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Stomp And Buck Dance
Songs like
Stomp And Buck Dance
by
The Crusaders
Based on a tempo of (+/- 10%) and a similar genre
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Greyboy
On The Strip
103 bpm • F Maj • 05:42 • -14.87db
15% Popularity • 83% Danceability • 48% Energy • 7% Liveness
33% Instrumentalness • 91% Positiveness
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Lou Donaldson
Brother Soul
103 bpm • D Maj • 08:17 • -14.14db
17% Popularity • 72% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
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Trombone Shorty
Vieux Carre
103 bpm • G# min • 02:45 • -5.85db
38% Popularity • 86% Danceability • 78% Energy • 6% Liveness
87% Instrumentalness • 68% Positiveness
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The Blackbyrds
The One-Eye Two-Step
103 bpm • D# Maj • 03:20 • -9.19db
12% Popularity • 87% Danceability • 70% Energy • 6% Liveness
19% Instrumentalness • 94% Positiveness
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The Crusaders
Stomp And Buck Dance
103 bpm • F# Maj • 05:48 • -16.31db
34% Popularity • 56% Danceability • 58% Energy • 9% Liveness
93% Instrumentalness • 88% Positiveness
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Mandrill
Mango Meat
103 bpm • D Maj • 04:44 • -8db
23% Popularity • 58% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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Lee Oskar
Feelin' Happy
103 bpm • F min • 03:47 • -7.22db
19% Popularity • 71% Danceability • 93% Energy • 10% Liveness
84% Instrumentalness • 96% Positiveness
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David Sanborn
Wake Me When It's Over
103 bpm • D Maj • 05:38 • -12.17db
12% Popularity • 83% Danceability • 35% Energy • 19% Liveness
58% Instrumentalness • 64% Positiveness
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New Jersey Kings
The Monkey Drop
104 bpm • G Maj • 03:48 • -12.19db
17% Popularity • 68% Danceability • 52% Energy • 5% Liveness
85% Instrumentalness • 57% Positiveness
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Eric Gale
She Is My Lady
102 bpm • A min • 06:11 • -10.64db
13% Popularity • 64% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 38% Positiveness
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The Haggis Horns
The Bump
104 bpm • D Maj • 03:53 • -8.53db
20% Popularity • 73% Danceability • 86% Energy • 7% Liveness
91% Instrumentalness • 84% Positiveness
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Chico Hamilton
Magic Fingers
104 bpm • C Maj • 05:02 • -9.39db
14% Popularity • 75% Danceability • 61% Energy • 5% Liveness
82% Instrumentalness • 42% Positiveness
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Ronnie Laws
Always There
104 bpm • C# Maj • 04:54 • -12db
35% Popularity • 61% Danceability • 91% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
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The Meters
People Say
104 bpm • G Maj • 05:18 • -13db
41% Popularity • 83% Danceability • 66% Energy • 4% Liveness
1% Instrumentalness • 84% Positiveness
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Herbie Hancock
Fat Mama
104 bpm • E Maj • 03:49 • -13.52db
38% Popularity • 63% Danceability • 71% Energy • 9% Liveness
62% Instrumentalness • 68% Positiveness
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Jeff Lorber
Reverend Green
104 bpm • C Maj • 04:22 • -9.96db
31% Popularity • 79% Danceability • 56% Energy • 8% Liveness
81% Instrumentalness • 90% Positiveness
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Mel Brown
Chicken Fat
102 bpm • A Maj • 04:14 • -9db
41% Popularity • 58% Danceability • 87% Energy • 45% Liveness
92% Instrumentalness • 90% Positiveness
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Fishbelly Black
Spontaneous Combustion
102 bpm • D Maj • 07:53 • -5.45db
14% Popularity • 79% Danceability • 76% Energy • 7% Liveness
2% Instrumentalness • 89% Positiveness
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Funk Inc.
