Songs like Strummed On A Bent Harp by Joy
Based on a tempo of (+/- 10%) and a similar genre
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Lucero
When You Decided To Leave
146 bpm • D Maj • 03:06 • -9.95db
12% Popularity • 53% Danceability • 58% Energy • 11% Liveness
52% Instrumentalness • 25% Positiveness
12% Popularity • 53% Danceability • 58% Energy • 11% Liveness
52% Instrumentalness • 25% Positiveness
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Sun Kil Moon
Elaine
147 bpm • B Maj • 05:15 • -20.62db
21% Popularity • 44% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 44% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Joy
Strummed On A Bent Harp
146 bpm • G Maj • 04:13 • -7.5db
0% Popularity • 43% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 43% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Fun Building
Solely in Thoughts
145 bpm • C Maj • 03:10 • -21.65db
22% Popularity • 63% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
22% Popularity • 63% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Mitchell
Inside Of My Heart
145 bpm • C Maj • 03:34 • -8.32db
12% Popularity • 52% Danceability • 55% Energy • 4% Liveness
55% Instrumentalness • 39% Positiveness
12% Popularity • 52% Danceability • 55% Energy • 4% Liveness
55% Instrumentalness • 39% Positiveness
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Naked Brunch
Leather
147 bpm • D Maj • 04:05 • -14.06db
9% Popularity • 35% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
9% Popularity • 35% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
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Sunny Day Real Estate
Days Were Golden
145 bpm • F# min • 05:08 • -8.89db
27% Popularity • 46% Danceability • 72% Energy • 22% Liveness
36% Instrumentalness • 52% Positiveness
27% Popularity • 46% Danceability • 72% Energy • 22% Liveness
36% Instrumentalness • 52% Positiveness
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Michel Bouwmans
Two worlds apart
145 bpm • E Maj • 01:08 • -14.24db
25% Popularity • 22% Danceability • 28% Energy • 23% Liveness
2% Instrumentalness • 44% Positiveness
25% Popularity • 22% Danceability • 28% Energy • 23% Liveness
2% Instrumentalness • 44% Positiveness
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Okkervil River
A Girl In Port
147 bpm • E Maj • 06:36 • -7db
25% Popularity • 44% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 44% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Brown Bird
Forest of Fevers
147 bpm • A min • 03:24 • -6.2db
12% Popularity • 43% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 43% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Cloud Cult
Chemicals Collide
144 bpm • D Maj • 03:16 • -8.26db
34% Popularity • 59% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 59% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Gomez
Sweet Virginia
149 bpm • C Maj • 06:06 • -6.4db
22% Popularity • 49% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 49% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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John K. Samson
The Last And
149 bpm • B Maj • 04:15 • -16.74db
13% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Low
Starfire
143 bpm • A# Maj • 03:06 • -10.84db
25% Popularity • 35% Danceability • 28% Energy • 16% Liveness
59% Instrumentalness • 24% Positiveness
25% Popularity • 35% Danceability • 28% Energy • 16% Liveness
59% Instrumentalness • 24% Positiveness
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Deal Casino
Terraforming
143 bpm • C Maj • 05:32 • -13.12db
7% Popularity • 61% Danceability • 33% Energy • 55% Liveness
32% Instrumentalness • 43% Positiveness
7% Popularity • 61% Danceability • 33% Energy • 55% Liveness
32% Instrumentalness • 43% Positiveness
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Songs: Ohia
Two Blue Lights
150 bpm • E min • 02:15 • -11.91db
35% Popularity • 49% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
35% Popularity • 49% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Bygone Dave
The Boy I Used To Be
142 bpm • F min • 03:59 • -13db
10% Popularity • 36% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 20% Positiveness
10% Popularity • 36% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 20% Positiveness
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Elliott Smith
Easy Way Out
150 bpm • C# Maj • 02:44 • -12.98db
40% Popularity • 35% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 35% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Beta Band
It's Over
142 bpm • E min • 03:50 • -15.2db
22% Popularity • 54% Danceability • 26% Energy • 12% Liveness
29% Instrumentalness • 20% Positiveness
22% Popularity • 54% Danceability • 26% Energy • 12% Liveness
29% Instrumentalness • 20% Positiveness
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Mitchell
Giraffes
