Songs like Strange Meeting - Live by Noël Akchoté
Based on a tempo of (+/- 10%) and a similar genre
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Marc Ribot
Natalia in E-Flat Major
109 bpm • D Maj • 05:16 • -12.92db
7% Popularity • 47% Danceability • 12% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
7% Popularity • 47% Danceability • 12% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Paul Alan Morris
Hole in the Hawthorn
109 bpm • F# Maj • 02:23 • -15.41db
30% Popularity • 37% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
30% Popularity • 37% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Michael Sloan
Tiber
109 bpm • D Maj • 03:50 • -22.42db
20% Popularity • 57% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
20% Popularity • 57% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Noël Akchoté
Der Wind hat mir ein Lied erzählt
109 bpm • E min • 05:00 • -16.79db
1% Popularity • 47% Danceability • 6% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 47% Danceability • 6% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Cristal Fire
Ride
109 bpm • C Maj • 01:08 • -22.54db
20% Popularity • 43% Danceability • 19% Energy • 8% Liveness
88% Instrumentalness • 48% Positiveness
20% Popularity • 43% Danceability • 19% Energy • 8% Liveness
88% Instrumentalness • 48% Positiveness
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orangery
Seed
110 bpm • A# Maj • 02:46 • -17.49db
23% Popularity • 47% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
23% Popularity • 47% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Jürgen Saalmann
Day 17 - Styggevatnet
110 bpm • D Maj • 03:09 • -19.66db
4% Popularity • 53% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
4% Popularity • 53% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Alan Gogoll
Autumn Melodies, Chapter Three
110 bpm • C# Maj • 01:37 • -14.21db
15% Popularity • 48% Danceability • 26% Energy • 16% Liveness
21% Instrumentalness • 18% Positiveness
15% Popularity • 48% Danceability • 26% Energy • 16% Liveness
21% Instrumentalness • 18% Positiveness
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Stelios Kyriakidis
Optica Suite: II. Sunset
110 bpm • A Maj • 02:48 • -22.92db
10% Popularity • 42% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
10% Popularity • 42% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
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Calm Spring
Sabrás
110 bpm • D Maj • 01:36 • -19.97db
22% Popularity • 80% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
22% Popularity • 80% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Pacific Strings
Wandering
110 bpm • D# Maj • 02:06 • -11.98db
36% Popularity • 85% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
36% Popularity • 85% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Kremidas
Lee's Lullaby
110 bpm • E Maj • 02:13 • -18.17db
12% Popularity • 70% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
12% Popularity • 70% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Alessandro Corsi
Wicked Game
110 bpm • A Maj • 03:13 • -24.67db
28% Popularity • 75% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
28% Popularity • 75% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
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Mark Orton
We Didn't Do Anything
108 bpm • A Maj • 01:26 • -18.3db
22% Popularity • 64% Danceability • 23% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
22% Popularity • 64% Danceability • 23% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
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Ferdinando Carulli
Andante Op. 241, No. 31
110 bpm • E Maj • 01:12 • -17.9db
11% Popularity • 78% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 66% Positiveness
11% Popularity • 78% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 66% Positiveness
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Dobrotto
Lemonade
110 bpm • D Maj • 02:16 • -19.42db
10% Popularity • 61% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
10% Popularity • 61% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Ivo Vollering
Wes
110 bpm • D# Maj • 04:26 • -19.24db
16% Popularity • 61% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
16% Popularity • 61% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Raphael
Blues
110 bpm • E min • 01:19 • -12.58db
9% Popularity • 42% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
9% Popularity • 42% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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All the Raw Melodies
Words of Tension between the Two old Bro...
111 bpm • F# Maj • 01:16 • -36.55db
9% Popularity • 62% Danceability • 1% Energy • 23% Liveness
83% Instrumentalness • 36% Positiveness
9% Popularity • 62% Danceability • 1% Energy • 23% Liveness
83% Instrumentalness • 36% Positiveness
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Victor Howe
Waiting For Eagles
107 bpm • D Maj • 03:49 • -11.52db
12% Popularity • 28% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 56% Positiveness
12% Popularity • 28% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 56% Positiveness
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Atacustico
Seasons in a Song
107 bpm • G Maj • 02:16 • -18.71db
24% Popularity • 56% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 51% Positiveness
24% Popularity • 56% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 51% Positiveness
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Cat with no fur
Ducks from Tomorrow
111 bpm • D Maj • 00:59 • -10.5db
12% Popularity • 55% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
12% Popularity • 55% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
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Sykomori
Uma Miragem De Você
111 bpm • C Maj • 03:14 • -21.64db
14% Popularity • 64% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
14% Popularity • 64% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
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Dusty Polanco
Dog Waltz
107 bpm • E Maj • 02:29 • -17.19db
12% Popularity • 62% Danceability • 23% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
12% Popularity • 62% Danceability • 23% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
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Thomas Scheller
En vänlig grönskas rika dräkt (som...
