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Stockholm Summer
Songs like
Stockholm Summer
by
Cindy Bradley
Based on a tempo of (+/- 10%) and a similar genre
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Lisa Addeo
High Heels
103 bpm • G# Maj • 04:09 • -6.13db
40% Popularity • 68% Danceability • 92% Energy • 7% Liveness
88% Instrumentalness • 82% Positiveness
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Paula Atherton
My Song for You
103 bpm • E min • 04:38 • -6db
43% Popularity • 70% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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Everette Harp
Old School
103 bpm • C Maj • 04:26 • -8.25db
48% Popularity • 77% Danceability • 61% Energy • 11% Liveness
62% Instrumentalness • 55% Positiveness
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Jacob Webb
Groovin' J
103 bpm • A# min • 04:26 • -8.46db
44% Popularity • 72% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
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Andy Snitzer
Velvet
103 bpm • B min • 04:26 • -10.99db
30% Popularity • 74% Danceability • 49% Energy • 6% Liveness
63% Instrumentalness • 20% Positiveness
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Kim Scott
Golden
103 bpm • C# Maj • 03:46 • -9.45db
47% Popularity • 67% Danceability • 54% Energy • 34% Liveness
5% Instrumentalness • 63% Positiveness
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Urban Knights
Sweet Home Chicago
104 bpm • E min • 03:52 • -6.11db
43% Popularity • 76% Danceability • 80% Energy • 5% Liveness
86% Instrumentalness • 82% Positiveness
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Cal Harris Jr.
Bridges
104 bpm • G# Maj • 04:07 • -11.97db
26% Popularity • 68% Danceability • 44% Energy • 12% Liveness
11% Instrumentalness • 50% Positiveness
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Ken Navarro
You Are Everything
103 bpm • C# min • 04:55 • -8db
35% Popularity • 62% Danceability • 76% Energy • 17% Liveness
89% Instrumentalness • 78% Positiveness
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Kim Pensyl
Minute By Minute
104 bpm • G Maj • 05:00 • -10.43db
27% Popularity • 77% Danceability • 45% Energy • 7% Liveness
75% Instrumentalness • 75% Positiveness
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Oli Silk
Latin Haze
102 bpm • F min • 05:48 • -8db
28% Popularity • 72% Danceability • 66% Energy • 9% Liveness
84% Instrumentalness • 92% Positiveness
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Dan Siegel
Inside Out
102 bpm • G min • 05:32 • -12db
48% Popularity • 77% Danceability • 60% Energy • 6% Liveness
86% Instrumentalness • 68% Positiveness
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The Smooth Jazz Alley
Let's Ride
104 bpm • D min • 04:14 • -8.95db
27% Popularity • 65% Danceability • 72% Energy • 12% Liveness
72% Instrumentalness • 72% Positiveness
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Jonathan Fritzén
Keys to Paradise
104 bpm • C min • 04:01 • -9.45db
39% Popularity • 58% Danceability • 63% Energy • 35% Liveness
88% Instrumentalness • 57% Positiveness
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Ken Navarro
So Fine
104 bpm • C min • 03:57 • -8.08db
33% Popularity • 79% Danceability • 56% Energy • 7% Liveness
52% Instrumentalness • 78% Positiveness
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Michael Lington
Moon Goddess
104 bpm • D Maj • 04:05 • -6.64db
28% Popularity • 73% Danceability • 66% Energy • 9% Liveness
16% Instrumentalness • 81% Positiveness
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Jeff Kashiwa
Hyde Park (The 'Ah, Oooh' Song)
104 bpm • A# min • 04:21 • -7db
43% Popularity • 72% Danceability • 73% Energy • 34% Liveness
26% Instrumentalness • 71% Positiveness
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Jeffery Smith
Southern Style
102 bpm • F min • 06:05 • -14db
42% Popularity • 81% Danceability • 40% Energy • 6% Liveness
82% Instrumentalness • 77% Positiveness
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Cal Harris Jr.