The Thang
102 bpm • D min • 06:57 • -7db
29% Popularity • 79% Danceability • 66% Energy • 7% Liveness
54% Instrumentalness • 76% Positiveness
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Trombone Shorty
Shortyville
102 bpm • E min • 04:22 • -8db
32% Popularity • 83% Danceability • 77% Energy • 47% Liveness
92% Instrumentalness • 28% Positiveness
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Exodus Quartet
Funk What
104 bpm • G Maj • 06:42 • -11.98db
16% Popularity • 86% Danceability • 82% Energy • 6% Liveness
53% Instrumentalness • 64% Positiveness
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Booker T. Jones
Harlem House
102 bpm • E min • 03:50 • -4.56db
12% Popularity • 72% Danceability • 92% Energy • 7% Liveness
64% Instrumentalness • 89% Positiveness
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The Propositions
Africana
102 bpm • D Maj • 05:37 • -8.17db
30% Popularity • 53% Danceability • 89% Energy • 13% Liveness
87% Instrumentalness • 62% Positiveness
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Speedometer
Rubberneck
104 bpm • F min • 03:21 • -6db
37% Popularity • 69% Danceability • 83% Energy • 6% Liveness
83% Instrumentalness • 67% Positiveness
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The Crusaders
Sugar Cane
104 bpm • C min • 02:33 • -14.83db
22% Popularity • 71% Danceability • 48% Energy • 9% Liveness
35% Instrumentalness • 79% Positiveness
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Ronnie Laws
Life In Paradise
102 bpm • F Maj • 07:00 • -12.85db
30% Popularity • 63% Danceability • 64% Energy • 10% Liveness
38% Instrumentalness • 80% Positiveness
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Hubert Laws
The Baron
102 bpm • D Maj • 05:51 • -8.27db
14% Popularity • 64% Danceability • 68% Energy • 16% Liveness
89% Instrumentalness • 83% Positiveness
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Junior Mance
Don't Cha Hear Me Callin' to Ya
101 bpm • D min • 05:06 • -11db
25% Popularity • 41% Danceability • 69% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
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Mickey & The Soul Generation
Give Everybody Some
101 bpm • C min • 07:04 • -5.17db
25% Popularity • 54% Danceability • 72% Energy • 16% Liveness
86% Instrumentalness • 71% Positiveness
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The Blackbyrds
The Baby
105 bpm • A# min • 05:18 • -13.08db
26% Popularity • 66% Danceability • 51% Energy • 3% Liveness
84% Instrumentalness • 98% Positiveness
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Booker T. Jones
Walking Papers
101 bpm • G# Maj • 03:14 • -5.47db
19% Popularity • 66% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 94% Positiveness
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Ronnie Laws
Nothing To Lose
105 bpm • E min • 04:56 • -14.23db
22% Popularity • 46% Danceability • 79% Energy • 7% Liveness
82% Instrumentalness • 56% Positiveness
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The Crusaders
Soul Caravan
105 bpm • A# Maj • 05:29 • -16.35db
13% Popularity • 49% Danceability • 42% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
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Fred Wesley
Wuda Cuda Shuda
105 bpm • A min • 04:11 • -5.26db
10% Popularity • 76% Danceability • 85% Energy • 5% Liveness
64% Instrumentalness • 67% Positiveness
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Alphonse Mouzon
Funky Snakefoot
105 bpm • C# Maj • 03:45 • -9.84db
35% Popularity • 70% Danceability • 89% Energy • 5% Liveness
64% Instrumentalness • 90% Positiveness
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Deodato
Also sprach Zarathustra
101 bpm • F Maj • 09:01 • -15.11db
30% Popularity • 58% Danceability • 53% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
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Dave Pike Set
Big Schlepp
105 bpm • G min • 04:05 • -15.19db
30% Popularity • 55% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 78% Positiveness
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Tower Of Power
Soul Vaccination
105 bpm • C Maj • 05:15 • -7.14db
36% Popularity • 65% Danceability • 69% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
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The Crusaders
Gotta Get It On
101 bpm • A Maj • 02:52 • -15.32db
17% Popularity • 74% Danceability • 61% Energy • 3% Liveness
22% Instrumentalness • 74% Positiveness
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Charles Williams
Booger Bear
101 bpm • C# Maj • 04:50 • -13.84db
