Songs like Stone Blind by Slash
Based on a tempo of (+/- 10%) and a similar genre
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Phil Campbell
Straight Up
132 bpm • C# min • 04:27 • -4.49db
21% Popularity • 45% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 45% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Wayward Sons
Don't Wanna Go
133 bpm • G# Maj • 04:13 • -4.17db
15% Popularity • 42% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
15% Popularity • 42% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Stone Gods
You Brought a Knife to a Gunfight
131 bpm • D Maj • 03:07 • -3.99db
21% Popularity • 52% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 52% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Airbourne
Blonde, Bad And Beautiful
131 bpm • A Maj • 03:49 • -3db
24% Popularity • 55% Danceability • 96% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
24% Popularity • 55% Danceability • 96% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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AC/DC
Givin the Dog a Bone
133 bpm • D Maj • 03:31 • -4.37db
55% Popularity • 52% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 52% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Slash's Snakepit
Mean Bone
133 bpm • D# Maj • 04:40 • -4db
32% Popularity • 47% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 47% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Velvet Revolver
Fall to Pieces
133 bpm • F# Maj • 04:31 • -4.65db
60% Popularity • 46% Danceability • 89% Energy • 13% Liveness
33% Instrumentalness • 23% Positiveness
60% Popularity • 46% Danceability • 89% Energy • 13% Liveness
33% Instrumentalness • 23% Positiveness
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Skid Row
Little Wing
133 bpm • G Maj • 03:19 • -7.76db
46% Popularity • 34% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 37% Positiveness
46% Popularity • 34% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 37% Positiveness
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Those Damn Crows
Rock 'n' Roll Ain't Dead!
133 bpm • G# min • 03:58 • -4.06db
33% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Carmine Appice
Where You Belong
131 bpm • D Maj • 06:23 • -7.87db
11% Popularity • 27% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 27% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Phil Campbell and the Bastard Sons
Dropping the Needle
131 bpm • D Maj • 01:50 • -5.68db
35% Popularity • 58% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 58% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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YVNG DOGG
Bang
133 bpm • G# Maj • 03:38 • -5.85db
3% Popularity • 91% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 91% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Black Star Riders
Hey Judas
133 bpm • G# min • 04:11 • -4.45db
19% Popularity • 56% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 56% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Chickenfoot
My Kinda Girl
133 bpm • G Maj • 04:35 • -4.37db
26% Popularity • 48% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 48% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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AC/DC
Shot Down in Flames
131 bpm • G Maj • 03:22 • -4.53db
60% Popularity • 53% Danceability • 86% Energy • 88% Liveness
13% Instrumentalness • 66% Positiveness
60% Popularity • 53% Danceability • 86% Energy • 88% Liveness
13% Instrumentalness • 66% Positiveness
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Zakk Wylde
Throwin' It All Away
131 bpm • E min • 05:47 • -6.66db
12% Popularity • 24% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 24% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 20% Positiveness
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Dirty Honey
Roam
134 bpm • G# min • 04:15 • -6.71db
33% Popularity • 41% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 41% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Bonafide
Bottle of Jack
130 bpm • C# Maj • 04:00 • -5db
35% Popularity • 57% Danceability • 76% Energy • 30% Liveness
9% Instrumentalness • 42% Positiveness
35% Popularity • 57% Danceability • 76% Energy • 30% Liveness
9% Instrumentalness • 42% Positiveness
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Stone Machine
Mr. Blues
134 bpm • G Maj • 05:40 • -5.5db
17% Popularity • 44% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 44% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Corey Taylor
HWY 666
130 bpm • G# Maj • 04:09 • -4.52db
44% Popularity • 46% Danceability • 99% Energy • 39% Liveness
1% Instrumentalness • 13% Positiveness
44% Popularity • 46% Danceability • 99% Energy • 39% Liveness
1% Instrumentalness • 13% Positiveness
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Tommy Shaw
Gypsy
134 bpm • E min • 03:33 • -7.8db
7% Popularity • 47% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 47% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Airbourne
Animalize
134 bpm • B min • 03:03 • -3.25db
44% Popularity • 62% Danceability • 96% Energy • 8% Liveness
16% Instrumentalness • 52% Positiveness
44% Popularity • 62% Danceability • 96% Energy • 8% Liveness
16% Instrumentalness • 52% Positiveness
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The Last Vegas
Loose Lips
130 bpm • A Maj • 04:24 • -2.58db
16% Popularity • 57% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 57% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Bonafide
Swan song
130 bpm • G Maj • 04:11 • -3.04db
18% Popularity • 53% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 53% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Blended Brew
