Songs like Suite from "Hush": Silent Night/First Kiss/Enter the Gentlemen/ Schism by Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Giacomo Puccini
Puccini: Turandot, Act 3 Scene 1: "Nessu...
95 bpm • D Maj • 03:26 • -13.38db
4% Popularity • 20% Danceability • 31% Energy • 10% Liveness
35% Instrumentalness • 9% Positiveness
4% Popularity • 20% Danceability • 31% Energy • 10% Liveness
35% Instrumentalness • 9% Positiveness
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Orchestra
Entr'acte
95 bpm • F Maj • 02:40 • -6.79db
7% Popularity • 36% Danceability • 34% Energy • 7% Liveness
3% Instrumentalness • 35% Positiveness
7% Popularity • 36% Danceability • 34% Energy • 7% Liveness
3% Instrumentalness • 35% Positiveness
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Amanda Seyfried
In My Life / A Heart Full Of Love
94 bpm • D Maj • 03:12 • -18.24db
32% Popularity • 32% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Danny Carroll
Overture / Audition
94 bpm • F min • 04:43 • -13db
22% Popularity • 49% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 55% Positiveness
22% Popularity • 49% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 55% Positiveness
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The Cast of Mary Poppins
Pavement Artist (Chim Chim Cher-Ee)
94 bpm • A# min • 01:59 • -21.78db
11% Popularity • 39% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Lionel Bart
Boy For Sale
94 bpm • A min • 01:53 • -23.11db
8% Popularity • 24% Danceability • 2% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 24% Danceability • 2% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Maury Yeston
Overture / Prologue: In Every Age
94 bpm • D Maj • 03:25 • -23.49db
25% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
25% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
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George Bruns
Awakening
94 bpm • F Maj • 02:44 • -17.79db
24% Popularity • 34% Danceability • 6% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
24% Popularity • 34% Danceability • 6% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Che gelida manina"
94 bpm • G# Maj • 04:22 • -10db
16% Popularity • 26% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 26% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Patti LuPone
I Dreamed A Dream
94 bpm • D# Maj • 04:28 • -12.63db
47% Popularity • 21% Danceability • 18% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
47% Popularity • 21% Danceability • 18% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
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![Main Theme [True Romance] cover art](https://i.scdn.co/image/ab67616d00001e02324e107462f33f7a018e66af)
Hans Zimmer
Main Theme [True Romance]
96 bpm • C Maj • 03:31 • -16.32db
18% Popularity • 68% Danceability • 49% Energy • 70% Liveness
97% Instrumentalness • 30% Positiveness
18% Popularity • 68% Danceability • 49% Energy • 70% Liveness
97% Instrumentalness • 30% Positiveness
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Lionel Bart
Who Will Buy?
94 bpm • C min • 04:30 • -22.35db
18% Popularity • 29% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 29% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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The M-G-M Studio Orchestra
Cyclone
96 bpm • C Maj • 02:18 • -14.04db
16% Popularity • 29% Danceability • 51% Energy • 59% Liveness
15% Instrumentalness • 36% Positiveness
16% Popularity • 29% Danceability • 51% Energy • 59% Liveness
15% Instrumentalness • 36% Positiveness
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Lex de Azevedo, Larry Bastian, David Zippel, Larry Schwartz
The Enchanted Castle
96 bpm • C# Maj • 02:14 • -24.35db
31% Popularity • 15% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
31% Popularity • 15% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Verdi: Un ballo in maschera, Act 1 Table...