Wave Rider
102 bpm • C Maj • 04:30 • -11.58db
38% Popularity • 68% Danceability • 59% Energy • 39% Liveness
87% Instrumentalness • 75% Positiveness
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Joe McBride
Keepin' It Real
102 bpm • G Maj • 05:01 • -9.79db
43% Popularity • 66% Danceability • 76% Energy • 3% Liveness
60% Instrumentalness • 88% Positiveness
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Ken Navarro
Juliet
102 bpm • A min • 03:58 • -9.71db
35% Popularity • 76% Danceability • 61% Energy • 15% Liveness
90% Instrumentalness • 91% Positiveness
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Kim Scott
Emerge
104 bpm • C Maj • 04:16 • -5.05db
37% Popularity • 66% Danceability • 81% Energy • 5% Liveness
78% Instrumentalness • 51% Positiveness
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Cindy Bradley
Sharp a Strut
104 bpm • F min • 05:21 • -7.81db
9% Popularity • 77% Danceability • 81% Energy • 22% Liveness
87% Instrumentalness • 88% Positiveness
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Steve Oliver
West End
104 bpm • F Maj • 05:26 • -6.63db
36% Popularity • 70% Danceability • 71% Energy • 3% Liveness
69% Instrumentalness • 66% Positiveness
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Jonathan Fritzén
Vip
101 bpm • F min • 04:06 • -7.55db
44% Popularity • 68% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
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Cal Harris Jr.
Closer
101 bpm • A# Maj • 05:00 • -12.03db
39% Popularity • 70% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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Fourplay
101 Eastbound - 2021 Remastered
101 bpm • C# Maj • 05:56 • -11.81db
42% Popularity • 69% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 47% Positiveness
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The Sax Pack
Like Old Times
105 bpm • F Maj • 04:35 • -7.05db
30% Popularity • 72% Danceability • 71% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
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Cindy Bradley
Button Legs
105 bpm • A# min • 05:25 • -9.52db
17% Popularity • 75% Danceability • 66% Energy • 18% Liveness
86% Instrumentalness • 74% Positiveness
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Nathan Mitchell
Swing City
105 bpm • F min • 04:05 • -7.44db
42% Popularity • 75% Danceability • 72% Energy • 17% Liveness
57% Instrumentalness • 58% Positiveness
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Paul Taylor
Nightlife
105 bpm • C# Maj • 04:31 • -5.81db
36% Popularity • 80% Danceability • 74% Energy • 6% Liveness
52% Instrumentalness • 67% Positiveness
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Paula Atherton
Can You Feel It
105 bpm • C# Maj • 04:03 • -7db
20% Popularity • 73% Danceability • 61% Energy • 18% Liveness
82% Instrumentalness • 52% Positiveness
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Earl Klugh
Driftin'
105 bpm • C Maj • 03:48 • -14.6db
48% Popularity • 84% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Special EFX
Seduction
105 bpm • F min • 04:46 • -9.94db
31% Popularity • 71% Danceability • 66% Energy • 12% Liveness
88% Instrumentalness • 39% Positiveness
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3rd Force
Believe In Me
105 bpm • A# min • 05:19 • -8.12db
23% Popularity • 69% Danceability • 86% Energy • 24% Liveness
30% Instrumentalness • 74% Positiveness
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Ken Navarro
Into the Light
101 bpm • G# Maj • 04:04 • -8.39db
23% Popularity • 78% Danceability • 52% Energy • 12% Liveness
85% Instrumentalness • 93% Positiveness
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Lin Rountree
Pass the Groove
105 bpm • F min • 04:14 • -6.77db
20% Popularity • 79% Danceability • 88% Energy • 12% Liveness
73% Instrumentalness • 69% Positiveness
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Chieli Minucci & Special EFX
Mystical
105 bpm • B min • 04:08 • -6.86db
29% Popularity • 66% Danceability • 78% Energy • 12% Liveness
40% Instrumentalness • 81% Positiveness
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Paul Taylor
Burnin’
105 bpm • D# min • 03:55 • -7.34db
28% Popularity • 80% Danceability • 93% Energy • 3% Liveness