Electrified Loser
130 bpm • C Maj • 04:18 • -5db
31% Popularity • 57% Danceability • 89% Energy • 36% Liveness
2% Instrumentalness • 65% Positiveness
31% Popularity • 57% Danceability • 89% Energy • 36% Liveness
2% Instrumentalness • 65% Positiveness
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Kris Barras Band
Vegas Son
135 bpm • C min • 03:42 • -6.21db
15% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Wildstreet
Easy Does It
135 bpm • C# Maj • 03:25 • -3.95db
27% Popularity • 55% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 55% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Phil Campbell and the Bastard Sons
Get on Your Knees
135 bpm • F min • 03:28 • -4.78db
20% Popularity • 48% Danceability • 97% Energy • 33% Liveness
7% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 97% Energy • 33% Liveness
7% Instrumentalness • 49% Positiveness
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Velvet Revolver
Get Out The Door
129 bpm • B min • 03:14 • -4db
28% Popularity • 55% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 55% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Vince Neil
Cold Ethyl
135 bpm • F Maj • 04:05 • -4.46db
20% Popularity • 47% Danceability • 98% Energy • 27% Liveness
50% Instrumentalness • 31% Positiveness
20% Popularity • 47% Danceability • 98% Energy • 27% Liveness
50% Instrumentalness • 31% Positiveness
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Corey Taylor
From Can to Can't
136 bpm • F# min • 04:50 • -5.54db
55% Popularity • 29% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 29% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Cinderella
Dead Man's Road
135 bpm • D Maj • 06:37 • -9db
33% Popularity • 53% Danceability • 75% Energy • 12% Liveness
28% Instrumentalness • 19% Positiveness
33% Popularity • 53% Danceability • 75% Energy • 12% Liveness
28% Instrumentalness • 19% Positiveness
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Chickenfoot
Get It Up
136 bpm • B min • 04:41 • -4.87db
21% Popularity • 49% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 48% Positiveness
21% Popularity • 49% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 48% Positiveness
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Phil X & The Drills
Playing Fair
136 bpm • D# min • 03:11 • -6.09db
29% Popularity • 50% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 50% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Ugly Kid Joe
Love Ain't True!
128 bpm • G Maj • 03:28 • -2.77db
21% Popularity • 59% Danceability • 93% Energy • 64% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 59% Danceability • 93% Energy • 64% Liveness
0% Instrumentalness • 79% Positiveness
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Mammoth WVH
Mr. Ed
128 bpm • A Maj • 03:44 • -3.4db
40% Popularity • 46% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 46% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Leslie West
Dyin' Since The Day I Was Born
128 bpm • F# Maj • 04:16 • -3.79db
17% Popularity • 46% Danceability • 93% Energy • 24% Liveness
1% Instrumentalness • 28% Positiveness
17% Popularity • 46% Danceability • 93% Energy • 24% Liveness
1% Instrumentalness • 28% Positiveness
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Richie Sambora
Learning How To Fly With A Broken Wing
128 bpm • G Maj • 04:35 • -3.14db
12% Popularity • 47% Danceability • 95% Energy • 12% Liveness
56% Instrumentalness • 35% Positiveness
12% Popularity • 47% Danceability • 95% Energy • 12% Liveness
56% Instrumentalness • 35% Positiveness
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Black Star Riders
Another State of Grace
128 bpm • E min • 03:39 • -4db
29% Popularity • 49% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 49% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Deraps
Live Fast Die Slow
128 bpm • A# min • 03:36 • -5.52db
19% Popularity • 57% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 57% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Jake E. Lee
It’s A Long Way To The Top
136 bpm • D Maj • 05:37 • -4.66db
31% Popularity • 49% Danceability • 89% Energy • 2% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 49% Danceability • 89% Energy • 2% Liveness
0% Instrumentalness • 54% Positiveness
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Dirty Honey
Break You
128 bpm • A# min • 03:17 • -3db
31% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Cry Of Love
Highway Jones
128 bpm • B Maj • 05:12 • -10.33db
33% Popularity • 61% Danceability • 68% Energy • 24% Liveness
1% Instrumentalness • 60% Positiveness
33% Popularity • 61% Danceability • 68% Energy • 24% Liveness
1% Instrumentalness • 60% Positiveness
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AC/DC
Sin City
128 bpm • A Maj • 04:45 • -4.99db
58% Popularity • 54% Danceability • 76% Energy • 10% Liveness
63% Instrumentalness • 22% Positiveness
58% Popularity • 54% Danceability • 76% Energy • 10% Liveness
63% Instrumentalness • 22% Positiveness
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Ugly Kid Joe
No One Survives
137 bpm • F# Maj • 04:02 • -5.31db
31% Popularity • 34% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 34% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Pride & Glory
Found A Friend
137 bpm • C Maj • 06:02 • -6.66db
23% Popularity • 24% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 24% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Slash's Snakepit
Landslide
137 bpm • G# Maj • 05:30 • -3.08db
25% Popularity • 39% Danceability • 98% Energy • 30% Liveness
2% Instrumentalness • 52% Positiveness
25% Popularity • 39% Danceability • 98% Energy • 30% Liveness
2% Instrumentalness • 52% Positiveness