142 bpm • B min • 03:49 • -8.74db
13% Popularity • 64% Danceability • 42% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness
13% Popularity • 64% Danceability • 42% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness
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Snuff
Yellow Lights - Acoustic
142 bpm • D Maj • 03:17 • -12.13db
16% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Smashing Pumpkins
Smiley - Gish Sessions Demo
142 bpm • C Maj • 03:36 • -13.9db
21% Popularity • 59% Danceability • 13% Energy • 11% Liveness
55% Instrumentalness • 16% Positiveness
21% Popularity • 59% Danceability • 13% Energy • 11% Liveness
55% Instrumentalness • 16% Positiveness
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The Maureens
Morning Papers
142 bpm • E min • 01:05 • -12.3db
12% Popularity • 54% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 54% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Micah P. Hinson
As You Can See
142 bpm • G Maj • 02:19 • -11.47db
20% Popularity • 31% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 31% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Calexico
The Black Light
151 bpm • B min • 03:20 • -17.05db
16% Popularity • 50% Danceability • 20% Energy • 18% Liveness
52% Instrumentalness • 34% Positiveness
16% Popularity • 50% Danceability • 20% Energy • 18% Liveness
52% Instrumentalness • 34% Positiveness
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A.A. Bondy
How Will You Meet Your End
142 bpm • B min • 04:02 • -12.76db
21% Popularity • 37% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 37% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Radiohead
Cuttooth
142 bpm • A Maj • 05:23 • -8.07db
39% Popularity • 34% Danceability • 87% Energy • 9% Liveness
47% Instrumentalness • 42% Positiveness
39% Popularity • 34% Danceability • 87% Energy • 9% Liveness
47% Instrumentalness • 42% Positiveness
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Evan Dando
In the Grass All Wine Colored
141 bpm • G Maj • 03:29 • -15.21db
16% Popularity • 41% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 41% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Joy
Love Is Lonesome
141 bpm • G Maj • 02:33 • -8.36db
0% Popularity • 56% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 56% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Son, Ambulance
No Lies, Just Love
141 bpm • C Maj • 05:58 • -9db
25% Popularity • 27% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 27% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Grandaddy
Saddest Vacant Lot In All The World
151 bpm • F Maj • 03:50 • -12.64db
18% Popularity • 40% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
18% Popularity • 40% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
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Bedroom Walls
Do the Buildings and Cops Make You Smile...
151 bpm • C Maj • 02:59 • -14.55db
10% Popularity • 34% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
10% Popularity • 34% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Nada Surf
Where Is My Mind
152 bpm • B min • 04:20 • -11db
39% Popularity • 47% Danceability • 53% Energy • 8% Liveness
27% Instrumentalness • 4% Positiveness
39% Popularity • 47% Danceability • 53% Energy • 8% Liveness
27% Instrumentalness • 4% Positiveness
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Lucero
The Only One
140 bpm • F Maj • 02:41 • -8.34db
19% Popularity • 53% Danceability • 73% Energy • 10% Liveness
11% Instrumentalness • 28% Positiveness
19% Popularity • 53% Danceability • 73% Energy • 10% Liveness
11% Instrumentalness • 28% Positiveness
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Travis
Out in Space
140 bpm • D# Maj • 03:35 • -11.38db
21% Popularity • 50% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
21% Popularity • 50% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
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Ev Carm
Hearth
140 bpm • A# Maj • 04:37 • -10.9db
9% Popularity • 41% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
9% Popularity • 41% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
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Horse Jumper of Love
Heartbreak Rules
140 bpm • G Maj • 02:06 • -8.4db
31% Popularity • 42% Danceability • 69% Energy • 42% Liveness
15% Instrumentalness • 19% Positiveness
31% Popularity • 42% Danceability • 69% Energy • 42% Liveness
15% Instrumentalness • 19% Positiveness
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Remy Zero
Water
152 bpm • D Maj • 04:28 • -8.76db
12% Popularity • 30% Danceability • 59% Energy • 64% Liveness
1% Instrumentalness • 35% Positiveness
12% Popularity • 30% Danceability • 59% Energy • 64% Liveness
1% Instrumentalness • 35% Positiveness
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Paul McCartney
The Song We Were Singing - Home Recordin...
