Songs like Stop - Versus Remix by Cloonee
Based on a tempo of (+/- 10%) and a similar genre
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J. Worra
Check Out
125 bpm • A# min • 02:54 • -6.76db
74% Popularity • 81% Danceability • 68% Energy • 10% Liveness
8% Instrumentalness • 78% Positiveness
74% Popularity • 81% Danceability • 68% Energy • 10% Liveness
8% Instrumentalness • 78% Positiveness
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Mau P
Drugs From Amsterdam
125 bpm • G# Maj • 03:55 • -10.4db
75% Popularity • 68% Danceability • 93% Energy • 6% Liveness
60% Instrumentalness • 55% Positiveness
75% Popularity • 68% Danceability • 93% Energy • 6% Liveness
60% Instrumentalness • 55% Positiveness
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DJ S.K.T
Ballers
125 bpm • B min • 02:59 • -5db
45% Popularity • 81% Danceability • 94% Energy • 5% Liveness
78% Instrumentalness • 86% Positiveness
45% Popularity • 81% Danceability • 94% Energy • 5% Liveness
78% Instrumentalness • 86% Positiveness
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JADED
Lost Myself Again
125 bpm • D Maj • 02:52 • -6db
49% Popularity • 80% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 80% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Ferreck Dawn
Get On Down
125 bpm • F# min • 03:05 • -6.11db
46% Popularity • 88% Danceability • 86% Energy • 2% Liveness
45% Instrumentalness • 71% Positiveness
46% Popularity • 88% Danceability • 86% Energy • 2% Liveness
45% Instrumentalness • 71% Positiveness
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Marten Hørger
I Know
125 bpm • A Maj • 03:22 • -5db
49% Popularity • 68% Danceability • 93% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
49% Popularity • 68% Danceability • 93% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Piero Pirupa
We Don’t Need - Club Edit
125 bpm • C Maj • 02:38 • -7db
52% Popularity • 73% Danceability • 81% Energy • 64% Liveness
4% Instrumentalness • 40% Positiveness
52% Popularity • 73% Danceability • 81% Energy • 64% Liveness
4% Instrumentalness • 40% Positiveness
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Sharam Jey
Right Back
125 bpm • F# Maj • 03:42 • -6.61db
41% Popularity • 92% Danceability • 92% Energy • 8% Liveness
65% Instrumentalness • 63% Positiveness
41% Popularity • 92% Danceability • 92% Energy • 8% Liveness
65% Instrumentalness • 63% Positiveness
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Cloonee
Funky Funky
125 bpm • G min • 03:42 • -7.2db
28% Popularity • 96% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 96% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Quarterhead
You Will See
125 bpm • F# min • 02:23 • -7.93db
71% Popularity • 87% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 24% Positiveness
71% Popularity • 87% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 24% Positiveness
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Chris Lake
Turn off the Lights - Cages Remix
125 bpm • B min • 03:28 • -6.68db
62% Popularity • 65% Danceability • 84% Energy • 48% Liveness
0% Instrumentalness • 33% Positiveness
62% Popularity • 65% Danceability • 84% Energy • 48% Liveness
0% Instrumentalness • 33% Positiveness
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Wade
Get After It
125 bpm • G# Maj • 02:58 • -7.01db
44% Popularity • 72% Danceability • 78% Energy • 9% Liveness
81% Instrumentalness • 56% Positiveness
44% Popularity • 72% Danceability • 78% Energy • 9% Liveness
81% Instrumentalness • 56% Positiveness
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SIDEPIECE
Sextacy
125 bpm • C# min • 02:33 • -4.79db
56% Popularity • 81% Danceability • 95% Energy • 31% Liveness
31% Instrumentalness • 87% Positiveness
56% Popularity • 81% Danceability • 95% Energy • 31% Liveness
31% Instrumentalness • 87% Positiveness
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Noizu
Summer 91
125 bpm • D Maj • 02:29 • -5.61db
57% Popularity • 50% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 50% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Cloonee
I See You
125 bpm • F Maj • 05:41 • -7.72db
11% Popularity • 86% Danceability • 68% Energy • 3% Liveness
92% Instrumentalness • 39% Positiveness
11% Popularity • 86% Danceability • 68% Energy • 3% Liveness
92% Instrumentalness • 39% Positiveness
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MEDUZA
