Songs like Stupid Boys by Maddie Zahm
Based on a tempo of (+/- 10%) and a similar genre
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Maddie Zahm
Famous Love Song
122 bpm • C# Maj • 03:10 • -9.08db
25% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Wrabel
The Village
122 bpm • F Maj • 03:50 • -7.33db
63% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Noah Cyrus
Lonely
122 bpm • F Maj • 02:24 • -8.27db
67% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
67% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Catie Turner
i luv him.
123 bpm • C Maj • 03:45 • -9.5db
52% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Davis
Holy Water
123 bpm • F min • 03:20 • -9.15db
41% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Maddie Zahm
Stupid Boys
122 bpm • G Maj • 03:23 • -8.46db
32% Popularity • 66% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 66% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Savannah Sgro
Until We Drink
121 bpm • E Maj • 03:15 • -7.2db
46% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Alec Benjamin
Devil Doesn’t Bargain
121 bpm • D# Maj • 02:43 • -4.57db
74% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
74% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Kays
Show Me Off
123 bpm • G# Maj • 02:55 • -9.48db
45% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Haley Joelle
Things You Don't Know
123 bpm • F Maj • 02:08 • -11db
47% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Abe Parker
Self Sabotage
121 bpm • A# Maj • 03:03 • -5.33db
46% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 45% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Eva Westphal
Like Wine
123 bpm • C Maj • 02:12 • -10.58db
22% Popularity • 45% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 45% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
63% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jules Paymer
Past Life
120 bpm • E min • 03:38 • -8db
34% Popularity • 68% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 68% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Frawley
No One Can Fix Me
120 bpm • G Maj • 03:26 • -8.82db
53% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Haley Joelle
Memory Lane
120 bpm • C# Maj • 02:34 • -12db
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Gracie Abrams
For Real This Time
124 bpm • F# Maj • 03:13 • -8.73db
62% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
75% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Day
VICIOUS
120 bpm • A Maj • 02:12 • -5.87db
53% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Catie Turner
Easy
124 bpm • C# min • 02:47 • -6.72db
29% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Beth McCarthy
She's Pretty
120 bpm • F Maj • 02:53 • -3.8db
54% Popularity • 68% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 68% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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J. Maya
Library Card
120 bpm • A min • 03:26 • -7db
41% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Reneé Rapp
Colorado
120 bpm • F Maj • 02:52 • -7.52db
66% Popularity • 82% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
66% Popularity • 82% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
40% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Alex Warren
Chasing Shadows
120 bpm • C# min • 02:44 • -8.04db
70% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
70% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Austin Giorgio
She's an Actor
124 bpm • D Maj • 03:08 • -10.07db
50% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
50% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Zoe Clark
Hot Mess
124 bpm • C Maj • 03:02 • -6.41db
53% Popularity • 89% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 89% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Chandler Leighton
A Letter To Everyone Who's Hurt Me
120 bpm • D Maj • 03:47 • -13db
44% Popularity • 56% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 56% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Marielle Kraft
I Kissed A Boy
124 bpm • C Maj • 03:24 • -7.58db
25% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Sara Kays
Remember That Night? - Acoustic
124 bpm • G min • 03:42 • -13db
39% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Britton
DECLINED
120 bpm • G# min • 04:16 • -9db
48% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Paravi
Angry
120 bpm • G Maj • 02:50 • -6db
51% Popularity • 68% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 68% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Maddie Zahm
Pick Up The Phone
120 bpm • G Maj • 02:59 • -8.88db
44% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jessie Murph
If I Died Last Night
124 bpm • C# min • 02:44 • -8.02db
65% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
65% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Alexander Stewart
I'm trying
120 bpm • G min • 02:44 • -8db
59% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
59% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
52% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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EMELINE
cinderella's dead
120 bpm • F# min • 02:00 • -6.18db
72% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
72% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
65% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
65% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Gracie Abrams
I know it won't work
120 bpm • F min • 04:05 • -8.96db
74% Popularity • 66% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
74% Popularity • 66% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Zevia
if depression gets the best of me
120 bpm • C Maj • 03:00 • -15db
57% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
71% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Lauren Spencer Smith
Aftermath
125 bpm • F Maj • 02:35 • -7.54db
50% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Zoe Clark
Last One Standing - Acoustic
125 bpm • C Maj • 02:17 • -4.2db
34% Popularity • 77% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 77% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Devon Gabriella
get clean
120 bpm • A min • 02:59 • -14db
38% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
63% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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BLÜ EYES
my body hates me
126 bpm • D Maj • 02:48 • -7.28db
30% Popularity • 78% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 78% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Reagan Beem
Kid In My 20s
118 bpm • D Maj • 02:46 • -6.67db
44% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Em Beihold
Too Precious
118 bpm • G# Maj • 02:49 • -4.74db
53% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Benson Boone
Better Alone
126 bpm • G Maj • 03:29 • -6.11db
64% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Taylor Bickett
QUARTER LIFE CRISIS
118 bpm • F Maj • 03:18 • -4db
59% Popularity • 82% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 82% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Noah Cyrus
I Burned LA Down
118 bpm • B Maj • 03:15 • -8.71db
58% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Sara Kays
Watching TV
118 bpm • A Maj • 02:40 • -7db
39% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Kiran + Nivi
8 billion people
126 bpm • F min • 03:37 • -7db
54% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
54% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Devon Gabriella
marriage story
127 bpm • A# Maj • 03:01 • -18.68db
30% Popularity • 61% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 61% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Joshua Bassett
would you love me now?