140 bpm • F# Maj • 05:25 • -14.28db
17% Popularity • 52% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 52% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Joy
Sex
140 bpm • C Maj • 03:30 • -7.93db
0% Popularity • 36% Danceability • 66% Energy • 10% Liveness
3% Instrumentalness • 29% Positiveness
0% Popularity • 36% Danceability • 66% Energy • 10% Liveness
3% Instrumentalness • 29% Positiveness
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Songs: Ohia
Cross the Road, Molina
152 bpm • A min • 06:01 • -12.78db
21% Popularity • 34% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
21% Popularity • 34% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Radical Face
Second Family Portrait
139 bpm • C Maj • 04:55 • -13.4db
20% Popularity • 47% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 47% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Greg Laswell
Through Toledo
140 bpm • C Maj • 03:53 • -6.8db
11% Popularity • 34% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 34% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jimi Florence
I Still Haven't Found What I'm Looking F...
139 bpm • E Maj • 04:14 • -15.1db
10% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Pearl Jam
Crazy Mary - Remastered
139 bpm • B min • 05:39 • -10.32db
47% Popularity • 38% Danceability • 46% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
47% Popularity • 38% Danceability • 46% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
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The Killers
Exitlude
139 bpm • B Maj • 02:26 • -11.73db
53% Popularity • 39% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 39% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Elliott Smith
Say Yes - Remastered 2017
154 bpm • F Maj • 02:19 • -18.93db
59% Popularity • 51% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 51% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jason Molina
Shadow Answers the Wall
154 bpm • A Maj • 02:36 • -11.5db
24% Popularity • 64% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 16% Positiveness
24% Popularity • 64% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 16% Positiveness
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Tim Knol
Country's Gone
138 bpm • C Maj • 04:00 • -19.31db
16% Popularity • 47% Danceability • 10% Energy • 12% Liveness
65% Instrumentalness • 21% Positiveness
16% Popularity • 47% Danceability • 10% Energy • 12% Liveness
65% Instrumentalness • 21% Positiveness
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Rachel Sermanni
Banks Are Broken
154 bpm • G Maj • 03:24 • -12.37db
8% Popularity • 44% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
8% Popularity • 44% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Serafin Sepulveda
Mobile Drilling Rig
138 bpm • E Maj • 03:37 • -13db
21% Popularity • 50% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
21% Popularity • 50% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Something For Kate
Beautiful Sharks
138 bpm • E Maj • 03:56 • -10.7db
10% Popularity • 62% Danceability • 63% Energy • 7% Liveness
7% Instrumentalness • 40% Positiveness
10% Popularity • 62% Danceability • 63% Energy • 7% Liveness
7% Instrumentalness • 40% Positiveness
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Depeche Mode
Personal Jesus - Acoustic
138 bpm • F Maj • 03:26 • -18.55db
39% Popularity • 66% Danceability • 22% Energy • 12% Liveness
37% Instrumentalness • 34% Positiveness
39% Popularity • 66% Danceability • 22% Energy • 12% Liveness
37% Instrumentalness • 34% Positiveness
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John B. Jones
Aston Heights
138 bpm • D Maj • 04:33 • -16.16db
11% Popularity • 56% Danceability • 24% Energy • 36% Liveness
1% Instrumentalness • 56% Positiveness
11% Popularity • 56% Danceability • 24% Energy • 36% Liveness
1% Instrumentalness • 56% Positiveness
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D-A-D
Flat - 2009 - Remaster
138 bpm • E Maj • 04:33 • -11.5db
11% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jess Ribeiro
Airborne
154 bpm • G Maj • 02:43 • -13.56db
13% Popularity • 38% Danceability • 39% Energy • 12% Liveness
34% Instrumentalness • 44% Positiveness
13% Popularity • 38% Danceability • 39% Energy • 12% Liveness
34% Instrumentalness • 44% Positiveness
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Tapes 'n Tapes
Omaha
138 bpm • G Maj • 03:32 • -13.72db
31% Popularity • 70% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 30% Positiveness
31% Popularity • 70% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 30% Positiveness
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Monique Ortiz
Black Feather Wings
155 bpm • G Maj • 04:09 • -6db
7% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Bill Wells
The Greatest Story Ever Told
155 bpm • G Maj • 04:19 • -11db
9% Popularity • 60% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 60% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Electric President
Hum
137 bpm • C# Maj • 02:20 • -10.02db
15% Popularity • 42% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 52% Positiveness
15% Popularity • 42% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 52% Positiveness
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Joy
Untitled
137 bpm • G Maj • 03:40 • -9.35db
0% Popularity • 40% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 40% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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LectricLou
Happy New Year in the Snow.
