Danceability • 64% Energy • 8% Liveness
91% Instrumentalness • 58% Positiveness
19% Popularity • 80% Danceability • 64% Energy • 8% Liveness
91% Instrumentalness • 58% Positiveness
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Mosca
Murderous - Dub
124 bpm • E min • 06:19 • -9.79db
10% Popularity • 80% Danceability • 85% Energy • 9% Liveness
65% Instrumentalness • 49% Positiveness
10% Popularity • 80% Danceability • 85% Energy • 9% Liveness
65% Instrumentalness • 49% Positiveness
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Erol Alkan
Bang!
124 bpm • C# Maj • 05:26 • -6.77db
10% Popularity • 82% Danceability • 71% Energy • 5% Liveness
92% Instrumentalness • 50% Positiveness
10% Popularity • 82% Danceability • 71% Energy • 5% Liveness
92% Instrumentalness • 50% Positiveness
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Justin Cudmore
Forget It
124 bpm • A# min • 07:09 • -8.28db
11% Popularity • 80% Danceability • 94% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
11% Popularity • 80% Danceability • 94% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Steffi
Nightspacer
124 bpm • G Maj • 06:31 • -10.33db
9% Popularity • 79% Danceability • 93% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
9% Popularity • 79% Danceability • 93% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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Âme
Fiori - Dixon Beat Edit
124 bpm • F# Maj • 07:44 • -8.95db
9% Popularity • 83% Danceability • 92% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness
9% Popularity • 83% Danceability • 92% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness
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Redlight
City Jams
124 bpm • D Maj • 05:56 • -6.99db
15% Popularity • 72% Danceability • 91% Energy • 11% Liveness
21% Instrumentalness • 15% Positiveness
15% Popularity • 72% Danceability • 91% Energy • 11% Liveness
21% Instrumentalness • 15% Positiveness
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Palms Trax
Paws
124 bpm • G min • 05:03 • -8.27db
14% Popularity • 73% Danceability • 89% Energy • 22% Liveness
84% Instrumentalness • 45% Positiveness
14% Popularity • 73% Danceability • 89% Energy • 22% Liveness
84% Instrumentalness • 45% Positiveness
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MATRiXXMAN
Sermons
124 bpm • C# Maj • 06:46 • -8.58db
7% Popularity • 80% Danceability • 72% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
7% Popularity • 80% Danceability • 72% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Mark Hawkins
Let's Do It
124 bpm • G Maj • 06:26 • -7.15db
14% Popularity • 76% Danceability • 87% Energy • 24% Liveness
56% Instrumentalness • 35% Positiveness
14% Popularity • 76% Danceability • 87% Energy • 24% Liveness
56% Instrumentalness • 35% Positiveness
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Big Miz
Electrolites
124 bpm • G min • 07:13 • -6.29db
10% Popularity • 80% Danceability • 96% Energy • 9% Liveness
81% Instrumentalness • 40% Positiveness
10% Popularity • 80% Danceability • 96% Energy • 9% Liveness
81% Instrumentalness • 40% Positiveness
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Maya Jane Coles
I Would Fly
124 bpm • F Maj • 05:28 • -6.58db
18% Popularity • 82% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
18% Popularity • 82% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Frits Wentink
Dwayne Young
124 bpm • G# min • 06:30 • -11.77db
22% Popularity • 89% Danceability • 55% Energy • 10% Liveness
84% Instrumentalness • 57% Positiveness
22% Popularity • 89% Danceability • 55% Energy • 10% Liveness
84% Instrumentalness • 57% Positiveness
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Palms Trax
Equation
124 bpm • C min • 07:49 • -11db
37% Popularity • 63% Danceability • 73% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
37% Popularity • 63% Danceability • 73% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Kornél Kovács
Lighthouse
124 bpm • A min • 07:16 • -11db