Everything You Have Done
125 bpm • D Maj • 02:36 • -6.25db
67% Popularity • 70% Danceability • 93% Energy • 20% Liveness
11% Instrumentalness • 47% Positiveness
67% Popularity • 70% Danceability • 93% Energy • 20% Liveness
11% Instrumentalness • 47% Positiveness
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BLOND:ISH
We Like To Party - Rework
125 bpm • D Maj • 02:24 • -5.66db
54% Popularity • 76% Danceability • 94% Energy • 34% Liveness
82% Instrumentalness • 60% Positiveness
54% Popularity • 76% Danceability • 94% Energy • 34% Liveness
82% Instrumentalness • 60% Positiveness
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Biscits
Sundown
125 bpm • C# Maj • 03:31 • -7.57db
53% Popularity • 77% Danceability • 88% Energy • 3% Liveness
14% Instrumentalness • 87% Positiveness
53% Popularity • 77% Danceability • 88% Energy • 3% Liveness
14% Instrumentalness • 87% Positiveness
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SIDEPIECE
1, 2 Step (Supersonic)
125 bpm • C# Maj • 02:56 • -6.01db
48% Popularity • 86% Danceability • 85% Energy • 6% Liveness
64% Instrumentalness • 65% Positiveness
48% Popularity • 86% Danceability • 85% Energy • 6% Liveness
64% Instrumentalness • 65% Positiveness
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Marten Hørger
Lets Try It
125 bpm • D Maj • 02:47 • -5.91db
55% Popularity • 78% Danceability • 86% Energy • 11% Liveness
45% Instrumentalness • 18% Positiveness
55% Popularity • 78% Danceability • 86% Energy • 11% Liveness
45% Instrumentalness • 18% Positiveness
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Cloonee
Bring It
125 bpm • F# Maj • 06:56 • -8.44db
19% Popularity • 76% Danceability • 97% Energy • 8% Liveness
48% Instrumentalness • 76% Positiveness
19% Popularity • 76% Danceability • 97% Energy • 8% Liveness
48% Instrumentalness • 76% Positiveness
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FISHER
Ya Kidding
125 bpm • C# Maj • 03:58 • -5.51db
43% Popularity • 81% Danceability • 98% Energy • 50% Liveness
54% Instrumentalness • 78% Positiveness
43% Popularity • 81% Danceability • 98% Energy • 50% Liveness
54% Instrumentalness • 78% Positiveness
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Tita Lau
One Of A Kind
125 bpm • C Maj • 02:18 • -6.81db
52% Popularity • 80% Danceability • 96% Energy • 8% Liveness
89% Instrumentalness • 43% Positiveness
52% Popularity • 80% Danceability • 96% Energy • 8% Liveness
89% Instrumentalness • 43% Positiveness
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Chris Lake
Turn off the Lights
125 bpm • B min • 03:30 • -5.49db
69% Popularity • 82% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
69% Popularity • 82% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Noizu
Summer 91 (Looking Back)
125 bpm • B min • 03:00 • -4.95db
66% Popularity • 51% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
66% Popularity • 51% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Jude & Frank
La Tarde
125 bpm • G min • 02:43 • -4db
58% Popularity • 72% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 72% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Cloonee
One, Two
125 bpm • G Maj • 03:04 • -10.52db
22% Popularity • 83% Danceability • 81% Energy • 12% Liveness
59% Instrumentalness • 36% Positiveness
22% Popularity • 83% Danceability • 81% Energy • 12% Liveness
59% Instrumentalness • 36% Positiveness
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Marshall Jefferson
Move Your Body
125 bpm • E min • 03:16 • -6.34db
67% Popularity • 79% Danceability • 80% Energy • 51% Liveness
20% Instrumentalness • 61% Positiveness
67% Popularity • 79% Danceability • 80% Energy • 51% Liveness
20% Instrumentalness • 61% Positiveness
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BADDIES ONLY
3 Malas
125 bpm • A# Maj • 01:35 • -8db
65% Popularity • 79% Danceability • 81% Energy • 10% Liveness
65% Instrumentalness • 38% Positiveness
65% Popularity • 79% Danceability • 81% Energy • 10% Liveness
65% Instrumentalness • 38% Positiveness
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Billen Ted
People Ain't Dancing
125 bpm • F min • 02:34 • -6.6db
62% Popularity • 88% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
62% Popularity • 88% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
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ESSEL
Hit 'Em Up Style (Oops!)
