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stupid
Songs like
stupid
by
Tate McRae
Based on a tempo of (+/- 10%) and a similar genre
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Tate McRae
stupid
96 bpm • C min • 02:53 • -6.03db
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Ali Gatie
It's You
96 bpm • B min • 03:32 • -6.97db
77% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Jenna Raine
It Is What It Is
96 bpm • G Maj • 02:26 • -6.57db
70% Popularity • 81% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Matt Hansen
WHERE YOU BELONG
96 bpm • A min • 02:56 • -5.48db
67% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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RAYE
Escapism.
96 bpm • D Maj • 04:32 • -5.36db
82% Popularity • 54% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Taylor Swift
All Of The Girls You Loved Before
96 bpm • D Maj • 03:41 • -9.66db
79% Popularity • 72% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Nessa Barrett
club heaven
96 bpm • B Maj • 02:11 • -6.21db
62% Popularity • 40% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Jessie Murph
Pray
97 bpm • G# Maj • 02:26 • -7.75db
71% Popularity • 59% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Halsey
Walls Could Talk
95 bpm • C# Maj • 01:41 • -6.04db
74% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Lauv
Love U Like That
95 bpm • A# Maj • 03:31 • -3.56db
73% Popularity • 71% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Isabel LaRosa
favorite
97 bpm • A# min • 02:13 • -5.33db
77% Popularity • 73% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Swift
Anti-Hero
97 bpm • E Maj • 03:20 • -6.57db
89% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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The Kid LAROI
TOO MUCH
95 bpm • A# min • 03:23 • -5.61db
68% Popularity • 75% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Alessia Cara
Scars To Your Beautiful
97 bpm • C Maj • 03:50 • -5.74db
78% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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VOILÀ
Figure You Out
95 bpm • B min • 02:43 • -8.14db
74% Popularity • 63% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Nessa Barrett
american jesus
95 bpm • A min • 02:48 • -7.38db
57% Popularity • 65% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Jessica Baio
best friends with your girlfriend
95 bpm • G# Maj • 02:03 • -6.43db
53% Popularity • 78% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Swift
Delicate
95 bpm • A min • 03:52 • -10.18db
84% Popularity • 75% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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JVKE
clouds
95 bpm • B Maj • 02:42 • -3.69db
70% Popularity • 64% Danceability • 90% Energy • 18% Liveness
5% Instrumentalness • 88% Positiveness
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Henry Moodie
drunk text
95 bpm • C Maj • 03:07 • -5.36db
82% Popularity • 61% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Dean Lewis
Trust Me Mate
98 bpm • C Maj • 02:58 • -4.22db
71% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Metro Boomin
Creepin'
98 bpm • C# min • 03:41 • -6.01db
87% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Ariana Grande
the boy is mine
98 bpm • G min • 02:53 • -5.82db
89% Popularity • 80% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Tate McRae
hurt my feelings
98 bpm • D Maj • 02:02 • -3.74db
73% Popularity • 67% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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JVKE
golden hour
94 bpm • E Maj • 03:29 • -4.8db
81% Popularity • 52% Danceability • 59% Energy • 25% Liveness
16% Instrumentalness • 15% Positiveness
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Zara Larsson
Lush Life
98 bpm • G min • 03:21 • -3.92db
82% Popularity • 69% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Mark Ambor
Good To Be
94 bpm • E Maj • 02:27 • -5.86db
76% Popularity • 66% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Fischer
Alright
93 bpm • C Maj • 02:52 • -6.06db
42% Popularity • 65% Danceability • 65% Energy • 47% Liveness
0% Instrumentalness • 63% Positiveness
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Labrinth
Never Felt So Alone
98 bpm • F Maj • 02:40 • -4.44db
76% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Tate McRae
guilty conscience
98 bpm • G# Maj • 02:32 • -3.67db
69% Popularity • 76% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Weeknd
Popular
99 bpm • C# Maj • 03:35 • -6.24db
85% Popularity • 85% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Olivia Rodrigo
so american
93 bpm • G# Maj • 02:49 • -1.88db
83% Popularity • 45% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
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Troye Sivan
One Of Your Girls
93 bpm • B min • 03:01 • -7.85db
80% Popularity • 63% Danceability • 65% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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gnash
i hate u, i love u
93 bpm • F# min • 04:11 • -13.4db
76% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Tate McRae
greedy slowed down
99 bpm • E min • 02:28 • -4.67db
40% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Mackenzy Mackay
The One That You Call
99 bpm • F# min • 01:50 • -12.13db
71% Popularity • 71% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Doja Cat
Paint The Town Red
100 bpm • D min • 03:50 • -7.68db
81% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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SZA
Nobody Gets Me
100 bpm • G Maj • 03:00 • -8.29db
85% Popularity • 36% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Natasha Bedingfield
Unwritten
100 bpm • F Maj • 04:19 • -6.33db
92% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Taylor Swift
Is It Over Now? (Taylor's Version)
100 bpm • C Maj • 03:49 • -7.35db
87% Popularity • 60% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Niall Horan
Heaven
92 bpm • F Maj • 03:06 • -3.39db
76% Popularity • 57% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Tate McRae
i'm so gone
92 bpm • E Maj • 02:26 • -8db
55% Popularity • 83% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Conan Gray
Wish You Were Sober
91 bpm • D Maj • 02:48 • -5.23db
73% Popularity • 70% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Mark Ambor
Belong Together
91 bpm • D Maj • 02:28 • -5.2db
84% Popularity • 65% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Stephen Sanchez
Until I Found You - Em Beihold Version
101 bpm • A# Maj • 02:56 • -5.34db
86% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Ruth B.
