Songs like Stormy Weather (Keeps Rainin' All The Time) - 78rpm Version by Ethel Waters
Based on a tempo of (+/- 10%) and a similar genre
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Ethel Waters
Heat Wave
85 bpm • D Maj • 03:01 • -10db
20% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Vaughn Monroe
Dream
85 bpm • C# Maj • 02:51 • -5db
15% Popularity • 24% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
15% Popularity • 24% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Cab Calloway & His Orchestra
My Gal
86 bpm • G# Maj • 02:44 • -16.63db
2% Popularity • 42% Danceability • 11% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
2% Popularity • 42% Danceability • 11% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
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Sippie Wallace
I'm a Mighty Tight Woman
86 bpm • C Maj • 02:50 • -12.71db
21% Popularity • 46% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 46% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Virginia Liston
You've Got the Right Key, but the Wrong ...
86 bpm • C Maj • 03:21 • -12.65db
7% Popularity • 69% Danceability • 13% Energy • 18% Liveness
1% Instrumentalness • 50% Positiveness
7% Popularity • 69% Danceability • 13% Energy • 18% Liveness
1% Instrumentalness • 50% Positiveness
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Mamie Smith
Alabama Blues
84 bpm • A# Maj • 03:06 • -8.1db
4% Popularity • 43% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
4% Popularity • 43% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Ethel Waters
Stormy Weather
85 bpm • C Maj • 03:12 • -14db
30% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Lee Wiley
A Ship Without a Sail
86 bpm • B Maj • 03:27 • -22.94db
22% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
22% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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Muggsy Spanier
Relaxin' At the Touro
86 bpm • C Maj • 03:14 • -11db
22% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
22% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Ida Cox
Wild Women Don't Have the Blues
84 bpm • A Maj • 02:27 • -7.46db
18% Popularity • 50% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 50% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Alberta Hunter
My Castle's Rockin'
84 bpm • C min • 02:32 • -15.21db
10% Popularity • 66% Danceability • 13% Energy • 14% Liveness
4% Instrumentalness • 72% Positiveness
10% Popularity • 66% Danceability • 13% Energy • 14% Liveness
4% Instrumentalness • 72% Positiveness
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Ethel Waters
Stormy Weather (Keeps Rainin' All The Ti...
85 bpm • C Maj • 03:05 • -12.81db
13% Popularity • 35% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 35% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
25% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Rudy Vallee
A Pretty Girl Is Like a Melody
87 bpm • D# Maj • 03:04 • -11.8db
22% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Helen Kane
Is There Anything Wrong in That
83 bpm • G Maj • 03:03 • -14.7db
9% Popularity • 61% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 61% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Ella Mae Morse
Milkman Keep Those Bottles Quiet
83 bpm • C# Maj • 02:40 • -3.02db
13% Popularity • 71% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 71% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Alberta Hunter
You Can Have My Man If He Comes To See Y...
83 bpm • A min • 02:50 • -14.07db
11% Popularity • 46% Danceability • 20% Energy • 18% Liveness
67% Instrumentalness • 55% Positiveness
11% Popularity • 46% Danceability • 20% Energy • 18% Liveness
67% Instrumentalness • 55% Positiveness
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Lee Wiley
I've Got A Crush On You
83 bpm • D Maj • 03:16 • -17.27db
9% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ethel Waters
Heatwave
86 bpm • D Maj • 03:02 • -9.21db
5% Popularity • 72% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
5% Popularity • 72% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Woody Herman
LAURA
88 bpm • D# Maj • 03:16 • -14.08db
14% Popularity • 32% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
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Connie Boswell
Blue Moon
88 bpm • A# Maj • 03:11 • -16.82db
19% Popularity • 38% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 38% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Glenn Miller & His Orchestra; Vocal by Smith Ballew
A Blues Serenade - 78rpm Version
82 bpm • G# Maj • 02:49 • -20db
21% Popularity • 45% Danceability • 11% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
21% Popularity • 45% Danceability • 11% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
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Charlie Barnet
I Like to Riff
82 bpm • C# Maj • 02:54 • -8.05db
18% Popularity • 72% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
18% Popularity • 72% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Bea Wain
Deep Purple
88 bpm • A# Maj • 03:41 • -15db
12% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Ethel Waters
Taking a Chance on Love - 2006 Remaster
83 bpm • G# Maj • 03:24 • -12.96db