112 bpm • F Maj • 01:38 • -17.98db
13% Popularity • 63% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
13% Popularity • 63% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Raphael
Greens
106 bpm • F# min • 01:50 • -8.86db
10% Popularity • 55% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
10% Popularity • 55% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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CrawfishParish
Redemption Song
106 bpm • A# Maj • 02:37 • -22.19db
14% Popularity • 57% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
14% Popularity • 57% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
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MDsound
Initial Step
112 bpm • E Maj • 01:20 • -31.77db
23% Popularity • 49% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
23% Popularity • 49% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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Amaia Miranda
Tes yeux
112 bpm • F Maj • 01:32 • -17.91db
26% Popularity • 45% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 45% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Andy Strait
Midlands
106 bpm • E min • 01:20 • -16.39db
13% Popularity • 46% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 66% Positiveness
13% Popularity • 46% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 66% Positiveness
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Michelle Qureshi
With Courage
112 bpm • G Maj • 01:13 • -17.09db
12% Popularity • 61% Danceability • 6% Energy • 18% Liveness
95% Instrumentalness • 44% Positiveness
12% Popularity • 61% Danceability • 6% Energy • 18% Liveness
95% Instrumentalness • 44% Positiveness
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Arlo Vega
Cut out of the Sun
112 bpm • C# Maj • 01:57 • -13.66db
13% Popularity • 62% Danceability • 30% Energy • 12% Liveness
48% Instrumentalness • 27% Positiveness
13% Popularity • 62% Danceability • 30% Energy • 12% Liveness
48% Instrumentalness • 27% Positiveness
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Elson Complex
Isle of Veil
112 bpm • E Maj • 02:37 • -15.25db
25% Popularity • 57% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
25% Popularity • 57% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
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Paul Alan Morris
Green
113 bpm • F Maj • 02:12 • -18.3db
29% Popularity • 52% Danceability • 10% Energy • 11% Liveness
53% Instrumentalness • 19% Positiveness
29% Popularity • 52% Danceability • 10% Energy • 11% Liveness
53% Instrumentalness • 19% Positiveness
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M. Carcassi
vals (op.11 nr 9)
113 bpm • B Maj • 02:25 • -17.5db
14% Popularity • 49% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
14% Popularity • 49% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
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Zara Villaumbrosia
Mano
106 bpm • E Maj • 01:03 • -23.99db
16% Popularity • 68% Danceability • 9% Energy • 36% Liveness
3% Instrumentalness • 30% Positiveness
16% Popularity • 68% Danceability • 9% Energy • 36% Liveness
3% Instrumentalness • 30% Positiveness
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Malte Vief
Hinter dem Licht
113 bpm • F Maj • 03:41 • -15.81db
24% Popularity • 41% Danceability • 26% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
24% Popularity • 41% Danceability • 26% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
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Czarina Frost
Crescent - Orangewood Singles
113 bpm • G Maj • 01:24 • -21.13db
16% Popularity • 47% Danceability • 15% Energy • 10% Liveness
50% Instrumentalness • 42% Positiveness
16% Popularity • 47% Danceability • 15% Energy • 10% Liveness
50% Instrumentalness • 42% Positiveness
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R B
Puggy's Song
105 bpm • D Maj • 01:11 • -15.16db
7% Popularity • 33% Danceability • 31% Energy • 15% Liveness
93% Instrumentalness • 50% Positiveness
7% Popularity • 33% Danceability • 31% Energy • 15% Liveness
93% Instrumentalness • 50% Positiveness
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Don Thomas
Scent of a Meadow
113 bpm • A Maj • 03:46 • -20.26db
10% Popularity • 39% Danceability • 20% Energy • 9% Liveness
67% Instrumentalness • 25% Positiveness
10% Popularity • 39% Danceability • 20% Energy • 9% Liveness
67% Instrumentalness • 25% Positiveness
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Paul Turner
Sun Cactus
113 bpm • E min • 01:09 • -21.44db
30% Popularity • 58% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 75% Positiveness
30% Popularity • 58% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 75% Positiveness
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Bamwaves
One More Friend
105 bpm • C# Maj • 02:12 • -11.47db
9% Popularity • 80% Danceability • 30% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
9% Popularity • 80% Danceability • 30% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Marcel Barsotti
Feuer und Wasser
105 bpm • B Maj • 02:10 • -19.61db
24% Popularity • 64% Danceability • 18% Energy • 11% Liveness
46% Instrumentalness • 29% Positiveness
24% Popularity • 64% Danceability • 18% Energy • 11% Liveness
46% Instrumentalness • 29% Positiveness
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Victor Howe
The Wide Open Road
105 bpm • D Maj • 04:06 • -10.76db
23% Popularity • 35% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
23% Popularity • 35% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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All the Raw Melodies
Falling Leaves, Pt. 01
113 bpm • G# min • 01:03 • -36.43db
11% Popularity • 53% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
11% Popularity • 53% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
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Campfire Stalker
S.T.A.L.K.E.R. ost guitar 4
113 bpm • C Maj • 00:55 • -13.19db
15% Popularity • 60% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 62% Positiveness
15% Popularity • 60% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 62% Positiveness
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Mark Ferguson
Shiloh's Hill
113 bpm • G Maj • 04:02 • -14.54db
12% Popularity • 53% Danceability • 20% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
12% Popularity • 53% Danceability • 20% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Noël Akchoté
Basta Ya!
