Songs like Stumble to Grace: III. Stage 3 by Steven Mackey
Based on a tempo of (+/- 10%) and a similar genre
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Rolf Wallin
Whirld: I. Nigredo
105 bpm • G Maj • 05:59 • -25.75db
9% Popularity • 32% Danceability • 13% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
9% Popularity • 32% Danceability • 13% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Janoska Ensemble
Bartók: Romanian Folk Dances in Janoska...
105 bpm • D min • 01:20 • -29.93db
15% Popularity • 41% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 41% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Steven Mackey
Stumble to Grace: III. Stage 3
105 bpm • F Maj • 04:36 • -23.08db
0% Popularity • 32% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
0% Popularity • 32% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Sanseti Sabaru
Sutra Solace
105 bpm • A min • 02:06 • -34.7db
12% Popularity • 18% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
12% Popularity • 18% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Gordon Stout
Astral Dance
105 bpm • D Maj • 05:08 • -20.6db
11% Popularity • 33% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 33% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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João Luiz da Paz
Partida
105 bpm • E min • 04:13 • -21.09db
12% Popularity • 46% Danceability • 2% Energy • 10% Liveness
75% Instrumentalness • 20% Positiveness
12% Popularity • 46% Danceability • 2% Energy • 10% Liveness
75% Instrumentalness • 20% Positiveness
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Unsuk Chin
Piano Concerto: Movement I
106 bpm • A Maj • 04:07 • -15.96db
8% Popularity • 31% Danceability • 45% Energy • 21% Liveness
50% Instrumentalness • 28% Positiveness
8% Popularity • 31% Danceability • 45% Energy • 21% Liveness
50% Instrumentalness • 28% Positiveness
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The Chitinous Ensemble
Stoned - Remastered
104 bpm • G Maj • 01:23 • -14.81db
25% Popularity • 37% Danceability • 53% Energy • 36% Liveness
77% Instrumentalness • 54% Positiveness
25% Popularity • 37% Danceability • 53% Energy • 36% Liveness
77% Instrumentalness • 54% Positiveness
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Alvaro Herrán
Dosie Issneun Daenamusup - International...
104 bpm • G min • 08:16 • -20.34db
12% Popularity • 48% Danceability • 8% Energy • 25% Liveness
41% Instrumentalness • 12% Positiveness
12% Popularity • 48% Danceability • 8% Energy • 25% Liveness
41% Instrumentalness • 12% Positiveness
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Frank Bridge
Novelletten, H. 44: I. Andante moderato
103 bpm • F min • 05:06 • -21.74db
8% Popularity • 16% Danceability • 5% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
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Paul Smadbeck
Virginia Tate
107 bpm • B min • 06:47 • -25.61db
13% Popularity • 30% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
13% Popularity • 30% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
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Kaija Saariaho
7 Papillons: No. 3. —
103 bpm • D Maj • 01:32 • -29.17db
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Benjamin Britten
Suite for Violin and Piano, Op. 6: IV. W...
103 bpm • G Maj • 05:18 • -23.41db
10% Popularity • 42% Danceability • 13% Energy • 6% Liveness
2% Instrumentalness • 20% Positiveness
10% Popularity • 42% Danceability • 13% Energy • 6% Liveness
2% Instrumentalness • 20% Positiveness
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João de Assis
Transição
107 bpm • A min • 03:02 • -24.41db
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Renato Di Prinzio
Renato Di Prinzio: Iphigenia's Fate (Ins...
108 bpm • D# Maj • 01:37 • -21.41db
18% Popularity • 36% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
18% Popularity • 36% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Sanseti Sabaru
Dewdrop Dhun
102 bpm • A min • 02:15 • -33.43db
12% Popularity • 16% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
12% Popularity • 16% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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David Whatson
Release the (Fruit) Bats
103 bpm • E Maj • 03:15 • -25.4db
12% Popularity • 26% Danceability • 5% Energy • 16% Liveness
74% Instrumentalness • 9% Positiveness
12% Popularity • 26% Danceability • 5% Energy • 16% Liveness
74% Instrumentalness • 9% Positiveness
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Xavier Foley
Edute No.10 "The Dance"
102 bpm • E min • 03:02 • -32.21db
8% Popularity • 41% Danceability • 5% Energy • 71% Liveness
85% Instrumentalness • 81% Positiveness
8% Popularity • 41% Danceability • 5% Energy • 71% Liveness
85% Instrumentalness • 81% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Suite from Pique Dame (Arr....