3% Popularity • 40% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 40% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Sophie Tucker
I'm the Last of the Red Hot Mammas
88 bpm • C Maj • 01:51 • -10.97db
10% Popularity • 61% Danceability • 33% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 61% Danceability • 33% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
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Lee Wiley
Looking at You
89 bpm • G# Maj • 03:25 • -18.29db
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
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Helen Kane
I Want to Be Bad
81 bpm • A# Maj • 03:05 • -10.98db
13% Popularity • 70% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 70% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Helen Humes
Song of the Wanderer
81 bpm • A# Maj • 01:45 • -6.22db
17% Popularity • 75% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 75% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Betty Grable
You're MY Little Pin-Up Girl
89 bpm • F# Maj • 02:41 • -9db
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Ethel Waters
Stormy Weather (Alternate Take)
82 bpm • C Maj • 03:05 • -13db
19% Popularity • 36% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 36% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Ma Rainey
Booze and Blues
81 bpm • D# Maj • 03:11 • -8db
19% Popularity • 64% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 64% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Slim Gaillard
The Flat Foot Floogie
89 bpm • F Maj • 02:51 • -17.17db
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Marion Harris
There`ll Be Some Changes Made
89 bpm • F# min • 03:02 • -17.01db
12% Popularity • 39% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 39% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Wiley
Oh Look at Me Now
89 bpm • C# Maj • 03:09 • -16.33db
13% Popularity • 53% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 53% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Alberta Hunter
You Can't Tell the Difference After Dark
81 bpm • C min • 02:59 • -7.77db
12% Popularity • 73% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 73% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Ethel Waters
Stormy Weather
89 bpm • C Maj • 03:10 • -17.13db
3% Popularity • 33% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
3% Popularity • 33% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sophie Tucker
Some of These Days
81 bpm • A min • 02:21 • -11db
21% Popularity • 68% Danceability • 30% Energy • 20% Liveness
41% Instrumentalness • 74% Positiveness
21% Popularity • 68% Danceability • 30% Energy • 20% Liveness
41% Instrumentalness • 74% Positiveness
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Glen Gray
If I Had My Way
81 bpm • D# Maj • 02:37 • -17.61db
11% Popularity • 36% Danceability • 6% Energy • 30% Liveness
33% Instrumentalness • 16% Positiveness
11% Popularity • 36% Danceability • 6% Energy • 30% Liveness
33% Instrumentalness • 16% Positiveness
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Ma Rainey
Jealous Hearted Blues
81 bpm • A# Maj • 03:10 • -16.03db
13% Popularity • 61% Danceability • 10% Energy • 41% Liveness
21% Instrumentalness • 58% Positiveness
13% Popularity • 61% Danceability • 10% Energy • 41% Liveness
21% Instrumentalness • 58% Positiveness
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King Oliver
Chimes Blues
81 bpm • C Maj • 02:51 • -10db
18% Popularity • 56% Danceability • 30% Energy • 19% Liveness
92% Instrumentalness • 79% Positiveness
18% Popularity • 56% Danceability • 30% Energy • 19% Liveness
92% Instrumentalness • 79% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
22% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Ethel Waters
Moonglow
89 bpm • C min • 03:16 • -17.4db
4% Popularity • 49% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
4% Popularity • 49% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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James P. Johnson
I'm Gonna Sit Right Down (And Write Myse...
81 bpm • C# Maj • 02:49 • -18db
28% Popularity • 72% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 91% Positiveness
28% Popularity • 72% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 91% Positiveness
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Eddie Cantor
Makin' Whoopee
81 bpm • G Maj • 03:11 • -10.65db
16% Popularity • 44% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 44% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Fanny Brice
Second Hand Rose
81 bpm • D Maj • 03:26 • -15.07db
7% Popularity • 56% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 56% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Lee Wiley
Oh Look at Me Now
90 bpm • A# min • 03:12 • -16db
28% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Bix Beiderbecke and His Gang
Jazz Me Blues
81 bpm • A# Maj • 03:02 • -10.97db
14% Popularity • 60% Danceability • 44% Energy • 48% Liveness
88% Instrumentalness • 97% Positiveness
14% Popularity • 60% Danceability • 44% Energy • 48% Liveness
88% Instrumentalness • 97% Positiveness
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Ethel Waters
Baby, What Else Can I Do?
