Songs like Still I Am Alive by The Black Mamba
Based on a tempo of (+/- 10%) and a similar genre
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The Black Mamba
Still I Am Alive
132 bpm • D Maj • 04:16 • -7.4db
21% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Aurea
Scratch My Back
132 bpm • F Maj • 03:27 • -6db
16% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Os Quatro e Meia
Olá Solidão
132 bpm • B min • 04:40 • -7.82db
51% Popularity • 66% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
51% Popularity • 66% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Alberto Indio
Simples Assim
132 bpm • E Maj • 03:45 • -8.79db
11% Popularity • 40% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 40% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Rui Veloso
Sei De Uma Camponesa
132 bpm • D Maj • 03:07 • -9.86db
35% Popularity • 72% Danceability • 54% Energy • 28% Liveness
2% Instrumentalness • 92% Positiveness
35% Popularity • 72% Danceability • 54% Energy • 28% Liveness
2% Instrumentalness • 92% Positiveness
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Hands On Approach
My Wonder Moon
133 bpm • G Maj • 03:37 • -11db
36% Popularity • 63% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 63% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Black Mamba
Sweet Amsterdam
132 bpm • B Maj • 02:57 • -5.82db
12% Popularity • 70% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 70% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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João Pedro Pais
Nada de nada
133 bpm • E Maj • 06:52 • -5.93db
8% Popularity • 35% Danceability • 92% Energy • 80% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 35% Danceability • 92% Energy • 80% Liveness
0% Instrumentalness • 31% Positiveness
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LuÃs Represas
Da Próxima Vez
133 bpm • D Maj • 04:31 • -10.19db
29% Popularity • 67% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 67% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Sergio Godinho
O Novo Normal
133 bpm • E Maj • 04:16 • -10.83db
9% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jett Rebel
Behave
133 bpm • D Maj • 03:24 • -6db
18% Popularity • 62% Danceability • 88% Energy • 85% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 62% Danceability • 88% Energy • 85% Liveness
0% Instrumentalness • 77% Positiveness
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HMB
Melodramático
131 bpm • E min • 05:00 • -7.79db
10% Popularity • 72% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 72% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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The Black Mamba
Ride the Sun
132 bpm • F min • 04:23 • -9.04db
6% Popularity • 54% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
6% Popularity • 54% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
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Dulce Pontes
Lusitana Paixão
134 bpm • F# min • 03:44 • -8.3db
28% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Hooverphonic
Release Me
134 bpm • E min • 03:05 • -5.04db
34% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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João Pedro Pais
Um resto de tudo
134 bpm • F Maj • 06:10 • -13db
27% Popularity • 39% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 39% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
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Tornike Kipiani
You
134 bpm • C Maj • 03:03 • -7.78db
23% Popularity • 50% Danceability • 37% Energy • 19% Liveness
4% Instrumentalness • 12% Positiveness
23% Popularity • 50% Danceability • 37% Energy • 19% Liveness
4% Instrumentalness • 12% Positiveness
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Noble
Coming Back
134 bpm • D Maj • 03:43 • -8.29db
20% Popularity • 60% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 60% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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The Black Mamba
She
130 bpm • G# min • 02:56 • -4.69db
13% Popularity • 62% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 62% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Churky
Pente Fino
130 bpm • C Maj • 03:21 • -4.39db
10% Popularity • 65% Danceability • 77% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
10% Popularity • 65% Danceability • 77% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Virgem Suta
Tomo Conta Desta Tua Casa
134 bpm • G Maj • 02:44 • -4.39db
31% Popularity • 73% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 73% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Elisa
Este Meu Jeito
130 bpm • C# Maj • 03:01 • -8.71db
27% Popularity • 86% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 86% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Gregory Porter
Revival Song
130 bpm • F min • 03:35 • -4.67db
34% Popularity • 69% Danceability • 74% Energy • 8% Liveness
6% Instrumentalness • 78% Positiveness
34% Popularity • 69% Danceability • 74% Energy • 8% Liveness
6% Instrumentalness • 78% Positiveness
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Os Azeitonas
Ray-Dee-Oh
130 bpm • B Maj • 03:50 • -8.67db
31% Popularity • 68% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 68% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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The Black Mamba
My Blood Diamond
134 bpm • F Maj • 04:53 • -4.62db
11% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Diana Basto
Grita, Sente
130 bpm • F# Maj • 02:43 • -6db
18% Popularity • 59% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 59% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Virgem Suta
Ela Queria
130 bpm • C# Maj • 03:45 • -6.48db
27% Popularity • 75% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 75% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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SYRO
Casa
130 bpm • E min • 02:58 • -7db
29% Popularity • 73% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 73% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Marisa Liz
Quando o Coração Chora de Amor
130 bpm • D Maj • 03:50 • -9.48db