8% Popularity • 79% Danceability • 62% Energy • 13% Liveness
82% Instrumentalness • 83% Positiveness
8% Popularity • 79% Danceability • 62% Energy • 13% Liveness
82% Instrumentalness • 83% Positiveness
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Adesse Versions
Thank U - Original Mix
124 bpm • G min • 05:57 • -9.92db
11% Popularity • 80% Danceability • 48% Energy • 9% Liveness
61% Instrumentalness • 37% Positiveness
11% Popularity • 80% Danceability • 48% Energy • 9% Liveness
61% Instrumentalness • 37% Positiveness
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Mood II Swing
Move Me
124 bpm • G# Maj • 06:21 • -7db
20% Popularity • 89% Danceability • 84% Energy • 10% Liveness
37% Instrumentalness • 16% Positiveness
20% Popularity • 89% Danceability • 84% Energy • 10% Liveness
37% Instrumentalness • 16% Positiveness
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Maya Jane Coles
Little One
124 bpm • B min • 06:59 • -10.84db
21% Popularity • 79% Danceability • 76% Energy • 8% Liveness
92% Instrumentalness • 35% Positiveness
21% Popularity • 79% Danceability • 76% Energy • 8% Liveness
92% Instrumentalness • 35% Positiveness
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Leon Vynehall
Step or Stone (Breath or Bone)
124 bpm • C# Maj • 06:45 • -9.19db
15% Popularity • 82% Danceability • 93% Energy • 8% Liveness
60% Instrumentalness • 68% Positiveness
15% Popularity • 82% Danceability • 93% Energy • 8% Liveness
60% Instrumentalness • 68% Positiveness
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Shanti Celeste
Nu4him
124 bpm • B min • 06:21 • -8.75db
18% Popularity • 80% Danceability • 81% Energy • 12% Liveness
59% Instrumentalness • 22% Positiveness
18% Popularity • 80% Danceability • 81% Energy • 12% Liveness
59% Instrumentalness • 22% Positiveness
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Atjazz
Fox Tooth - Original Mix
124 bpm • C# Maj • 07:23 • -12.86db
21% Popularity • 76% Danceability • 40% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
21% Popularity • 76% Danceability • 40% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
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Apollonia
Trinidad
124 bpm • C Maj • 07:13 • -8.57db
20% Popularity • 80% Danceability • 85% Energy • 8% Liveness
88% Instrumentalness • 53% Positiveness
20% Popularity • 80% Danceability • 85% Energy • 8% Liveness
88% Instrumentalness • 53% Positiveness
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Martyn
Glassbeadgames - 8 Hours at Fabric Dub
124 bpm • A min • 08:01 • -11.96db
25% Popularity • 84% Danceability • 56% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
25% Popularity • 84% Danceability • 56% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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Palms Trax
Late Jam - Willie Burns Remix
124 bpm • A# min • 05:10 • -8.99db
13% Popularity • 88% Danceability • 48% Energy • 26% Liveness
88% Instrumentalness • 33% Positiveness
13% Popularity • 88% Danceability • 48% Energy • 26% Liveness
88% Instrumentalness • 33% Positiveness
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Nick Höppner
Relate - The Black Madonna Remix
124 bpm • D Maj • 06:00 • -8.26db
7% Popularity • 80% Danceability • 83% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
7% Popularity • 80% Danceability • 83% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Lone
Crush Mood
124 bpm • B min • 06:36 • -8.06db
20% Popularity • 81% Danceability • 69% Energy • 51% Liveness
88% Instrumentalness • 24% Positiveness
20% Popularity • 81% Danceability • 69% Energy • 51% Liveness
88% Instrumentalness • 24% Positiveness
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Âme
Shiro
124 bpm • A# min • 07:49 • -5.65db
13% Popularity • 69% Danceability • 67% Energy • 7% Liveness
89% Instrumentalness • 14% Positiveness
13% Popularity • 69% Danceability • 67% Energy • 7% Liveness
89% Instrumentalness • 14% Positiveness
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Leon Vynehall
English Oak (Chapter VII) - Gerd Janson ...