8% Popularity • 72% Danceability • 66% Energy • 10% Liveness
72% Instrumentalness • 96% Positiveness
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Speedometer
Accra International Airport
101 bpm • F min • 03:14 • -7.49db
27% Popularity • 69% Danceability • 94% Energy • 10% Liveness
82% Instrumentalness • 73% Positiveness
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Solsonics
Montuno Funk
101 bpm • C Maj • 04:09 • -13.47db
31% Popularity • 70% Danceability • 62% Energy • 24% Liveness
91% Instrumentalness • 81% Positiveness
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Donny Hathaway
Valdez in the Country
101 bpm • C Maj • 03:30 • -10.75db
34% Popularity • 56% Danceability • 68% Energy • 39% Liveness
62% Instrumentalness • 70% Positiveness
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The Greyboy Allstars
Soul Dream
105 bpm • F min • 05:13 • -7.02db
31% Popularity • 67% Danceability • 67% Energy • 7% Liveness
40% Instrumentalness • 96% Positiveness
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The J.B.'s
Hot Pants Road
105 bpm • A min • 02:45 • -12db
39% Popularity • 83% Danceability • 54% Energy • 5% Liveness
5% Instrumentalness • 95% Positiveness
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Stanton Moore
Blues for Ben
101 bpm • G# Maj • 04:59 • -8.74db
37% Popularity • 67% Danceability • 63% Energy • 7% Liveness
87% Instrumentalness • 96% Positiveness
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Speedometer
Kool To Be Uncool
101 bpm • A# min • 03:47 • -6.19db
9% Popularity • 75% Danceability • 87% Energy • 25% Liveness
67% Instrumentalness • 82% Positiveness
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Eddie Harris
Fooltish
105 bpm • F min • 07:10 • -12.08db
9% Popularity • 66% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 54% Positiveness
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The Crusaders
Give It Up
106 bpm • F min • 02:57 • -15.79db
17% Popularity • 68% Danceability • 64% Energy • 10% Liveness
70% Instrumentalness • 74% Positiveness
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Lou Donaldson
Rev. Moses
106 bpm • F Maj • 06:28 • -14.18db
15% Popularity • 70% Danceability • 51% Energy • 13% Liveness
4% Instrumentalness • 79% Positiveness
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Herbie Hancock
Steppin' In It
106 bpm • G# Maj • 08:38 • -12.33db
24% Popularity • 68% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 83% Positiveness
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Bob James
Heads
106 bpm • F Maj • 06:41 • -12.75db
17% Popularity • 78% Danceability • 50% Energy • 7% Liveness
72% Instrumentalness • 90% Positiveness
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Preston Love
Chili Mac
106 bpm • G Maj • 03:38 • -9db
15% Popularity • 68% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Greyboy Allstars
Let the Music Take Your Mind
106 bpm • G# min • 05:42 • -7.62db
22% Popularity • 65% Danceability • 82% Energy • 6% Liveness
52% Instrumentalness • 86% Positiveness
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Pieces Of A Dream
Just Funkin' Around
106 bpm • F min • 04:07 • -6.32db
33% Popularity • 87% Danceability • 70% Energy • 6% Liveness
58% Instrumentalness • 93% Positiveness
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Joe Beck
Cactus
100 bpm • C Maj • 05:00 • -12.28db
8% Popularity • 53% Danceability • 55% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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Nils Landgren Funk Unit
My Main Thang
100 bpm • C# Maj • 05:29 • -9.56db
12% Popularity • 87% Danceability • 39% Energy • 22% Liveness
13% Instrumentalness • 92% Positiveness
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Spyro Gyra
Cockatoo
100 bpm • F Maj • 04:05 • -11.82db
32% Popularity • 68% Danceability • 61% Energy • 5% Liveness
82% Instrumentalness • 91% Positiveness
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The Soul Snatchers
Sniffin' & Snatchin'
106 bpm • G# Maj • 03:33 • -4.87db
22% Popularity • 80% Danceability • 90% Energy • 35% Liveness
70% Instrumentalness • 79% Positiveness
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Mandrill
Fencewalk
106 bpm • G Maj • 05:32 • -12db
36% Popularity • 58% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
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Christian Prommer
Different Sides Of Music
100 bpm • A# min • 04:36 • -11.97db
0% Popularity • 78% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Bobbi Humphrey
Harlem River Drive
100 bpm • F min • 07:50 • -11.43db
39% Popularity • 42% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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David Sanborn
Butterfat
106 bpm • A Maj • 03:05 • -10.91db
14% Popularity • 78% Danceability • 77% Energy • 44% Liveness
6% Instrumentalness • 89% Positiveness
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Herbie Hancock
Palm Grease
106 bpm • D Maj • 10:36 • -10.33db
32% Popularity • 59% Danceability • 75% Energy • 57% Liveness
79% Instrumentalness • 96% Positiveness
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The Soul Snatchers
Do You Wanna Get Down
106 bpm • A# Maj • 03:59 • -3.97db
32% Popularity • 84% Danceability • 74% Energy • 4% Liveness
80% Instrumentalness • 80% Positiveness
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Lonnie Liston Smith
Cosmic Funk
100 bpm • D Maj • 05:36 • -10.5db
18% Popularity • 55% Danceability • 78% Energy • 12% Liveness
7% Instrumentalness • 92% Positiveness
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Pieces Of A Dream
Steady Glide
106 bpm • G Maj • 04:32 • -13.94db
10% Popularity • 75% Danceability • 64% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
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Stanley Clarke
The Dancer
100 bpm • A Maj • 05:24 • -14.63db
23% Popularity • 61% Danceability • 72% Energy • 6% Liveness
73% Instrumentalness • 92% Positiveness
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Bob James
Take Me To The Mardi Gras
106 bpm • A# Maj • 05:49 • -8.6db
35% Popularity • 48% Danceability • 73% Energy • 5% Liveness
84% Instrumentalness • 90% Positiveness
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The Crusaders
Take It Or Leave It
106 bpm • F Maj • 03:39 • -16.99db
12% Popularity • 72% Danceability • 38% Energy • 7% Liveness
82% Instrumentalness • 67% Positiveness
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Speedometer
Who's the Daddy Now
100 bpm • F# Maj • 03:00 • -8db
29% Popularity • 78% Danceability • 57% Energy • 5% Liveness
84% Instrumentalness • 93% Positiveness
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Dizzy Gillespie
Free Ride
107 bpm • A# min • 05:18 • -10.55db
28% Popularity • 75% Danceability • 55% Energy • 30% Liveness
93% Instrumentalness • 82% Positiveness
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Bobbi Humphrey
Smiling Faces Sometimes
100 bpm • E min • 06:21 • -10.63db
19% Popularity • 55% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Eric Gale
Ginseng Woman
107 bpm • A min • 07:40 • -13.77db
18% Popularity • 63% Danceability • 63% Energy • 42% Liveness
15% Instrumentalness • 66% Positiveness
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Rusty Garnett
Licking Stick, Licking Stick
107 bpm • G# Maj • 04:25 • -4.36db
8% Popularity • 69% Danceability • 86% Energy • 13% Liveness
83% Instrumentalness • 94% Positiveness
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The Crusaders
Carnival Of The Night
106 bpm • D Maj • 06:22 • -14.65db
22% Popularity • 51% Danceability • 61% Energy • 8% Liveness
8% Instrumentalness • 90% Positiveness
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Fred Wesley & The J.B.'s
Watermelon Man
107 bpm • A# Maj • 03:34 • -11.18db
29% Popularity • 80% Danceability • 57% Energy • 6% Liveness
3% Instrumentalness • 84% Positiveness
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Rodney Jones
Groovebone, Part 1
107 bpm • C# Maj • 05:25 • -9.19db
12% Popularity • 67% Danceability • 72% Energy • 9% Liveness
43% Instrumentalness • 87% Positiveness
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Stanley Clarke
We Supply
99 bpm • D Maj • 04:19 • -13.27db
26% Popularity • 76% Danceability • 71% Energy • 16% Liveness
1% Instrumentalness • 85% Positiveness
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Larry Coryell
The Great Escape
107 bpm • D Maj • 08:38 • -11.79db
10% Popularity • 48% Danceability • 56% Energy • 10% Liveness
34% Instrumentalness • 60% Positiveness
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Herbie Hancock
Gentle Thoughts
107 bpm • D Maj • 07:02 • -12.27db
39% Popularity • 61% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 97% Positiveness
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Corduroy
How to Steal the World
107 bpm • E min • 04:03 • -7.87db
15% Popularity • 54% Danceability • 88% Energy • 16% Liveness
88% Instrumentalness • 94% Positiveness
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Tower Of Power
Don't Change Horses (In the Middle of a ...