21% Popularity • 49% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 49% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Hooverphonic
Thinking About You
130 bpm • A Maj • 03:13 • -4.06db
28% Popularity • 56% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 56% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Black Mamba
Believe
130 bpm • G min • 04:19 • -6.95db
23% Popularity • 57% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 57% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Rita Ray
Fool for Loving You
134 bpm • G Maj • 03:56 • -7.76db
16% Popularity • 44% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 44% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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GNR
Efectivamente
130 bpm • A min • 03:17 • -5.56db
38% Popularity • 74% Danceability • 85% Energy • 5% Liveness
11% Instrumentalness • 78% Positiveness
38% Popularity • 74% Danceability • 85% Energy • 5% Liveness
11% Instrumentalness • 78% Positiveness
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Cláudia Pascoal
O Soldado
130 bpm • C min • 03:28 • -15.75db
10% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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João Só
A Marte
135 bpm • D Maj • 03:35 • -10.03db
17% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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David Fonseca
Deixa Ser
135 bpm • A min • 04:53 • -8.37db
27% Popularity • 43% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
27% Popularity • 43% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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The Black Mamba
Under Your Skin
130 bpm • G# Maj • 05:47 • -8.98db
6% Popularity • 51% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 24% Positiveness
6% Popularity • 51% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 24% Positiveness
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Salvador Sobral
paint the town
129 bpm • D# min • 04:16 • -9.68db
16% Popularity • 63% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 63% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Rui Veloso
Saiu para a rua
136 bpm • D Maj • 04:06 • -9.98db
21% Popularity • 57% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 71% Positiveness
21% Popularity • 57% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 71% Positiveness
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Stereossauro
Mais que Tudo
129 bpm • B min • 04:32 • -5.22db
10% Popularity • 28% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 28% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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João Só
A Marte
135 bpm • D Maj • 03:29 • -8.95db
15% Popularity • 56% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 56% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Aurea
Why?
128 bpm • G# Maj • 02:59 • -10.35db
15% Popularity • 50% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 50% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Blind Zero
Slow Time Love
136 bpm • C Maj • 04:07 • -6.54db
22% Popularity • 45% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 45% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Salvador Sobral
Benjamin
128 bpm • F Maj • 03:54 • -16.73db
10% Popularity • 49% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 49% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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The Black Mamba
I Wanna Be With You
136 bpm • E Maj • 03:40 • -7.83db
20% Popularity • 59% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 59% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Rita Redshoes
Mulher
136 bpm • A Maj • 03:00 • -8.12db
21% Popularity • 43% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 43% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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GNR
Sangue oculto
128 bpm • A min • 05:15 • -11db
40% Popularity • 52% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 52% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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FF
Como É Bom Esperar Alguém
128 bpm • G Maj • 02:52 • -9.11db
17% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Soraia Tavares
A Beleza Vai Mudar O Mundo
136 bpm • C Maj • 03:02 • -8.81db
8% Popularity • 49% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 49% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Sara Correia
Chegou Tão Tarde
128 bpm • B min • 03:38 • -8.79db
31% Popularity • 69% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 69% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Os Quatro e Meia
Se Eu Pudesse Voltar
128 bpm • G Maj • 03:48 • -8.31db
26% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Tatanka
Quando Eu Era Pequenino
137 bpm • E min • 02:27 • -18.52db
11% Popularity • 39% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 39% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Pólo Norte
Pura Inocência
137 bpm • A min • 03:38 • -5.67db
28% Popularity • 59% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 59% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Black Mamba
I'm Not to Late
137 bpm • E Maj • 03:34 • -6.79db
9% Popularity • 74% Danceability • 46% Energy • 26% Liveness
1% Instrumentalness • 33% Positiveness
9% Popularity • 74% Danceability • 46% Energy • 26% Liveness
1% Instrumentalness • 33% Positiveness
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Cláudia Pascoal
Espalha Brasas
137 bpm • B Maj • 03:15 • -8.07db
27% Popularity • 93% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 93% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Douwe Bob
Born To Win, Born To Lose
137 bpm • G Maj • 03:20 • -6.51db
28% Popularity • 53% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 53% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Virgem Suta
A Mula Da Agonia
127 bpm • F Maj • 02:57 • -5db
28% Popularity • 66% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 66% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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David Fonseca
Rocket Man (I Think It's Going To Be A L...