124 bpm • G# Maj • 07:06 • -10.79db
6% Popularity • 80% Danceability • 70% Energy • 9% Liveness
84% Instrumentalness • 43% Positiveness
6% Popularity • 80% Danceability • 70% Energy • 9% Liveness
84% Instrumentalness • 43% Positiveness
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Henrik Schwarz
Where We At - Version 1
124 bpm • B Maj • 07:28 • -9.61db
21% Popularity • 68% Danceability • 67% Energy • 14% Liveness
86% Instrumentalness • 59% Positiveness
21% Popularity • 68% Danceability • 67% Energy • 14% Liveness
86% Instrumentalness • 59% Positiveness
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The Martinez Brothers
Don't No Yet
124 bpm • A# min • 06:30 • -9.76db
15% Popularity • 67% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
15% Popularity • 67% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Herbert
People That Make The Music - Bonus Track
124 bpm • B min • 08:26 • -9.44db
11% Popularity • 85% Danceability • 72% Energy • 16% Liveness
67% Instrumentalness • 24% Positiveness
11% Popularity • 85% Danceability • 72% Energy • 16% Liveness
67% Instrumentalness • 24% Positiveness
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Robert Hood
The Pace - Mixed
124 bpm • A min • 02:18 • -17.03db
32% Popularity • 81% Danceability • 74% Energy • 13% Liveness
93% Instrumentalness • 44% Positiveness
32% Popularity • 81% Danceability • 74% Energy • 13% Liveness
93% Instrumentalness • 44% Positiveness
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Dam Swindle
Freeqy Polly
124 bpm • D Maj • 07:08 • -9.85db
11% Popularity • 51% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
11% Popularity • 51% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Leon Vynehall
English Oak (Chapter VII)
124 bpm • F# Maj • 04:26 • -12.36db
25% Popularity • 43% Danceability • 72% Energy • 11% Liveness
58% Instrumentalness • 8% Positiveness
25% Popularity • 43% Danceability • 72% Energy • 11% Liveness
58% Instrumentalness • 8% Positiveness
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Henrik Schwarz
Where We At - Version 2
124 bpm • B Maj • 06:02 • -10.61db
11% Popularity • 80% Danceability • 63% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
11% Popularity • 80% Danceability • 63% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Move D
Your Personal Healer (Hydraulic guitar b...
123 bpm • C min • 08:26 • -13.44db
20% Popularity • 86% Danceability • 50% Energy • 20% Liveness
87% Instrumentalness • 63% Positiveness
20% Popularity • 86% Danceability • 50% Energy • 20% Liveness
87% Instrumentalness • 63% Positiveness
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Polarius
Nemo Airfield
125 bpm • D min • 05:02 • -7.73db
13% Popularity • 81% Danceability • 80% Energy • 16% Liveness
88% Instrumentalness • 12% Positiveness
13% Popularity • 81% Danceability • 80% Energy • 16% Liveness
88% Instrumentalness • 12% Positiveness
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Schatrax
Keep On Loving - Original Mix
125 bpm • G Maj • 05:56 • -8.75db
16% Popularity • 72% Danceability • 84% Energy • 26% Liveness
86% Instrumentalness • 83% Positiveness
16% Popularity • 72% Danceability • 84% Energy • 26% Liveness
86% Instrumentalness • 83% Positiveness
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Dam Swindle
Pursuit
123 bpm • F min • 08:20 • -8.27db
12% Popularity • 78% Danceability • 91% Energy • 17% Liveness
91% Instrumentalness • 32% Positiveness
12% Popularity • 78% Danceability • 91% Energy • 17% Liveness
91% Instrumentalness • 32% Positiveness
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Leon Vynehall
Goodthing
123 bpm • D# min • 06:24 • -10.06db
0% Popularity • 70% Danceability • 75% Energy • 13% Liveness
33% Instrumentalness • 10% Positiveness
0% Popularity • 70% Danceability • 75% Energy • 13% Liveness
33% Instrumentalness • 10% Positiveness
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Fresh & Low
No Going Back
125 bpm • D Maj • 07:30 • -8.45db
16% Popularity • 88% Danceability • 56% Energy • 7% Liveness
73% Instrumentalness • 60% Positiveness
16% Popularity • 88% Danceability • 56% Energy • 7% Liveness
73% Instrumentalness • 60% Positiveness
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Move D
Sandmann (Maetrik Treatment) - Mixed
123 bpm • C# Maj • 04:24 • -6.97db
18% Popularity • 80% Danceability • 84% Energy • 4% Liveness
88% Instrumentalness • 67% Positiveness
18% Popularity • 80% Danceability • 84% Energy • 4% Liveness
88% Instrumentalness • 67% Positiveness
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Rootstrax
Harlequin
125 bpm • B Maj • 06:47 • -10.55db
9% Popularity • 70% Danceability • 71% Energy • 11% Liveness
92% Instrumentalness • 76% Positiveness
9% Popularity • 70% Danceability • 71% Energy • 11% Liveness
92% Instrumentalness • 76% Positiveness
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Roman Flügel
Bahia Blues Bootcamp - Original Mix
