Songs like String Quartet, Op. 11: II. Adagio by Samuel Barber
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Fantasia No. 3 in D Minor, K. 397
85 bpm • D Maj • 05:46 • -22.64db
24% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Adagio
85 bpm • A# min • 08:49 • -24db
23% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
F-A-E Sonata, WoO 22: II. Intermezzo (Ar...
85 bpm • F Maj • 02:27 • -25db
18% Popularity • 23% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
18% Popularity • 23% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Les berceaux, Op. 23, No. 1
85 bpm • C min • 03:07 • -24db
37% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K488: ...
85 bpm • F# min • 06:57 • -28.63db
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
85 bpm • E Maj • 08:49 • -18db
15% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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AntonÃn Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
23% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Jacques Offenbach
Harmonies des bois, Op. 76: II. Les larm...
84 bpm • C Maj • 06:22 • -26.77db
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
55% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
55% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Johannes Brahms
Capriccio in B Minor, Op. 76, No. 2
84 bpm • B Maj • 03:33 • -31db
25% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
25% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Samuel Barber
Cello Sonata, Op. 6: I. Allegro ma non t...
86 bpm • C# Maj • 06:51 • -19.7db
20% Popularity • 18% Danceability • 12% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
20% Popularity • 18% Danceability • 12% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Luise Adolpha Le Beau
Cello Sonata in D Major, Op. 17: II. And...
86 bpm • B min • 04:30 • -24.14db
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
35% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Anton Webern
Langsamer Satz für Streichquartett
84 bpm • D# Maj • 09:38 • -20.72db
3% Popularity • 12% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
6 Lieder, Op. 57: 5. Venetianisches Gond...
86 bpm • B min • 01:56 • -21.42db
28% Popularity • 25% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
28% Popularity • 25% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Samuel Barber
Prayers of Kierkegaard, Op. 30: O Thou W...
86 bpm • C Maj • 04:38 • -23.83db
6% Popularity • 9% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Crisantemi, SC. 65
86 bpm • F# min • 06:56 • -24.22db
3% Popularity • 11% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
3% Popularity • 11% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 Andante...
84 bpm • G min • 01:50 • -22.09db
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Samuel Barber
Piano Concerto, Op. 38: 3. Allegro molto
86 bpm • A# min • 06:39 • -19.36db
4% Popularity • 33% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
4% Popularity • 33% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Amy Beach
Romance for Violin and Piano, Op. 23
87 bpm • A Maj • 06:08 • -13db
29% Popularity • 24% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Two pieces for String Quartet, Op. 36a: ...
84 bpm • C min • 02:27 • -20.44db
1% Popularity • 56% Danceability • 10% Energy • 13% Liveness
55% Instrumentalness • 19% Positiveness
1% Popularity • 56% Danceability • 10% Energy • 13% Liveness
55% Instrumentalness • 19% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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César Franck
リート FWV 83
83 bpm • G Maj • 01:38 • -29.74db
37% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
83 bpm • A# min • 07:30 • -25db
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Reynaldo Hahn
Chansons grises: V. L'heure exquise
83 bpm • D Maj • 03:32 • -37db
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
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Amy Beach
Romance Op. 23
87 bpm • A Maj • 06:34 • -18db
19% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Anonymous
4 Songs, Op. 13: No. 3. Sure on this shi...
87 bpm • E min • 02:31 • -22.87db
17% Popularity • 17% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
32% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
32% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Vocalise, Op 34, No. 14
87 bpm • E min • 05:59 • -26.49db
34% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R.125: 4. Tortu...
83 bpm • A# Maj • 02:16 • -37db
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
String Quartet No. 14 in C-Sharp Minor, ...
87 bpm • G# min • 02:17 • -33.26db
33% Popularity • 19% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 3% Positiveness
33% Popularity • 19% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: A la manière de... Borodine, M. ...
83 bpm • F# Maj • 01:45 • -26.89db
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Frank Bridge
4 Short Pieces for Violin & Piano, H. 10...
87 bpm • G Maj • 02:32 • -27db
39% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
39% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Claude Debussy
String Quartet in G Minor: Animated and ...