125 bpm • C# Maj • 02:39 • -4.83db
61% Popularity • 84% Danceability • 89% Energy • 7% Liveness
1% Instrumentalness • 47% Positiveness
61% Popularity • 84% Danceability • 89% Energy • 7% Liveness
1% Instrumentalness • 47% Positiveness
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Butch
I Want You
125 bpm • C# min • 03:07 • -5.84db
65% Popularity • 73% Danceability • 88% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
65% Popularity • 73% Danceability • 88% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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Cloonee
Like That
125 bpm • A# Maj • 06:47 • -7.71db
24% Popularity • 80% Danceability • 98% Energy • 7% Liveness
53% Instrumentalness • 62% Positiveness
24% Popularity • 80% Danceability • 98% Energy • 7% Liveness
53% Instrumentalness • 62% Positiveness
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ATFC
U Got Me
125 bpm • A# min • 02:40 • -4.91db
65% Popularity • 80% Danceability • 93% Energy • 33% Liveness
38% Instrumentalness • 95% Positiveness
65% Popularity • 80% Danceability • 93% Energy • 33% Liveness
38% Instrumentalness • 95% Positiveness
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Azzecca
Other Side
125 bpm • A Maj • 04:04 • -6.47db
56% Popularity • 77% Danceability • 85% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
56% Popularity • 77% Danceability • 85% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
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ACRAZE
Funky Town
125 bpm • C Maj • 02:37 • -5.56db
60% Popularity • 83% Danceability • 90% Energy • 31% Liveness
75% Instrumentalness • 64% Positiveness
60% Popularity • 83% Danceability • 90% Energy • 31% Liveness
75% Instrumentalness • 64% Positiveness
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Dale Howard
Gunny
125 bpm • A# min • 03:20 • -7.72db
49% Popularity • 74% Danceability • 92% Energy • 15% Liveness
69% Instrumentalness • 54% Positiveness
49% Popularity • 74% Danceability • 92% Energy • 15% Liveness
69% Instrumentalness • 54% Positiveness
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FISHER
Crowd Control
125 bpm • A Maj • 03:51 • -7.88db
54% Popularity • 87% Danceability • 66% Energy • 5% Liveness
35% Instrumentalness • 86% Positiveness
54% Popularity • 87% Danceability • 66% Energy • 5% Liveness
35% Instrumentalness • 86% Positiveness
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Cloonee
Rescue Me
125 bpm • C# min • 05:40 • -8.67db
19% Popularity • 80% Danceability • 91% Energy • 5% Liveness
88% Instrumentalness • 9% Positiveness
19% Popularity • 80% Danceability • 91% Energy • 5% Liveness
88% Instrumentalness • 9% Positiveness
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Jess Bays
Temptation
125 bpm • D# min • 02:52 • -8.11db
69% Popularity • 74% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
69% Popularity • 74% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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AYYBO
HYPNOSIS
125 bpm • C# min • 02:38 • -5db
65% Popularity • 96% Danceability • 87% Energy • 29% Liveness
1% Instrumentalness • 70% Positiveness
65% Popularity • 96% Danceability • 87% Energy • 29% Liveness
1% Instrumentalness • 70% Positiveness
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Mark Knight
Lady (Hear Me Tonight)
125 bpm • A min • 02:14 • -3.37db
55% Popularity • 69% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 69% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Deeper Purpose
That Sound
125 bpm • G Maj • 02:46 • -5.2db
49% Popularity • 76% Danceability • 93% Energy • 7% Liveness
58% Instrumentalness • 61% Positiveness
49% Popularity • 76% Danceability • 93% Energy • 7% Liveness
58% Instrumentalness • 61% Positiveness
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SIDEPIECE
Acrobatic
125 bpm • A Maj • 02:56 • -4db
54% Popularity • 73% Danceability • 95% Energy • 35% Liveness
57% Instrumentalness • 56% Positiveness
54% Popularity • 73% Danceability • 95% Energy • 35% Liveness
57% Instrumentalness • 56% Positiveness
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Cloonee
Stop - Original Mix
125 bpm • C# min • 06:08 • -8.37db
6% Popularity • 88% Danceability • 67% Energy • 4% Liveness
81% Instrumentalness • 43% Positiveness
6% Popularity • 88% Danceability • 67% Energy • 4% Liveness
81% Instrumentalness • 43% Positiveness
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James Hype
Dancing
125 bpm • C# Maj • 04:00 • -8.36db
56% Popularity • 74% Danceability • 88% Energy • 9% Liveness
54% Instrumentalness • 38% Positiveness
56% Popularity • 74% Danceability • 88% Energy • 9% Liveness
54% Instrumentalness • 38% Positiveness
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Joel Corry
Liquor Store
125 bpm • C Maj • 03:21 • -7.12db
56% Popularity • 80% Danceability • 93% Energy • 8% Liveness
58% Instrumentalness • 73% Positiveness
56% Popularity • 80% Danceability • 93% Energy • 8% Liveness
58% Instrumentalness • 73% Positiveness
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Dom Dolla
Eat Your Man
125 bpm • G# Maj • 03:17 • -7.99db
72% Popularity • 74% Danceability • 88% Energy • 10% Liveness
19% Instrumentalness • 65% Positiveness
72% Popularity • 74% Danceability • 88% Energy • 10% Liveness
19% Instrumentalness • 65% Positiveness
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Noizu
Baby Baby
125 bpm • G Maj • 03:10 • -4.48db
58% Popularity • 63% Danceability • 95% Energy • 6% Liveness
55% Instrumentalness • 57% Positiveness
58% Popularity • 63% Danceability • 95% Energy • 6% Liveness
55% Instrumentalness • 57% Positiveness
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Ship Wrek
Stimulate
125 bpm • B min • 03:02 • -4.69db
48% Popularity • 85% Danceability • 76% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
48% Popularity • 85% Danceability • 76% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
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Cloonee
The Groove
125 bpm • B Maj • 06:10 • -6.91db
22% Popularity • 86% Danceability • 89% Energy • 10% Liveness
86% Instrumentalness • 46% Positiveness
22% Popularity • 86% Danceability • 89% Energy • 10% Liveness
86% Instrumentalness • 46% Positiveness
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Riton
Fake ID (Coke & Rum Remix)
125 bpm • A min • 02:06 • -13.12db
77% Popularity • 86% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 86% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Biscits
Locco
126 bpm • D# min • 03:03 • -6.78db
54% Popularity • 96% Danceability • 86% Energy • 7% Liveness
90% Instrumentalness • 87% Positiveness
54% Popularity • 96% Danceability • 86% Energy • 7% Liveness
90% Instrumentalness • 87% Positiveness
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Low Steppa
Dance To The Music
126 bpm • A min • 02:38 • -7.28db
52% Popularity • 79% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 79% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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CID