123 bpm • A# min • 04:43 • -7.83db
11% Popularity • 54% Danceability • 91% Energy • 12% Liveness
71% Instrumentalness • 96% Positiveness
11% Popularity • 54% Danceability • 91% Energy • 12% Liveness
71% Instrumentalness • 96% Positiveness
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DJ BORING
Want U So
125 bpm • E min • 05:41 • -8.98db
21% Popularity • 83% Danceability • 46% Energy • 11% Liveness
47% Instrumentalness • 36% Positiveness
21% Popularity • 83% Danceability • 46% Energy • 11% Liveness
47% Instrumentalness • 36% Positiveness
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Wbeeza
Coast Spotting
125 bpm • F# Maj • 06:23 • -9.92db
12% Popularity • 70% Danceability • 49% Energy • 9% Liveness
75% Instrumentalness • 66% Positiveness
12% Popularity • 70% Danceability • 49% Energy • 9% Liveness
75% Instrumentalness • 66% Positiveness
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Discreet Unit
Shake Your Body Down
125 bpm • F min • 08:01 • -12.06db
14% Popularity • 79% Danceability • 62% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
14% Popularity • 79% Danceability • 62% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
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Mr. G
Consequences
125 bpm • A# min • 07:34 • -10.17db
8% Popularity • 78% Danceability • 77% Energy • 9% Liveness
88% Instrumentalness • 23% Positiveness
8% Popularity • 78% Danceability • 77% Energy • 9% Liveness
88% Instrumentalness • 23% Positiveness
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General Ludd
Woo Ha
125 bpm • C# Maj • 05:55 • -7.73db
10% Popularity • 66% Danceability • 93% Energy • 34% Liveness
9% Instrumentalness • 43% Positiveness
10% Popularity • 66% Danceability • 93% Energy • 34% Liveness
9% Instrumentalness • 43% Positiveness
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Shan
Who Run Tings
125 bpm • A# min • 05:53 • -7.86db
17% Popularity • 62% Danceability • 93% Energy • 57% Liveness
80% Instrumentalness • 82% Positiveness
17% Popularity • 62% Danceability • 93% Energy • 57% Liveness
80% Instrumentalness • 82% Positiveness
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Mark Henning
Trojan
125 bpm • F Maj • 06:57 • -11.37db
16% Popularity • 72% Danceability • 56% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
16% Popularity • 72% Danceability • 56% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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DJ BORING
Exotic Feelin'
123 bpm • G min • 08:19 • -10.39db
24% Popularity • 77% Danceability • 76% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
24% Popularity • 77% Danceability • 76% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
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Anthony Naples
Love Loop To Fade
123 bpm • G Maj • 02:03 • -13.06db
45% Popularity • 85% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 79% Positiveness
45% Popularity • 85% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 79% Positiveness
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Peggy Gou
Travelling Without Arriving - GE-OLOGY N...
125 bpm • G Maj • 07:20 • -8.14db
16% Popularity • 74% Danceability • 89% Energy • 7% Liveness
90% Instrumentalness • 65% Positiveness
16% Popularity • 74% Danceability • 89% Energy • 7% Liveness
90% Instrumentalness • 65% Positiveness
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Leon Vynehall
Untitled 017
125 bpm • A min • 06:14 • -11.6db
6% Popularity • 86% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
6% Popularity • 86% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
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Hugo Massien
Kontrol
123 bpm • G Maj • 05:16 • -4.52db
8% Popularity • 80% Danceability • 96% Energy • 7% Liveness
86% Instrumentalness • 40% Positiveness
8% Popularity • 80% Danceability • 96% Energy • 7% Liveness
86% Instrumentalness • 40% Positiveness
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Palms Trax
Honey Lemongina
125 bpm • F Maj • 04:45 • -6db
26% Popularity • 55% Danceability • 91% Energy • 8% Liveness
92% Instrumentalness • 70% Positiveness
26% Popularity • 55% Danceability • 91% Energy • 8% Liveness
92% Instrumentalness • 70% Positiveness
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Sweely
I Gotta Keep On
125 bpm • C# Maj • 06:37 • -4.95db
10% Popularity • 73% Danceability • 93% Energy • 8% Liveness
86% Instrumentalness • 48% Positiveness
10% Popularity • 73% Danceability • 93% Energy • 8% Liveness
86% Instrumentalness • 48% Positiveness
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Skatebård
Agfachrome RSX II
125 bpm • C# min • 07:42 • -10db
31% Popularity • 73% Danceability • 87% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
31% Popularity • 73% Danceability • 87% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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The Cyclist
Pressing Matters - Robag's Pinvoldex Sul...