88 bpm • D min • 06:48 • -15.57db
0% Popularity • 28% Danceability • 14% Energy • 8% Liveness
83% Instrumentalness • 8% Positiveness
0% Popularity • 28% Danceability • 14% Energy • 8% Liveness
83% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Deux mélodies hébraïques, M. A22: I. ...
82 bpm • C min • 04:59 • -20.98db
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Capricorn Concerto, Op. 21: Allegro ma n...
88 bpm • D Maj • 06:48 • -26.42db
0% Popularity • 26% Danceability • 6% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
0% Popularity • 26% Danceability • 6% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
The Carnival of the Animals, R. 125: XII...
82 bpm • G Maj • 03:15 • -24.76db
35% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Rêverie, L. 68 (Arr. by Badzura)
82 bpm • F Maj • 06:08 • -21.46db
36% Popularity • 16% Danceability • 7% Energy • 13% Liveness
61% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 7% Energy • 13% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
► Preview
Samuel Barber
Music for a scene from Shelley, Op. 7
88 bpm • C Maj • 09:00 • -23.35db
6% Popularity • 9% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
6% Popularity • 9% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
82 bpm • F# min • 07:22 • -28.83db
19% Popularity • 18% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Pablo Casals
Song of the Birds
82 bpm • D Maj • 03:42 • -26.67db
36% Popularity • 15% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 2% Positiveness
36% Popularity • 15% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 2% Positiveness
► Preview
Traditional
Vagiorko mai / Don't You Love Me?
89 bpm • C min • 02:36 • -19.65db
24% Popularity • 26% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
24% Popularity • 26% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Astor Piazzolla
Piazzolla: Oblivion
81 bpm • D min • 03:46 • -25.42db
24% Popularity • 11% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 11% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Samuel Barber
Violin Concerto, Op. 14: II. Andante
82 bpm • E Maj • 08:42 • -29db
20% Popularity • 10% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 3% Positiveness
20% Popularity • 10% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 3% Positiveness
► Preview
Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
81 bpm • B Maj • 08:23 • -26db
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Manuel de Falla
Asturiana - I
89 bpm • F min • 02:51 • -36.31db
18% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Samuel Barber
Barber: String Quartet in B Major, Op. 1...
89 bpm • A# min • 07:00 • -29db
2% Popularity • 10% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
2% Popularity • 10% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: X. Nocturne -...
89 bpm • A min • 05:03 • -25db
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Anonymous
Catalan Folksong - arr. Pablo Casals (18...
89 bpm • A min • 03:12 • -27.12db
39% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
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John Corigliano
The Red Violin Caprices: Variation 3
81 bpm • E Maj • 01:21 • -24.16db
23% Popularity • 21% Danceability • 6% Energy • 23% Liveness
66% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 6% Energy • 23% Liveness
66% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar / Transc. Walter: Salut d'amour, O...
81 bpm • E Maj • 02:44 • -20db
25% Popularity • 14% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
25% Popularity • 14% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
41% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Samuel Barber
Medea Suite, Op. 23: III. The Young Prin...
81 bpm • C Maj • 03:26 • -24.76db
18% Popularity • 23% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 10% Positiveness
18% Popularity • 23% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 10% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Claude Debussy
La Fille Aux Cheveux De Lin, L. 117
90 bpm • F# Maj • 03:27 • -31.65db
42% Popularity • 37% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 23% Positiveness
42% Popularity • 37% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 23% Positiveness
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Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
46% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
46% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Igor Stravinsky
The Firebird (version for piano): Lullab...
80 bpm • G# min • 02:49 • -34db
22% Popularity • 31% Danceability • 0% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
22% Popularity • 31% Danceability • 0% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Cello Sonata, Op. 6: II. Adagio
81 bpm • D# Maj • 04:22 • -27.43db
6% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
6% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24
90 bpm • G# Maj • 06:46 • -26db
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
O ma belle rebelle
80 bpm • E min • 02:02 • -26db
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Anonymous
From Jewish Life: I. Prayer (arr. for ce...
90 bpm • F min • 04:52 • -22.04db
20% Popularity • 22% Danceability • 9% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
20% Popularity • 22% Danceability • 9% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
► Preview
Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Molto adagio
90 bpm • A# min • 06:52 • -26.61db
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Mily Balakirev
Berceuse for Piano in D-Flat Major
80 bpm • C# Maj • 05:43 • -28db
36% Popularity • 30% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 30% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