108 bpm • F# min • 01:01 • -15.44db
14% Popularity • 34% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
14% Popularity • 34% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Steven Mackey
It Is Time: II. Steel Drums
108 bpm • C min • 07:41 • -10.93db
0% Popularity • 51% Danceability • 22% Energy • 15% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 51% Danceability • 22% Energy • 15% Liveness
76% Instrumentalness • 4% Positiveness
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KiriVi
Hope Falling
102 bpm • C# min • 01:34 • -34.14db
14% Popularity • 46% Danceability • 1% Energy • 14% Liveness
77% Instrumentalness • 72% Positiveness
14% Popularity • 46% Danceability • 1% Energy • 14% Liveness
77% Instrumentalness • 72% Positiveness
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Jörgen Dafgård
For the Sleeping: Dream Sonata
108 bpm • F# Maj • 10:35 • -20.1db
10% Popularity • 24% Danceability • 25% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
10% Popularity • 24% Danceability • 25% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
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Upside Down Upright Bass
Cage is made by you
102 bpm • G Maj • 01:02 • -39.38db
20% Popularity • 42% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 41% Positiveness
20% Popularity • 42% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 41% Positiveness
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Benjamin Britten
Violin Concerto in D Minor, Op. 15: I. M...
108 bpm • G Maj • 09:59 • -24.37db
9% Popularity • 32% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 6% Positiveness
9% Popularity • 32% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 6% Positiveness
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Tan Dun
Double Concerto for Violin, Piano, and S...
108 bpm • A min • 07:28 • -21.74db
12% Popularity • 42% Danceability • 19% Energy • 9% Liveness
65% Instrumentalness • 12% Positiveness
12% Popularity • 42% Danceability • 19% Energy • 9% Liveness
65% Instrumentalness • 12% Positiveness
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Maurice Ravel
Ravel: L'heure espagnole, M. 52: Introdu...
108 bpm • E min • 02:27 • -28.54db
10% Popularity • 26% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
10% Popularity • 26% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Havergal Brian
Violin Concerto in C Major: I. Allegro m...
101 bpm • E Maj • 01:47 • -29.18db
16% Popularity • 36% Danceability • 4% Energy • 30% Liveness
86% Instrumentalness • 31% Positiveness
16% Popularity • 36% Danceability • 4% Energy • 30% Liveness
86% Instrumentalness • 31% Positiveness
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Steven Mackey
Ground Swell: I. Approach by Sea
108 bpm • E min • 01:26 • -15.54db
1% Popularity • 38% Danceability • 30% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
1% Popularity • 38% Danceability • 30% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: V. Joie du sang d...
101 bpm • C# Maj • 06:02 • -16.19db
11% Popularity • 28% Danceability • 61% Energy • 37% Liveness
2% Instrumentalness • 17% Positiveness
11% Popularity • 28% Danceability • 61% Energy • 37% Liveness
2% Instrumentalness • 17% Positiveness
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Guillermo Lago
Ciudades: III. Addis Abeba
101 bpm • G Maj • 03:38 • -13.91db
11% Popularity • 56% Danceability • 39% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 56% Danceability • 39% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Steve Reich
Music for 18 Musicians (1976): Section I...
109 bpm • A Maj • 04:34 • -17.42db
9% Popularity • 65% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
9% Popularity • 65% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Fernando García Arancibia
Tres Piezas Breves: Lento II
101 bpm • D Maj • 02:46 • -16.6db
8% Popularity • 54% Danceability • 12% Energy • 10% Liveness
38% Instrumentalness • 31% Positiveness
8% Popularity • 54% Danceability • 12% Energy • 10% Liveness
38% Instrumentalness • 31% Positiveness
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Gabriel Andrés Gallegos
Un caballo en el castillo de cristal
100 bpm • F Maj • 03:19 • -18db
14% Popularity • 27% Danceability • 5% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
14% Popularity • 27% Danceability • 5% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
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Steven Mackey
Grungy
101 bpm • D Maj • 07:46 • -10.39db
0% Popularity • 26% Danceability • 53% Energy • 16% Liveness
18% Instrumentalness • 16% Positiveness
0% Popularity • 26% Danceability • 53% Energy • 16% Liveness
18% Instrumentalness • 16% Positiveness
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João Marcondes
Movimento II - Jobim-açu
110 bpm • C Maj • 02:43 • -21.67db
10% Popularity • 48% Danceability • 2% Energy • 12% Liveness
39% Instrumentalness • 34% Positiveness
10% Popularity • 48% Danceability • 2% Energy • 12% Liveness
39% Instrumentalness • 34% Positiveness
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Philip Glass
String Quartet No. 2, "Company": I.