96 bpm • G# min • 03:17 • -13.07db
5% Popularity • 39% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
5% Popularity • 39% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Georges Bizet
Habanera
97 bpm • G# Maj • 01:06 • -13.58db
28% Popularity • 80% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 80% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Charles Strouse
Annie: Overture
97 bpm • D# Maj • 03:21 • -14.33db
28% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
28% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
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Carousel Orchestra
The Carousel Waltz
97 bpm • D Maj • 08:12 • -14db
24% Popularity • 29% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
24% Popularity • 29% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
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Frances Nero
C'est moi - Lancelot
93 bpm • C Maj • 04:02 • -15.06db
17% Popularity • 42% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 42% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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David Hirschfelder
Night Practice / Parcel from Katharine
93 bpm • C min • 01:19 • -22.33db
17% Popularity • 28% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Orchestra
Tango De Amor
93 bpm • G# Maj • 03:11 • -9.66db
34% Popularity • 41% Danceability • 44% Energy • 25% Liveness
11% Instrumentalness • 47% Positiveness
34% Popularity • 41% Danceability • 44% Energy • 25% Liveness
11% Instrumentalness • 47% Positiveness
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Peggy Wood
Climb Ev'ry Mountain
93 bpm • A# Maj • 02:39 • -11.7db
38% Popularity • 19% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 19% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Moscow Symphony Orchestra
Ballroom Waltz
97 bpm • F Maj • 01:05 • -16.07db
33% Popularity • 24% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 24% Positiveness
33% Popularity • 24% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 24% Positiveness
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David Shannon
Till I Hear You Sing
93 bpm • F Maj • 03:07 • -6db
33% Popularity • 27% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 27% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Marc Shaiman
End Title Suite
93 bpm • C Maj • 05:12 • -12.7db
24% Popularity • 25% Danceability • 43% Energy • 13% Liveness
6% Instrumentalness • 27% Positiveness
24% Popularity • 25% Danceability • 43% Energy • 13% Liveness
6% Instrumentalness • 27% Positiveness
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David Hirschfelder
Your Father Your Family
98 bpm • E Maj • 02:34 • -21.76db
14% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Orchestra
Overture
98 bpm • D# Maj • 03:59 • -6.63db
12% Popularity • 43% Danceability • 43% Energy • 19% Liveness
2% Instrumentalness • 48% Positiveness
12% Popularity • 43% Danceability • 43% Energy • 19% Liveness
2% Instrumentalness • 48% Positiveness
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Peggy Wood
Climb Ev'ry Mountain
92 bpm • F Maj • 02:18 • -12db
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Leigh Harline
The Blue Fairy
98 bpm • G Maj • 03:27 • -18.13db
29% Popularity • 25% Danceability • 17% Energy • 47% Liveness
55% Instrumentalness • 13% Positiveness
29% Popularity • 25% Danceability • 17% Energy • 47% Liveness
55% Instrumentalness • 13% Positiveness
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Anders Eljas
Chess
92 bpm • G min • 05:47 • -13.53db
30% Popularity • 28% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 28% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Richard Robbins
Home And The Betrothal
99 bpm • G Maj • 01:38 • -25.42db
13% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nulla in Mundo Pax Sincera - Arr. Edward...
98 bpm • E Maj • 04:41 • -13.33db
29% Popularity • 29% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 29% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Orchestra
Overture
92 bpm • C Maj • 05:09 • -13.73db
0% Popularity • 45% Danceability • 34% Energy • 22% Liveness
89% Instrumentalness • 48% Positiveness
0% Popularity • 45% Danceability • 34% Energy • 22% Liveness
89% Instrumentalness • 48% Positiveness
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"Les Misérables Original London Cast" Female Ensemble
Turning
99 bpm • F Maj • 02:05 • -14.26db
30% Popularity • 39% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 39% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Fosse Orchestra
Silky Thoughts / Cool Hand Luke
91 bpm • F Maj • 03:33 • -31.14db
1% Popularity • 30% Danceability • 2% Energy • 11% Liveness
74% Instrumentalness • 17% Positiveness
1% Popularity • 30% Danceability • 2% Energy • 11% Liveness
74% Instrumentalness • 17% Positiveness
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Carolee Carmello
Waiting
91 bpm • A# Maj • 02:25 • -7.42db
38% Popularity • 34% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 34% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 15% Positiveness
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John Kander
Cabaret: Willkommen
91 bpm • F Maj • 05:09 • -11.38db
24% Popularity • 53% Danceability • 48% Energy • 87% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 53% Danceability • 48% Energy • 87% Liveness
0% Instrumentalness • 52% Positiveness
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David Hirschfelder
Punished for the Rest of Your Life
92 bpm • G# min • 01:03 • -20.74db
13% Popularity • 13% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
13% Popularity • 13% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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![Escape from the Island [Captain Corelli's Mandolin - Original Motion Picture Soundtrack] cover art](https://i.scdn.co/image/ab67616d00001e0229674525a9e0c972d7bde8eb)
Stephen Warbeck
Escape from the Island [Captain Corelli'...
91 bpm • A# min • 01:43 • -21.4db
8% Popularity • 10% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
8% Popularity • 10% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Camarata And His Orchestra
Love Theme from Sleeping Beauty
99 bpm • F# min • 03:27 • -11db
16% Popularity • 20% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
16% Popularity • 20% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
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Center Stage Orchestra
The Pirates of Penzance: I Am a Pirate K...