Jumpin'
126 bpm • B min • 02:35 • -5.5db
44% Popularity • 92% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 92% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Bibi
Got The Fire
124 bpm • G Maj • 03:40 • -9.3db
51% Popularity • 90% Danceability • 88% Energy • 7% Liveness
61% Instrumentalness • 40% Positiveness
51% Popularity • 90% Danceability • 88% Energy • 7% Liveness
61% Instrumentalness • 40% Positiveness
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Cloonee
Cheif
125 bpm • C min • 06:15 • -8.1db
13% Popularity • 80% Danceability • 87% Energy • 5% Liveness
68% Instrumentalness • 33% Positiveness
13% Popularity • 80% Danceability • 87% Energy • 5% Liveness
68% Instrumentalness • 33% Positiveness
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Westend
Life Of Sin
126 bpm • G Maj • 03:24 • -5.68db
38% Popularity • 78% Danceability • 81% Energy • 50% Liveness
14% Instrumentalness • 60% Positiveness
38% Popularity • 78% Danceability • 81% Energy • 50% Liveness
14% Instrumentalness • 60% Positiveness
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Biscits
Me & U
126 bpm • A# Maj • 03:33 • -8.45db
45% Popularity • 72% Danceability • 78% Energy • 3% Liveness
24% Instrumentalness • 8% Positiveness
45% Popularity • 72% Danceability • 78% Energy • 3% Liveness
24% Instrumentalness • 8% Positiveness
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Dombresky
El Beso
126 bpm • A# min • 03:31 • -4.85db
50% Popularity • 65% Danceability • 96% Energy • 41% Liveness
2% Instrumentalness • 61% Positiveness
50% Popularity • 65% Danceability • 96% Energy • 41% Liveness
2% Instrumentalness • 61% Positiveness
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HUGEL
Marianela (Que Pasa)
124 bpm • C# Maj • 02:25 • -3.34db
74% Popularity • 83% Danceability • 89% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
74% Popularity • 83% Danceability • 89% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Chris Lake
Beggin'
126 bpm • G# min • 03:03 • -6.32db
74% Popularity • 82% Danceability • 67% Energy • 11% Liveness
17% Instrumentalness • 71% Positiveness
74% Popularity • 82% Danceability • 67% Energy • 11% Liveness
17% Instrumentalness • 71% Positiveness
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Cloonee
Like This
125 bpm • G min • 05:55 • -4.61db
22% Popularity • 87% Danceability • 99% Energy • 41% Liveness
68% Instrumentalness • 46% Positiveness
22% Popularity • 87% Danceability • 99% Energy • 41% Liveness
68% Instrumentalness • 46% Positiveness
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JADED
Overtime
124 bpm • G Maj • 02:48 • -5.32db
49% Popularity • 76% Danceability • 87% Energy • 35% Liveness
24% Instrumentalness • 75% Positiveness
49% Popularity • 76% Danceability • 87% Energy • 35% Liveness
24% Instrumentalness • 75% Positiveness
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Matt Sassari
The Voodoo Babe
126 bpm • F Maj • 02:06 • -5.58db
56% Popularity • 82% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 82% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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The Temper Trap
Sweet Disposition - John Summit & Silver...
126 bpm • B min • 04:11 • -4.68db
69% Popularity • 59% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 7% Positiveness
69% Popularity • 59% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 7% Positiveness
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Azari & III
Hungry For The Power - Jamie Jones Ridge...