100 bpm • F Maj • 02:31 • -24.68db
11% Popularity • 18% Danceability • 4% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Giedrius Kuprevičius
Kaddish-Prelude
100 bpm • F Maj • 03:06 • -29.38db
10% Popularity • 40% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 40% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Steve Reich
Music for 18 Musicians: Section II
100 bpm • A Maj • 05:15 • -18.86db
19% Popularity • 60% Danceability • 31% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
19% Popularity • 60% Danceability • 31% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
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Balanescu Quartet
Wedding Preparation
100 bpm • F Maj • 01:41 • -11.69db
13% Popularity • 53% Danceability • 34% Energy • 28% Liveness
71% Instrumentalness • 41% Positiveness
13% Popularity • 53% Danceability • 34% Energy • 28% Liveness
71% Instrumentalness • 41% Positiveness
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Steven Mackey
Lonely Motel: Music from Slide: Stare Pr...
101 bpm • F Maj • 03:15 • -16.13db
0% Popularity • 45% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
0% Popularity • 45% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): IVj. Appa...
100 bpm • D min • 01:00 • -23.73db
14% Popularity • 41% Danceability • 11% Energy • 8% Liveness
82% Instrumentalness • 28% Positiveness
14% Popularity • 41% Danceability • 11% Energy • 8% Liveness
82% Instrumentalness • 28% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: III. Turangalîla...
100 bpm • D# Maj • 05:15 • -19.53db
11% Popularity • 20% Danceability • 24% Energy • 31% Liveness
28% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 24% Energy • 31% Liveness
28% Instrumentalness • 4% Positiveness
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Samy Moussa
Violin Concerto “Adrano”: II. Cadenz...
111 bpm • G Maj • 02:09 • -35.23db
10% Popularity • 25% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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KNOXVILLETRACKZ
SBP
100 bpm • F# Maj • 01:04 • -45.36db
21% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
21% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
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John Adams
Girls of the Golden West: Lola Montez Do...
111 bpm • G Maj • 05:52 • -20.15db
19% Popularity • 42% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
19% Popularity • 42% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Steven Mackey
Time Release: I. Stately - Short/Long
101 bpm • E Maj • 09:59 • -23.62db
0% Popularity • 31% Danceability • 9% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
0% Popularity • 31% Danceability • 9% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Oliver Knussen
The Sword in the Stone Suite (Arr. O. Kn...
111 bpm • F Maj • 01:46 • -23.37db
14% Popularity • 27% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 12% Positiveness
14% Popularity • 27% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 12% Positiveness
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Gérard Pesson
Nebenstück
100 bpm • C Maj • 08:05 • -37db
10% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Sanseti Sabaru
Sun
111 bpm • A min • 01:54 • -32.19db
12% Popularity • 20% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
12% Popularity • 20% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Stanislao Marco Spina
Sonata for Violin Solo No. 3 in C Major ...
111 bpm • C Maj • 02:56 • -22.11db
16% Popularity • 44% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 58% Positiveness
16% Popularity • 44% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 58% Positiveness
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Mitar Popescu
Tzigane Nocturne
99 bpm • C# min • 01:27 • -29.01db
15% Popularity • 21% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Steven Mackey
Blue Notes & Other Clashes: VI. Dappled ...
111 bpm • E min • 02:38 • -17.1db
0% Popularity • 39% Danceability • 16% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
0% Popularity • 39% Danceability • 16% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Olivier Messiaen
Messiaen: Éclairs sur l'au-delà...: IV...