80 bpm • F Maj • 02:57 • -15.73db
35% Popularity • 49% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 49% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Clarence Williams
Texas Moaner Blues
81 bpm • B Maj • 03:06 • -14db
12% Popularity • 52% Danceability • 30% Energy • 36% Liveness
83% Instrumentalness • 55% Positiveness
12% Popularity • 52% Danceability • 30% Energy • 36% Liveness
83% Instrumentalness • 55% Positiveness
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Una Mae Carlisle
Walkin' by the River
90 bpm • G Maj • 03:04 • -14.91db
12% Popularity • 71% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 71% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Walter Huston
September Song
80 bpm • G Maj • 02:53 • -17db
14% Popularity • 36% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 36% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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Martha Tilton
I'll Walk Alone
80 bpm • E min • 03:16 • -11.73db
18% Popularity • 37% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 37% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Ma Rainey
Stack O' Lee Blues
90 bpm • G min • 02:52 • -8.69db
13% Popularity • 55% Danceability • 28% Energy • 27% Liveness
1% Instrumentalness • 54% Positiveness
13% Popularity • 55% Danceability • 28% Energy • 27% Liveness
1% Instrumentalness • 54% Positiveness
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Ethel Waters
Bread and Gravy
80 bpm • C# Maj • 02:55 • -11.54db
10% Popularity • 45% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 45% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Benny Carter
Nightfall
90 bpm • C Maj • 03:09 • -15db
14% Popularity • 46% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 34% Positiveness
14% Popularity • 46% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 34% Positiveness
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Jimmie Lunceford
Uptown Blues
90 bpm • C Maj • 02:57 • -9.38db
19% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
19% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Rudy Vallee and His Connecticut Yankees
Dancing in the Moonlight
80 bpm • G# Maj • 02:52 • -16db
38% Popularity • 50% Danceability • 26% Energy • 11% Liveness
8% Instrumentalness • 65% Positiveness
38% Popularity • 50% Danceability • 26% Energy • 11% Liveness
8% Instrumentalness • 65% Positiveness
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Lew Stone & His Band
The Glory Of Love
80 bpm • F Maj • 02:50 • -29db
14% Popularity • 68% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 80% Positiveness
14% Popularity • 68% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 80% Positiveness
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Cab Calloway & His Orchestra
The Jumpin' Jive
91 bpm • G# Maj • 02:47 • -12.21db
15% Popularity • 70% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 70% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Ethel Waters
Honey In A Hurry
91 bpm • G# Maj • 02:47 • -8.85db
5% Popularity • 50% Danceability • 38% Energy • 55% Liveness
0% Instrumentalness • 77% Positiveness
5% Popularity • 50% Danceability • 38% Energy • 55% Liveness
0% Instrumentalness • 77% Positiveness
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Earl Hines
I Ain't Got Nobody
91 bpm • G Maj • 03:12 • -18.71db
27% Popularity • 63% Danceability • 10% Energy • 27% Liveness
80% Instrumentalness • 39% Positiveness
27% Popularity • 63% Danceability • 10% Energy • 27% Liveness
80% Instrumentalness • 39% Positiveness
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Frankie Trumbauer
Blue River (08-25-27)
79 bpm • F min • 03:15 • -13.85db
4% Popularity • 55% Danceability • 22% Energy • 24% Liveness
8% Instrumentalness • 54% Positiveness
4% Popularity • 55% Danceability • 22% Energy • 24% Liveness
8% Instrumentalness • 54% Positiveness
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Libby Holman
Can't We Be Friends?
79 bpm • A# Maj • 03:07 • -12db
6% Popularity • 32% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
6% Popularity • 32% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Marion Harris
Nobody's Using It Now
79 bpm • G min • 02:50 • -13db
8% Popularity • 38% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 34% Positiveness
8% Popularity • 38% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 34% Positiveness
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Cab Calloway & His Orchestra
(Hep-Hep!) The Jumpin' Jive - 78rpm Vers...