113 bpm • F Maj • 01:37 • -16.41db
3% Popularity • 62% Danceability • 15% Energy • 57% Liveness
72% Instrumentalness • 31% Positiveness
3% Popularity • 62% Danceability • 15% Energy • 57% Liveness
72% Instrumentalness • 31% Positiveness
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Michael Marc
Toward Tomorrow
105 bpm • A Maj • 02:04 • -21.14db
12% Popularity • 24% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
12% Popularity • 24% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Jürg Kindle
Barry
113 bpm • G Maj • 02:46 • -15.77db
11% Popularity • 25% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
11% Popularity • 25% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Sam Shube
A Conversation with the Sun
114 bpm • A# Maj • 04:06 • -20.7db
9% Popularity • 48% Danceability • 15% Energy • 12% Liveness
74% Instrumentalness • 8% Positiveness
9% Popularity • 48% Danceability • 15% Energy • 12% Liveness
74% Instrumentalness • 8% Positiveness
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Raphael
Pearls
114 bpm • B Maj • 01:36 • -10.6db
11% Popularity • 42% Danceability • 36% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
11% Popularity • 42% Danceability • 36% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
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× ×™×¨ מהלמן
Rocking Horse
114 bpm • A Maj • 02:08 • -12.28db
14% Popularity • 38% Danceability • 46% Energy • 9% Liveness
90% Instrumentalness • 65% Positiveness
14% Popularity • 38% Danceability • 46% Energy • 9% Liveness
90% Instrumentalness • 65% Positiveness
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Noël Akchoté
Confide in Me
104 bpm • E min • 03:22 • -21.2db
1% Popularity • 59% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
1% Popularity • 59% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
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Campfire Stalker
S.T.A.L.K.E.R. He Was a Good Stalker
114 bpm • C# min • 01:19 • -15.26db
23% Popularity • 49% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
23% Popularity • 49% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Luiza Wenz
acordes luiza wenz 60
104 bpm • D Maj • 01:02 • -28.67db
32% Popularity • 36% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
32% Popularity • 36% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
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Mark Orton
Midnight Stumble
114 bpm • G# min • 01:22 • -17.24db
30% Popularity • 71% Danceability • 14% Energy • 11% Liveness
77% Instrumentalness • 52% Positiveness
30% Popularity • 71% Danceability • 14% Energy • 11% Liveness
77% Instrumentalness • 52% Positiveness
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Michael Houser
Door Harp
104 bpm • A Maj • 04:43 • -12.72db
10% Popularity • 68% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
10% Popularity • 68% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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Bryan Rahija
Téléphérique
104 bpm • C Maj • 03:02 • -11.36db
7% Popularity • 47% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 34% Positiveness
7% Popularity • 47% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 34% Positiveness
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Riptider Red
Sundaze
115 bpm • D# Maj • 01:02 • -16.77db
33% Popularity • 70% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 27% Positiveness
33% Popularity • 70% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 27% Positiveness
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Noël Akchoté
Fever
104 bpm • D# min • 03:19 • -15.61db
0% Popularity • 65% Danceability • 3% Energy • 10% Liveness
11% Instrumentalness • 31% Positiveness
0% Popularity • 65% Danceability • 3% Energy • 10% Liveness
11% Instrumentalness • 31% Positiveness
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Levon Forever
Orca
115 bpm • B Maj • 01:38 • -27.03db
8% Popularity • 54% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
8% Popularity • 54% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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orangery
Ivy
115 bpm • C# min • 02:07 • -16.84db
22% Popularity • 58% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
22% Popularity • 58% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Lucas Silver
Shadows on the Roof
115 bpm • G# Maj • 02:12 • -19.78db
21% Popularity • 58% Danceability • 23% Energy • 10% Liveness
97% Instrumentalness • 12% Positiveness
21% Popularity • 58% Danceability • 23% Energy • 10% Liveness
97% Instrumentalness • 12% Positiveness
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Dick Annegarn
Zubi - Guitare solo
115 bpm • E min • 04:16 • -19.96db
7% Popularity • 60% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
7% Popularity • 60% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Joseph Tawadros
The Gentleman (In Memory of Martin Dicks...