124 bpm • A Maj • 06:46 • -7.63db
32% Popularity • 87% Danceability • 66% Energy • 23% Liveness
1% Instrumentalness • 72% Positiveness
32% Popularity • 87% Danceability • 66% Energy • 23% Liveness
1% Instrumentalness • 72% Positiveness
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CID
Let Me Take You
126 bpm • F# min • 02:34 • -3.57db
58% Popularity • 87% Danceability • 91% Energy • 34% Liveness
9% Instrumentalness • 90% Positiveness
58% Popularity • 87% Danceability • 91% Energy • 34% Liveness
9% Instrumentalness • 90% Positiveness
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Cloonee
Hands
125 bpm • F min • 07:10 • -8.38db
23% Popularity • 87% Danceability • 62% Energy • 6% Liveness
42% Instrumentalness • 59% Positiveness
23% Popularity • 87% Danceability • 62% Energy • 6% Liveness
42% Instrumentalness • 59% Positiveness
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JADED
Welcome To The People
124 bpm • F# Maj • 02:40 • -5.09db
70% Popularity • 72% Danceability • 92% Energy • 6% Liveness
40% Instrumentalness • 75% Positiveness
70% Popularity • 72% Danceability • 92% Energy • 6% Liveness
40% Instrumentalness • 75% Positiveness
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Jack Villa
Tuyo
126 bpm • C# Maj • 03:10 • -9.73db
46% Popularity • 82% Danceability • 46% Energy • 12% Liveness
27% Instrumentalness • 26% Positiveness
46% Popularity • 82% Danceability • 46% Energy • 12% Liveness
27% Instrumentalness • 26% Positiveness
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Eden Prince
Memories
124 bpm • B min • 02:29 • -5.67db
66% Popularity • 91% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 90% Positiveness
66% Popularity • 91% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 90% Positiveness
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Biscits
Wait A Minute
126 bpm • A# min • 03:35 • -6.26db
51% Popularity • 86% Danceability • 100% Energy • 3% Liveness
6% Instrumentalness • 6% Positiveness
51% Popularity • 86% Danceability • 100% Energy • 3% Liveness
6% Instrumentalness • 6% Positiveness
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Victor Lou
Diu Diu Lai
124 bpm • C# Maj • 04:20 • -6.37db
51% Popularity • 87% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 39% Positiveness
51% Popularity • 87% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 39% Positiveness
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Cloonee
Love You Like That
125 bpm • G# min • 02:55 • -11.73db
58% Popularity • 91% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 91% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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JADED
Can You Feel It
126 bpm • F min • 03:44 • -4.96db
46% Popularity • 68% Danceability • 85% Energy • 44% Liveness
9% Instrumentalness • 22% Positiveness
46% Popularity • 68% Danceability • 85% Energy • 44% Liveness
9% Instrumentalness • 22% Positiveness
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Route 94
House & Pressure
126 bpm • A# min • 02:28 • -6.08db
50% Popularity • 87% Danceability • 66% Energy • 8% Liveness
20% Instrumentalness • 39% Positiveness
50% Popularity • 87% Danceability • 66% Energy • 8% Liveness
20% Instrumentalness • 39% Positiveness
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Dillon Francis
Whole Lotta Drugs
126 bpm • A Maj • 03:28 • -4.47db
54% Popularity • 75% Danceability • 94% Energy • 36% Liveness
24% Instrumentalness • 25% Positiveness
54% Popularity • 75% Danceability • 94% Energy • 36% Liveness
24% Instrumentalness • 25% Positiveness
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Wax Motif
Lo Que Soy
126 bpm • C# min • 02:50 • -5.09db
56% Popularity • 88% Danceability • 80% Energy • 6% Liveness
40% Instrumentalness • 70% Positiveness
56% Popularity • 88% Danceability • 80% Energy • 6% Liveness
40% Instrumentalness • 70% Positiveness
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GENESI
Acid (All Night Long)
126 bpm • E Maj • 02:33 • -5.79db
45% Popularity • 59% Danceability • 88% Energy • 49% Liveness
37% Instrumentalness • 13% Positiveness
45% Popularity • 59% Danceability • 88% Energy • 49% Liveness
37% Instrumentalness • 13% Positiveness
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Cloonee
Be Good To Me
124 bpm • C Maj • 03:12 • -6.95db
40% Popularity • 78% Danceability • 84% Energy • 15% Liveness
13% Instrumentalness • 66% Positiveness
40% Popularity • 78% Danceability • 84% Energy • 15% Liveness
13% Instrumentalness • 66% Positiveness
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HUGEL
Pa Lante
126 bpm • A Maj • 02:10 • -4db
