Songs like Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) by Johann Strauss II
Based on a tempo of (+/- 10%) and a similar genre
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
73 bpm • C# Maj • 05:24 • -20.42db
4% Popularity • 12% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 3% Positiveness
4% Popularity • 12% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 3% Positiveness
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Johann Strauss II
Strauss, Johann II: Die Fledermaus, Act ...
73 bpm • G Maj • 03:45 • -9.3db
31% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
Donizetti: Anna Bolena, Act 2: "Al dolce...
73 bpm • F Maj • 04:34 • -24.77db
8% Popularity • 28% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Tommaso Giordani
Caro mio ben
74 bpm • D# Maj • 02:43 • -25db
34% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Renata Scotto
La Traviata - Act. Iii - Addio Del Passa...
72 bpm • A min • 03:13 • -20db
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
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Renata Tebaldi
E' Strano... Follie... Sempre Libera - l...
74 bpm • C Maj • 08:53 • -16db
15% Popularity • 26% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 26% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Franz Schubert
Schubert: Gretchen am Spinnrade, Op. 2, ...
74 bpm • D min • 04:16 • -19.75db
19% Popularity • 21% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 21% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Alexander Borodin
Borodin: Prince Igor, Act II: Polovtsian...
72 bpm • D Maj • 03:52 • -19.46db
30% Popularity • 9% Danceability • 10% Energy • 7% Liveness
37% Instrumentalness • 6% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 7% Liveness
37% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Donizetti: Anna Bolena, Act 2: "Coppia i...
74 bpm • D# Maj • 03:22 • -13.01db
2% Popularity • 38% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 38% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Carlo Bergonzi
Addio fiorito asil
74 bpm • C# Maj • 01:56 • -20.5db
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Fanny Mendelssohn
6 Lieder, Op. 1: No. 3. Warum sind denn ...
72 bpm • F Maj • 02:01 • -26.31db
2% Popularity • 26% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
2% Popularity • 26% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Franz Schubert
Schubert: Auf dem Wasser zu singen, Op. ...
74 bpm • G# min • 03:42 • -19.92db
22% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Francis Lopez
Lopez: Andalousie: "Ça fait tourner la ...
72 bpm • D# Maj • 03:17 • -17.06db
7% Popularity • 52% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 52% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Giacomo Puccini
Tosca / Act III: "E lucevan le stelle"
74 bpm • B min • 03:23 • -22.06db
29% Popularity • 10% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Dame Joan Sutherland
Waltz Song: Je veux vivre
72 bpm • G Maj • 03:26 • -18.28db
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Frederic Chaslin
Chaslin: Wuthering Heights: Vocalise
74 bpm • A# Maj • 04:46 • -13.35db
2% Popularity • 11% Danceability • 18% Energy • 15% Liveness
67% Instrumentalness • 3% Positiveness
2% Popularity • 11% Danceability • 18% Energy • 15% Liveness
67% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 1, Frü...
74 bpm • A Maj • 03:19 • -16.77db
5% Popularity • 14% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Die Forelle, Op. 32, D. 550
74 bpm • C# Maj • 02:19 • -20db
17% Popularity • 48% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 48% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Turandot / Act 1: "Signore, ascolta"
74 bpm • F# Maj • 02:40 • -23.68db
23% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Mirella Freni
La Bohème: Mi chiamano Mimi
74 bpm • D Maj • 05:07 • -15.42db
22% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette: Je veux vivre dans l...
74 bpm • F Maj • 03:45 • -18.81db
23% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
72 bpm • A# Maj • 08:01 • -23.19db
4% Popularity • 8% Danceability • 7% Energy • 25% Liveness
28% Instrumentalness • 3% Positiveness
4% Popularity • 8% Danceability • 7% Energy • 25% Liveness
28% Instrumentalness • 3% Positiveness
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Gaetano Donizetti
Donizetti: Anna Bolena, Act 2: "Piangete...
75 bpm • F Maj • 04:50 • -22db
2% Popularity • 26% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 26% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 1: "Che gelida m...
75 bpm • G# Maj • 05:06 • -12.26db
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
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Johann Strauss II
Komm' in die Gondel (Eine Nacht in Vened...
75 bpm • C Maj • 02:57 • -18db
10% Popularity • 12% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
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Alessandro Scarlatti
Se Florindo è fedele
75 bpm • G# Maj • 02:28 • -21db
20% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 37% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Giuseppe Verdi
La traviata, Act I: Libiamo ne lieti cal...
75 bpm • A# Maj • 03:03 • -21db
28% Popularity • 32% Danceability • 9% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 32% Danceability • 9% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: Ah, je...