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Lemmy
Tie Your Mother Down
137 bpm • A min • 03:45 • -5db
35% Popularity • 43% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 43% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
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KISS
Domino
137 bpm • D Maj • 04:00 • -8.11db
46% Popularity • 65% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 65% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Warrant
Uncle Tom's Cabin
127 bpm • G# Maj • 04:00 • -6db
52% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Ugly Kid Joe
Hell Ain't Hard to Find
138 bpm • G# Maj • 03:48 • -2.83db
25% Popularity • 47% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 47% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Airbourne
Diamond In The Rough
138 bpm • G Maj • 02:53 • -2.08db
28% Popularity • 68% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 68% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Slash's Snakepit
Monkey Chow
127 bpm • C# Maj • 04:11 • -4.06db
27% Popularity • 45% Danceability • 98% Energy • 21% Liveness
49% Instrumentalness • 41% Positiveness
27% Popularity • 45% Danceability • 98% Energy • 21% Liveness
49% Instrumentalness • 41% Positiveness
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Down 'n' Outz
This Is How We Roll
138 bpm • C# Maj • 03:06 • -5.89db
11% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Million Dollar Reload
Bullets in the Sky
138 bpm • F# Maj • 04:39 • -2db
32% Popularity • 55% Danceability • 92% Energy • 12% Liveness
13% Instrumentalness • 41% Positiveness
32% Popularity • 55% Danceability • 92% Energy • 12% Liveness
13% Instrumentalness • 41% Positiveness
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Junkyard Drive
Make up Your Mind
138 bpm • G# min • 03:28 • -4.48db
15% Popularity • 54% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 54% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ugly Kid Joe
No One Survives (Acoustic)
138 bpm • F# min • 03:46 • -6.62db
21% Popularity • 57% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 57% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Def Leppard
Let It Go
138 bpm • D Maj • 04:43 • -7db
59% Popularity • 41% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
59% Popularity • 41% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Slash's Snakepit
Neither Can I
126 bpm • C# Maj • 06:42 • -5.88db
35% Popularity • 35% Danceability • 84% Energy • 20% Liveness
2% Instrumentalness • 12% Positiveness
35% Popularity • 35% Danceability • 84% Energy • 20% Liveness
2% Instrumentalness • 12% Positiveness
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Velvet Revolver
Gravedancer
138 bpm • C Maj • 08:40 • -5.65db
25% Popularity • 46% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 46% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 29% Positiveness
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Saxon
I've Got to Rock (To Stay Alive)
126 bpm • C# Maj • 04:40 • -3.64db
33% Popularity • 41% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 41% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Jackyl
Push Comes to Shove
126 bpm • G min • 03:02 • -4.19db
43% Popularity • 61% Danceability • 79% Energy • 5% Liveness
71% Instrumentalness • 58% Positiveness
43% Popularity • 61% Danceability • 79% Energy • 5% Liveness
71% Instrumentalness • 58% Positiveness
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Zakk Wylde
Road Back Home
138 bpm • D Maj • 05:48 • -4.88db
12% Popularity • 24% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 24% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Last in Line
Devil in Me
126 bpm • G# min • 04:53 • -3.07db
19% Popularity • 53% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 53% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Dead Man's Whiskey
Last Train
126 bpm • C# Maj • 03:49 • -6.18db
8% Popularity • 48% Danceability • 91% Energy • 9% Liveness
54% Instrumentalness • 39% Positiveness
8% Popularity • 48% Danceability • 91% Energy • 9% Liveness
54% Instrumentalness • 39% Positiveness
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Koritni
Heaven Again
126 bpm • B Maj • 04:03 • -4db
22% Popularity • 64% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 64% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Alter Bridge
Broken Wings
138 bpm • A# min • 05:06 • -5.38db
52% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
52% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Stone Gods
Start of Something
126 bpm • D Maj • 03:29 • -5db
17% Popularity • 59% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 59% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Slash
C'est la vie
139 bpm • F# Maj • 04:38 • -2.16db
19% Popularity • 27% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 27% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Skid Row
Quicksand Jesus
126 bpm • E min • 05:24 • -7.85db
51% Popularity • 25% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 25% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Dirty Shirley
Here Comes the King
139 bpm • G# Maj • 06:43 • -6db
24% Popularity • 49% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 49% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Roxanne
Someone to Kill
139 bpm • D# min • 04:14 • -5.51db
11% Popularity • 59% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 59% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Alter Bridge
One Day Remains
139 bpm • A Maj • 04:05 • -3db
45% Popularity • 41% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 41% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Lazys
Louder Than Youth
125 bpm • G# min • 03:07 • -2.45db
