Songs like Story About A Man With A Bad Heart by Emery
Based on a tempo of (+/- 10%) and a similar genre
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Ivoryline
Parade
170 bpm • C# Maj • 03:37 • -5.2db
15% Popularity • 42% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 42% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Emery
The Weakest
170 bpm • G# Maj • 04:04 • -5.98db
26% Popularity • 23% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 23% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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The Receiving End Of Sirens
Flee the Factory
170 bpm • F min • 05:20 • -6.45db
17% Popularity • 46% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 55% Positiveness
17% Popularity • 46% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 55% Positiveness
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Four Letter Lie
Naked Girl Avalanche
170 bpm • C# Maj • 03:46 • -4.1db
21% Popularity • 44% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 44% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Finch
Fireflies
170 bpm • C# min • 03:28 • -5db
30% Popularity • 29% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 29% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 23% Positiveness
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Scary Kids Scaring Kids
Empty Glasses
170 bpm • A min • 02:50 • -4.59db
38% Popularity • 41% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 41% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Underoath
A Boy Brushed Red Living In Black And Wh...
170 bpm • C# min • 04:28 • -3.6db
62% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
62% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Emery
The Secret
170 bpm • D# min • 05:56 • -6.43db
27% Popularity • 26% Danceability • 57% Energy • 15% Liveness
48% Instrumentalness • 14% Positiveness
27% Popularity • 26% Danceability • 57% Energy • 15% Liveness
48% Instrumentalness • 14% Positiveness
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Emanuel
Soundtrack to a Headrush
170 bpm • F min • 02:53 • -3.35db
21% Popularity • 33% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 33% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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The Audition
Don't Be So Hard
170 bpm • F# Maj • 03:14 • -4db
31% Popularity • 25% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 25% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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As Cities Burn
This Is It, This Is It
170 bpm • D# min • 03:40 • -4.49db
23% Popularity • 30% Danceability • 97% Energy • 42% Liveness
2% Instrumentalness • 31% Positiveness
23% Popularity • 30% Danceability • 97% Energy • 42% Liveness
2% Instrumentalness • 31% Positiveness
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From First To Last
We All Turn Back To Dust
170 bpm • F# Maj • 04:01 • -2.52db
21% Popularity • 32% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 32% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Acceptance
Over You
170 bpm • C# Maj • 03:52 • -4.02db
26% Popularity • 39% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 39% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Emery
Story About A Man With A Bad Heart
170 bpm • C# min • 03:28 • -4.43db
16% Popularity • 25% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 25% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Secret Lives Of The Freemasons
Painting Monsters
169 bpm • A Maj • 04:25 • -5.05db
8% Popularity • 16% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 16% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Boys Night Out
Get Your Head Straight
169 bpm • B min • 02:47 • -3.07db
20% Popularity • 35% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 35% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Search The City
In This Scene You're Just An Extra
169 bpm • D# Maj • 03:15 • -4db
29% Popularity • 42% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 42% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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From First To Last
Worlds Away
171 bpm • A# min • 04:02 • -2db
33% Popularity • 31% Danceability • 98% Energy • 9% Liveness
18% Instrumentalness • 35% Positiveness
33% Popularity • 31% Danceability • 98% Energy • 9% Liveness
18% Instrumentalness • 35% Positiveness
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Thursday
Voices On A String
171 bpm • C Maj • 03:32 • -5.33db
22% Popularity • 37% Danceability • 86% Energy • 8% Liveness
89% Instrumentalness • 43% Positiveness
22% Popularity • 37% Danceability • 86% Energy • 8% Liveness
89% Instrumentalness • 43% Positiveness
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Emery
The Ponytail Parades
171 bpm • C min • 04:05 • -5.41db
41% Popularity • 23% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 23% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Taking Back Sunday
Carpathia
169 bpm • G# Maj • 03:09 • -4.17db
23% Popularity • 36% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 36% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
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Underoath
I'm Content With Losing
168 bpm • C# min • 03:55 • -4db
45% Popularity • 33% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 33% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 38% Positiveness
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Search The City
Detroit Was Built On Secrets
169 bpm • G# Maj • 03:46 • -4.85db
30% Popularity • 38% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 38% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Emarosa
What's A Clock Without The Batteries?
