Songs like Stop Playing Games by James Payne
Based on a tempo of (+/- 10%) and a similar genre
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Lady Soul
The Lady Soul Slide
105 bpm • D Maj • 04:06 • -7.7db
8% Popularity • 86% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 86% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Lacee
Thick Girl Love
105 bpm • C# Maj • 03:34 • -5.89db
22% Popularity • 83% Danceability • 66% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 83% Danceability • 66% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
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Tyree Neal
I'll Be The Other Man
105 bpm • A min • 04:57 • -8.01db
13% Popularity • 78% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 78% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Jeff Floyd
I Got My Woman Upset
105 bpm • F# min • 05:02 • -7.21db
16% Popularity • 89% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 89% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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Tyrone Davis
Love Line
105 bpm • B min • 04:39 • -7db
16% Popularity • 80% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 80% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Lebrado
Come Back Home
105 bpm • F# min • 03:40 • -9.74db
27% Popularity • 86% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 86% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Big Yayo
She Wants A Man
105 bpm • F min • 03:26 • -7.1db
15% Popularity • 85% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 85% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Kenne' Wayne
Party On Da Weekend
105 bpm • A min • 03:34 • -9.66db
21% Popularity • 88% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 88% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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La 26
Come on Home
105 bpm • C Maj • 03:43 • -7.9db
27% Popularity • 96% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 96% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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James Payne
Party Time
105 bpm • G# min • 04:00 • -11.18db
0% Popularity • 87% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 87% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Lacee
Juicy Lips
105 bpm • C# Maj • 03:13 • -3.87db
23% Popularity • 97% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 97% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Quinn Golden
I'm Gonna Be a Man About It
105 bpm • C Maj • 04:05 • -7.19db
33% Popularity • 79% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 79% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Avail Hollywood
Drinking Again
105 bpm • F# min • 03:57 • -5.62db
32% Popularity • 77% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 77% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Lebrado
You're So Sexy
105 bpm • G min • 03:28 • -6.26db
21% Popularity • 90% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 90% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Reggie P
Let's Start All Over Again
105 bpm • A# Maj • 03:49 • -7.23db
10% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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James Payne
Stop Playing Games
105 bpm • G Maj • 02:31 • -14.71db
0% Popularity • 89% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 89% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Tyrone Davis
Kiss You
104 bpm • F# min • 03:43 • -12.29db
33% Popularity • 78% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 78% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Jeff Floyd
Let Me Know
104 bpm • D Maj • 05:08 • -7.09db
12% Popularity • 83% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 83% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Anthony Watson
Kiss You Where I Miss You
104 bpm • F# min • 03:42 • -6.7db
16% Popularity • 85% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 85% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Carl Sims
I Like This Place
106 bpm • G# min • 04:28 • -9.14db
13% Popularity • 75% Danceability • 59% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
13% Popularity • 75% Danceability • 59% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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J. Red (The Nephew)
I Will If He Won't
106 bpm • B Maj • 04:18 • -4.51db
15% Popularity • 74% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 74% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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James Payne
Ease on Down
104 bpm • D Maj • 07:57 • -11.25db
0% Popularity • 89% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 89% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Lebrado
Fire
106 bpm • G Maj • 03:39 • -5.44db
35% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Jeff Floyd
You Had It All
104 bpm • C Maj • 03:33 • -8.58db
30% Popularity • 94% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 94% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Lomax!
Put It All Up Yhere
104 bpm • F# Maj • 03:54 • -7.17db
14% Popularity • 89% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 89% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Omar Cunningham
Call Me Daddy
106 bpm • A min • 04:16 • -5.96db
28% Popularity • 83% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 83% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Tucka: King Of Swing
Sweet Shop
106 bpm • C# Maj • 05:34 • -7.92db
28% Popularity • 76% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 76% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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James Payne
Party Over Here
104 bpm • C# min • 04:13 • -9.74db
0% Popularity • 87% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 87% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Lomax
Put It All Up in There
104 bpm • F# Maj • 03:51 • -7.57db
10% Popularity • 86% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 86% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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J. Red (The Nephew)
Ms. Grown and Sexy Soul
104 bpm • F min • 04:49 • -5.48db
13% Popularity • 72% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 72% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Theodis Ealey
Let Me Put the Head in It
106 bpm • A# min • 04:14 • -7.56db
24% Popularity • 79% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 79% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Floyd Taylor