103 bpm • C Maj • 03:35 • -18.34db
13% Popularity • 67% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
13% Popularity • 67% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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ponderer
country lullaby
115 bpm • F Maj • 01:48 • -16.32db
15% Popularity • 72% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
15% Popularity • 72% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Noël Akchoté
I'll Still Be Loving You
115 bpm • G min • 02:27 • -17.87db
0% Popularity • 82% Danceability • 4% Energy • 7% Liveness
58% Instrumentalness • 19% Positiveness
0% Popularity • 82% Danceability • 4% Energy • 7% Liveness
58% Instrumentalness • 19% Positiveness
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Will
Michelle's Song
103 bpm • D Maj • 03:31 • -33.05db
21% Popularity • 52% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
21% Popularity • 52% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
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PJ Harkins
Clockwork H
115 bpm • A min • 02:34 • -8.27db
10% Popularity • 49% Danceability • 82% Energy • 9% Liveness
92% Instrumentalness • 88% Positiveness
10% Popularity • 49% Danceability • 82% Energy • 9% Liveness
92% Instrumentalness • 88% Positiveness
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Ludwig Paredes
She is gone
115 bpm • D min • 02:17 • -23.82db
32% Popularity • 63% Danceability • 4% Energy • 17% Liveness
93% Instrumentalness • 19% Positiveness
32% Popularity • 63% Danceability • 4% Energy • 17% Liveness
93% Instrumentalness • 19% Positiveness
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Hayden Pedigo
Be Thankful
103 bpm • A# Maj • 03:13 • -8.52db
10% Popularity • 37% Danceability • 50% Energy • 14% Liveness
79% Instrumentalness • 28% Positiveness
10% Popularity • 37% Danceability • 50% Energy • 14% Liveness
79% Instrumentalness • 28% Positiveness
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Fin Moon
Last Nights Song
116 bpm • D Maj • 01:17 • -10.36db
15% Popularity • 64% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
15% Popularity • 64% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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The Hollow Pines
Goodbye Blue
116 bpm • G Maj • 02:00 • -22.43db
34% Popularity • 62% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
34% Popularity • 62% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Lele Croce
S.I.
103 bpm • G Maj • 01:02 • -13.11db
7% Popularity • 42% Danceability • 35% Energy • 32% Liveness
86% Instrumentalness • 76% Positiveness
7% Popularity • 42% Danceability • 35% Energy • 32% Liveness
86% Instrumentalness • 76% Positiveness
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G. Jerez
Is There Anybody out There?
103 bpm • A min • 01:41 • -17.61db
16% Popularity • 50% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 28% Positiveness
16% Popularity • 50% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 28% Positiveness
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Cat with no fur
Should I Ask?
