Songs like Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach

176 bpm • D Maj • 02:01 • -36.55db

61% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness

176 bpm • D Maj • 06:03 • -26db

65% Popularity • 8% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness

176 bpm • D Maj • 08:47 • -20.67db

45% Popularity • 23% Danceability • 7% Energy • 12% Liveness
78% Instrumentalness • 15% Positiveness

175 bpm • D Maj • 04:45 • -21db

50% Popularity • 31% Danceability • 14% Energy • 12% Liveness
7% Instrumentalness • 22% Positiveness

175 bpm • C min • 06:24 • -34db

18% Popularity • 8% Danceability • 1% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness

175 bpm • C Maj • 03:14 • -23.21db

51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness

179 bpm • D min • 04:20 • -24.28db

46% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness

174 bpm • G Maj • 02:24 • -30db

52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness

173 bpm • C Maj • 01:34 • -35db

61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness

179 bpm • F Maj • 07:13 • -28db

63% Popularity • 14% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness

173 bpm • C min • 06:14 • -28.78db

50% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness

179 bpm • G Maj • 02:11 • -25.7db

62% Popularity • 29% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness

177 bpm • C min • 06:02 • -39db

52% Popularity • 16% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 5% Positiveness

173 bpm • G Maj • 04:03 • -29.65db

47% Popularity • 24% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 31% Positiveness

172 bpm • D min • 02:57 • -23db

24% Popularity • 23% Danceability • 4% Energy • 18% Liveness
78% Instrumentalness • 16% Positiveness

170 bpm • D# Maj • 07:53 • -21db

41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness

168 bpm • G min • 01:58 • -37db

54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness

186 bpm • D Maj • 06:37 • -24.47db

50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness

185 bpm • C min • 03:49 • -16.41db

46% Popularity • 15% Danceability • 25% Energy • 7% Liveness
90% Instrumentalness • 30% Positiveness

164 bpm • C# min • 04:19 • -30.93db

67% Popularity • 22% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness

162 bpm • F min • 03:21 • -18.25db

64% Popularity • 40% Danceability • 25% Energy • 12% Liveness
64% Instrumentalness • 39% Positiveness

159 bpm • D# Maj • 01:45 • -39.22db

53% Popularity • 34% Danceability • 2% Energy • 6% Liveness
8% Instrumentalness • 19% Positiveness

159 bpm • A min • 04:20 • -26.15db

47% Popularity • 22% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness

151 bpm • F min • 03:29 • -25.1db

59% Popularity • 44% Danceability • 10% Energy • 8% Liveness
58% Instrumentalness • 34% Positiveness

153 bpm • D Maj • 06:17 • -19.63db

52% Popularity • 14% Danceability • 14% Energy • 11% Liveness
44% Instrumentalness • 29% Positiveness

213 bpm • D# Maj • 07:44 • -39.51db

49% Popularity • 7% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness

158 bpm • F min • 03:24 • -19.12db

60% Popularity • 48% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 21% Positiveness

157 bpm • G Maj • 02:47 • -15.32db

65% Popularity • 34% Danceability • 49% Energy • 14% Liveness
91% Instrumentalness • 47% Positiveness