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Sugar Lips
Songs like
Sugar Lips
by
Al Hirt
Based on a tempo of (+/- 10%) and a similar genre
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The Bob Crewe Generation
Anna
166 bpm • F Maj • 03:30 • -13db
9% Popularity • 43% Danceability • 61% Energy • 12% Liveness
89% Instrumentalness • 59% Positiveness
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Frank Chacksfield & His Orchestra
Route 66
166 bpm • G min • 02:03 • -12.73db
17% Popularity • 22% Danceability • 52% Energy • 37% Liveness
6% Instrumentalness • 61% Positiveness
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Allen Toussaint
Chico
164 bpm • C Maj • 02:19 • -8.32db
17% Popularity • 59% Danceability • 80% Energy • 9% Liveness
64% Instrumentalness • 98% Positiveness
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Al Hirt
Sugar Lips
165 bpm • C Maj • 02:00 • -11db
20% Popularity • 62% Danceability • 58% Energy • 14% Liveness
71% Instrumentalness • 72% Positiveness
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Hollyridge Strings
Shut Down
163 bpm • F Maj • 02:04 • -8.46db
16% Popularity • 47% Danceability • 79% Energy • 27% Liveness
90% Instrumentalness • 79% Positiveness
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Edmundo Ros & His Orchestra
Tico, Tico
167 bpm • A min • 02:10 • -13.26db
31% Popularity • 52% Danceability • 57% Energy • 8% Liveness
8% Instrumentalness • 90% Positiveness
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Jackie Davis
Five Minutes More
168 bpm • F Maj • 02:46 • -14.17db
15% Popularity • 46% Danceability • 36% Energy • 8% Liveness
69% Instrumentalness • 88% Positiveness
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Lester Lanin
Blue Danube-Slow Viennese Waltz
161 bpm • D Maj • 01:52 • -10.86db
23% Popularity • 51% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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Kenny Ball & His Jazzmen
Acapulco 1922
169 bpm • D min • 02:16 • -7.59db
29% Popularity • 52% Danceability • 59% Energy • 8% Liveness
93% Instrumentalness • 87% Positiveness
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Pérez Prado
Mambo No. 8
170 bpm • F Maj • 02:03 • -15.18db
20% Popularity • 51% Danceability • 53% Energy • 9% Liveness
17% Instrumentalness • 87% Positiveness
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Horst Jankowski
Play A Simple Melody
170 bpm • A# Maj • 02:36 • -12db
36% Popularity • 46% Danceability • 40% Energy • 12% Liveness
29% Instrumentalness • 45% Positiveness
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Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
19% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
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Billy Eckstine
I Apologize
170 bpm • C# Maj • 02:51 • -10.07db
26% Popularity • 18% Danceability • 37% Energy • 6% Liveness
5% Instrumentalness • 20% Positiveness
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Lester Lanin
Just In Time - Moderate Society
162 bpm • F Maj • 02:06 • -14.87db
32% Popularity • 69% Danceability • 32% Energy • 5% Liveness
50% Instrumentalness • 81% Positiveness
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Kenny Ball & His Jazzmen
Green Leaves of Summer (Rerecorded)
169 bpm • F min • 02:40 • -14db
23% Popularity • 49% Danceability • 41% Energy • 9% Liveness
79% Instrumentalness • 71% Positiveness
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Al Hirt
Yo-Yo (Puppet Song)
160 bpm • G min • 02:40 • -10.94db
13% Popularity • 55% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 92% Positiveness
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Jimmy McHugh
I'm In The Mood For Love - Remastered/19...
171 bpm • D# Maj • 03:30 • -12.26db
40% Popularity • 9% Danceability • 21% Energy • 19% Liveness
90% Instrumentalness • 13% Positiveness
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Si Zentner
Little Jazz
159 bpm • G# Maj • 03:07 • -13.01db
16% Popularity • 49% Danceability • 31% Energy • 8% Liveness
5% Instrumentalness • 64% Positiveness
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Ann-Margret
Mack the Knife
171 bpm • A min • 02:32 • -10.82db
11% Popularity • 47% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Freddy Martin
Bubbles In The Wine - 1995 - Remaster; D...