127 bpm • A Maj • 04:38 • -7db
16% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Humanos
Quero é viver
126 bpm • A Maj • 04:03 • -6db
38% Popularity • 58% Danceability • 85% Energy • 16% Liveness
2% Instrumentalness • 79% Positiveness
38% Popularity • 58% Danceability • 85% Energy • 16% Liveness
2% Instrumentalness • 79% Positiveness
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Salvador Sobral
bom vento
126 bpm • C Maj • 04:32 • -12.31db
14% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Cláudia Pascoal
Já Não Somos Animais
126 bpm • A# Maj • 03:14 • -8.7db
9% Popularity • 45% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 45% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Black Mamba
Wild
138 bpm • C Maj • 03:47 • -3.75db
8% Popularity • 58% Danceability • 93% Energy • 42% Liveness
12% Instrumentalness • 60% Positiveness
8% Popularity • 58% Danceability • 93% Energy • 42% Liveness
12% Instrumentalness • 60% Positiveness
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Clã
Dançar na corda bamba
138 bpm • E Maj • 03:16 • -5.64db
23% Popularity • 53% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 53% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Sara Correia
Quero É Viver
126 bpm • C Maj • 03:38 • -8db
38% Popularity • 82% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 82% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Beatriz Rosário
Ficamos por Aqui
126 bpm • C# Maj • 03:40 • -7.07db
23% Popularity • 72% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 72% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Salvador Sobral
Presságio
139 bpm • C Maj • 04:13 • -14.74db
19% Popularity • 45% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 45% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Virgem Suta
Dança de Balcão
139 bpm • F# min • 03:26 • -8db
34% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Black Mamba
I Want My Money Back
126 bpm • F# min • 03:17 • -7.18db
6% Popularity • 68% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
6% Popularity • 68% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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João Só
Mil Vezes
125 bpm • E Maj • 02:48 • -11.05db
14% Popularity • 75% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 75% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Steffen Morrison
Hold on Lovers
125 bpm • C Maj • 03:16 • -5.87db
14% Popularity • 62% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 62% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Beato
Com justa causa
125 bpm • A Maj • 03:34 • -6.61db
9% Popularity • 74% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 74% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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08/80
I’m Gonna Be (500 Miles)
125 bpm • F# Maj • 04:00 • -7db
3% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
3% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Xave
Se Foi Amor
125 bpm • D Maj • 03:20 • -13.8db
9% Popularity • 43% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 43% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Black Mamba
Winter Ghost
140 bpm • G# Maj • 06:15 • -7.58db
6% Popularity • 56% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 56% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Elisa
Se Não Me Amas
140 bpm • A min • 04:32 • -11.29db
18% Popularity • 35% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 35% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Anouk
I Love You
140 bpm • G min • 03:46 • -6.7db
17% Popularity • 56% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 56% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Bárbara Tinoco
Advogado
140 bpm • G min • 03:00 • -9.26db
33% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Noble
Beautiful
140 bpm • C Maj • 03:39 • -9.78db
32% Popularity • 55% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 55% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Ala Dos Namorados
Fim do mundo (E ao cabo do teu ser)
140 bpm • C# min • 03:01 • -5.83db
32% Popularity • 62% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 62% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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The Black Mamba
Good Times
140 bpm • C Maj • 04:36 • -5.68db
10% Popularity • 66% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
10% Popularity • 66% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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The Happy Mess
Perder o Pé
140 bpm • F# min • 03:51 • -10.42db
9% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Marco Rodrigues
Eu Sou Do Roque
140 bpm • C Maj • 03:15 • -6db
24% Popularity • 70% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 70% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Samuel Uria
Chamar a Música
140 bpm • G Maj • 03:34 • -13.18db
29% Popularity • 70% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
29% Popularity • 70% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
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Tatanka
De Alma Despida
124 bpm • D# min • 03:51 • -11.86db
15% Popularity • 64% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 64% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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LuÃs Sequeira
Se ao menos eu te odiasse
124 bpm • F# min • 04:07 • -7.8db
23% Popularity • 54% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 54% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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The Black Mamba
It Ain't You
140 bpm • G min • 04:27 • -6.79db
22% Popularity • 67% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
22% Popularity • 67% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Os Quatro e Meia
A Terra Gira
140 bpm • C# Maj • 03:17 • -9.66db
50% Popularity • 44% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 44% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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DINAND
Patterns
140 bpm • C# Maj • 03:12 • -10.83db
9% Popularity • 41% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 41% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Marco Rodrigues
Amor Em Construção
124 bpm • D Maj • 03:53 • -10.4db
33% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Fingertips
Melancholic Ballad (For the Leftlovers)
124 bpm • D Maj • 04:28 • -9.47db
33% Popularity • 45% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 45% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Cláudia Pascoal
Tanto Faz
124 bpm • C Maj • 03:15 • -8.15db
10% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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The Black Mamba
Grey Eyes
124 bpm • F Maj • 04:01 • -6.16db
11% Popularity • 72% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 72% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Noble
Secrets
124 bpm • D Maj • 03:38 • -10.92db
19% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Marta Plantier
Remédio Santo (P'ra mim)
124 bpm • A min • 04:08 • -8.51db
16% Popularity • 85% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 85% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Vai e Vem
Cara Bonita
124 bpm • A Maj • 02:41 • -8.98db
16% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Os Quatro e Meia
Já Estou de Regresso, Amor
124 bpm • D Maj • 03:45 • -7.73db
36% Popularity • 68% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 68% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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ELAS
Passo em Movimento
124 bpm • D Maj • 03:26 • -10.7db
13% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Ricardo Ribeiro
As Mondadeiras
124 bpm • C Maj • 05:04 • -12.3db
22% Popularity • 41% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 41% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