111 bpm • A# min • 01:52 • -21.71db
11% Popularity • 33% Danceability • 37% Energy • 37% Liveness
95% Instrumentalness • 35% Positiveness
11% Popularity • 33% Danceability • 37% Energy • 37% Liveness
95% Instrumentalness • 35% Positiveness
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Marc Mellits
Ex Machina: Machine II (Flowing)
99 bpm • A# Maj • 01:51 • -17.94db
9% Popularity • 28% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
9% Popularity • 28% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Serene Rose
Sound of Wind Chimes
99 bpm • A# min • 01:00 • -41.8db
23% Popularity • 20% Danceability • 1% Energy • 13% Liveness
46% Instrumentalness • 35% Positiveness
23% Popularity • 20% Danceability • 1% Energy • 13% Liveness
46% Instrumentalness • 35% Positiveness
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Stanislao Marco Spina
Fantasia for Violin Solo n. 1 in B flat ...
111 bpm • A# Maj • 01:54 • -27.88db
16% Popularity • 45% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
16% Popularity • 45% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Hans Gál
Serenade for Clarinet, Violin and Cello,...
99 bpm • F# min • 02:52 • -24.17db
31% Popularity • 20% Danceability • 3% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
31% Popularity • 20% Danceability • 3% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
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Gianluigi Trovesi
Dissolvenze convergenti
111 bpm • G Maj • 01:03 • -26.68db
10% Popularity • 40% Danceability • 3% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 40% Danceability • 3% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
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Steve Reich
Music for Ensemble and Orchestra: V. Six...
99 bpm • G# Maj • 05:23 • -20.43db
13% Popularity • 38% Danceability • 20% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
13% Popularity • 38% Danceability • 20% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Steven Mackey
Ground Swell: V. Over the Top
112 bpm • G Maj • 01:19 • -16.56db
0% Popularity • 50% Danceability • 31% Energy • 51% Liveness
11% Instrumentalness • 52% Positiveness
0% Popularity • 50% Danceability • 31% Energy • 51% Liveness
11% Instrumentalness • 52% Positiveness
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Mitar Popescu
Rhapsody In Romani
112 bpm • G min • 02:37 • -27.72db
9% Popularity • 19% Danceability • 2% Energy • 12% Liveness
47% Instrumentalness • 3% Positiveness
9% Popularity • 19% Danceability • 2% Energy • 12% Liveness
47% Instrumentalness • 3% Positiveness
► Preview
Reganbogen
Being Time
113 bpm • A min • 02:20 • -31db
18% Popularity • 44% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
18% Popularity • 44% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
► Preview
Heinz Holliger
Lieder ohne Worte II, No. 3: (...fern......
98 bpm • G Maj • 01:44 • -23.37db
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
► Preview
Stanislao Marco Spina
Fantasia for Violin Solo n. 1 in B flat ...
113 bpm • A# Maj • 01:49 • -26.38db
16% Popularity • 46% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 61% Positiveness
16% Popularity • 46% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 61% Positiveness
► Preview
Sanseti Sabaru
Bansuri Bliss
113 bpm • G min • 02:37 • -31.87db
8% Popularity • 18% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Steven Mackey
Blue Notes & Other Clashes: III. Off Wal...
112 bpm • C Maj • 01:58 • -22.87db
1% Popularity • 44% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
1% Popularity • 44% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
► Preview
Mitar Popescu
Clarinet Flamenco Fantasia
113 bpm • E min • 02:25 • -25.25db
10% Popularity • 26% Danceability • 3% Energy • 9% Liveness
81% Instrumentalness • 21% Positiveness
10% Popularity • 26% Danceability • 3% Energy • 9% Liveness
81% Instrumentalness • 21% Positiveness
► Preview
Bernard Herrmann
Broken Glass / Miss T. / The Ice
113 bpm • D min • 01:11 • -18.2db
11% Popularity • 16% Danceability • 0% Energy • 14% Liveness
12% Instrumentalness • 0% Positiveness
11% Popularity • 16% Danceability • 0% Energy • 14% Liveness
12% Instrumentalness • 0% Positiveness
► Preview
Narls
This Way
97 bpm • C# Maj • 01:02 • -23.07db
9% Popularity • 47% Danceability • 0% Energy • 5% Liveness
7% Instrumentalness • 24% Positiveness
9% Popularity • 47% Danceability • 0% Energy • 5% Liveness
7% Instrumentalness • 24% Positiveness
► Preview
Irena And Vojtech Havlovi
Piano & Violoncello 14
113 bpm • G# Maj • 01:35 • -23.56db
17% Popularity • 34% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 34% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Serene Rose
Wind Chimes for Relaxation
97 bpm • F min • 00:57 • -43.96db
14% Popularity • 12% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 12% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Steven Mackey
Dreamhouse
113 bpm • G Maj • 03:56 • -22.25db
0% Popularity • 56% Danceability • 4% Energy • 6% Liveness
12% Instrumentalness • 6% Positiveness
0% Popularity • 56% Danceability • 4% Energy • 6% Liveness
12% Instrumentalness • 6% Positiveness
► Preview
Veljo Tormis
Reminiscentia / Autumn Landscapes: V. Wi...
97 bpm • D min • 01:16 • -21.93db
9% Popularity • 29% Danceability • 13% Energy • 13% Liveness
97% Instrumentalness • 33% Positiveness
9% Popularity • 29% Danceability • 13% Energy • 13% Liveness
97% Instrumentalness • 33% Positiveness
► Preview
Selena Veles
Allegro Aurora
114 bpm • F min • 02:14 • -31.47db
9% Popularity • 44% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 44% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Christian Lindberg
Fear
97 bpm • G# Maj • 01:42 • -29.84db
17% Popularity • 14% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 2 "T...
114 bpm • D min • 04:38 • -19.78db
10% Popularity • 53% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
10% Popularity • 53% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
► Preview
Valentin Silvestrov
Hommage à J.S.B.: II. Andantino
114 bpm • D min • 01:00 • -24.98db
20% Popularity • 47% Danceability • 2% Energy • 6% Liveness
13% Instrumentalness • 5% Positiveness
20% Popularity • 47% Danceability • 2% Energy • 6% Liveness
13% Instrumentalness • 5% Positiveness
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Steven Mackey
Indigenous Instruments: I. —
113 bpm • D Maj • 06:17 • -13.83db
0% Popularity • 48% Danceability • 19% Energy • 9% Liveness
68% Instrumentalness • 7% Positiveness
0% Popularity • 48% Danceability • 19% Energy • 9% Liveness
68% Instrumentalness • 7% Positiveness
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Mieczysław Weinberg
Trumpet Concerto in B-Flat Major, Op. 94...
114 bpm • C Maj • 00:59 • -20.44db
21% Popularity • 55% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 55% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Gloria Coates
String Quartet No. 1 - Andante Agitato -...
114 bpm • C Maj • 04:28 • -14.82db
1% Popularity • 41% Danceability • 13% Energy • 10% Liveness
7% Instrumentalness • 9% Positiveness
1% Popularity • 41% Danceability • 13% Energy • 10% Liveness
7% Instrumentalness • 9% Positiveness
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Manuel de Falla
Suite populaire espagnole (Arr. for Cell...
115 bpm • A min • 01:21 • -18.73db
14% Popularity • 40% Danceability • 21% Energy • 13% Liveness
93% Instrumentalness • 18% Positiveness
14% Popularity • 40% Danceability • 21% Energy • 13% Liveness
93% Instrumentalness • 18% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: IX. Turangalîla ...
96 bpm • D# Maj • 04:48 • -23.3db
8% Popularity • 23% Danceability • 23% Energy • 6% Liveness
2% Instrumentalness • 14% Positiveness
8% Popularity • 23% Danceability • 23% Energy • 6% Liveness
2% Instrumentalness • 14% Positiveness
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Charles Ives
Set No. 1 for Chamber Orchestra: I. Sche...
96 bpm • G min • 00:53 • -16.16db
11% Popularity • 49% Danceability • 34% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
11% Popularity • 49% Danceability • 34% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Steven Mackey
Ground Swell: III. Thin Air
98 bpm • G Maj • 04:01 • -17.84db
0% Popularity • 51% Danceability • 20% Energy • 9% Liveness
59% Instrumentalness • 19% Positiveness
0% Popularity • 51% Danceability • 20% Energy • 9% Liveness
59% Instrumentalness • 19% Positiveness
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Andrew Norman
The Companion Guide To Rome: II Benedett...