168 bpm • C# min • 03:38 • -3.2db
34% Popularity • 32% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 32% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Number One Gun
Regrets Of Photographs
168 bpm • F# min • 03:03 • -5.3db
14% Popularity • 44% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 44% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Emery
Walls
169 bpm • C# min • 03:23 • -5db
50% Popularity • 27% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 27% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Taking Back Sunday
There's No 'I' In Team - Remastered
168 bpm • B min • 03:48 • -4db
49% Popularity • 29% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 29% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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The Receiving End Of Sirens
Dead Men Tell No Tales
168 bpm • C min • 04:11 • -6.07db
19% Popularity • 38% Danceability • 86% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 38% Danceability • 86% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
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He Is Legend
Eating A Book
172 bpm • A Maj • 03:49 • -10.74db
34% Popularity • 32% Danceability • 85% Energy • 2% Liveness
90% Instrumentalness • 36% Positiveness
34% Popularity • 32% Danceability • 85% Energy • 2% Liveness
90% Instrumentalness • 36% Positiveness
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A Change of Pace
Home Is Where the Heart Is
168 bpm • C Maj • 03:42 • -3.84db
18% Popularity • 46% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 46% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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The Almost
Never Say, "I Told You So"
168 bpm • C Maj • 02:59 • -4.33db
27% Popularity • 40% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 40% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Envy On The Coast
Mirrors
172 bpm • A# Maj • 03:28 • -3.7db
28% Popularity • 22% Danceability • 89% Energy • 50% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 22% Danceability • 89% Energy • 50% Liveness
0% Instrumentalness • 28% Positiveness
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Emarosa
Sailing In The Dark Isn't Smart Kid!
168 bpm • C# min • 03:16 • -2.33db
29% Popularity • 32% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 32% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Receiving End Of Sirens
…then I Defy You, Stars
168 bpm • F min • 05:06 • -6.91db
21% Popularity • 38% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 38% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Acceptance
Bleeding Heart
168 bpm • E min • 03:23 • -5.04db
17% Popularity • 49% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 49% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Underoath
Down, Set, Go
172 bpm • F# min • 03:44 • -4.16db
47% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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From First To Last
Note to Self
172 bpm • E min • 03:53 • -5db
52% Popularity • 21% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 21% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Taking Back Sunday
Error Operator
167 bpm • D# min • 02:51 • -4db
47% Popularity • 38% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
47% Popularity • 38% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Finch
Miro
167 bpm • G# Maj • 03:13 • -5.06db
23% Popularity • 28% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 28% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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The Receiving End Of Sirens
The Salesman, The Husband, The Lover
168 bpm • B min • 06:57 • -6.55db
14% Popularity • 18% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 18% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Boys Night Out
Medicating
167 bpm • B min • 04:00 • -5.19db
36% Popularity • 46% Danceability • 93% Energy • 71% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 46% Danceability • 93% Energy • 71% Liveness
0% Instrumentalness • 78% Positiveness
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Beloved
Only Our Faces Hide
173 bpm • D Maj • 03:52 • -4.1db
26% Popularity • 36% Danceability • 95% Energy • 31% Liveness
22% Instrumentalness • 18% Positiveness
26% Popularity • 36% Danceability • 95% Energy • 31% Liveness
22% Instrumentalness • 18% Positiveness
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From First To Last
Be-Headed (Marathon Man)
167 bpm • A# min • 03:43 • -2.79db
14% Popularity • 32% Danceability • 99% Energy • 30% Liveness
2% Instrumentalness • 27% Positiveness
14% Popularity • 32% Danceability • 99% Energy • 30% Liveness
2% Instrumentalness • 27% Positiveness
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Taking Back Sunday
Swing
167 bpm • G# Maj • 03:26 • -4.21db
34% Popularity • 38% Danceability • 93% Energy • 5% Liveness
8% Instrumentalness • 42% Positiveness
34% Popularity • 38% Danceability • 93% Energy • 5% Liveness
8% Instrumentalness • 42% Positiveness
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Circa Survive
In The Morning And Amazing...