27% Popularity • 58% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 58% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Phil X & The Drills
Stink
125 bpm • B min • 01:53 • -5.18db
38% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Cage The Gods
Favourite Sin
125 bpm • D Maj • 04:39 • -5.89db
22% Popularity • 61% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 61% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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The Forest Rangers
Miles Away
125 bpm • C Maj • 04:49 • -5db
34% Popularity • 55% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 55% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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The Treatment
Let's Get Dirty
125 bpm • C# Maj • 03:04 • -3.08db
24% Popularity • 67% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 67% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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HARDBONE
Girls & Gasoline
125 bpm • A Maj • 04:44 • -5.5db
26% Popularity • 59% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 59% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Dirty Honey
Down the Road
125 bpm • G# Maj • 04:32 • -5db
35% Popularity • 26% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 26% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Winger
Deal with the Devil - Remastered
140 bpm • G Maj • 02:59 • -6db
34% Popularity • 51% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 51% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Mammoth WVH
Don't Back Down
140 bpm • G Maj • 03:45 • -4.56db
52% Popularity • 50% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 50% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Phil Campbell and the Bastard Sons
We're the Bastards
140 bpm • F Maj • 03:39 • -4.77db
28% Popularity • 52% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 52% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Gilbert
Down to Mexico
140 bpm • D min • 03:30 • -5.14db
32% Popularity • 41% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 64% Positiveness
32% Popularity • 41% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 64% Positiveness
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Black Swan
Big Disaster
140 bpm • G# Maj • 04:37 • -6.75db
22% Popularity • 48% Danceability • 90% Energy • 38% Liveness
40% Instrumentalness • 67% Positiveness
22% Popularity • 48% Danceability • 90% Energy • 38% Liveness
40% Instrumentalness • 67% Positiveness
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Ugly Kid Joe
Would You Like to Be There
140 bpm • A# min • 03:16 • -8.73db
33% Popularity • 48% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 48% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Audioslave
Original Fire
124 bpm • A Maj • 03:38 • -2.81db
47% Popularity • 64% Danceability • 95% Energy • 39% Liveness
7% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 95% Energy • 39% Liveness
7% Instrumentalness • 70% Positiveness
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Mammoth WVH
YouÃll Be The One
124 bpm • G Maj • 03:01 • -3.42db
33% Popularity • 48% Danceability • 95% Energy • 1% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 48% Danceability • 95% Energy • 1% Liveness
0% Instrumentalness • 27% Positiveness
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Wayward Sons
Until the End
140 bpm • G# Maj • 03:14 • -3.08db
22% Popularity • 30% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 30% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Phil X & The Drills
No Woman of Mine
141 bpm • A min • 04:16 • -4.37db
14% Popularity • 41% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 41% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Black Star Riders
Tonight the Moonlight Let Me Down
141 bpm • G# Maj • 03:54 • -4.12db
31% Popularity • 51% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 51% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Ugly Kid Joe
I'm Alright
124 bpm • F Maj • 03:21 • -2.78db
33% Popularity • 68% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 68% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Velvet Revolver
Slither
141 bpm • G Maj • 04:08 • -3.87db
62% Popularity • 48% Danceability • 97% Energy • 7% Liveness
10% Instrumentalness • 27% Positiveness
62% Popularity • 48% Danceability • 97% Energy • 7% Liveness
10% Instrumentalness • 27% Positiveness
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Mötley Crüe
Power To The Music
141 bpm • C Maj • 05:12 • -6.35db
34% Popularity • 52% Danceability • 96% Energy • 66% Liveness
18% Instrumentalness • 40% Positiveness
34% Popularity • 52% Danceability • 96% Energy • 66% Liveness
18% Instrumentalness • 40% Positiveness
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Slash's Snakepit
Life's Sweet Drug
123 bpm • F min • 03:53 • -4.08db
26% Popularity • 29% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 29% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Slash
The River Is Rising
123 bpm • D# min • 03:42 • -2.94db
23% Popularity • 29% Danceability • 99% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
23% Popularity • 29% Danceability • 99% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
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Chickenfoot
Sexy Little Thing
123 bpm • G Maj • 04:15 • -4db
29% Popularity • 51% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
29% Popularity • 51% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
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Ugly Kid Joe
You Make Me Sick
124 bpm • B min • 03:42 • -3db
27% Popularity • 60% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