89% Instrumentalness • 93% Positiveness
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Adam Hawley
Uptop
105 bpm • C# Maj • 04:20 • -7.82db
16% Popularity • 66% Danceability • 92% Energy • 30% Liveness
80% Instrumentalness • 62% Positiveness
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Ryan Montano
Soulfully
105 bpm • E min • 04:10 • -7.2db
33% Popularity • 70% Danceability • 84% Energy • 13% Liveness
94% Instrumentalness • 68% Positiveness
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Dee Brown
I Will
105 bpm • C Maj • 04:20 • -9.45db
46% Popularity • 66% Danceability • 76% Energy • 13% Liveness
84% Instrumentalness • 77% Positiveness
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Freddie Fox
No U Turn
101 bpm • C Maj • 03:59 • -10.09db
22% Popularity • 80% Danceability • 68% Energy • 11% Liveness
74% Instrumentalness • 78% Positiveness
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Chieli Minucci & Special EFX
Sweet Surrender
105 bpm • G Maj • 03:46 • -10.08db
35% Popularity • 72% Danceability • 52% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
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Darryl Williams
Now or Never
101 bpm • F min • 04:38 • -7.36db
20% Popularity • 67% Danceability • 73% Energy • 29% Liveness
95% Instrumentalness • 76% Positiveness
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Jackiem Joyner
Trinity
101 bpm • C min • 04:13 • -5.61db
25% Popularity • 68% Danceability • 78% Energy • 9% Liveness
21% Instrumentalness • 72% Positiveness
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Steve Oliver
Midnight At The Oasis
101 bpm • G# Maj • 04:13 • -6.95db
32% Popularity • 70% Danceability • 76% Energy • 6% Liveness
85% Instrumentalness • 70% Positiveness
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Bob Mamet
At Midnight
100 bpm • G min • 04:00 • -11.84db
33% Popularity • 62% Danceability • 66% Energy • 8% Liveness
92% Instrumentalness • 93% Positiveness
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Jonathan Fritzén
Undercover
100 bpm • E min • 04:18 • -9.49db
43% Popularity • 70% Danceability • 78% Energy • 3% Liveness
84% Instrumentalness • 55% Positiveness
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Paul Taylor
Til We Meet Again
106 bpm • C# Maj • 04:31 • -9.88db
30% Popularity • 65% Danceability • 48% Energy • 5% Liveness
5% Instrumentalness • 51% Positiveness
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Jeff Ryan
Up and Up
106 bpm • G# Maj • 04:18 • -6.18db
29% Popularity • 65% Danceability • 74% Energy • 5% Liveness
61% Instrumentalness • 56% Positiveness
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Lisa Addeo
Sassified
100 bpm • F Maj • 04:22 • -7.77db
36% Popularity • 68% Danceability • 70% Energy • 15% Liveness
8% Instrumentalness • 55% Positiveness
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Michael Lington
It's Too Late
106 bpm • G# Maj • 04:41 • -7db
46% Popularity • 72% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 54% Positiveness
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Ricardo Silveira
Francesa
100 bpm • D Maj • 05:31 • -10.45db
35% Popularity • 71% Danceability • 58% Energy • 11% Liveness
85% Instrumentalness • 92% Positiveness
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Jonathan Fritzén
This Way, That Way
100 bpm • F Maj • 04:22 • -7.44db
40% Popularity • 64% Danceability • 81% Energy • 17% Liveness
9% Instrumentalness • 64% Positiveness
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Nite Flyte
Square Route
100 bpm • F# min • 03:25 • -9.44db
34% Popularity • 62% Danceability • 66% Energy • 7% Liveness
86% Instrumentalness • 57% Positiveness
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The Sax Pack
A Little Bit Closer
106 bpm • A# min • 04:40 • -7.67db
31% Popularity • 69% Danceability • 77% Energy • 8% Liveness
16% Instrumentalness • 77% Positiveness
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Vandell Andrew
Just Once (Radio Edit)
100 bpm • F# Maj • 04:04 • -5.08db
44% Popularity • 64% Danceability • 84% Energy • 5% Liveness
73% Instrumentalness • 75% Positiveness
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3rd Force
You Got It
100 bpm • B min • 04:34 • -9db
