Songs like Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! by Richard Strauss
Based on a tempo of (+/- 10%) and a similar genre
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
173 bpm • D Maj • 04:47 • -31db
15% Popularity • 20% Danceability • 1% Energy • 6% Liveness
26% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 1% Energy • 6% Liveness
26% Instrumentalness • 4% Positiveness
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Claude Debussy
Beau Soir, L. 6
172 bpm • F# min • 02:15 • -28db
27% Popularity • 9% Danceability • 3% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
27% Popularity • 9% Danceability • 3% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
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Ignaz Friedman
Suite in E Minor, RCT 2: Pièces de clav...
172 bpm • E min • 03:04 • -28db
31% Popularity • 34% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 36% Positiveness
31% Popularity • 34% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 36% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Edward Elgar
Nimrod (Lux Aeterna)
175 bpm • C# Maj • 03:52 • -21db
46% Popularity • 10% Danceability • 9% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
46% Popularity • 10% Danceability • 9% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen! (...
174 bpm • F Maj • 03:46 • -28db
26% Popularity • 14% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 / Act III: Solveig's S...
171 bpm • E Maj • 05:42 • -28db
16% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt: "Glück, das mir verblie...
171 bpm • A# Maj • 06:12 • -21.69db
21% Popularity • 11% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: Ombra mai fu
175 bpm • E Maj • 03:04 • -18.42db
40% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
40% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act 1 Scene 1: "Casta Diva" (Cri...
176 bpm • F Maj • 06:30 • -20.45db
36% Popularity • 21% Danceability • 9% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 9% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: No. 4, Morgen...
171 bpm • G Maj • 04:34 • -31.17db
16% Popularity • 10% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Hugo von Hofmannsthal
Elektra: Xxi. Ich glaube ich war schön
176 bpm • F# min • 03:16 • -20.59db
1% Popularity • 10% Danceability • 18% Energy • 61% Liveness
20% Instrumentalness • 4% Positiveness
1% Popularity • 10% Danceability • 18% Energy • 61% Liveness
20% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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George Frideric Handel
Rinaldo / Act 2: Lascia ch'io pianga
176 bpm • E Maj • 04:45 • -24.12db
46% Popularity • 20% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 20% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Amy Beach
3 Compositions, Op. 40 (version for cell...
168 bpm • D Maj • 03:15 • -33db
9% Popularity • 10% Danceability • 1% Energy • 6% Liveness
71% Instrumentalness • 13% Positiveness
9% Popularity • 10% Danceability • 1% Energy • 6% Liveness
71% Instrumentalness • 13% Positiveness
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Richard Strauss
Die Liebe der Danae: "Wie umgibst du mic...
171 bpm • F Maj • 04:51 • -17db
7% Popularity • 19% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
7% Popularity • 19% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Hugo von Hofmannsthal
Strauss, R: Der Rosenkavalier, Op. 59, A...
178 bpm • C# Maj • 02:42 • -12.99db
3% Popularity • 12% Danceability • 26% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 26% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
165 bpm • D min • 03:03 • -25.22db
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Reynaldo Hahn
À Chloris
185 bpm • E Maj • 03:02 • -25.61db
24% Popularity • 26% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book V...
182 bpm • F# min • 02:01 • -30db
53% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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Johannes Brahms
5 Lieder, Op. 105: No. 1. Wie Melodien z...
195 bpm • C Maj • 02:08 • -30.07db
28% Popularity • 22% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 22% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 3: "Wer ist dies ...
175 bpm • B Maj • 02:33 • -16.19db
11% Popularity • 22% Danceability • 32% Energy • 23% Liveness
10% Instrumentalness • 18% Positiveness
11% Popularity • 22% Danceability • 32% Energy • 23% Liveness
10% Instrumentalness • 18% Positiveness
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Hugo von Hofmannsthal
Elektra: Xi. Was bluten muss?
165 bpm • C# Maj • 02:26 • -18.78db
1% Popularity • 19% Danceability • 30% Energy • 46% Liveness
46% Instrumentalness • 17% Positiveness
1% Popularity • 19% Danceability • 30% Energy • 46% Liveness
46% Instrumentalness • 17% Positiveness
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François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
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Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 1: "Nach mir wird...
170 bpm • G Maj • 02:27 • -19.39db
14% Popularity • 20% Danceability • 21% Energy • 49% Liveness
40% Instrumentalness • 6% Positiveness
14% Popularity • 20% Danceability • 21% Energy • 49% Liveness
40% Instrumentalness • 6% Positiveness
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Richard Strauss
Die Frau ohne Schatten, Op. 65, TrV 234,...
167 bpm • B Maj • 05:30 • -19.87db
7% Popularity • 26% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 26% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Richard Strauss
Strauss, R: 5 Lieder, Op. 48: No. 2, In ...
180 bpm • A Maj • 02:01 • -20.36db
12% Popularity • 32% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 32% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness