Songs like Sugarcane by Hazlett
Based on a tempo of (+/- 10%) and a similar genre
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Hazlett
Sugarcane
123 bpm • C min • 03:41 • -13.22db
34% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Mansionair
Falling
124 bpm • B Maj • 03:23 • -9db
28% Popularity • 48% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 48% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Riley Pearce
Free Coffee
122 bpm • D# Maj • 03:39 • -10.04db
35% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Joshua Speers
Happy Birthday You're Alone
124 bpm • C# Maj • 03:10 • -9.65db
18% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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John Vincent III
Back to My Ways
124 bpm • C min • 05:47 • -10.1db
43% Popularity • 33% Danceability • 34% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
43% Popularity • 33% Danceability • 34% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
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Ava Camille
Patagonia Sunrise
124 bpm • G# min • 04:12 • -11.7db
27% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
44% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
44% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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All Faces
The Oaks
124 bpm • C Maj • 03:50 • -9.46db
28% Popularity • 52% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 52% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Riley Pearce
Breathe & Release
122 bpm • E Maj • 03:35 • -7db
36% Popularity • 66% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 66% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Matthew Pinder
Golden Hour
124 bpm • D Maj • 03:36 • -12.17db
32% Popularity • 49% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
32% Popularity • 49% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -12.83db
29% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Kahone Concept
Intricated
122 bpm • D# Maj • 03:36 • -8.48db
7% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Benjamin Love
The Part Where You Leave
122 bpm • G Maj • 04:02 • -14db
22% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Edward + Jane
Please Don't Leave Me Like This
122 bpm • C# Maj • 04:49 • -8.93db
23% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Woodlock
We Gotta Go
122 bpm • D# Maj • 04:12 • -10db
47% Popularity • 53% Danceability • 44% Energy • 16% Liveness
6% Instrumentalness • 23% Positiveness
47% Popularity • 53% Danceability • 44% Energy • 16% Liveness
6% Instrumentalness • 23% Positiveness
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Hazlett
Missionary Feelings
125 bpm • D Maj • 03:32 • -13.23db
61% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Opia
Painter
125 bpm • F Maj • 03:36 • -13.52db
19% Popularity • 39% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 39% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Hayden Calnin
Mountain Steeps
125 bpm • G# Maj • 04:03 • -13.18db
36% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
36% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Riley Pearce
Eastbound
124 bpm • E Maj • 04:04 • -10.44db
26% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Mr. Carter Davis
Storms
125 bpm • D# Maj • 03:25 • -10.39db
30% Popularity • 56% Danceability • 46% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
30% Popularity • 56% Danceability • 46% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
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Michl
Tell Her
125 bpm • A Maj • 02:23 • -13.04db
29% Popularity • 34% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 34% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Hazlett
To Sleep in a King Alone
125 bpm • A# Maj • 04:00 • -14.2db
38% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Fintan
Then We Fall
121 bpm • F min • 03:14 • -11.55db
21% Popularity • 70% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 70% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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SYML
Everything All At Once
126 bpm • G# Maj • 05:10 • -12db
34% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
34% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Wild Rivers
Moving Target
126 bpm • B Maj • 03:32 • -8db
40% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Vacation Manor
Hourglass
120 bpm • E Maj • 03:44 • -13db
28% Popularity • 54% Danceability • 22% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
28% Popularity • 54% Danceability • 22% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
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John Vincent III
Slow Song
120 bpm • A# Maj • 04:51 • -7db
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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An Unexpected End
Johnny
120 bpm • C# Maj • 04:13 • -11.54db
14% Popularity • 65% Danceability • 39% Energy • 16% Liveness
14% Instrumentalness • 10% Positiveness
14% Popularity • 65% Danceability • 39% Energy • 16% Liveness
14% Instrumentalness • 10% Positiveness
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niko+
Glendale
126 bpm • A# Maj • 06:10 • -11.12db
25% Popularity • 49% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 49% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Mantaraybryn
Stand Tall the Four of Us
120 bpm • F min • 03:14 • -8db
31% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Hazlett
Tell Me What You Dream About
126 bpm • G# Maj • 03:17 • -9.41db
49% Popularity • 76% Danceability • 64% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
49% Popularity • 76% Danceability • 64% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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Axel Flóvent
Stars
120 bpm • A# min • 03:33 • -13.61db
32% Popularity • 41% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 41% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
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Craig Stickland
Rolling River
120 bpm • C Maj • 03:24 • -10.52db
16% Popularity • 56% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 56% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Salt Tree
Warm Ocean
120 bpm • G Maj • 03:21 • -8db
40% Popularity • 46% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 46% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Dustin Tebbutt
Changeophelia
120 bpm • C Maj • 04:06 • -12db
48% Popularity • 54% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
48% Popularity • 54% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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RVRB
NEED YOU STILL
120 bpm • E Maj • 04:17 • -8db
25% Popularity • 61% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 61% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Beach Tiger
Dead of Night
120 bpm • G Maj • 03:42 • -8db
27% Popularity • 59% Danceability • 43% Energy • 27% Liveness
3% Instrumentalness • 28% Positiveness
27% Popularity • 59% Danceability • 43% Energy • 27% Liveness
3% Instrumentalness • 28% Positiveness
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Prince of Eden
Whoami
120 bpm • C# Maj • 04:20 • -12.55db
30% Popularity • 51% Danceability • 54% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 51% Danceability • 54% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Tennis Club
Morning
120 bpm • B min • 04:01 • -6db
39% Popularity • 68% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 68% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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This New Light
End of the Line
120 bpm • E Maj • 04:20 • -10.68db
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Riley Pearce
Glass Vase
120 bpm • C# min • 03:52 • -11.86db
30% Popularity • 67% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 67% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Aquilo
Silent Movies
120 bpm • G Maj • 03:21 • -10.74db
29% Popularity • 40% Danceability • 45% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
29% Popularity • 40% Danceability • 45% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
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Andrew Belle
Black Clouds (Hushed)
120 bpm • A Maj • 04:20 • -10.6db
18% Popularity • 59% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 59% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Joshua Moss
Mother Tongue
120 bpm • G Maj • 05:14 • -14.75db
21% Popularity • 43% Danceability • 25% Energy • 13% Liveness
76% Instrumentalness • 18% Positiveness
21% Popularity • 43% Danceability • 25% Energy • 13% Liveness
76% Instrumentalness • 18% Positiveness
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James Quick
Bored in College
120 bpm • G min • 04:04 • -8db
18% Popularity • 75% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 75% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Wingtip
Broken Bones
120 bpm • D# Maj • 03:15 • -8db
34% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Lewis Watson
fly when i fall
120 bpm • G# Maj • 04:10 • -10.29db
20% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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The Ivy
I Don't Wanna
120 bpm • C# Maj • 03:49 • -7.52db
30% Popularity • 31% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 31% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Twiceyoung
Night Drive - Deconstructed
120 bpm • F# min • 04:12 • -13db
30% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
30% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
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Ed Patrick
Mexico
127 bpm • D Maj • 02:52 • -15.18db
40% Popularity • 53% Danceability • 26% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
40% Popularity • 53% Danceability • 26% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Matthew Chaim
Sunflowers
119 bpm • B Maj • 03:16 • -7.6db
27% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Hayden Everett
All Else
119 bpm • B Maj • 01:51 • -10.92db
39% Popularity • 43% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 43% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Joe Hicks
Rest Your Head
127 bpm • A# Maj • 04:02 • -7.6db
14% Popularity • 76% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 76% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Lorne
Navigate
128 bpm • D# Maj • 03:53 • -9.63db
18% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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By The Coast
Always
128 bpm • D# Maj • 04:25 • -12db
29% Popularity • 36% Danceability • 35% Energy • 6% Liveness
11% Instrumentalness • 6% Positiveness
29% Popularity • 36% Danceability • 35% Energy • 6% Liveness
11% Instrumentalness • 6% Positiveness
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Lou
This Forever
128 bpm • C# Maj • 04:31 • -10db
29% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew & Veda
Where Did You Come From (Acoustic)
118 bpm • B Maj • 03:35 • -12db
19% Popularity • 77% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 77% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Fintan
Headstrong
118 bpm • G Maj • 03:14 • -10.69db
16% Popularity • 76% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 76% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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RKCB
Till We're in the Sea
118 bpm • C Maj • 03:42 • -8.28db
30% Popularity • 71% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 71% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
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Hazlett
Couldn't Be Done
118 bpm • G# Maj • 04:16 • -12.24db
32% Popularity • 62% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
32% Popularity • 62% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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The Careful Ones
Favorite Dream
118 bpm • B min • 04:06 • -20db
27% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Nathan Colberg
Calm
118 bpm • D# Maj • 04:04 • -9.76db
33% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Riley Pearce
All My Love
118 bpm • D# Maj • 03:18 • -9.16db
43% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Jon Bryant
Talk
118 bpm • C Maj • 03:49 • -10.65db
31% Popularity • 59% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 59% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Charli Adams
10th Avenue
129 bpm • D# Maj • 03:23 • -7.4db
28% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Hazlett