30% Popularity • 74% Danceability • 71% Energy • 4% Liveness
66% Instrumentalness • 85% Positiveness
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Gregory Goodloe
Stylin'
106 bpm • F min • 04:07 • -8.81db
42% Popularity • 68% Danceability • 73% Energy • 21% Liveness
92% Instrumentalness • 72% Positiveness
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Rick Braun
Brazz Street
100 bpm • D Maj • 04:42 • -8db
43% Popularity • 76% Danceability • 55% Energy • 14% Liveness
53% Instrumentalness • 47% Positiveness
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Wayman Tisdale
Breakfast with Tiffany
100 bpm • C Maj • 04:40 • -9.83db
36% Popularity • 68% Danceability • 60% Energy • 25% Liveness
94% Instrumentalness • 66% Positiveness
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Dee Lucas
Tried and True
100 bpm • C Maj • 03:46 • -4.51db
40% Popularity • 74% Danceability • 79% Energy • 30% Liveness
55% Instrumentalness • 86% Positiveness
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Jeffery Smith
Happy
100 bpm • C# Maj • 04:22 • -11.79db
25% Popularity • 75% Danceability • 58% Energy • 5% Liveness
89% Instrumentalness • 72% Positiveness
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Ragan Whiteside
JJ's Strut - Radio Single
100 bpm • C# Maj • 04:11 • -17.04db
45% Popularity • 44% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Kim Waters
Hudson River Nights
100 bpm • G Maj • 04:54 • -7.43db
28% Popularity • 70% Danceability • 79% Energy • 12% Liveness
11% Instrumentalness • 72% Positiveness
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Jackiem Joyner
Elevation
100 bpm • E min • 04:44 • -5.8db
51% Popularity • 78% Danceability • 72% Energy • 16% Liveness
20% Instrumentalness • 71% Positiveness
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Brian Simpson
When I Say Your Name
100 bpm • A# min • 03:53 • -11.01db
35% Popularity • 71% Danceability • 48% Energy • 15% Liveness
89% Instrumentalness • 40% Positiveness
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Rocco Ventrella
Winelight
100 bpm • F min • 06:46 • -8.67db
25% Popularity • 70% Danceability • 59% Energy • 6% Liveness
60% Instrumentalness • 61% Positiveness
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Fourplay
Cinnamon Sugar
100 bpm • A# min • 04:48 • -13db
32% Popularity • 76% Danceability • 58% Energy • 4% Liveness
86% Instrumentalness • 67% Positiveness
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Ragan Whiteside
Jam It
100 bpm • F min • 04:01 • -9.67db
30% Popularity • 70% Danceability • 52% Energy • 12% Liveness
6% Instrumentalness • 75% Positiveness
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3rd Force
Big Shot
100 bpm • A min • 04:24 • -6db
44% Popularity • 72% Danceability • 87% Energy • 4% Liveness
9% Instrumentalness • 88% Positiveness
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Jazz Holdouts
Workin'
100 bpm • F Maj • 04:06 • -9db
47% Popularity • 64% Danceability • 69% Energy • 12% Liveness
88% Instrumentalness • 47% Positiveness
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Brian Simpson
Something About You
100 bpm • B min • 05:13 • -9.9db
46% Popularity • 69% Danceability • 89% Energy • 8% Liveness
88% Instrumentalness • 79% Positiveness
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Rob Zinn
All In
100 bpm • C Maj • 03:47 • -8.41db
38% Popularity • 69% Danceability • 57% Energy • 13% Liveness
86% Instrumentalness • 55% Positiveness
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Phil Denny
Lifted
100 bpm • G Maj • 04:20 • -5.45db
42% Popularity • 66% Danceability • 82% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
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Nite Flyte
Open Your Heart
100 bpm • F# min • 03:23 • -8db
36% Popularity • 60% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 59% Positiveness
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3rd Force
Dance With Me
100 bpm • C Maj • 04:26 • -10db
34% Popularity • 70% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 75% Positiveness
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Willie Bradley
It's On Now
106 bpm • F min • 03:48 • -6.31db
42% Popularity • 70% Danceability • 70% Energy • 4% Liveness
23% Instrumentalness • 94% Positiveness