116 bpm • D Maj • 00:59 • -3.01db
12% Popularity • 52% Danceability • 49% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
12% Popularity • 52% Danceability • 49% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Erinn Mac
Wild Mountain Thyme
102 bpm • D Maj • 02:10 • -14.93db
31% Popularity • 30% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 29% Positiveness
31% Popularity • 30% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 29% Positiveness
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ASMR Bee
Greybeard
116 bpm • C# min • 02:39 • -19.74db
11% Popularity • 24% Danceability • 23% Energy • 9% Liveness
94% Instrumentalness • 68% Positiveness
11% Popularity • 24% Danceability • 23% Energy • 9% Liveness
94% Instrumentalness • 68% Positiveness
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Fabio Mazzini
Song to J
102 bpm • F Maj • 02:06 • -14.13db
10% Popularity • 49% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 40% Positiveness
10% Popularity • 49% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 40% Positiveness
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Celestial Conscience
The 4th of July
102 bpm • C Maj • 01:23 • -12.16db
18% Popularity • 36% Danceability • 25% Energy • 12% Liveness
82% Instrumentalness • 30% Positiveness
18% Popularity • 36% Danceability • 25% Energy • 12% Liveness
82% Instrumentalness • 30% Positiveness
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Yahav Kanner
On The Hunt
102 bpm • E min • 03:06 • -14.05db
12% Popularity • 40% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
12% Popularity • 40% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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Marem Ladson
Rayo de Luna (intro)
102 bpm • E min • 01:02 • -16db
12% Popularity • 56% Danceability • 24% Energy • 21% Liveness
87% Instrumentalness • 19% Positiveness
12% Popularity • 56% Danceability • 24% Energy • 21% Liveness
87% Instrumentalness • 19% Positiveness
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Dominic Mastrangelo
Forever Friends
102 bpm • D Maj • 04:43 • -14.39db
8% Popularity • 36% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 35% Positiveness
8% Popularity • 36% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 35% Positiveness
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Steve Petrunak
Another Day in Paradise (Instrumental Ve...
102 bpm • F min • 04:30 • -9.99db
12% Popularity • 64% Danceability • 56% Energy • 12% Liveness
96% Instrumentalness • 32% Positiveness
12% Popularity • 64% Danceability • 56% Energy • 12% Liveness
96% Instrumentalness • 32% Positiveness
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Tim Farrell
Sweet Respite
116 bpm • E Maj • 04:53 • -16.5db
9% Popularity • 50% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
9% Popularity • 50% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
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Macs
R.E.M.
102 bpm • G Maj • 01:06 • -14.63db
21% Popularity • 77% Danceability • 27% Energy • 16% Liveness
84% Instrumentalness • 48% Positiveness
21% Popularity • 77% Danceability • 27% Energy • 16% Liveness
84% Instrumentalness • 48% Positiveness
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Paul Foreman
Orchard
102 bpm • F min • 02:40 • -17.32db
19% Popularity • 52% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 52% Positiveness
19% Popularity • 52% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 52% Positiveness
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Arash Ahmadi
Journey
117 bpm • A Maj • 04:25 • -19.51db
9% Popularity • 61% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 18% Positiveness
9% Popularity • 61% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 18% Positiveness
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All the Raw Melodies
Lost Melody, Pt. 08
101 bpm • F# Maj • 01:34 • -29.68db
12% Popularity • 36% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
12% Popularity • 36% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Woody Harris
Visible Poems (Set 2), Bittersweet Choco...
102 bpm • D min • 02:21 • -10.59db
17% Popularity • 52% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 17% Positiveness
17% Popularity • 52% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 17% Positiveness
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Mike Ben Williams
Everybody Talks Too Much
117 bpm • F# Maj • 00:57 • -17.91db
20% Popularity • 40% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
20% Popularity • 40% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Noël Akchoté
Slow
117 bpm • D min • 03:20 • -17.92db
0% Popularity • 61% Danceability • 9% Energy • 7% Liveness
81% Instrumentalness • 57% Positiveness
0% Popularity • 61% Danceability • 9% Energy • 7% Liveness
81% Instrumentalness • 57% Positiveness
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Spencer Walton
The Cabin
101 bpm • C Maj • 02:04 • -16.05db
11% Popularity • 51% Danceability • 21% Energy • 17% Liveness
61% Instrumentalness • 86% Positiveness
11% Popularity • 51% Danceability • 21% Energy • 17% Liveness
61% Instrumentalness • 86% Positiveness
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Campfire Stalker
S.T.A.L.K.E.R. The Peaceful Ending
101 bpm • F# min • 00:50 • -13.83db
16% Popularity • 73% Danceability • 39% Energy • 12% Liveness
97% Instrumentalness • 60% Positiveness
16% Popularity • 73% Danceability • 39% Energy • 12% Liveness
97% Instrumentalness • 60% Positiveness
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Atacustico
Wood Circles
101 bpm • E min • 02:58 • -12.6db
10% Popularity • 40% Danceability • 31% Energy • 10% Liveness
56% Instrumentalness • 46% Positiveness
10% Popularity • 40% Danceability • 31% Energy • 10% Liveness
56% Instrumentalness • 46% Positiveness
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Valter Borrione
Saturday Morning in Prague
118 bpm • D Maj • 01:37 • -15.39db
17% Popularity • 58% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
17% Popularity • 58% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Raphael
Yellows
118 bpm • B min • 02:28 • -8.55db
8% Popularity • 52% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
8% Popularity • 52% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