Cemetery
118 bpm • G# Maj • 02:52 • -15.36db
56% Popularity • 54% Danceability • 17% Energy • 27% Liveness
1% Instrumentalness • 23% Positiveness
56% Popularity • 54% Danceability • 17% Energy • 27% Liveness
1% Instrumentalness • 23% Positiveness
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Hayden Calnin
Let's Dance
129 bpm • F# Maj • 04:01 • -8db
31% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Joel Ansett
Slow Down
117 bpm • D# min • 03:55 • -10.29db
19% Popularity • 61% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 61% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Del Water Gap
High Tops (Stripped)
117 bpm • G Maj • 04:10 • -5.07db
36% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Ella Vos
Lonely Road
117 bpm • G# min • 03:24 • -10.63db
11% Popularity • 47% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
11% Popularity • 47% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
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Matt Walden
Yellow Rose
117 bpm • G Maj • 06:33 • -16db
26% Popularity • 64% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 64% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jordy Searcy
Better
130 bpm • D Maj • 03:30 • -8.21db
32% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Caroline Pennell
Patient
130 bpm • F Maj • 03:53 • -9.89db
18% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Bien
Must Be Dreaming
130 bpm • A Maj • 04:05 • -10.43db
27% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sam Setton
Hurts So Much
130 bpm • C Maj • 03:07 • -8.09db
25% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Aquilo
Who Are You
130 bpm • C# Maj • 03:04 • -10db
40% Popularity • 37% Danceability • 49% Energy • 15% Liveness
23% Instrumentalness • 20% Positiveness
40% Popularity • 37% Danceability • 49% Energy • 15% Liveness
23% Instrumentalness • 20% Positiveness
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Portair
You Should Go
130 bpm • D# Maj • 04:04 • -10db
20% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Islandis
Our World
130 bpm • F# min • 02:55 • -5db
32% Popularity • 64% Danceability • 81% Energy • 38% Liveness
26% Instrumentalness • 72% Positiveness
32% Popularity • 64% Danceability • 81% Energy • 38% Liveness
26% Instrumentalness • 72% Positiveness
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Rococo Disco
Lemon Drop
130 bpm • G# Maj • 04:55 • -9.13db
16% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Young Mister
Safety
130 bpm • B min • 03:22 • -11db
14% Popularity • 37% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
14% Popularity • 37% Danceability • 55% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
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Axel Flóvent
Slow & Steady
130 bpm • D# Maj • 03:03 • -12.92db
22% Popularity • 55% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 55% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jack Gray
Fools
130 bpm • E Maj • 03:44 • -5.92db
19% Popularity • 44% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 44% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Brolly
Son
130 bpm • E Maj • 03:42 • -10.65db
18% Popularity • 50% Danceability • 67% Energy • 32% Liveness
9% Instrumentalness • 33% Positiveness
18% Popularity • 50% Danceability • 67% Energy • 32% Liveness
9% Instrumentalness • 33% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Lauren Preuss
Lay Longer
116 bpm • C Maj • 02:44 • -15.57db
10% Popularity • 63% Danceability • 20% Energy • 7% Liveness
1% Instrumentalness • 34% Positiveness
10% Popularity • 63% Danceability • 20% Energy • 7% Liveness
1% Instrumentalness • 34% Positiveness
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Lewis Ross
Come on Home
116 bpm • A Maj • 02:48 • -10.57db
18% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Walden
Milestone
130 bpm • E Maj • 04:23 • -14.98db
41% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Bre Kennedy
Jealous of Birds
116 bpm • D# Maj • 03:12 • -14.56db
33% Popularity • 65% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 65% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Portair
Paper in the Sky
116 bpm • B min • 03:25 • -10db
34% Popularity • 70% Danceability • 57% Energy • 13% Liveness
6% Instrumentalness • 61% Positiveness
34% Popularity • 70% Danceability • 57% Energy • 13% Liveness
6% Instrumentalness • 61% Positiveness
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Hans Williams
Lost and Found
116 bpm • E Maj • 03:09 • -12.38db
42% Popularity • 79% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 79% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Riley Pearce
Brave
116 bpm • E min • 04:07 • -10.59db
55% Popularity • 52% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 52% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Henry Jamison
Gloria
115 bpm • A# Maj • 03:47 • -13.25db
27% Popularity • 41% Danceability • 28% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
27% Popularity • 41% Danceability • 28% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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Ed Patrick
So Glad (I Got You)
131 bpm • D# Maj • 02:59 • -15db
45% Popularity • 74% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 58% Positiveness
45% Popularity • 74% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 58% Positiveness
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Spectre Jones
Surplus
115 bpm • A# Maj • 03:30 • -12.94db
24% Popularity • 50% Danceability • 34% Energy • 28% Liveness
13% Instrumentalness • 16% Positiveness
24% Popularity • 50% Danceability • 34% Energy • 28% Liveness
13% Instrumentalness • 16% Positiveness
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Hazlett
First World Problems
115 bpm • F# Maj • 04:23 • -11db
20% Popularity • 44% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
20% Popularity • 44% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Hans Williams
Footsteps
115 bpm • F Maj • 04:02 • -9db
32% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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joan
take me on (chilled)
115 bpm • G min • 03:23 • -9db
25% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