71 bpm • F Maj • 03:55 • -19.65db
17% Popularity • 30% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
17% Popularity • 30% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Giacomo Puccini
Manon Lescaut: Act I: Donna non vidi mai...
75 bpm • A# Maj • 02:35 • -23db
34% Popularity • 17% Danceability • 10% Energy • 24% Liveness
6% Instrumentalness • 11% Positiveness
34% Popularity • 17% Danceability • 10% Energy • 24% Liveness
6% Instrumentalness • 11% Positiveness
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Claude Debussy
Debussy: Nuit d'étoiles, CD 2, L. 4
71 bpm • D# Maj • 03:00 • -26db
19% Popularity • 34% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 34% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
75 bpm • E min • 03:43 • -9.74db
35% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
35% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
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Franz Liszt
Liszt: Die Loreley, S. 273
75 bpm • G Maj • 06:26 • -24.16db
4% Popularity • 26% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 26% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Maria Stuarda, Act 3: "Deh! T...
71 bpm • D# Maj • 04:01 • -14.15db
5% Popularity • 18% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
5% Popularity • 18% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Alessandro Parisotti
Se tu m'ami (formerly attributed to Perg...
76 bpm • F min • 02:31 • -22.73db
27% Popularity • 43% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 43% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Vincenzo Righini
Il natal d'Apollo: Ombra dolente (Alceo)
70 bpm • G Maj • 04:04 • -26.85db
8% Popularity • 15% Danceability • 2% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 2% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act III Scene 2: La do...
76 bpm • F# Maj • 02:04 • -16.9db
9% Popularity • 49% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 49% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Franz Liszt
Es muss ein Wunderbares sein S314
76 bpm • F# min • 01:49 • -32.35db
3% Popularity • 23% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 23% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Tosca / Act 2: "Vissi d'arte, vissi d'am...
76 bpm • G# Maj • 04:45 • -20.72db
38% Popularity • 26% Danceability • 15% Energy • 43% Liveness
1% Instrumentalness • 4% Positiveness
38% Popularity • 26% Danceability • 15% Energy • 43% Liveness
1% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Alessandro Scarlatti
Gia il sole dal gange
76 bpm • G# Maj • 01:50 • -21.87db
28% Popularity • 34% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
28% Popularity • 34% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Hugo Wolf
Das Verlassene Mägdlein
70 bpm • A min • 03:16 • -34db
14% Popularity • 30% Danceability • 0% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
14% Popularity • 30% Danceability • 0% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act 3: La donna è mobile
76 bpm • F# Maj • 02:08 • -16.4db
30% Popularity • 37% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 37% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "O soave fanciulla"
69 bpm • C Maj • 04:21 • -22db
35% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Franz von Suppé
Dichter und Bauer: Overture
77 bpm • D Maj • 09:58 • -18.23db
17% Popularity • 19% Danceability • 12% Energy • 8% Liveness
43% Instrumentalness • 14% Positiveness
17% Popularity • 19% Danceability • 12% Energy • 8% Liveness
43% Instrumentalness • 14% Positiveness
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Franz Schubert
Wandrers Nachtlied II, D. 768
77 bpm • A# Maj • 02:00 • -24.86db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 6% Positiveness
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Emmerich Kálmán
Kálman: Grafin Mariza, Act 1: "Höre ic...
69 bpm • E min • 04:11 • -6.5db
5% Popularity • 26% Danceability • 47% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
5% Popularity • 26% Danceability • 47% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Giuseppe Verdi
Caro nome
76 bpm • E Maj • 06:23 • -19db
13% Popularity • 38% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 38% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
25% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Francis Poulenc
Les chemins de l'amour, FP 106
77 bpm • C# Maj • 03:59 • -23db
18% Popularity • 25% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 25% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Strauss II
Die Fledermaus / Act 2: "Ich lade gern m...
77 bpm • C# Maj • 03:16 • -20.76db
8% Popularity • 46% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 46% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Giuseppe Verdi
Verdi: La Traviata, Act 1: "Sempre liber...
77 bpm • G# Maj • 03:48 • -16.99db
9% Popularity • 31% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 31% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Anna Bolena, Act 2: "Chi può...
69 bpm • F min • 05:52 • -24.12db
3% Popularity • 25% Danceability • 3% Energy • 15% Liveness
43% Instrumentalness • 7% Positiveness
3% Popularity • 25% Danceability • 3% Energy • 15% Liveness
43% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Un bel ...
77 bpm • C# Maj • 04:52 • -19.56db
31% Popularity • 20% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Eduard Künneke
Künneke: Der Vetter aus Dingsda, Act 1:...