137 bpm • C Maj • 02:59 • -21.77db
10% Popularity • 51% Danceability • 8% Energy • 16% Liveness
68% Instrumentalness • 23% Positiveness
10% Popularity • 51% Danceability • 8% Energy • 16% Liveness
68% Instrumentalness • 23% Positiveness
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Lucas Lex
gates 2
156 bpm • B min • 02:43 • -12.68db
11% Popularity • 64% Danceability • 30% Energy • 14% Liveness
29% Instrumentalness • 18% Positiveness
11% Popularity • 64% Danceability • 30% Energy • 14% Liveness
29% Instrumentalness • 18% Positiveness
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Richard Swift
In The Air
136 bpm • G Maj • 03:21 • -14.86db
8% Popularity • 53% Danceability • 24% Energy • 11% Liveness
17% Instrumentalness • 10% Positiveness
8% Popularity • 53% Danceability • 24% Energy • 11% Liveness
17% Instrumentalness • 10% Positiveness
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The Lemonheads
Down About It - Acoustic
156 bpm • C Maj • 02:47 • -12.85db
12% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Doyle Bramhall
You Left Me This Mornin'
136 bpm • D Maj • 01:12 • -12.39db
9% Popularity • 70% Danceability • 35% Energy • 35% Liveness
43% Instrumentalness • 35% Positiveness
9% Popularity • 70% Danceability • 35% Energy • 35% Liveness
43% Instrumentalness • 35% Positiveness
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Grandaddy
The Final Push To The Sum
157 bpm • A# Maj • 04:23 • -13.6db
14% Popularity • 15% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 15% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Marianne Faithfull
No Child of Mine
136 bpm • G Maj • 06:15 • -10.93db
21% Popularity • 42% Danceability • 30% Energy • 6% Liveness
4% Instrumentalness • 22% Positiveness
21% Popularity • 42% Danceability • 30% Energy • 6% Liveness
4% Instrumentalness • 22% Positiveness
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I Am Kloot
Storm Warning - Remastered
136 bpm • A min • 03:59 • -6.69db
19% Popularity • 48% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 48% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Silver Jews
The Poor, The Fair And The Good
135 bpm • D Maj • 04:14 • -6.96db
19% Popularity • 46% Danceability • 69% Energy • 19% Liveness
3% Instrumentalness • 50% Positiveness
19% Popularity • 46% Danceability • 69% Energy • 19% Liveness
3% Instrumentalness • 50% Positiveness
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Elliott Smith
Satellite
136 bpm • G Maj • 02:25 • -17.94db
38% Popularity • 42% Danceability • 22% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
38% Popularity • 42% Danceability • 22% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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The Mountain Goats
Philippians 3:20-21
135 bpm • D Maj • 03:05 • -12.47db
12% Popularity • 68% Danceability • 45% Energy • 33% Liveness
84% Instrumentalness • 86% Positiveness
12% Popularity • 68% Danceability • 45% Energy • 33% Liveness
84% Instrumentalness • 86% Positiveness
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Radiohead
Molasses
135 bpm • D min • 02:27 • -14.74db
36% Popularity • 38% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 38% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Admiral Fallow
Old Balloons
158 bpm • G Maj • 05:17 • -9.78db
12% Popularity • 29% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 29% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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The Long Winters
Staying Put - Demo
135 bpm • E Maj • 03:38 • -9.33db
9% Popularity • 46% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 46% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Ben Lee
The Finger And The Moon
135 bpm • D# Maj • 03:42 • -14.05db
9% Popularity • 62% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 62% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Peter Ivic Lee
The End is Not Here
135 bpm • G# Maj • 02:04 • -9.59db
17% Popularity • 58% Danceability • 62% Energy • 16% Liveness
1% Instrumentalness • 38% Positiveness
17% Popularity • 58% Danceability • 62% Energy • 16% Liveness
1% Instrumentalness • 38% Positiveness
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Grandaddy
Why Would I Want to Die
135 bpm • A# Maj • 04:23 • -15.89db
13% Popularity • 60% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 60% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Beck
Feather In Your Cap
135 bpm • F# Maj • 03:45 • -8.36db
19% Popularity • 66% Danceability • 45% Energy • 19% Liveness
9% Instrumentalness • 25% Positiveness
19% Popularity • 66% Danceability • 45% Energy • 19% Liveness