90 bpm • C Maj • 02:27 • -12.36db
11% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Orchestra
Overture
98 bpm • D# Maj • 01:58 • -8.19db
37% Popularity • 40% Danceability • 45% Energy • 86% Liveness
80% Instrumentalness • 28% Positiveness
37% Popularity • 40% Danceability • 45% Energy • 86% Liveness
80% Instrumentalness • 28% Positiveness
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Robert Lindsay
Me And My Girl - Original Cast Recording...
91 bpm • A# Maj • 03:44 • -17.59db
21% Popularity • 38% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 38% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Ludwig van Beethoven
What's The Matter, David/Appassionata - ...
91 bpm • F Maj • 01:13 • -19.81db
13% Popularity • 27% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 8% Positiveness
13% Popularity • 27% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 8% Positiveness
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The Celtic Tenors/Mike Moran/Nick Ingman/Patrick Kernan/Gavyn Wright/Mick Mullins/Pete Howarth/Keith Murrell/Orchestra
(Something inside) So Strong
100 bpm • F# min • 03:08 • -8.85db
3% Popularity • 76% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 76% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Stephen Warbeck
On the Jetty [Captain Corelli's Mandolin...
99 bpm • E min • 02:07 • -23.25db
20% Popularity • 44% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
20% Popularity • 44% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Robert Westenberg
Lily's Eyes
90 bpm • E min • 03:09 • -13.56db
32% Popularity • 23% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 23% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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![Les Pecheurs de Perles, Act 1: Romance: Mi par d'udir ancora [Je crois entendre encore] cover art](https://i.scdn.co/image/ab67616d00001e02854eb81b10a1b2cb55aa8bbc)
Georges Bizet
Les Pecheurs de Perles, Act 1: Romance: ...
90 bpm • G# min • 03:50 • -19.69db
8% Popularity • 16% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 16% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Nathan Lane
Live Before We Die - 2010 Original Cast ...
100 bpm • F# min • 02:48 • -15db
33% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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Bournemouth Symphony Orchestra
Prologue (Look Down) / At the End of the...
100 bpm • F min • 03:29 • -17.96db
14% Popularity • 31% Danceability • 32% Energy • 49% Liveness
87% Instrumentalness • 28% Positiveness
14% Popularity • 31% Danceability • 32% Energy • 49% Liveness
87% Instrumentalness • 28% Positiveness
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Kelly Hunter
Cabaret
100 bpm • B Maj • 04:18 • -13.75db
12% Popularity • 55% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 55% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Stephen Warbeck
After the Letter - Instrumental
100 bpm • G Maj • 02:30 • -28.5db
1% Popularity • 48% Danceability • 1% Energy • 16% Liveness
86% Instrumentalness • 46% Positiveness
1% Popularity • 48% Danceability • 1% Energy • 16% Liveness
86% Instrumentalness • 46% Positiveness
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Richard Robbins
The Embankment
90 bpm • F Maj • 02:26 • -25.23db
16% Popularity • 20% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Cinderella Chorus
Cinderella: Finale
101 bpm • F Maj • 01:06 • -12.14db
35% Popularity • 30% Danceability • 36% Energy • 28% Liveness
34% Instrumentalness • 28% Positiveness
35% Popularity • 30% Danceability • 36% Energy • 28% Liveness
34% Instrumentalness • 28% Positiveness
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Nathan Lane
Happy/Sad - 2010 Original Cast Recording...
101 bpm • C# Maj • 03:55 • -13.07db
36% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Lesley Garrett
Schönberg, Claude-Michel: I Dreamed a D...
89 bpm • G# Maj • 04:33 • -12.87db
19% Popularity • 22% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
19% Popularity • 22% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Bloody Mary
Bali Ha'i -
101 bpm • C Maj • 03:39 • -14db
27% Popularity • 23% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 23% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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George Bruns
Aurora's Return / Maleficent's Evil Spel...
89 bpm • A# Maj • 05:06 • -23.56db
18% Popularity • 17% Danceability • 3% Energy • 27% Liveness
92% Instrumentalness • 6% Positiveness
18% Popularity • 17% Danceability • 3% Energy • 27% Liveness
92% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Polonaise No. 6 in A flat, Op. 53 -"Hero...