56% Popularity • 89% Danceability • 98% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
56% Popularity • 89% Danceability • 98% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
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Mau P
BEATS FOR THE UNDERGROUND
126 bpm • A# min • 03:34 • -4.88db
66% Popularity • 75% Danceability • 98% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
66% Popularity • 75% Danceability • 98% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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John Summit
In Chicago
126 bpm • D Maj • 03:06 • -7db
52% Popularity • 73% Danceability • 85% Energy • 16% Liveness
82% Instrumentalness • 69% Positiveness
52% Popularity • 73% Danceability • 85% Energy • 16% Liveness
82% Instrumentalness • 69% Positiveness
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PAX
Touch Me - PAX & Rui Da Silva Version
126 bpm • C# Maj • 03:25 • -9db
63% Popularity • 73% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 73% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Hannah Wants
Rhymes
126 bpm • F Maj • 03:20 • -7.81db
54% Popularity • 90% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 90% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Cloonee
Separated (ANR114)
126 bpm • C Maj • 04:34 • -6.23db
7% Popularity • 77% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 77% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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San Pacho
Amor
126 bpm • D# min • 02:35 • -6db
59% Popularity • 80% Danceability • 97% Energy • 32% Liveness
68% Instrumentalness • 49% Positiveness
59% Popularity • 80% Danceability • 97% Energy • 32% Liveness
68% Instrumentalness • 49% Positiveness
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Hector Couto
Salimo
126 bpm • E Maj • 03:52 • -7.58db
45% Popularity • 80% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
45% Popularity • 80% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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FISHER
Stop It
124 bpm • G# Maj • 02:43 • -7.21db
68% Popularity • 86% Danceability • 82% Energy • 20% Liveness
66% Instrumentalness • 88% Positiveness
68% Popularity • 86% Danceability • 82% Energy • 20% Liveness
66% Instrumentalness • 88% Positiveness
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Louie Vega
Let It Go - Vintage Culture Remix
124 bpm • F min • 03:24 • -6.59db
57% Popularity • 91% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 91% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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James Hype
Say Yeah
126 bpm • C# Maj • 03:45 • -5.17db
49% Popularity • 73% Danceability • 99% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
49% Popularity • 73% Danceability • 99% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Cloonee
To The Beat
126 bpm • F Maj • 03:56 • -10.3db
58% Popularity • 83% Danceability • 70% Energy • 44% Liveness
2% Instrumentalness • 15% Positiveness
58% Popularity • 83% Danceability • 70% Energy • 44% Liveness
2% Instrumentalness • 15% Positiveness
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Westend
Maracuya
126 bpm • A Maj • 02:50 • -7db
46% Popularity • 80% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
46% Popularity • 80% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Michael Bibi
Garden Of Groove
124 bpm • B min • 07:13 • -9.03db
45% Popularity • 81% Danceability • 80% Energy • 6% Liveness
88% Instrumentalness • 56% Positiveness
45% Popularity • 81% Danceability • 80% Energy • 6% Liveness
88% Instrumentalness • 56% Positiveness
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Chris Lake
Lies, Deception, And Fantasy
124 bpm • C# Maj • 04:31 • -4.81db
42% Popularity • 81% Danceability • 94% Energy • 34% Liveness
3% Instrumentalness • 73% Positiveness
42% Popularity • 81% Danceability • 94% Energy • 34% Liveness
3% Instrumentalness • 73% Positiveness
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Cajmere
Brighter Days - Marco Lys Remix
126 bpm • G Maj • 06:22 • -6db
60% Popularity • 77% Danceability • 88% Energy • 9% Liveness
37% Instrumentalness • 9% Positiveness
60% Popularity • 77% Danceability • 88% Energy • 9% Liveness
37% Instrumentalness • 9% Positiveness
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James Hype
Disconnected
126 bpm • D Maj • 03:14 • -6.48db
61% Popularity • 84% Danceability • 81% Energy • 7% Liveness
18% Instrumentalness • 59% Positiveness
61% Popularity • 84% Danceability • 81% Energy • 7% Liveness
18% Instrumentalness • 59% Positiveness