123 bpm • G min • 07:49 • -12.51db
13% Popularity • 80% Danceability • 70% Energy • 32% Liveness
92% Instrumentalness • 42% Positiveness
13% Popularity • 80% Danceability • 70% Energy • 32% Liveness
92% Instrumentalness • 42% Positiveness
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Leon Vynehall
Brother
125 bpm • B min • 07:12 • -4.88db
14% Popularity • 74% Danceability • 99% Energy • 3% Liveness
1% Instrumentalness • 58% Positiveness
14% Popularity • 74% Danceability • 99% Energy • 3% Liveness
1% Instrumentalness • 58% Positiveness
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Paranoid London
Light Tunnel
125 bpm • G Maj • 05:48 • -11.79db
23% Popularity • 80% Danceability • 79% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
23% Popularity • 80% Danceability • 79% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Young Marco
The Best I Could Do (With What I Had)
125 bpm • G Maj • 09:27 • -8.7db
8% Popularity • 71% Danceability • 83% Energy • 13% Liveness
93% Instrumentalness • 30% Positiveness
8% Popularity • 71% Danceability • 83% Energy • 13% Liveness
93% Instrumentalness • 30% Positiveness
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Ramadanman
Your Words Matter
125 bpm • G Maj • 07:01 • -10.71db
13% Popularity • 81% Danceability • 67% Energy • 28% Liveness
83% Instrumentalness • 74% Positiveness
13% Popularity • 81% Danceability • 67% Energy • 28% Liveness
83% Instrumentalness • 74% Positiveness
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Tim Deluxe
Transformation - DJ Hell Remix
125 bpm • C min • 08:16 • -11.5db
10% Popularity • 67% Danceability • 72% Energy • 11% Liveness
67% Instrumentalness • 12% Positiveness
10% Popularity • 67% Danceability • 72% Energy • 11% Liveness
67% Instrumentalness • 12% Positiveness
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Heartthrob
Baby Kate
125 bpm • G Maj • 06:08 • -14.37db
14% Popularity • 81% Danceability • 61% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
14% Popularity • 81% Danceability • 61% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Palms Trax
Outflight
125 bpm • F Maj • 05:02 • -6.02db
17% Popularity • 61% Danceability • 77% Energy • 14% Liveness
61% Instrumentalness • 35% Positiveness
17% Popularity • 61% Danceability • 77% Energy • 14% Liveness
61% Instrumentalness • 35% Positiveness
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Paranoid London
Transmission 5
123 bpm • G# min • 05:57 • -11db
23% Popularity • 81% Danceability • 84% Energy • 7% Liveness
94% Instrumentalness • 80% Positiveness
23% Popularity • 81% Danceability • 84% Energy • 7% Liveness
94% Instrumentalness • 80% Positiveness
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Jay Haze
Fenlow - Jay Haze Remix
125 bpm • D Maj • 07:10 • -9.6db
30% Popularity • 81% Danceability • 83% Energy • 7% Liveness
92% Instrumentalness • 44% Positiveness
30% Popularity • 81% Danceability • 83% Energy • 7% Liveness
92% Instrumentalness • 44% Positiveness
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Kornél Kovács
Dance... While The Record Spins
123 bpm • G Maj • 05:25 • -4.8db
8% Popularity • 67% Danceability • 96% Energy • 13% Liveness
81% Instrumentalness • 81% Positiveness
8% Popularity • 67% Danceability • 96% Energy • 13% Liveness
81% Instrumentalness • 81% Positiveness
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Caribou
Sun - Midland Edit
125 bpm • D# min • 06:47 • -14.99db
34% Popularity • 81% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
34% Popularity • 81% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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Makam
Girls Night
125 bpm • F# Maj • 05:58 • -13db
16% Popularity • 86% Danceability • 87% Energy • 12% Liveness
89% Instrumentalness • 65% Positiveness
16% Popularity • 86% Danceability • 87% Energy • 12% Liveness
89% Instrumentalness • 65% Positiveness
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Roman Flügel
How To Spread Lies - Original Mix
123 bpm • F# Maj • 06:32 • -9.83db
12% Popularity • 80% Danceability • 71% Energy • 10% Liveness
88% Instrumentalness • 83% Positiveness
12% Popularity • 80% Danceability • 71% Energy • 10% Liveness
88% Instrumentalness • 83% Positiveness
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Danilo Plessow
Raw Cuts #4
123 bpm • A# min • 05:45 • -7db
24% Popularity • 76% Danceability • 82% Energy • 8% Liveness
91% Instrumentalness • 56% Positiveness
24% Popularity • 76% Danceability • 82% Energy • 8% Liveness
91% Instrumentalness • 56% Positiveness