102 bpm • G# Maj • 01:21 • -10.73db
19% Popularity • 47% Danceability • 36% Energy • 23% Liveness
86% Instrumentalness • 50% Positiveness
19% Popularity • 47% Danceability • 36% Energy • 23% Liveness
86% Instrumentalness • 50% Positiveness
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Andrea Remanda
My Reason - theme from Modgliani
88 bpm • G min • 03:29 • -8db
13% Popularity • 19% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 19% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Lionel Bart
Oliver!
102 bpm • C# Maj • 01:45 • -16.84db
11% Popularity • 60% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 60% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Joseph Kosma
Kosma / Arr. Astier: Les feuilles mortes
89 bpm • G min • 03:31 • -15.26db
7% Popularity • 13% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
7% Popularity • 13% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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Charmian Carr
The Sound Of Music
88 bpm • F Maj • 02:13 • -22db
52% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The "Cabaret" 1986 Company
Wilkommen
88 bpm • A# Maj • 04:08 • -14db
18% Popularity • 48% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 48% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Richard Harris
Camelot and the Wedding Ceremony
103 bpm • C Maj • 04:41 • -17.79db
20% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Mary Costa
Blue Bird / I Wonder
88 bpm • C# Maj • 02:43 • -19.97db
37% Popularity • 28% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 9% Positiveness
37% Popularity • 28% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 9% Positiveness
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Charles Kimbrough
A Guy Like You
103 bpm • G Maj • 02:54 • -14.22db
35% Popularity • 43% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 43% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The "Carousel 1993" Orchestra
Prologue
103 bpm • D Maj • 07:25 • -15.43db
10% Popularity • 28% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
10% Popularity • 28% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
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Traditional
Traditional: Santa Lucia
87 bpm • E Maj • 01:29 • -18.02db
38% Popularity • 22% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 22% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
The "Les Misérables" 10th Anniversary Full Cast
Encore 2: One Day More - Live
87 bpm • C Maj • 04:11 • -18.96db
31% Popularity • 36% Danceability • 37% Energy • 98% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 36% Danceability • 37% Energy • 98% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
George Bruns
The Burning of the Spinning Wheels / The...
87 bpm • C min • 04:32 • -24.42db
25% Popularity • 31% Danceability • 3% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
25% Popularity • 31% Danceability • 3% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
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Ensemble - The Lion King
The Stampede
103 bpm • F min • 02:38 • -9.92db
36% Popularity • 42% Danceability • 59% Energy • 27% Liveness
82% Instrumentalness • 38% Positiveness
36% Popularity • 42% Danceability • 59% Energy • 27% Liveness
82% Instrumentalness • 38% Positiveness
► Preview
Denny Laine
Mull of Kintyre
87 bpm • G Maj • 04:16 • -7.3db
5% Popularity • 19% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
5% Popularity • 19% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Yul Brynner, Marni Nixon & Deborah Kerr
Shall We Dance'
103 bpm • D# Maj • 04:23 • -12.3db
20% Popularity • 47% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 47% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 3: "Nessun dorma!"
87 bpm • D Maj • 03:03 • -8.32db
6% Popularity • 19% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
6% Popularity • 19% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
30% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
30% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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![Love jam [Gosford Park - Original Motion Picture Soundtrack] cover art](https://i.scdn.co/image/ab67616d00001e027df1806967638828b0e25243)
Patrick Doyle
Love jam [Gosford Park - Original Motion...
103 bpm • D min • 03:05 • -17.21db
7% Popularity • 15% Danceability • 14% Energy • 9% Liveness
81% Instrumentalness • 17% Positiveness
7% Popularity • 15% Danceability • 14% Energy • 9% Liveness
81% Instrumentalness • 17% Positiveness
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Mitzi Gaynor
Cocked Eyed Optomist
104 bpm • E Maj • 01:45 • -7.48db
11% Popularity • 41% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 41% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Michael Crawford
The Colours of My Life
87 bpm • F# Maj • 01:26 • -21db
23% Popularity • 25% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 25% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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David Hirschfelder
As If There Was No Tomorrow
87 bpm • G min • 01:46 • -21.68db
13% Popularity • 14% Danceability • 8% Energy • 15% Liveness
93% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 8% Energy • 15% Liveness
93% Instrumentalness • 3% Positiveness
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The Scarlet Pimpernel
Overture - Instrumental
87 bpm • D# Maj • 01:30 • -11.62db
20% Popularity • 28% Danceability • 8% Energy • 14% Liveness
93% Instrumentalness • 26% Positiveness
20% Popularity • 28% Danceability • 8% Energy • 14% Liveness
93% Instrumentalness • 26% Positiveness
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The John Wilson Orchestra
Rodgers / Arr. Kostal: Climb Ev'ry Mount...