127 bpm • C Maj • 03:25 • -7.29db
51% Popularity • 54% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 54% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Maddie Zahm
That's How You Know
117 bpm • D Maj • 03:41 • -8.86db
15% Popularity • 74% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 74% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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ROSIE
Next Life
117 bpm • F# Maj • 03:07 • -7db
35% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
55% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Lauren Spencer Smith
Back to Friends
117 bpm • D Maj • 03:35 • -9.95db
60% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Alfie Jukes
kinda wish
128 bpm • D Maj • 03:11 • -16.58db
38% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Olivia Rodrigo
the grudge
128 bpm • A# Maj • 03:09 • -9.21db
80% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
80% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Maddie Zahm
Growing In
127 bpm • A# Maj • 03:37 • -9.46db
36% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Alexander Stewart
echo
128 bpm • F min • 03:18 • -7db
60% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Gracie Abrams
Block me out
128 bpm • A# Maj • 04:09 • -7.47db
59% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Kyndal Inskeep
Friends That Kiss
128 bpm • C# min • 03:05 • -5.45db
41% Popularity • 67% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 67% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Lauren Spencer Smith
28
128 bpm • F Maj • 02:44 • -7.66db
52% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Zoe Clark
Last One Standing
128 bpm • G Maj • 02:17 • -6db
48% Popularity • 93% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 93% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Maddie Zahm
Robin Williams
117 bpm • C Maj • 03:07 • -10.28db
36% Popularity • 42% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 42% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Sara Kays
Struck by Lightning
128 bpm • D Maj • 02:34 • -9.74db
50% Popularity • 70% Danceability • 61% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 70% Danceability • 61% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
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Leanna Firestone
Diet Coke
128 bpm • C# min • 03:07 • -5.53db
52% Popularity • 77% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 77% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Beth McCarthy
If You Loved Me Right
116 bpm • E Maj • 03:15 • -6db
38% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Nessa Barrett
i hope ur miserable until ur dead
116 bpm • D Maj • 02:57 • -7.28db
66% Popularity • 71% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 71% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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India Parkman
Hope It's You
116 bpm • G# Maj • 03:24 • -9.79db
31% Popularity • 40% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 40% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Maddie Zahm
little me
116 bpm • C Maj • 03:00 • -14.68db
56% Popularity • 66% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 66% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Em Beihold
Nobody Else
129 bpm • F Maj • 03:13 • -8.61db
49% Popularity • 82% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 82% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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BIZZY
Clean Cut
115 bpm • D# Maj • 03:11 • -8.52db
30% Popularity • 76% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 76% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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PEGGY
LOVE
130 bpm • C# Maj • 02:52 • -8.32db
49% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Natalie Jane
Kind of Love
130 bpm • B Maj • 03:38 • -6db
46% Popularity • 52% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 52% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Sara Kays
When You Look at Me
130 bpm • D Maj • 02:50 • -10.71db
41% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Maddie Zahm
imissyou.
129 bpm • F# Maj • 03:34 • -10.07db
37% Popularity • 73% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 73% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Taylor Bickett
I Like Mondays
115 bpm • D Maj • 02:45 • -10.21db
51% Popularity • 49% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 49% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
80% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
80% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Abe Parker
Empty House
130 bpm • D Maj • 02:57 • -9.75db
41% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Joshua Bassett
Set Me Free
130 bpm • D Maj • 04:02 • -8.26db
54% Popularity • 45% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
54% Popularity • 45% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Khloe Rose
Fictional
130 bpm • D Maj • 03:43 • -6.82db
65% Popularity • 68% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
65% Popularity • 68% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Maddie Zahm
I’m Not Your Mom
130 bpm • C# min • 03:06 • -7.81db
24% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Harry Styles
Matilda
114 bpm • D Maj • 04:05 • -10db
80% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
80% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Conan Gray
Yours
130 bpm • D Maj • 03:24 • -8.87db
65% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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JESSIA
Nobody Hates You
114 bpm • E Maj • 02:46 • -7.17db
47% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Mckenna Grace
do all my friends hate me?
114 bpm • D# Maj • 03:24 • -6.93db
52% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Nessa Barrett
sincerely
131 bpm • E Maj • 01:08 • -11db
55% Popularity • 41% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 41% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 7% Positiveness
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Maddie Zahm
Lady Killer
114 bpm • C# Maj • 02:37 • -6.51db
40% Popularity • 79% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 79% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Cate
Funny Story
114 bpm • F# Maj • 02:55 • -5.76db
40% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Catie Turner
Home
113 bpm • B min • 03:27 • -12.02db
48% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Dylan Conrique
birthday cake - duet
113 bpm • D# Maj • 03:25 • -8.4db
51% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Lauren Spencer Smith
Narcissist
113 bpm • D# Maj • 02:52 • -6.63db
64% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
64% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