167 bpm • A# min • 04:03 • -5.36db
39% Popularity • 31% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 31% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Thursday
Counting 5-4-3-2-1
174 bpm • A Maj • 03:19 • -2db
39% Popularity • 12% Danceability • 91% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
39% Popularity • 12% Danceability • 91% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
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Underoath
The Impact Of Reason
173 bpm • G Maj • 03:23 • -3.36db
48% Popularity • 31% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 31% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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A Static Lullaby
Life In A Museum
174 bpm • E min • 03:56 • -4.97db
13% Popularity • 19% Danceability • 94% Energy • 88% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 19% Danceability • 94% Energy • 88% Liveness
0% Instrumentalness • 37% Positiveness
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Scary Kids Scaring Kids
The Deep End
174 bpm • G# min • 04:12 • -4.22db
41% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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The Almost
Southern Weather
174 bpm • D Maj • 03:28 • -3.45db
42% Popularity • 35% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 35% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Dead Poetic
Vices
174 bpm • C# Maj • 05:34 • -5.44db
18% Popularity • 28% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 28% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Ivoryline
All You Ever Hear
166 bpm • A# min • 04:06 • -4.83db
16% Popularity • 43% Danceability • 93% Energy • 47% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 43% Danceability • 93% Energy • 47% Liveness
0% Instrumentalness • 66% Positiveness
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Chasing Victory
Suspects, Alibis and Partners in Crime
174 bpm • F# Maj • 02:58 • -3.92db
11% Popularity • 35% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 35% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Circa Survive
The Greatest Lie
166 bpm • C# Maj • 03:42 • -5.26db
40% Popularity • 36% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 36% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Scary Kids Scaring Kids
The Bright Side of Suffering
174 bpm • C min • 04:02 • -5.71db
34% Popularity • 33% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 33% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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The Almost
Call Back When I'm Honest
174 bpm • F Maj • 03:24 • -3.59db
26% Popularity • 32% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 32% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Emery
Left With Alibis And Lying Eyes
166 bpm • F# Maj • 03:22 • -5.97db
31% Popularity • 46% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 46% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Thursday
Steps Ascending
166 bpm • A min • 04:26 • -4.08db
33% Popularity • 25% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 25% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Copeland
Love is a Fast Song
166 bpm • F# Maj • 04:45 • -4.4db
28% Popularity • 26% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 26% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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From Autumn To Ashes
Streamline
166 bpm • F# min • 04:40 • -6.97db
19% Popularity • 25% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 25% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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From First To Last
Ride The Wings Of Pestilence
165 bpm • G Maj • 04:27 • -4.23db
45% Popularity • 29% Danceability • 89% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 29% Danceability • 89% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
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The Almost
I Mostly Copy Other People
174 bpm • C Maj • 03:22 • -3.92db
30% Popularity • 43% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 43% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Emery
The Poor And The Prevalent
166 bpm • C min • 03:05 • -4db
23% Popularity • 21% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 21% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Underoath
The Created Void
165 bpm • A min • 04:02 • -5.2db
30% Popularity • 27% Danceability • 89% Energy • 12% Liveness
21% Instrumentalness • 13% Positiveness
30% Popularity • 27% Danceability • 89% Energy • 12% Liveness
21% Instrumentalness • 13% Positiveness
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Search The City
The Streetlight Diaries
175 bpm • G# Maj • 03:22 • -4.38db
29% Popularity • 38% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 38% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Asteria
See You in Virginia
175 bpm • F Maj • 02:52 • -5.28db
10% Popularity • 62% Danceability • 93% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 62% Danceability • 93% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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From First To Last
Secrets Don't Make Friends
175 bpm • D min • 04:01 • -3.77db
38% Popularity • 29% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 29% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Thursday
Division St.