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Threestyle
Ready to Go
100 bpm • E min • 04:02 • -6.83db
49% Popularity • 68% Danceability • 82% Energy • 7% Liveness
18% Instrumentalness • 65% Positiveness
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Urban Knights
The Gypsy
100 bpm • G Maj • 03:56 • -9.82db
43% Popularity • 76% Danceability • 60% Energy • 31% Liveness
82% Instrumentalness • 84% Positiveness
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Jonathan Fritzén
One Night With You
107 bpm • F Maj • 04:13 • -9.54db
46% Popularity • 72% Danceability • 45% Energy • 10% Liveness
78% Instrumentalness • 29% Positiveness
► Preview
Acoustic Alchemy
Shelter Island Drive
107 bpm • D min • 05:55 • -14.29db
33% Popularity • 71% Danceability • 49% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
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Tom Grant
Firefly
99 bpm • C Maj • 04:29 • -22.93db
30% Popularity • 64% Danceability • 37% Energy • 7% Liveness
89% Instrumentalness • 48% Positiveness
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Bob Mamet
Morningside
107 bpm • G# Maj • 03:57 • -11db
26% Popularity • 76% Danceability • 63% Energy • 5% Liveness
85% Instrumentalness • 73% Positiveness
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Renato Falaschi
Following My Soul
107 bpm • F min • 05:05 • -8.12db
44% Popularity • 67% Danceability • 75% Energy • 13% Liveness
96% Instrumentalness • 67% Positiveness
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Pamela Williams
Frobidden Fruit
107 bpm • B min • 03:22 • -6.4db
38% Popularity • 70% Danceability • 65% Energy • 4% Liveness
14% Instrumentalness • 66% Positiveness
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Joe McBride
Kickin' It
99 bpm • B min • 03:56 • -10.06db
36% Popularity • 62% Danceability • 57% Energy • 14% Liveness
64% Instrumentalness • 69% Positiveness
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Everette Harp
Monday Speaks
107 bpm • F Maj • 04:51 • -9.36db
30% Popularity • 69% Danceability • 76% Energy • 12% Liveness
33% Instrumentalness • 61% Positiveness
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Chris Botti
Worlds Outside
107 bpm • F min • 04:36 • -12db
37% Popularity • 70% Danceability • 60% Energy • 8% Liveness
95% Instrumentalness • 87% Positiveness
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Gota
In The City Life
99 bpm • G Maj • 03:36 • -9.53db
48% Popularity • 72% Danceability • 62% Energy • 11% Liveness
55% Instrumentalness • 64% Positiveness
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Lisa Addeo
Perfect Timing
99 bpm • F Maj • 04:24 • -7.4db
37% Popularity • 63% Danceability • 83% Energy • 6% Liveness
84% Instrumentalness • 68% Positiveness
► Preview
The Sax Pack
The Sax Pack
99 bpm • G Maj • 03:34 • -6db
47% Popularity • 78% Danceability • 69% Energy • 7% Liveness
73% Instrumentalness • 71% Positiveness
► Preview
Michael Lington
Pacifica
99 bpm • A Maj • 04:16 • -6db
47% Popularity • 56% Danceability • 83% Energy • 13% Liveness
79% Instrumentalness • 45% Positiveness
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JJ Sansaverino
Style and Elegance
108 bpm • C Maj • 04:12 • -9.06db
37% Popularity • 78% Danceability • 58% Energy • 6% Liveness
79% Instrumentalness • 50% Positiveness
► Preview
Gail Jhonson
Feel Good Groove
108 bpm • E min • 03:50 • -12.79db
30% Popularity • 68% Danceability • 59% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Pamela Williams
Fly Away With Me
108 bpm • F min • 04:30 • -6.38db
33% Popularity • 80% Danceability • 79% Energy • 6% Liveness
92% Instrumentalness • 68% Positiveness
► Preview
Lisa Addeo
Deep Blue C
99 bpm • A# min • 04:26 • -10.06db
47% Popularity • 69% Danceability • 71% Energy • 4% Liveness
89% Instrumentalness • 78% Positiveness
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Ray Obiedo
Moodswing
98 bpm • A min • 04:39 • -12.46db
28% Popularity • 76% Danceability • 44% Energy • 11% Liveness
75% Instrumentalness • 65% Positiveness
► Preview
Adam Hawley
Risin' Up
108 bpm • D min • 04:03 • -7.26db
19% Popularity • 78% Danceability • 70% Energy • 29% Liveness
84% Instrumentalness • 75% Positiveness
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Stockholm Summer