78 bpm • D Maj • 03:25 • -9.23db
4% Popularity • 25% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 25% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
15% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Giuseppe Verdi
La traviata / Act 1: Sempre libera
78 bpm • G# Maj • 04:00 • -20.44db
15% Popularity • 29% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
15% Popularity • 29% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Johann Strauss II
Unter Donner und Blitz, Polka, Op. 324
78 bpm • G Maj • 03:12 • -20.45db
33% Popularity • 51% Danceability • 39% Energy • 47% Liveness
56% Instrumentalness • 54% Positiveness
33% Popularity • 51% Danceability • 39% Energy • 47% Liveness
56% Instrumentalness • 54% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Sì. mi chi...
78 bpm • D Maj • 05:01 • -17.69db
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Johannes Brahms
49 Deutsche Volkslieder, Book 1, WoO 33:...
68 bpm • E Maj • 01:49 • -34.24db
3% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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André Messager
Messager: L'Amour masqué: "J'ai deux am...
78 bpm • A# Maj • 03:04 • -21.2db
6% Popularity • 36% Danceability • 5% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
6% Popularity • 36% Danceability • 5% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
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Clara Schumann
3 Lieder, Op. 12: 2. Liebst du um Schonh...
78 bpm • C# Maj • 02:31 • -28db
17% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Gaetano Donizetti
Donizetti: Maria Stuarda, Act 2: "Allent...
78 bpm • C min • 03:28 • -25.29db
2% Popularity • 28% Danceability • 9% Energy • 28% Liveness
8% Instrumentalness • 5% Positiveness
2% Popularity • 28% Danceability • 9% Energy • 28% Liveness
8% Instrumentalness • 5% Positiveness
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Hugo Wolf
Wolf: Italienisches Liederbuch: No. 36, ...
78 bpm • F# Maj • 01:32 • -21.9db
2% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Franz Lehár
Lehár: Die lustige Witwe, Act 3: "Lippe...
78 bpm • G Maj • 03:11 • -9.9db
15% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
15% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Beato voi, compar...
68 bpm • G Maj • 06:57 • -15db
25% Popularity • 25% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 25% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
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Alessandro Scarlatti
O cessate di piagarmi
68 bpm • E min • 02:16 • -27db
27% Popularity • 29% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
27% Popularity • 29% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
La traviata / Act 1: "Libiamo ne'lieti c...
68 bpm • A# Maj • 02:49 • -17db
19% Popularity • 29% Danceability • 19% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 29% Danceability • 19% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Felix Mendelssohn
6 Gesange, Op. 19a: No. 4. Neue Liebe, M...
79 bpm • F# min • 01:49 • -26.47db
3% Popularity • 45% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
3% Popularity • 45% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Rachel Portman
The Little Prince: The Rose
80 bpm • C Maj • 06:55 • -23.48db
4% Popularity • 28% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
4% Popularity • 28% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
80 bpm • G Maj • 02:32 • -15.72db
8% Popularity • 34% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 34% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Giuseppe Verdi
Rigoletto / Act III: Bella figlia dell'a...
67 bpm • C# Maj • 04:23 • -20.18db
16% Popularity • 21% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 21% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Harold Arlen
Leonard / Arlen:The Wizard of Oz: Over t...
80 bpm • D# Maj • 04:43 • -12.61db
4% Popularity • 25% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
4% Popularity • 25% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Giovanni Paisiello
Chi vuol la zingarella
80 bpm • G Maj • 02:20 • -22db
18% Popularity • 49% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 49% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Franz Lehár
The Merry Widow, Act II: Vilja-Lied
80 bpm • G Maj • 04:55 • -19db
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Antonín Dvořák
Ciganské melodie (Gypsy Melodies), Op. ...
80 bpm • B Maj • 02:41 • -21.56db
14% Popularity • 28% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 28% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Maria Stuarda, Act 3: "Di un ...
80 bpm • F min • 03:42 • -23db
5% Popularity • 33% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
5% Popularity • 33% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774
67 bpm • G# min • 04:01 • -27.46db
13% Popularity • 27% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
13% Popularity • 27% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
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スーザン・マカロック
歌劇「ホフマン物語」/舟歌 (�...
80 bpm • D Maj • 03:43 • -19.69db
11% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
12 Gesange, Op. 8: No. 8. Hexenlied, MWV...
80 bpm • C min • 02:27 • -21db
9% Popularity • 42% Danceability • 17% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 42% Danceability • 17% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
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Pietro Mascagni
Ave Maria
80 bpm • F Maj • 03:33 • -20db
14% Popularity • 27% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 27% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Pascal Beintus
On the Sumida River
66 bpm • E min • 02:46 • -27.45db
5% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
5% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