91 bpm • G# Maj • 02:52 • -14.51db
15% Popularity • 70% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 70% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Lucky Millinder
I'm Just Waiting for You
79 bpm • F min • 02:37 • -7.23db
14% Popularity • 59% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 59% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Lee Morse
Shadows on the Wall
91 bpm • F# min • 03:18 • -14.69db
11% Popularity • 53% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 53% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Ivie Anderson
I Got It Bad and That Ain't Good
79 bpm • C min • 03:16 • -12.62db
1% Popularity • 34% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 34% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Helen Kane
He's so Unusual
79 bpm • D Maj • 03:01 • -15.07db
8% Popularity • 72% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 72% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Louis Jordan
I'm Gonna Move to the Outskirts of Town
92 bpm • G# Maj • 02:52 • -9.59db
10% Popularity • 57% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 57% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Ma Rainey
Slave To The Blues
79 bpm • F Maj • 02:37 • -15.84db
25% Popularity • 60% Danceability • 10% Energy • 40% Liveness
5% Instrumentalness • 39% Positiveness
25% Popularity • 60% Danceability • 10% Energy • 40% Liveness
5% Instrumentalness • 39% Positiveness
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Johnny Dodds
Wild Man Blues
92 bpm • E min • 03:14 • -11.98db
20% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
20% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
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Cab Calloway & His Orchestra
I'll Be Around
92 bpm • C min • 03:05 • -15.23db
7% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
7% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Paul Whiteman & His Orchestra
You Were Never Lovelier
92 bpm • D# Maj • 03:17 • -17db
17% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
17% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
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Ethel Waters
Stormy Weather
79 bpm • D min • 03:09 • -7.87db
0% Popularity • 33% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 33% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Muggsy Spanier
That Da Da Strain
92 bpm • D min • 02:30 • -13.33db
14% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
14% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
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Freddy Martin & His Orchestra
To Each His Own
92 bpm • A min • 03:11 • -8.17db
9% Popularity • 22% Danceability • 29% Energy • 37% Liveness
4% Instrumentalness • 27% Positiveness
9% Popularity • 22% Danceability • 29% Energy • 37% Liveness
4% Instrumentalness • 27% Positiveness
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Billy Eckstine
Lonesome Lover Blues
92 bpm • F# Maj • 02:48 • -11.83db
15% Popularity • 64% Danceability • 50% Energy • 16% Liveness
81% Instrumentalness • 77% Positiveness
15% Popularity • 64% Danceability • 50% Energy • 16% Liveness
81% Instrumentalness • 77% Positiveness
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Eva Taylor
Moanin' Low
78 bpm • G# Maj • 03:31 • -15.99db
18% Popularity • 52% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
18% Popularity • 52% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Marion Harris
Tea for Two
92 bpm • B min • 03:07 • -14.24db
11% Popularity • 34% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 37% Positiveness
11% Popularity • 34% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 37% Positiveness
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Ethel Waters
Some Of These Days (10-14-27)
78 bpm • A min • 02:59 • -16db
7% Popularity • 42% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 42% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Jimmie Noones Apex Club Orchestra
Let's Sow a Wild Oat
93 bpm • D Maj • 02:59 • -12.15db
9% Popularity • 78% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
9% Popularity • 78% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Jack Hylton & His Orchestra
Life Is Just a Bowl of Cherries
78 bpm • E Maj • 02:50 • -5db
13% Popularity • 58% Danceability • 58% Energy • 40% Liveness
64% Instrumentalness • 75% Positiveness
13% Popularity • 58% Danceability • 58% Energy • 40% Liveness
64% Instrumentalness • 75% Positiveness
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Lew Stone & His Band
Zing! Went The Strings Of My Heart
93 bpm • A min • 02:56 • -19.47db
16% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
16% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
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Cab Calloway & His Orchestra
The Honeydripper
78 bpm • F Maj • 02:58 • -12.51db
3% Popularity • 61% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
3% Popularity • 61% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Ethel Waters
Second Handed Man
93 bpm • D# Maj • 02:50 • -10db
12% Popularity • 63% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 63% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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King Oliver
Dipper Mouth Blues
93 bpm • A min • 02:30 • -13.6db
12% Popularity • 59% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 93% Positiveness
12% Popularity • 59% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 93% Positiveness
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Jeanette MacDonald
Beyond The Blue Horizon
78 bpm • A# Maj • 02:14 • -16db
14% Popularity • 28% Danceability • 30% Energy • 12% Liveness
56% Instrumentalness • 52% Positiveness
14% Popularity • 28% Danceability • 30% Energy • 12% Liveness
56% Instrumentalness • 52% Positiveness
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The Revelers
Breezing Along With The Breese
77 bpm • C# Maj • 02:25 • -13db
9% Popularity • 59% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 59% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Roger Wolfe Kahn & His Orchestra
Crazy Rhythm
93 bpm • G# Maj • 03:15 • -14.41db
14% Popularity • 61% Danceability • 28% Energy • 26% Liveness
4% Instrumentalness • 88% Positiveness
14% Popularity • 61% Danceability • 28% Energy • 26% Liveness
4% Instrumentalness • 88% Positiveness
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Marion Harris
After You've Gone
77 bpm • A# min • 03:17 • -9db
12% Popularity • 43% Danceability • 13% Energy • 41% Liveness
46% Instrumentalness • 42% Positiveness
12% Popularity • 43% Danceability • 13% Energy • 41% Liveness
46% Instrumentalness • 42% Positiveness
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Ethel Waters
(What Did I Do To Be So) Black And Blue ...
78 bpm • C Maj • 03:03 • -18.81db
1% Popularity • 74% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
1% Popularity • 74% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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Adrian Rollini
Sugar
77 bpm • F Maj • 02:54 • -15.98db
16% Popularity • 63% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 78% Positiveness
16% Popularity • 63% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 78% Positiveness
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Red McKenzie
Basin St Blues
77 bpm • F Maj • 01:56 • -15db
18% Popularity • 69% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
18% Popularity • 69% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