Its On Me
106 bpm • A min • 03:57 • -6.2db
22% Popularity • 84% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 84% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Ronnie Bell
Go Get a Room
106 bpm • B min • 04:49 • -7.42db
12% Popularity • 96% Danceability • 46% Energy • 53% Liveness
1% Instrumentalness • 78% Positiveness
12% Popularity • 96% Danceability • 46% Energy • 53% Liveness
1% Instrumentalness • 78% Positiveness
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O. B. Buchana
Face Down
106 bpm • G Maj • 04:40 • -9.31db
24% Popularity • 97% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 97% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jaye Hammer
Making That Booty Roll
104 bpm • B min • 04:56 • -7.73db
23% Popularity • 84% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 84% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Nelson Curry
Call Me
106 bpm • G Maj • 04:21 • -6.71db
16% Popularity • 78% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 78% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Theodis Ealey
Francine
106 bpm • F min • 04:18 • -6.19db
25% Popularity • 89% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 89% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Quinn Golden
Chill Out
104 bpm • C Maj • 04:09 • -7.21db
17% Popularity • 86% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 86% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Donnie Ray
It's Just a Party Thing
106 bpm • B min • 03:57 • -6.84db
32% Popularity • 81% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 81% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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O. B. Buchana
Booty Scoot
104 bpm • G# Maj • 05:19 • -10.63db
30% Popularity • 82% Danceability • 57% Energy • 6% Liveness
3% Instrumentalness • 87% Positiveness
30% Popularity • 82% Danceability • 57% Energy • 6% Liveness
3% Instrumentalness • 87% Positiveness
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Mr. Sam
Broke as Hell
106 bpm • C Maj • 05:36 • -8.76db
12% Popularity • 72% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 72% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Terry Wright
Dance The Night Away
104 bpm • E min • 03:55 • -4.94db
10% Popularity • 80% Danceability • 70% Energy • 10% Liveness
5% Instrumentalness • 55% Positiveness
10% Popularity • 80% Danceability • 70% Energy • 10% Liveness
5% Instrumentalness • 55% Positiveness
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Lee "Shot" Williams
Just Another Hole In the Wall
104 bpm • G Maj • 03:19 • -9.67db
14% Popularity • 91% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 91% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Quinn Golden
Party On the Weekend
104 bpm • D# min • 03:59 • -8.02db
34% Popularity • 95% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 95% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Karen Wolfe
B.O.B.
104 bpm • C Maj • 03:45 • -10.83db
17% Popularity • 84% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 84% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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J. Red (The Nephew)
What Your Mama Gave You
104 bpm • F Maj • 03:47 • -5.78db
11% Popularity • 90% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 90% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Frank Mendenhall
Time
104 bpm • A min • 03:57 • -16.58db
17% Popularity • 85% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 85% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Ms. Jody
It's the Weekend
104 bpm • G min • 04:22 • -7.15db
35% Popularity • 83% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 83% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Simply Wayne
Grooving in Love
103 bpm • A min • 04:33 • -8.17db
21% Popularity • 93% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 93% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Omar Cunningham
Baby Don't Leave Me
107 bpm • A Maj • 05:41 • -6.21db
37% Popularity • 77% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 77% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Karen Wolfe
DON'T TRY ME - Side A
107 bpm • C# Maj • 03:39 • -4.28db
10% Popularity • 71% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 71% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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O. B. Buchana
Swing On
107 bpm • C Maj • 04:50 • -6.86db
38% Popularity • 74% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 74% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 76% Positiveness
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![Ooh Wee (Remix) [feat. Bruce Billups] cover art](https://i.scdn.co/image/ab67616d00001e029689dd78e22c4d9765a7e456)
Ms. Yanni
Ooh Wee (Remix)
107 bpm • F min • 03:38 • -9.86db
27% Popularity • 80% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 80% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Klass Band Brotherhood
Dance Floor
107 bpm • C Maj • 04:27 • -4.27db
12% Popularity • 79% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 79% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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James Payne
Dancing And Swinging - Club
103 bpm • G Maj • 04:47 • -8.73db
0% Popularity • 72% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 72% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Kenne' Wayne
Mr.Getcha Right
103 bpm • G# Maj • 04:09 • -7.95db
14% Popularity • 78% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 78% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Lee "Shot" Williams
Wrong Bed
103 bpm • A# Maj • 04:21 • -5.41db
15% Popularity • 83% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 83% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Lacee
Lacee's Groove
103 bpm • A min • 04:07 • -4.1db
32% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Ms. Yanni
Ooh Wee
107 bpm • F min • 03:33 • -4.72db
12% Popularity • 84% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 84% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Nicole Jackson
Work It Out, Pt. 2
107 bpm • G min • 05:35 • -9.33db
21% Popularity • 90% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 90% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Quinn Golden
When This Dance Is Over - Extended Versi...
103 bpm • G min • 05:03 • -8.81db
26% Popularity • 80% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 80% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Frank Lucas
The Man With The Singing Ding-A-Ling - S...
