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Still Have You
Songs like
Still Have You
by
Freya Ridings
Based on a tempo of (+/- 10%) and a similar genre
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Calum Scott
If Our Love Is Wrong
152 bpm • G min • 03:23 • -5.57db
55% Popularity • 41% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Walking On Cars
Nothing's Impossible
151 bpm • A# Maj • 04:37 • -8.24db
38% Popularity • 28% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Freya Ridings
Still Have You
152 bpm • F Maj • 03:53 • -3.72db
36% Popularity • 36% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Ella Henderson
Let’s Go Home Together - Stripped
154 bpm • E Maj • 03:41 • -4.04db
37% Popularity • 65% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Curtis Walsh
Full Recovery
153 bpm • A Maj • 02:56 • -10db
34% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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DANIEL SAINT BLACK
What It Takes (Stripped)
150 bpm • D Maj • 03:30 • -10db
34% Popularity • 31% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Grace Davies
used to you
154 bpm • C# Maj • 03:28 • -7.94db
46% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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RITUAL
Using - Acoustic
150 bpm • D# Maj • 03:40 • -3.9db
26% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Connie Talbot
I Would
150 bpm • F Maj • 03:44 • -6.19db
40% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Tim Halperin
The Reason
150 bpm • G Maj • 03:20 • -9db
45% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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James TW
My Somebody
155 bpm • G min • 03:23 • -5db
37% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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JC Stewart
Medicine
149 bpm • B Maj • 03:40 • -9db
35% Popularity • 42% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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James Gillespie
Beyond Today
149 bpm • G# min • 03:57 • -9db
39% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Chord Overstreet
Love You To Death
148 bpm • E Maj • 03:19 • -9db
43% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Ingrid Michaelson
Light Me Up
148 bpm • F# Maj • 04:07 • -7.84db
52% Popularity • 42% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jake Etheridge
Through the Fire
148 bpm • D Maj • 03:10 • -17.84db
37% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Julia Michaels
If You Need Me
148 bpm • C min • 03:36 • -6.89db
47% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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JC Stewart
Bones
156 bpm • B Maj • 03:07 • -7.12db
38% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Emily Rowed
Glowing In The Dark
147 bpm • G# Maj • 02:40 • -11.27db
28% Popularity • 45% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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BANNERS
Heads And Tails - Acoustic
146 bpm • D Maj • 03:44 • -8.13db
26% Popularity • 59% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Janelle Kroll
Walk With You
147 bpm • D Maj • 03:55 • -9db
21% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Aron Wright
Look After You
146 bpm • C# min • 03:11 • -10.74db
53% Popularity • 40% Danceability • 29% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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The Script
Run Through Walls
159 bpm • D Maj • 03:26 • -3.64db
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
46% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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BANNERS
Heads And Tails
145 bpm • D Maj • 03:46 • -11db
24% Popularity • 46% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Jamie Grey
What Matters Most
145 bpm • F# Maj • 03:35 • -11db
31% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Chord Overstreet
Beautiful Disaster
145 bpm • G# min • 04:01 • -14db
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Emily James
The Scientist
145 bpm • D Maj • 04:07 • -17.18db
37% Popularity • 49% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Sons of Serendip
Butterflies Fly Away
145 bpm • F min • 05:02 • -10db
26% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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JC Stewart
I Need You To Hate Me - Piano Version
144 bpm • D Maj • 02:50 • -7.4db
34% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Tim Halperin
The Boys of Summer
144 bpm • E Maj • 03:22 • -13.07db
25% Popularity • 35% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Lucy Cloud
Crash and Learn
144 bpm • G# Maj • 03:28 • -6.94db
17% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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BANNERS
Perfectly Broken
144 bpm • F Maj • 03:08 • -8.57db
55% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sonny Tennet
Let Love
144 bpm • E Maj • 03:24 • -13.73db
27% Popularity • 38% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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the Glass Child
9 Crimes
161 bpm • A# Maj • 02:43 • -8.46db
22% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Matthew Nolan
My Mistakes
144 bpm • G# Maj • 03:14 • -10.29db
45% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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SYML
DIM
144 bpm • A Maj • 04:31 • -14db
46% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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BANNERS
Where The Shadow Ends - Acoustic
144 bpm • A# Maj • 04:04 • -10.97db
39% Popularity • 63% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Aron Wright
Home
144 bpm • G Maj • 03:16 • -10.46db
32% Popularity • 42% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Freya Ridings
You Mean The World To Me
161 bpm • D# Maj • 03:12 • -7.36db
42% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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SVRCINA
There for You
142 bpm • C Maj • 03:41 • -7.28db
21% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ruth B.
If I Have A Son
142 bpm • C# Maj • 03:55 • -11.35db
28% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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James Gillespie
Him.Her.