159 bpm • G# Maj • 02:41 • -15.19db
5% Popularity • 59% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 92% Positiveness
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Billy May & His Orchestra
I Believe In You
159 bpm • G Maj • 02:23 • -13db
27% Popularity • 36% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
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Kenny Ball
Casablanca
172 bpm • F min • 02:18 • -12.62db
16% Popularity • 37% Danceability • 60% Energy • 32% Liveness
38% Instrumentalness • 88% Positiveness
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Edmundo Ros & His Orchestra
Desafinado
172 bpm • C min • 02:06 • -11.15db
17% Popularity • 46% Danceability • 33% Energy • 14% Liveness
23% Instrumentalness • 47% Positiveness
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Al Hirt
Magic Trumpet
158 bpm • F Maj • 02:52 • -14.38db
13% Popularity • 54% Danceability • 40% Energy • 21% Liveness
57% Instrumentalness • 98% Positiveness
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George Shearing Quintet
Let's Call The Whole Thing Off
172 bpm • C min • 01:57 • -12.35db
8% Popularity • 70% Danceability • 56% Energy • 9% Liveness
87% Instrumentalness • 96% Positiveness
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Si Zentner
Up A Lazy River
158 bpm • E min • 02:04 • -6db
30% Popularity • 44% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
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Don Ralke
Fascinating Rhythm
173 bpm • C min • 02:53 • -25db
20% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Horst Jankowski
Swinging Candies - Remastered
174 bpm • G Maj • 02:38 • -14db
14% Popularity • 42% Danceability • 37% Energy • 6% Liveness
90% Instrumentalness • 56% Positiveness
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The Bob Crewe Generation
Barbarella
157 bpm • F min • 03:03 • -13.93db
13% Popularity • 47% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 62% Positiveness
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John Buzon Trio
Mr. Ghost Goes To Town - Remastered
156 bpm • A# min • 02:20 • -14db
28% Popularity • 57% Danceability • 51% Energy • 17% Liveness
52% Instrumentalness • 96% Positiveness
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Kenny Ball
Midnight In Moscow
174 bpm • C min • 02:54 • -10.35db
23% Popularity • 44% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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Si Zentner
Charade
157 bpm • A min • 02:38 • -10.16db
36% Popularity • 56% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 60% Positiveness
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Boots Randolph
Smoke Gets in Your Eyes
175 bpm • D# Maj • 03:15 • -10.87db
12% Popularity • 34% Danceability • 46% Energy • 15% Liveness
87% Instrumentalness • 51% Positiveness
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Horst Jankowski
A Walk In The Black Forest
174 bpm • D Maj • 02:32 • -9.16db
24% Popularity • 63% Danceability • 47% Energy • 29% Liveness
28% Instrumentalness • 69% Positiveness
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Jack McDuff
Briar Patch
175 bpm • C Maj • 02:55 • -11.24db
8% Popularity • 53% Danceability • 53% Energy • 7% Liveness
42% Instrumentalness • 92% Positiveness
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Al Hirt
Fancy Pants
155 bpm • G# Maj • 01:53 • -11.16db
15% Popularity • 56% Danceability • 60% Energy • 17% Liveness
40% Instrumentalness • 95% Positiveness
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Ray Anthony
Peter Gunn Twist/Tequila With A Twist
154 bpm • A# Maj • 03:55 • -15.24db
19% Popularity • 52% Danceability • 34% Energy • 8% Liveness
49% Instrumentalness • 80% Positiveness
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Si Zentner
The Fugitive Theme - Remastered
156 bpm • C Maj • 02:03 • -12.31db
26% Popularity • 36% Danceability • 55% Energy • 28% Liveness
85% Instrumentalness • 91% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
42% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Horst Jankowski
Berlin Stroll
175 bpm • F Maj • 02:24 • -13.16db
37% Popularity • 53% Danceability • 31% Energy • 11% Liveness
78% Instrumentalness • 67% Positiveness
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Nelson Riddle
The Theme From Route 66
154 bpm • C Maj • 02:10 • -12.26db
35% Popularity • 29% Danceability • 47% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
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Terry Snyder & The All-Stars
Binga Banga Bongo/Percolator
154 bpm • C# Maj • 04:44 • -12.95db
15% Popularity • 51% Danceability • 56% Energy • 11% Liveness
86% Instrumentalness • 57% Positiveness
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Tony Mottola
Neapolitan Tarantella
177 bpm • A min • 02:08 • -16.19db
14% Popularity • 37% Danceability • 45% Energy • 55% Liveness
62% Instrumentalness • 95% Positiveness
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Eddie Calvert
Zambesi
178 bpm • D# Maj • 02:42 • -8.24db
18% Popularity • 45% Danceability • 65% Energy • 32% Liveness
16% Instrumentalness • 92% Positiveness
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Bobby Rydell
That Old Black Magic
177 bpm • G# Maj • 02:24 • -6.5db
20% Popularity • 48% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Mongo Santamaria
Yeh-Yeh
153 bpm • G Maj • 03:04 • -14.26db
18% Popularity • 63% Danceability • 66% Energy • 5% Liveness
89% Instrumentalness • 97% Positiveness
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The Ventures
Perfidia
152 bpm • B min • 02:04 • -11.89db
37% Popularity • 61% Danceability • 74% Energy • 23% Liveness
27% Instrumentalness • 93% Positiveness
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Bob Thompson
Star Fire
151 bpm • B min • 02:43 • -18.59db
17% Popularity • 45% Danceability • 30% Energy • 34% Liveness
16% Instrumentalness • 66% Positiveness
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Brian Wilson
I Get Around / California Girls (Medley)...
151 bpm • G# Maj • 04:03 • -11.46db
9% Popularity • 34% Danceability • 58% Energy • 24% Liveness
64% Instrumentalness • 86% Positiveness
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Hollyridge Strings
I Get Around
151 bpm • A min • 02:17 • -8.62db
13% Popularity • 45% Danceability • 78% Energy • 28% Liveness
51% Instrumentalness • 91% Positiveness
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Richard Marino & His Orchestra
Rots-O-Ruck - Remastered
152 bpm • G Maj • 02:01 • -18db
15% Popularity • 59% Danceability • 38% Energy • 8% Liveness
32% Instrumentalness • 75% Positiveness
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The Champs
Midnighter
181 bpm • A# Maj • 02:08 • -17.6db
18% Popularity • 50% Danceability • 63% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
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The Dukes Of Dixieland
Down By the Riverside
181 bpm • F Maj • 03:33 • -11.3db
23% Popularity • 57% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 71% Positiveness
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Eddie Calvert
Mandy (The Pansy)
182 bpm • A# Maj • 02:30 • -8.35db
21% Popularity • 33% Danceability • 38% Energy • 61% Liveness
50% Instrumentalness • 73% Positiveness
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Lee Allen
Walkin' With Mr Lee
149 bpm • G# Maj • 02:26 • -9db
20% Popularity • 66% Danceability • 70% Energy • 6% Liveness
88% Instrumentalness • 95% Positiveness
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Al Hirt
Más Que Nada
149 bpm • A# min • 02:49 • -12.57db
21% Popularity • 44% Danceability • 42% Energy • 50% Liveness
56% Instrumentalness • 66% Positiveness
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Ballroom Dance Orchestra
Theme from "a Summer Place"
183 bpm • F Maj • 02:33 • -11.76db
39% Popularity • 16% Danceability • 32% Energy • 9% Liveness
75% Instrumentalness • 33% Positiveness
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The Ventures
Blue Moon
149 bpm • D# min • 02:12 • -10.84db
27% Popularity • 64% Danceability • 54% Energy • 9% Liveness
63% Instrumentalness • 73% Positiveness
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Les Elgart & His Orchestra
Begin The Beguine
148 bpm • F Maj • 02:41 • -14.94db
17% Popularity • 70% Danceability • 42% Energy • 25% Liveness
79% Instrumentalness • 89% Positiveness
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Horst Jankowski
Third Man Theme
147 bpm • C Maj • 02:39 • -10.37db
30% Popularity • 53% Danceability • 42% Energy • 33% Liveness
6% Instrumentalness • 64% Positiveness
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Denny McLain
The Girl From Ipanema / Meditation
147 bpm • F Maj • 03:17 • -14.44db
22% Popularity • 36% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Al Hirt
Blow Your Own Horn
148 bpm • G Maj • 02:53 • -10.36db
7% Popularity • 53% Danceability • 43% Energy • 20% Liveness
71% Instrumentalness • 76% Positiveness
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Lester Lanin
Old Devil Moon - Moderate Society
147 bpm • A# Maj • 02:04 • -15.78db
23% Popularity • 78% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 84% Positiveness
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Si Zentner
Sweetheart Of Sigma Chi
147 bpm • F min • 02:11 • -12.35db
21% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Ann-Margret
Mama's Gone Goodbye
186 bpm • G min • 02:27 • -9.66db
2% Popularity • 38% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Syd Dale
Mexican Highway
146 bpm • C min • 02:39 • -11.81db
19% Popularity • 78% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
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Eddie Calvert
The Poor People of Paris - 2005 Remaster
187 bpm • D# Maj • 01:41 • -13db
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 85% Positiveness
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Al Hirt
Cotton Candy
148 bpm • D# Maj • 02:14 • -11.63db
25% Popularity • 68% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 97% Positiveness
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Henry Jerome
Aquarius/Let The Sunshine In
187 bpm • C min • 02:58 • -9.33db
11% Popularity • 32% Danceability • 48% Energy • 15% Liveness
6% Instrumentalness • 43% Positiveness
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Milt Buckner
The Late, Late Show - Remastered
146 bpm • A min • 03:38 • -13.93db
22% Popularity • 76% Danceability • 31% Energy • 13% Liveness
55% Instrumentalness • 55% Positiveness
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Si Zentner
The Swingin' Eye
146 bpm • F min • 02:54 • -11.03db
16% Popularity • 56% Danceability • 48% Energy • 26% Liveness
16% Instrumentalness • 69% Positiveness
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Tommy Dorsey
Boogie Woogie
145 bpm • F Maj • 03:09 • -15.98db
22% Popularity • 69% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
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Ray Anthony
'S Wonderful
145 bpm • C# Maj • 02:42 • -12.66db
17% Popularity • 54% Danceability • 23% Energy • 8% Liveness
5% Instrumentalness • 81% Positiveness
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Al Hirt
Three Little Words
145 bpm • D min • 02:47 • -11.95db
4% Popularity • 52% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Jean Paques
Chella lla
188 bpm • C Maj • 01:48 • -12.95db
27% Popularity • 58% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 66% Positiveness
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Tak Shindo
Stumbling
145 bpm • D min • 02:08 • -12.84db
22% Popularity • 43% Danceability • 34% Energy • 13% Liveness
81% Instrumentalness • 51% Positiveness
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Lou Busch
Cool - Remastered
144 bpm • C min • 02:33 • -13.29db
22% Popularity • 39% Danceability • 30% Energy • 20% Liveness
56% Instrumentalness • 55% Positiveness
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Dean Elliott And His Big Band
Trees
144 bpm • F min • 02:37 • -14db
14% Popularity • 52% Danceability • 40% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Jack Costanzo
Can-Can Overture - Remastered
143 bpm • A# Maj • 02:13 • -11.77db
12% Popularity • 48% Danceability • 69% Energy • 19% Liveness
5% Instrumentalness • 78% Positiveness
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Al Hirt
Willkommen (Welcome)
188 bpm • F Maj • 02:17 • -9.5db
13% Popularity • 39% Danceability • 56% Energy • 8% Liveness
50% Instrumentalness • 84% Positiveness
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Horst Jankowski
Toselli Serenade
142 bpm • G min • 02:49 • -10.33db
28% Popularity • 34% Danceability • 45% Energy • 10% Liveness
62% Instrumentalness • 47% Positiveness
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Russ Conway
The Harry Lime Theme
142 bpm • D# Maj • 02:18 • -10db
35% Popularity • 62% Danceability • 45% Energy • 16% Liveness
90% Instrumentalness • 75% Positiveness
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Ronnie Aldrich and his 2 pianos
Music To Watch Girls By
142 bpm • G min • 02:37 • -12db
31% Popularity • 52% Danceability • 48% Energy • 18% Liveness
92% Instrumentalness • 65% Positiveness
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The Bob Crewe Generation
Winchester Cathedral
142 bpm • G Maj • 02:35 • -10.32db
15% Popularity • 42% Danceability • 66% Energy • 29% Liveness
4% Instrumentalness • 90% Positiveness
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Don Swan
El Cumbanchero (Guaracha-Fast Rhumba) - ...
142 bpm • F min • 02:02 • -14db
29% Popularity • 45% Danceability • 35% Energy • 29% Liveness
13% Instrumentalness • 64% Positiveness
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Al Hirt
Music to Watch Girls By
142 bpm • G min • 01:51 • -13db
45% Popularity • 72% Danceability • 40% Energy • 9% Liveness
83% Instrumentalness • 59% Positiveness
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Lester Lanin
I LEFT MY HEART IN SAN FRANCISCO - Slow ...
141 bpm • A# Maj • 01:56 • -13db
31% Popularity • 80% Danceability • 38% Energy • 11% Liveness
95% Instrumentalness • 70% Positiveness
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Ramsey Lewis Trio
The "In" Crowd - Live At Bohemian Cavern...
141 bpm • G Maj • 03:18 • -8.1db
27% Popularity • 64% Danceability • 91% Energy • 34% Liveness
15% Instrumentalness • 74% Positiveness
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Dorothy Dandridge
Smooth Operator
140 bpm • A# min • 03:06 • -10.52db
32% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Les Elgart & His Orchestra
(The Gang That Sang) Heart of My Heart
140 bpm • G# Maj • 02:34 • -14.19db
23% Popularity • 76% Danceability • 17% Energy • 6% Liveness
26% Instrumentalness • 68% Positiveness
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Kenny Ball
Heartaches - Remastered
194 bpm • G# Maj • 02:09 • -11.85db
19% Popularity • 45% Danceability • 67% Energy • 12% Liveness
96% Instrumentalness • 83% Positiveness
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The Ames Brothers
Rag Mop
204 bpm • G Maj • 02:46 • -8.73db
26% Popularity • 55% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Lester Lanin
This Could Be The Start Of Something - S...
199 bpm • D# Maj • 02:12 • -14.13db
30% Popularity • 64% Danceability • 34% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
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Si Zentner
Yes! We Have No Bananas
205 bpm • G# Maj • 02:30 • -13.91db
33% Popularity • 44% Danceability • 20% Energy • 9% Liveness
7% Instrumentalness • 79% Positiveness
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Tony Mottola y Su Orquesta
Under Paris Skies
209 bpm • F min • 02:04 • -13.26db
40% Popularity • 28% Danceability • 28% Energy • 36% Liveness
94% Instrumentalness • 56% Positiveness
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Tony Mottola
Violetta
205 bpm • A# Maj • 02:01 • -19.84db
27% Popularity • 34% Danceability • 20% Energy • 7% Liveness
84% Instrumentalness • 92% Positiveness
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Sugar Lips