115 bpm • G Maj • 01:39 • -16.16db
8% Popularity • 38% Danceability • 17% Energy • 23% Liveness
88% Instrumentalness • 22% Positiveness
8% Popularity • 38% Danceability • 17% Energy • 23% Liveness
88% Instrumentalness • 22% Positiveness
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Winfred Jeremiah
Younger Than Spring
96 bpm • C# Maj • 01:41 • -19.83db
30% Popularity • 21% Danceability • 7% Energy • 13% Liveness
4% Instrumentalness • 21% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 13% Liveness
4% Instrumentalness • 21% Positiveness
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Mathias Proenza
Balaur
95 bpm • G min • 03:16 • -21.81db
12% Popularity • 34% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
12% Popularity • 34% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
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Timothy Higgins
Higgins: Sonata for Alto Trombone I:III
95 bpm • D# Maj • 02:22 • -19.85db
9% Popularity • 50% Danceability • 15% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
9% Popularity • 50% Danceability • 15% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Anders Hillborg
11 Gates: No. 11. Waves, Pulse and Elast...
95 bpm • G Maj • 03:20 • -20.42db
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Steven Mackey
Ars moriendi: I. Don't Trouble Trouble
97 bpm • C# Maj • 05:48 • -20.6db
0% Popularity • 31% Danceability • 4% Energy • 16% Liveness
6% Instrumentalness • 6% Positiveness
0% Popularity • 31% Danceability • 4% Energy • 16% Liveness
6% Instrumentalness • 6% Positiveness
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Renato Di Prinzio
Introspection, Pt. 2 - Instrumental
116 bpm • D Maj • 01:10 • -16db
18% Popularity • 39% Danceability • 6% Energy • 44% Liveness
23% Instrumentalness • 7% Positiveness
18% Popularity • 39% Danceability • 6% Energy • 44% Liveness
23% Instrumentalness • 7% Positiveness
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Colin Matthews
Cello Concerto No. 1, Op. 27: Ib. Scherz...
95 bpm • G# Maj • 01:01 • -28.99db
8% Popularity • 35% Danceability • 12% Energy • 15% Liveness
97% Instrumentalness • 17% Positiveness
8% Popularity • 35% Danceability • 12% Energy • 15% Liveness
97% Instrumentalness • 17% Positiveness
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Markku Klami
Göreme: II. The Abyss - Live performan...
95 bpm • D min • 05:06 • -43.65db
17% Popularity • 20% Danceability • 0% Energy • 10% Liveness
14% Instrumentalness • 3% Positiveness
17% Popularity • 20% Danceability • 0% Energy • 10% Liveness
14% Instrumentalness • 3% Positiveness
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Thomas Adès
Arcadiana, Op. 12: I. Venezia notturna
95 bpm • G# Maj • 02:33 • -33.75db
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Benjamin Britten
Reveille, concert study for violin with ...
116 bpm • A min • 04:53 • -29.36db
25% Popularity • 29% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 29% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Steven Mackey
Stumble to Grace: II. Stage 2
96 bpm • C# Maj • 05:02 • -13.18db
0% Popularity • 21% Danceability • 37% Energy • 39% Liveness
87% Instrumentalness • 20% Positiveness
0% Popularity • 21% Danceability • 37% Energy • 39% Liveness
87% Instrumentalness • 20% Positiveness
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Tomasz Trzcinski
Firestar Dance
94 bpm • B Maj • 06:39 • -13.64db
9% Popularity • 35% Danceability • 40% Energy • 67% Liveness
87% Instrumentalness • 11% Positiveness
9% Popularity • 35% Danceability • 40% Energy • 67% Liveness
87% Instrumentalness • 11% Positiveness
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Chan Kai-Young
In Search of for violin and fixed media
117 bpm • G Maj • 06:14 • -17.87db
11% Popularity • 28% Danceability • 34% Energy • 23% Liveness
7% Instrumentalness • 9% Positiveness
11% Popularity • 28% Danceability • 34% Energy • 23% Liveness
7% Instrumentalness • 9% Positiveness