99 bpm • C Maj • 04:44 • -6.49db
36% Popularity • 70% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Deodato
September 13
99 bpm • G Maj • 05:56 • -15.83db
17% Popularity • 55% Danceability • 58% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Pieces Of A Dream
Mt. Airy Groove
107 bpm • D Maj • 03:31 • -13.17db
26% Popularity • 77% Danceability • 52% Energy • 4% Liveness
89% Instrumentalness • 47% Positiveness
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The Crusaders
Fairy Tales
107 bpm • F min • 04:44 • -7.4db
18% Popularity • 66% Danceability • 77% Energy • 4% Liveness
45% Instrumentalness • 89% Positiveness
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Johnny "Guitar" Watson
Follow Me
107 bpm • A Maj • 04:35 • -5.56db
14% Popularity • 76% Danceability • 84% Energy • 10% Liveness
34% Instrumentalness • 69% Positiveness
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John Scofield
Snake Dance
107 bpm • C# Maj • 07:13 • -13.59db
19% Popularity • 73% Danceability • 68% Energy • 12% Liveness
74% Instrumentalness • 72% Positiveness
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Cookin' On 3 Burners
Mango Skin
99 bpm • F Maj • 04:11 • -4.47db
14% Popularity • 68% Danceability • 89% Energy • 4% Liveness
86% Instrumentalness • 91% Positiveness
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Fred Wesley
Peace Power (remastered version)
107 bpm • D Maj • 06:21 • -11.77db
10% Popularity • 71% Danceability • 67% Energy • 10% Liveness
69% Instrumentalness • 75% Positiveness
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Eric Gale
Multiplication
107 bpm • C# Maj • 05:19 • -13.21db
10% Popularity • 69% Danceability • 56% Energy • 3% Liveness
68% Instrumentalness • 76% Positiveness
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The Crusaders
I Felt The Love
107 bpm • C# Maj • 05:10 • -12.84db
16% Popularity • 61% Danceability • 68% Energy • 10% Liveness
47% Instrumentalness • 91% Positiveness
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Bob James
Westchester Lady
107 bpm • A min • 07:28 • -8.92db
34% Popularity • 76% Danceability • 70% Energy • 8% Liveness
62% Instrumentalness • 86% Positiveness
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Commodores
Rapid Fire
107 bpm • C# Maj • 03:01 • -5.66db
22% Popularity • 84% Danceability • 95% Energy • 11% Liveness
88% Instrumentalness • 89% Positiveness
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Ronnie Foster
On The Avenue
99 bpm • B min • 06:14 • -11db
31% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
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Noel Pointer
Living For The City - DJ Smash Remix
107 bpm • D Maj • 05:19 • -6.6db
10% Popularity • 74% Danceability • 65% Energy • 9% Liveness
34% Instrumentalness • 54% Positiveness
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Johnny "Hammond" Smith
Dirty Apple
99 bpm • C Maj • 05:00 • -15db
15% Popularity • 62% Danceability • 28% Energy • 11% Liveness
67% Instrumentalness • 78% Positiveness
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The Crusaders
Where There's A Will There's A Way
99 bpm • F Maj • 05:27 • -13.77db
13% Popularity • 68% Danceability • 53% Energy • 5% Liveness
87% Instrumentalness • 82% Positiveness
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Fred Wesley
Spring Like
99 bpm • A# Maj • 03:48 • -7.93db
14% Popularity • 74% Danceability • 74% Energy • 12% Liveness
4% Instrumentalness • 83% Positiveness
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Blue Mitchell
H.N.I.C.
99 bpm • A# Maj • 05:20 • -8.81db
11% Popularity • 76% Danceability • 48% Energy • 6% Liveness
82% Instrumentalness • 78% Positiveness
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Stomp And Buck Dance