9% Instrumentalness • 25% Positiveness
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Lagwagon
The Chemist - Acoustic
135 bpm • B min • 03:01 • -18.41db
15% Popularity • 65% Danceability • 15% Energy • 22% Liveness
2% Instrumentalness • 41% Positiveness
15% Popularity • 65% Danceability • 15% Energy • 22% Liveness
2% Instrumentalness • 41% Positiveness
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Joy
Tiger's Paws
135 bpm • C Maj • 04:02 • -6.26db
0% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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TS & The Past Haunts
It's So Hot
134 bpm • E min • 02:42 • -9.21db
22% Popularity • 42% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 42% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Mazzy Star
Take Everything
134 bpm • A Maj • 04:53 • -11.68db
48% Popularity • 40% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
48% Popularity • 40% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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John Vanderslice
White Dove
134 bpm • C min • 04:00 • -7.58db
20% Popularity • 61% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 61% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Monta
I'm Sorry
134 bpm • C Maj • 04:36 • -9.15db
12% Popularity • 72% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
12% Popularity • 72% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Sunny Day Real Estate
Every Shining Time You Arrive
159 bpm • G Maj • 04:13 • -8db
39% Popularity • 21% Danceability • 63% Energy • 18% Liveness
4% Instrumentalness • 38% Positiveness
39% Popularity • 21% Danceability • 63% Energy • 18% Liveness
4% Instrumentalness • 38% Positiveness
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Joy
Tiger's Paws
134 bpm • C Maj • 04:04 • -7.86db
0% Popularity • 51% Danceability • 63% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
0% Popularity • 51% Danceability • 63% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
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Dana Smedley
May Baby
159 bpm • C Maj • 03:14 • -7.54db
25% Popularity • 49% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 49% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Claude Fahey
No One
134 bpm • A# Maj • 03:18 • -14.71db
21% Popularity • 41% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 41% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Hayden
Stem
133 bpm • C Maj • 01:47 • -14.46db
21% Popularity • 41% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 41% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Sharks Keep Moving
Join Up
133 bpm • C Maj • 03:20 • -12.56db
14% Popularity • 52% Danceability • 31% Energy • 11% Liveness
14% Instrumentalness • 17% Positiveness
14% Popularity • 52% Danceability • 31% Energy • 11% Liveness
14% Instrumentalness • 17% Positiveness
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Marine Grandperrin
Last Day
133 bpm • A Maj • 04:38 • -13.96db
26% Popularity • 54% Danceability • 24% Energy • 8% Liveness
43% Instrumentalness • 20% Positiveness
26% Popularity • 54% Danceability • 24% Energy • 8% Liveness
43% Instrumentalness • 20% Positiveness
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Joy
Change & Adaptation
133 bpm • B Maj • 02:43 • -6.42db
0% Popularity • 44% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 44% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Mark Kozelek
What's Next To The Moon
133 bpm • A min • 03:34 • -10.33db
18% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Jeremy Enigk
Call Me Steam
133 bpm • C Maj • 02:48 • -7.48db
8% Popularity • 34% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 34% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Pedro The Lion
Of Up And Coming Monarchs
133 bpm • D Maj • 03:03 • -14.18db
28% Popularity • 65% Danceability • 29% Energy • 14% Liveness
2% Instrumentalness • 55% Positiveness
28% Popularity • 65% Danceability • 29% Energy • 14% Liveness
2% Instrumentalness • 55% Positiveness
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TheJinks
Heatwave
132 bpm • F# Maj • 01:42 • -19.48db
12% Popularity • 30% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 30% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Fruit Bats
Buffalo & Deer
132 bpm • D Maj • 05:17 • -11.82db
17% Popularity • 63% Danceability • 50% Energy • 10% Liveness
6% Instrumentalness • 57% Positiveness
17% Popularity • 63% Danceability • 50% Energy • 10% Liveness
6% Instrumentalness • 57% Positiveness
![Improv [Remastered 2017] cover art](https://i.scdn.co/image/ab67616d00001e023398b2796abef2e1ff2bbe2e)