141 bpm • B Maj • 04:07 • -7.84db
28% Popularity • 57% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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BANNERS
Got It In You
144 bpm • G Maj • 03:41 • -9.16db
51% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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RuthAnne
Cold Water
164 bpm • A# Maj • 02:40 • -7db
26% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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James Smith
Rely On Me
141 bpm • A min • 03:39 • -10.16db
42% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jess Glynne
Thursday - Acoustic
141 bpm • D Maj • 04:01 • -6db
41% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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LOKRE
Stop Runnin'
141 bpm • B Maj • 03:27 • -7db
31% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Julia Michaels
Little Did I Know
141 bpm • G Maj • 03:16 • -6.17db
48% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Emily Bear
Just Leave
140 bpm • D Maj • 03:06 • -9.6db
23% Popularity • 56% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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James Bay
Bad
140 bpm • E Maj • 03:45 • -5.59db
53% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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VG LUCAS
Time's Running Out
140 bpm • A# min • 03:24 • -8.36db
29% Popularity • 52% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Freya Ridings
Blackout
140 bpm • F# Maj • 02:54 • -8.75db
47% Popularity • 32% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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James Smith
I Don't Wanna Know
165 bpm • G Maj • 03:28 • -8.6db
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Grace Davies
Windows & Walls
140 bpm • G Maj • 04:16 • -7.28db
25% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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LACES
moved (Acoustic)
165 bpm • C Maj • 04:11 • -10.6db
27% Popularity • 38% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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James Bay
Wild Love - Acoustic
140 bpm • B min • 03:09 • -7.68db
59% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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SVRCINA
Ocean Eyes (Acoustic)
140 bpm • F min • 03:36 • -8.31db
36% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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RuthAnne
Move Me
139 bpm • A Maj • 02:58 • -14db
28% Popularity • 43% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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James Gillespie
Hold Me Down
166 bpm • G# min • 03:46 • -9db
34% Popularity • 34% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
58% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Sody
Maybe It Was Me
166 bpm • F Maj • 02:59 • -9.76db
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Skinny Living
Sleepwalking
139 bpm • C Maj • 03:29 • -7db
30% Popularity • 52% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Emily Rowed
Let Me Hurt
138 bpm • F Maj • 03:42 • -9.9db
37% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Freya Ridings
You Mean the World to Me - Live At St Pa...
139 bpm • D# Maj • 03:45 • -6.48db
26% Popularity • 34% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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James Smith
Hollow - Acoustic
167 bpm • C# min • 03:39 • -10.67db
25% Popularity • 44% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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LACES
moved
168 bpm • C Maj • 04:11 • -7.87db
31% Popularity • 36% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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PSM
Goodbye for Good
138 bpm • E Maj • 02:43 • -13.14db
18% Popularity • 58% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Luca Fogale
I Don't Want to Lose You
137 bpm • B Maj • 02:51 • -10db
54% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Rowed
Let Me Hurt (Acoustic)
138 bpm • A# Maj • 03:42 • -7.97db
42% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Cian Ducrot
hurt so bad
168 bpm • D Maj • 04:02 • -6.53db
46% Popularity • 46% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Nick Wilson
Not Like Falling Out Of Love
137 bpm • C# Maj • 03:48 • -11.05db
27% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Alfie Arcuri
If They Only Knew - Stripped Back
168 bpm • E Maj • 03:36 • -8.53db
20% Popularity • 25% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Adam French
Slow Dancing - Acoustic
168 bpm • C min • 03:38 • -11.71db
30% Popularity • 43% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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SHEL
I Was Born a Dreamer
168 bpm • A# Maj • 03:10 • -12db
34% Popularity • 43% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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St. Lundi
You've Got the Wrong Guy
137 bpm • D Maj • 03:28 • -5.36db
29% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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LÉON
Pink – Live Acoustic
168 bpm • A Maj • 03:47 • -8.81db
34% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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James Arthur
Quite Miss Home
137 bpm • A# Maj • 04:03 • -6.4db
62% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Daniel Farrant
Someplace Else
137 bpm • C# Maj • 03:33 • -10.37db
22% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Plested
Beautiful & Brutal
137 bpm • G Maj • 03:31 • -6.39db
33% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Jack Curley
Wait for Me
136 bpm • A# min • 03:41 • -7.56db
39% Popularity • 73% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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St. Lundi
Learn To Let Go
136 bpm • B Maj • 03:30 • -9.09db
31% Popularity • 48% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Rhys Lewis
Be Your Man
170 bpm • A min • 04:00 • -8.24db
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Freya Ridings
Elephant - Live At St Pancras Old Church
170 bpm • F# min • 03:36 • -6.81db
23% Popularity • 26% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
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James Bay
Peer Pressure (Acoustic)
136 bpm • E Maj • 02:56 • -6.84db
50% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dan Owen
Made to Love You - Edit
136 bpm • C Maj • 03:18 • -7.71db
18% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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James Smith
Hailey - Acoustic
136 bpm • C# Maj • 03:28 • -9.63db
35% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Grace Carter
Wicked Game
136 bpm • D Maj • 02:50 • -9.7db
56% Popularity • 37% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Matthew Nolan
Don't Cry Over Me
136 bpm • D Maj • 03:30 • -10.5db
15% Popularity • 60% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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SYML
Running Low
136 bpm • C Maj • 04:06 • -10.39db
38% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jes Hudak
Different Worlds
170 bpm • D Maj • 03:13 • -6.7db
34% Popularity • 20% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Harry Hudson
Meet Again
170 bpm • G# min • 03:06 • -14.51db
26% Popularity • 38% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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ORKID
Hands
170 bpm • D Maj • 03:40 • -7.1db
39% Popularity • 30% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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World's First Cinema
Cold Sets In
135 bpm • B Maj • 03:19 • -7db
30% Popularity • 48% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Still Have You