103 bpm • D Maj • 06:01 • -9.27db
10% Popularity • 85% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 85% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Floyd Taylor
Southern Soul Party
103 bpm • A Maj • 04:48 • -7.71db
21% Popularity • 89% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 89% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Lacee
Lacee's Groove (Remix)
103 bpm • C Maj • 04:23 • -6.82db
14% Popularity • 85% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 85% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Leon Chavis And The Zydeco Flames
Dream Come True
103 bpm • F# Maj • 03:54 • -4.51db
18% Popularity • 72% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 72% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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James Payne
Man In The Street
103 bpm • G Maj • 04:55 • -6.45db
0% Popularity • 81% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 81% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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David Brinston
Two Way Love Affair
103 bpm • F min • 03:58 • -6.3db
46% Popularity • 77% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 77% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Mel Waiters
They Come Back
103 bpm • F min • 03:48 • -6.4db
11% Popularity • 79% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 79% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Jackie Neal
Down in da Club
103 bpm • A# min • 03:59 • -5.12db
36% Popularity • 86% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 86% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Ms. Nicole Jackson
Can We Go There
107 bpm • F Maj • 04:37 • -11db
18% Popularity • 86% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 86% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Lysa
Sweet Nukie
103 bpm • G# min • 04:12 • -3.44db
18% Popularity • 72% Danceability • 87% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 72% Danceability • 87% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
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James Payne
Dancing And Swinging - Radio
103 bpm • C Maj • 04:06 • -11.52db
0% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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David Brinston
I'll Be There
103 bpm • F# Maj • 04:09 • -6.94db
25% Popularity • 88% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 88% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Mel Waiters
Pop It Baby
103 bpm • C Maj • 03:36 • -5.88db
19% Popularity • 89% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 89% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Tyrone Davis
Banging The Headboard
108 bpm • F Maj • 03:10 • -8.02db
25% Popularity • 96% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 96% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Omar Cunningham
Party, Have a Good Time
102 bpm • A Maj • 04:18 • -5.06db
13% Popularity • 77% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 77% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Poonanny
Hole In Your Drawers
108 bpm • C Maj • 04:14 • -6.61db
10% Popularity • 87% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 87% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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James Payne
Junk In The Trunk
103 bpm • G# Maj • 04:21 • -6.46db
0% Popularity • 78% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 78% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Jeff Floyd
I Found Love (On A Lonely Highway)
102 bpm • G Maj • 07:33 • -7.28db
37% Popularity • 79% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 79% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Carl Marshall
Ain't No Party (Like A Grown Folks Party...
108 bpm • F min • 05:47 • -6db
13% Popularity • 96% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 96% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Ms. Jody
I Did It
102 bpm • C# Maj • 04:19 • -9.3db
34% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Jaye Hammer
Soul Train Dancer
102 bpm • G Maj • 03:54 • -8.89db
20% Popularity • 89% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 89% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Kenne' Wayne
Soul Blues
102 bpm • A# Maj • 04:00 • -10.92db
18% Popularity • 95% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 95% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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James Payne
What;s Going On - Radio
108 bpm • F Maj • 05:42 • -5.43db
0% Popularity • 57% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 57% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Theodis Ealey
Pop That Middle
102 bpm • C# min • 04:18 • -6.7db
32% Popularity • 80% Danceability • 58% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
32% Popularity • 80% Danceability • 58% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
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Lebrado
Let Me Be Your Daddy
102 bpm • C# Maj • 03:18 • -5.2db
28% Popularity • 90% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 90% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Quinn Golden
Dance Party 2002
102 bpm • G min • 04:32 • -10.23db
19% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Volton Wright
Southern Soul Girl
102 bpm • F Maj • 03:36 • -3.31db
23% Popularity • 88% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 88% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Kenne' Wayne
Time To Get Loose
102 bpm • A min • 04:59 • -9.53db
8% Popularity • 82% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 82% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Lenny Williams
Southern Girl
102 bpm • F min • 04:26 • -5.46db
20% Popularity • 86% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 86% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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James Payne
What;s Going On - Extended Version
108 bpm • A min • 11:01 • -6.16db
0% Popularity • 50% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 50% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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David Brinston
Bounce That Booty
102 bpm • D# Maj • 03:58 • -7.62db
10% Popularity • 80% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 80% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Tucka: King Of Swing
Book of Love
102 bpm • C# Maj • 05:36 • -6.93db
33% Popularity • 81% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 81% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Mel Waiters
Bar-B-Que
102 bpm • C# Maj • 03:52 • -6.14db
11% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Quinn Golden
Dance Party
102 bpm • C min • 04:14 • -6.78db
38% Popularity • 72% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 72% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Crystal Thomas
Somebody Else's Man
102 bpm • F min • 04:51 • -4.38db
8% Popularity • 81% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 81% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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James Payne
Dance Party
102 bpm • G min • 03:58 • -9.33db
0% Popularity • 81% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 81% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Wilson Meadows
I Wanna Get Witcha Baby
102 bpm • D Maj • 04:12 • -3.71db
16% Popularity • 85% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 85% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