104 bpm • C Maj • 02:42 • -13.85db
10% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Rex Harrison
I'm Just An Ordinary Man - Voice
87 bpm • A# Maj • 04:42 • -15db
24% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Kevin Chamberlin
The Moon And Me
104 bpm • C Maj • 03:03 • -10.82db
36% Popularity • 51% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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How To Succeed Orchestra
Overture
87 bpm • C Maj • 02:26 • -8.36db
16% Popularity • 48% Danceability • 54% Energy • 64% Liveness
1% Instrumentalness • 47% Positiveness
16% Popularity • 48% Danceability • 54% Energy • 64% Liveness
1% Instrumentalness • 47% Positiveness
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David Hirschfelder
With The Help of God, Shine
104 bpm • G# min • 03:20 • -14.45db
18% Popularity • 27% Danceability • 20% Energy • 33% Liveness
88% Instrumentalness • 6% Positiveness
18% Popularity • 27% Danceability • 20% Energy • 33% Liveness
88% Instrumentalness • 6% Positiveness
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Freddie Mercury
Love of My Life
87 bpm • F Maj • 03:44 • -8.91db
22% Popularity • 24% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 24% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
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Patrick Doyle
The Shirt [Gosford Park - Original Motio...
87 bpm • A# Maj • 01:39 • -16.35db
12% Popularity • 20% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 33% Positiveness
12% Popularity • 20% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 33% Positiveness
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Rodgers & Hammerstein
Dream Sequence
104 bpm • C# Maj • 01:10 • -12db
28% Popularity • 27% Danceability • 42% Energy • 17% Liveness
89% Instrumentalness • 36% Positiveness
28% Popularity • 27% Danceability • 42% Energy • 17% Liveness
89% Instrumentalness • 36% Positiveness
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The Cast of Mary Poppins
Feed The Birds (Tuppence A Bag)
86 bpm • F# Maj • 03:51 • -23.51db
21% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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George Bruns
Maleficent's Frustration
105 bpm • F min • 02:08 • -17.34db
26% Popularity • 36% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
26% Popularity • 36% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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David Hirschfelder
Back Stage
86 bpm • F Maj • 01:17 • -24.53db
13% Popularity • 24% Danceability • 5% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
13% Popularity • 24% Danceability • 5% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Cy Coleman
Sweet Charity: The Rhythm of Life
86 bpm • C Maj • 03:58 • -13.35db
28% Popularity • 73% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 73% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Cole Porter
Kiss Me, Kate: Overture
105 bpm • A# Maj • 02:41 • -11.22db
12% Popularity • 27% Danceability • 30% Energy • 67% Liveness
53% Instrumentalness • 20% Positiveness
12% Popularity • 27% Danceability • 30% Energy • 67% Liveness
53% Instrumentalness • 20% Positiveness
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Richard Robbins
The Storm
86 bpm • F Maj • 02:38 • -23.4db
15% Popularity • 11% Danceability • 7% Energy • 13% Liveness
75% Instrumentalness • 3% Positiveness
15% Popularity • 11% Danceability • 7% Energy • 13% Liveness
75% Instrumentalness • 3% Positiveness
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Bournemouth Symphony Orchestra
A Heart Full of Love / The Waltz of Trea...
86 bpm • D min • 04:15 • -23.14db
14% Popularity • 10% Danceability • 7% Energy • 50% Liveness
55% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 7% Energy • 50% Liveness
55% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
Ponchielli: La gioconda: Dance of the Ho...
86 bpm • A Maj • 09:38 • -22.46db
4% Popularity • 23% Danceability • 20% Energy • 96% Liveness
19% Instrumentalness • 13% Positiveness
4% Popularity • 23% Danceability • 20% Energy • 96% Liveness
19% Instrumentalness • 13% Positiveness
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John Addison
Murder, She Wrote: Main Theme
105 bpm • C Maj • 02:11 • -21db
15% Popularity • 43% Danceability • 14% Energy • 7% Liveness
86% Instrumentalness • 44% Positiveness
15% Popularity • 43% Danceability • 14% Energy • 7% Liveness
86% Instrumentalness • 44% Positiveness