Dandelions - slowed + reverb
102 bpm • G# min • 04:28 • -3.33db
65% Popularity • 33% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander Stewart
leave me in the dark
102 bpm • A Maj • 02:29 • -6.68db
61% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Lewis Capaldi
Forget Me
102 bpm • C# min • 03:23 • -3.77db
77% Popularity • 66% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Elevator Boys
Ruin Me
102 bpm • C# min • 02:46 • -7.6db
58% Popularity • 67% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Sadie Jean
Just Because
90 bpm • D# Maj • 02:12 • -7.8db
67% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Selena Gomez
Back To You
102 bpm • F# Maj • 03:27 • -4.86db
74% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Cat Burns
go
90 bpm • F# min • 03:35 • -9.87db
68% Popularity • 66% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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NERIAH
Unfinished Business
90 bpm • G# min • 03:29 • -6.18db
60% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Tate McRae
messier
90 bpm • E Maj • 03:57 • -7.05db
66% Popularity • 59% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Swift
Karma
90 bpm • G# Maj • 03:24 • -7.09db
84% Popularity • 64% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 10% Positiveness
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benny blanco
Eastside
90 bpm • F# min • 02:50 • -7.67db
80% Popularity • 63% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Mimi Webb
Good Without
90 bpm • B min • 03:02 • -4.89db
58% Popularity • 55% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Niall Horan
Meltdown
90 bpm • E Maj • 02:33 • -4.05db
69% Popularity • 59% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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SZA
Kill Bill
89 bpm • G# Maj • 02:33 • -5.75db
86% Popularity • 64% Danceability • 74% Energy • 16% Liveness
14% Instrumentalness • 42% Positiveness
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Taylor Swift
august
90 bpm • F Maj • 04:21 • -9.21db
87% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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SAYGRACE
Boys Ain't Shit
103 bpm • C# min • 03:06 • -5.21db
54% Popularity • 80% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Why Don't We
8 Letters
89 bpm • C# min • 03:10 • -5.7db
74% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jeremy Zucker
all the kids are depressed
104 bpm • A Maj • 02:49 • -8.28db
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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Tate McRae
greedy acoustic
104 bpm • F min • 02:22 • -7.28db
59% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Alec Benjamin
Pick Me
104 bpm • A Maj • 02:58 • -8.54db
63% Popularity • 71% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Taylor Swift
You’re Losing Me
103 bpm • C Maj • 04:37 • -13.77db
84% Popularity • 75% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Justin Timberlake
Selfish
88 bpm • C# Maj • 03:49 • -6.8db
67% Popularity • 68% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
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G-Eazy
Him & I
88 bpm • D Maj • 04:28 • -6.34db
78% Popularity • 59% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Dove Cameron
We Go Down Together
105 bpm • A min • 03:04 • -9.79db
65% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Tate McRae
what's your problem?
104 bpm • D min • 02:47 • -6.97db
60% Popularity • 72% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Jack Harlow
Lovin On Me
105 bpm • D Maj • 02:18 • -4.91db
93% Popularity • 94% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Selena Gomez
Single Soon
105 bpm • D Maj • 02:51 • -5.65db
80% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Lauren Spencer Smith
That Part
88 bpm • F Maj • 02:54 • -7.78db
68% Popularity • 38% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Chelsea Cutler
Your Bones
105 bpm • E Maj • 02:39 • -7.7db
66% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Natalie Jane
If You Died Today
88 bpm • F Maj • 02:42 • -7.41db
55% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Tate McRae
don't come back
88 bpm • C# Maj • 02:32 • -7.37db
63% Popularity • 71% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
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The Weeknd
One Of The Girls
88 bpm • G# Maj • 04:04 • -6.25db
86% Popularity • 53% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Ella Henderson
Alibi
87 bpm • C min • 03:04 • -3.62db
81% Popularity • 55% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Lauren Spencer Smith
Bigger Person
105 bpm • G Maj • 02:41 • -8.16db
69% Popularity • 50% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Sabrina Carpenter
Skin
106 bpm • G Maj • 02:57 • -5.37db
66% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Jung Kook
Standing Next to You
106 bpm • D min • 03:26 • -4.39db
91% Popularity • 71% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Tate McRae
Slip
88 bpm • E Maj • 02:51 • -11.51db
55% Popularity • 68% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Natalie Jane
AVA
87 bpm • C# Maj • 02:39 • -5.6db
61% Popularity • 56% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Alec Benjamin
Different Kind Of Beautiful
106 bpm • C Maj • 03:21 • -7.42db
62% Popularity • 52% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Regard
You
106 bpm • C Maj • 03:53 • -5.6db
69% Popularity • 69% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Sabrina Carpenter
Looking at Me
106 bpm • D Maj • 03:01 • -4.37db
76% Popularity • 68% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Lewis Capaldi
Hold Me While You Wait
107 bpm • B Maj • 03:25 • -5.51db
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tate McRae
all my friends are fake
105 bpm • B min • 03:06 • -7.46db
57% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Rema
Calm Down
107 bpm • B Maj • 03:59 • -5.2db
77% Popularity • 80% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Ed Sheeran
Eyes Closed
107 bpm • B min • 03:14 • -7.46db
79% Popularity • 79% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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The Kid LAROI
LOVE AGAIN
107 bpm • B min • 02:26 • -6.21db
68% Popularity • 58% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jenna Raine
see you later (ten years)
86 bpm • C# Maj • 03:08 • -6.44db
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Chase Atlantic
Friends
107 bpm • B min • 03:50 • -6.37db
81% Popularity • 33% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Tate McRae
slower
105 bpm • C# min • 03:07 • -8.08db
59% Popularity • 59% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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stupid