165 bpm • D min • 04:14 • -4.42db
37% Popularity • 27% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 27% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Emery
Edge Of The World
165 bpm • F min • 03:50 • -3.58db
17% Popularity • 22% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 22% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Cartel
The Ransom
165 bpm • C# Maj • 03:53 • -5.69db
15% Popularity • 34% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 34% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Audition
The Ultimate Cover Up
175 bpm • D# min • 02:57 • -1.95db
21% Popularity • 38% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 38% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
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Four Letter Lie
Let Your Body Take Over
175 bpm • C# Maj • 03:45 • -4.7db
12% Popularity • 36% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 36% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Scary Kids Scaring Kids
Holding On
165 bpm • G# min • 04:21 • -5db
48% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Bayside
Poison In My Veins
165 bpm • B Maj • 03:32 • -4.76db
32% Popularity • 49% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 49% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Emery
Hard Times
175 bpm • D# min • 03:58 • -4.78db
14% Popularity • 43% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 43% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Hidden In Plain View
Garden Statement
165 bpm • D Maj • 04:48 • -4.24db
27% Popularity • 41% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 41% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Chasing Victory
Unrequited Love
165 bpm • G# Maj • 03:36 • -4.28db
18% Popularity • 28% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 28% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Boys Night Out
Swift And Unforgiving
165 bpm • C# Maj • 03:42 • -3.69db
13% Popularity • 30% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 30% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Terminal
Just a Failure
176 bpm • C# Maj • 03:11 • -4db
14% Popularity • 20% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 20% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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The Almost
Monster Monster
176 bpm • C Maj • 03:19 • -3.4db
16% Popularity • 36% Danceability • 98% Energy • 56% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 36% Danceability • 98% Energy • 56% Liveness
0% Instrumentalness • 44% Positiveness
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Emery
The Movie Song
165 bpm • C min • 03:09 • -5.01db
21% Popularity • 48% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 48% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Hidden In Plain View
The Innocent Ones
176 bpm • A Maj • 06:34 • -4.49db
16% Popularity • 38% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Finch
Revelation Song
176 bpm • G# min • 03:22 • -4.37db
26% Popularity • 36% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 36% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Ivoryline
Days End
164 bpm • A Maj • 03:08 • -4.13db
25% Popularity • 49% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 49% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Secret & Whisper
Star Blankets
176 bpm • C min • 03:59 • -3.75db
15% Popularity • 30% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 30% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Acceptance
The Letter
176 bpm • C min • 03:02 • -4.29db
28% Popularity • 36% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 36% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Emery
In A Lose, Lose Situation
165 bpm • F# Maj • 03:56 • -5.87db
25% Popularity • 43% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 43% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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The Almost
Lonely Wheel
164 bpm • G Maj • 03:12 • -4.27db
20% Popularity • 44% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 44% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Matchbook Romance
Goody, Like Two Shoes
176 bpm • A# min • 07:09 • -5.08db
22% Popularity • 18% Danceability • 80% Energy • 10% Liveness
10% Instrumentalness • 17% Positiveness
22% Popularity • 18% Danceability • 80% Energy • 10% Liveness
10% Instrumentalness • 17% Positiveness
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Beloved
Watching The Lines Blur
176 bpm • E min • 03:13 • -3.72db
16% Popularity • 15% Danceability • 99% Energy • 16% Liveness
3% Instrumentalness • 23% Positiveness
16% Popularity • 15% Danceability • 99% Energy • 16% Liveness
3% Instrumentalness • 23% Positiveness
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A Change of Pace
Loose Lips Sink Ships
177 bpm • G Maj • 03:53 • -3.29db
28% Popularity • 38% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 38% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Acceptance
This Conversation Is Over
177 bpm • A Maj • 03:15 • -4.1db
26% Popularity • 29% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 29% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Emery
Rock-N-Rule
177 bpm • D# min • 03:38 • -4.81db
23% Popularity • 41% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 41% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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JamisonParker
Alcohol & Bandages
163 bpm • B Maj • 02:36 • -6.52db
15% Popularity • 48% Danceability • 76% Energy • 28% Liveness
10% Instrumentalness • 48% Positiveness
15% Popularity • 48% Danceability • 76% Energy • 28% Liveness
10% Instrumentalness • 48% Positiveness
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Boys Night Out
The Push And Pull
177 bpm • A Maj • 03:41 • -3.77db
13% Popularity • 23% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 23% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Search The City
The Rescue
177 bpm • F# Maj • 03:28 • -3.95db
32% Popularity • 36% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 36% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Receiving End Of Sirens
Venona
177 bpm • G# Maj • 05:33 • -7.12db
16% Popularity • 21% Danceability • 83% Energy • 14% Liveness
4% Instrumentalness • 16% Positiveness
16% Popularity • 21% Danceability • 83% Energy • 14% Liveness
4% Instrumentalness • 16% Positiveness
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Acceptance
Black Lines to Battlefields
177 bpm • G Maj • 03:17 • -5.09db
18% Popularity • 45% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 45% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness