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Sujud (Prostration)
Songs like
Sujud (Prostration)
by
Senyawa
Based on a tempo of (+/- 10%) and a similar genre
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Halo
More Than His Share
132 bpm • F Maj • 05:48 • -21.57db
39% Popularity • 41% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Bear McCreary
Herd on the Highway
132 bpm • C# Maj • 02:40 • -14.36db
20% Popularity • 30% Danceability • 41% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Danny Bensi and Saunder Jurriaans
Samurai / Devotion
132 bpm • A# Maj • 03:44 • -14db
25% Popularity • 33% Danceability • 13% Energy • 9% Liveness
79% Instrumentalness • 5% Positiveness
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Mikko Tarmia
Grunt's Appearance
132 bpm • A min • 01:14 • -24.81db
34% Popularity • 53% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
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Hans Zimmer
Salusa Secundus
132 bpm • G Maj • 04:11 • -20.59db
33% Popularity • 16% Danceability • 34% Energy • 27% Liveness
90% Instrumentalness • 6% Positiveness
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Gianfranco & Gianpiero Reverberi
Lucas
133 bpm • C# Maj • 02:13 • -17.83db
29% Popularity • 40% Danceability • 30% Energy • 17% Liveness
91% Instrumentalness • 59% Positiveness
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Halo
Promise the Girl
133 bpm • D# Maj • 01:07 • -21.83db
43% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Trevor Gureckis
Hunger for the Stars
131 bpm • G# Maj • 03:55 • -17.68db
16% Popularity • 17% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Mark Korven
Filthy Dog
134 bpm • D# min • 03:21 • -12db
12% Popularity • 16% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Jeff Rona
Duel with Hades
130 bpm • A Maj • 01:44 • -9.84db
31% Popularity • 44% Danceability • 74% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
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Hans Zimmer
Ordinance
133 bpm • F# Maj • 01:58 • -16.66db
33% Popularity • 55% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 23% Positiveness
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Tom Salta
Desert Trap
130 bpm • E min • 01:00 • -21db
22% Popularity • 65% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 28% Positiveness
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Woody Jackson
Blessed Are The Peacemakers
130 bpm • C min • 03:41 • -20db
45% Popularity • 53% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Anthony Caruso
Consumed
134 bpm • E Maj • 04:14 • -31.25db
27% Popularity • 40% Danceability • 2% Energy • 45% Liveness
90% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Escape from the Train
130 bpm • C Maj • 02:31 • -14.85db
33% Popularity • 66% Danceability • 37% Energy • 5% Liveness
75% Instrumentalness • 9% Positiveness
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Bill Elm
Redemption In Dub
130 bpm • B min • 02:09 • -13db
31% Popularity • 66% Danceability • 59% Energy • 10% Liveness
74% Instrumentalness • 55% Positiveness
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Hans Zimmer
Seige
134 bpm • D min • 04:05 • -13.64db
35% Popularity • 16% Danceability • 32% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Mac Quayle
The Cycle of Violence
134 bpm • G Maj • 05:04 • -25.06db
38% Popularity • 49% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Alain Johannes
Resist and Protect
130 bpm • E Maj • 03:39 • -9.32db
14% Popularity • 55% Danceability • 89% Energy • 14% Liveness
97% Instrumentalness • 34% Positiveness
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Volker Bertelmann
Last Combat
130 bpm • E Maj • 04:47 • -16.61db
28% Popularity • 46% Danceability • 21% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Olivier Deriviere
Bridge to London
130 bpm • G# min • 02:01 • -23.29db
22% Popularity • 49% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 24% Positiveness
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Bill Elm
Horseplay
130 bpm • E min • 03:49 • -12db
36% Popularity • 61% Danceability • 64% Energy • 11% Liveness
88% Instrumentalness • 74% Positiveness
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Steve Pardo
Story Told
130 bpm • A min • 02:29 • -11db
9% Popularity • 27% Danceability • 26% Energy • 14% Liveness
72% Instrumentalness • 3% Positiveness
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Mac Quayle
The Cycle Continues
130 bpm • E min • 03:28 • -28.48db
33% Popularity • 23% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Halo
This Is Our Land
130 bpm • G Maj • 04:00 • -20.75db
35% Popularity • 43% Danceability • 28% Energy • 14% Liveness
85% Instrumentalness • 22% Positiveness
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Dave Porter
Crawl Space
130 bpm • B min • 03:34 • -16.8db
23% Popularity • 62% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 26% Positiveness
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Akiyuki Morimoto
Atmosphere -Swamp Encounter-
129 bpm • C Maj • 01:49 • -39.17db
21% Popularity • 20% Danceability • 18% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
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Bill Elm
The Outlaw's Return
130 bpm • D Maj • 06:54 • -9.39db
32% Popularity • 53% Danceability • 75% Energy • 70% Liveness
92% Instrumentalness • 11% Positiveness
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Senyawa
Kiamat Wahyu
129 bpm • A Maj • 04:45 • -12.23db
1% Popularity • 23% Danceability • 83% Energy • 14% Liveness
52% Instrumentalness • 7% Positiveness
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Mark Korven
Why'd Ya Spill Yer Beans?
129 bpm • E min • 02:34 • -12.51db
13% Popularity • 20% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Olivier Deriviere
The Killing
135 bpm • C Maj • 01:28 • -15.77db
22% Popularity • 17% Danceability • 30% Energy • 40% Liveness
93% Instrumentalness • 7% Positiveness
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Gerard Marino
Poseidon's Wrath
135 bpm • B min • 02:32 • -8db
41% Popularity • 40% Danceability • 77% Energy • 34% Liveness
90% Instrumentalness • 26% Positiveness
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Woody Jackson
American Venom
135 bpm • C min • 02:52 • -8.79db
57% Popularity • 52% Danceability • 80% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Bill Elm
(Theme From) Red Dead Redemption
130 bpm • A min • 05:38 • -12db
48% Popularity • 43% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Robin Carolan
Last Teardrop
135 bpm • G# Maj • 03:35 • -15.19db
24% Popularity • 15% Danceability • 44% Energy • 14% Liveness
80% Instrumentalness • 8% Positiveness
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Marcello Gigante
Wanted Johnny Texas : Seq. 01. Titoli
135 bpm • D# Maj • 03:04 • -10.69db
27% Popularity • 40% Danceability • 63% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
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Shigeru Umebayashi
Tsushima Suite: III. Bushido
135 bpm • D min • 10:17 • -16.81db
33% Popularity • 22% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
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Russell Brower
And The Heavens Shall Tremble
135 bpm • F Maj • 02:23 • -11.81db
30% Popularity • 26% Danceability • 27% Energy • 22% Liveness
97% Instrumentalness • 7% Positiveness
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Ennio Morricone
Il mercenario - Ripresa terza
136 bpm • A min • 02:11 • -13.61db
23% Popularity • 39% Danceability • 34% Energy • 11% Liveness
83% Instrumentalness • 33% Positiveness
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Bill Elm
El Club De Los Cuerpos
130 bpm • A min • 06:24 • -9db
34% Popularity • 52% Danceability • 70% Energy • 8% Liveness
82% Instrumentalness • 30% Positiveness
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Lucas King
Darth Plagueis
136 bpm • G Maj • 02:41 • -22db
24% Popularity • 15% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Filippo Beck Peccoz
Once Upon a Time
128 bpm • A# Maj • 01:10 • -20.04db
15% Popularity • 52% Danceability • 21% Energy • 38% Liveness
47% Instrumentalness • 6% Positiveness
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Danny Bensi and Saunder Jurriaans
Empty Account
128 bpm • C Maj • 02:15 • -26.59db
16% Popularity • 83% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Alain Johannes
Quiet Watchers
136 bpm • G Maj • 01:45 • -20.59db
9% Popularity • 24% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Robin Carolan
Hekla
127 bpm • G Maj • 02:12 • -10.63db
30% Popularity • 49% Danceability • 78% Energy • 13% Liveness
96% Instrumentalness • 22% Positiveness
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Bill Elm
The Shootist
130 bpm • D Maj • 04:17 • -10db
40% Popularity • 63% Danceability • 82% Energy • 13% Liveness
94% Instrumentalness • 25% Positiveness
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Ilan Eshkeri
The Tale of Sensei Ishikawa
127 bpm • G min • 04:36 • -13.44db
30% Popularity • 48% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Senyawa
Sisa
138 bpm • F# Maj • 04:50 • -5.81db
3% Popularity • 38% Danceability • 64% Energy • 11% Liveness
68% Instrumentalness • 32% Positiveness
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Carlos Viola
Tierras de Azafrán
127 bpm • A Maj • 03:43 • -21.03db
33% Popularity • 29% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Alain Johannes
Broken Bolivia
128 bpm • A min • 02:21 • -36db
24% Popularity • 52% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
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Hildur Guðnadóttir
Between the Bows
126 bpm • C Maj • 03:07 • -11.51db
12% Popularity • 29% Danceability • 68% Energy • 31% Liveness
58% Instrumentalness • 4% Positiveness
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Bill Elm
Luz Y Sombra
130 bpm • A min • 05:19 • -18.06db
32% Popularity • 44% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Bear McCreary
Glenn's Wheels
138 bpm • C Maj • 01:46 • -15.09db
22% Popularity • 62% Danceability • 40% Energy • 26% Liveness
93% Instrumentalness • 7% Positiveness
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Kreeps
Dead Sled
138 bpm • E min • 02:09 • -6.82db
24% Popularity • 54% Danceability • 96% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
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Dave Porter
Reciprocating Saw
138 bpm • C# Maj • 02:35 • -14.64db
8% Popularity • 37% Danceability • 35% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Senyawa
Gaib
138 bpm • F min • 06:20 • -8.39db
1% Popularity • 54% Danceability • 89% Energy • 29% Liveness
85% Instrumentalness • 42% Positiveness
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Halo
Devils... Monsters...
126 bpm • C# Maj • 01:30 • -15.25db
37% Popularity • 94% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
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Bill Elm
Triggernometry
130 bpm • E min • 05:23 • -9.69db
41% Popularity • 43% Danceability • 74% Energy • 42% Liveness
92% Instrumentalness • 43% Positiveness
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Jeremy Soule
Silent Footsteps
126 bpm • G# Maj • 02:51 • -35.98db
52% Popularity • 17% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Marco Beltrami
X-24
140 bpm • D min • 02:46 • -15.19db
16% Popularity • 19% Danceability • 17% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Guillaume David
Lost Civilizations
125 bpm • C min • 03:25 • -18.94db
39% Popularity • 18% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Senyawa
Tadulako
139 bpm • D min • 03:22 • -6.61db
1% Popularity • 39% Danceability • 76% Energy • 74% Liveness
2% Instrumentalness • 26% Positiveness
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Mac Quayle
The WLF
140 bpm • A min • 03:39 • -17.94db
35% Popularity • 18% Danceability • 21% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Bill Elm
Muertos Rojos (Aka The Gunslinger's Lame...
129 bpm • E min • 05:50 • -19.1db
32% Popularity • 33% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Steven Lynn
Vengeance
140 bpm • G# Maj • 08:21 • -13.16db
12% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Jason Charles Miller
Welcome to UnDeadwood
140 bpm • A Maj • 02:16 • -8.69db
18% Popularity • 24% Danceability • 40% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Jed Kurzel
Turn Hell Hound
140 bpm • C Maj • 03:00 • -10.26db
21% Popularity • 55% Danceability • 86% Energy • 29% Liveness
73% Instrumentalness • 52% Positiveness
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Senyawa
Hadirlah Suci
125 bpm • F min • 06:51 • -9.66db
1% Popularity • 67% Danceability • 72% Energy • 6% Liveness
90% Instrumentalness • 21% Positiveness
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Hans Zimmer
Guerrilla Tactics
140 bpm • D Maj • 02:58 • -13.49db
37% Popularity • 58% Danceability • 72% Energy • 42% Liveness
90% Instrumentalness • 29% Positiveness
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Bill Elm
Born Unto Trouble
129 bpm • A min • 03:12 • -19.04db
44% Popularity • 27% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Steven Price
Tiger Battle
140 bpm • G Maj • 06:17 • -11db
30% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
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Woody Jackson
Blood Feuds, Ancient And Modern
140 bpm • C min • 07:15 • -13db
45% Popularity • 44% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Sam Hulick
The Normandy
140 bpm • E min • 01:33 • -17db
37% Popularity • 54% Danceability • 52% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Mike Reagan
In the Face of Fear
140 bpm • D min • 02:00 • -8.49db
29% Popularity • 41% Danceability • 72% Energy • 21% Liveness
93% Instrumentalness • 27% Positiveness
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Halo
Released
140 bpm • G Maj • 05:20 • -19db
38% Popularity • 46% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 36% Positiveness
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Bill Elm
Already Dead
136 bpm • G Maj • 01:31 • -15.39db
34% Popularity • 32% Danceability • 11% Energy • 14% Liveness
24% Instrumentalness • 35% Positiveness
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Cliff Martinez
The Whisper of My Blade
140 bpm • C min • 03:56 • -16.85db
9% Popularity • 59% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Michael Leonhart
Banking, The Old American Art
140 bpm • D Maj • 04:32 • -16.06db
38% Popularity • 43% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Woody Jackson
Larry Taylor
140 bpm • D min • 06:02 • -17.1db
19% Popularity • 79% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
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Primal
Zombie Chase
140 bpm • C Maj • 02:00 • -13.99db
11% Popularity • 19% Danceability • 76% Energy • 89% Liveness
95% Instrumentalness • 4% Positiveness
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Dave Porter
We're a Family
140 bpm • D Maj • 01:39 • -23.06db
12% Popularity • 27% Danceability • 32% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
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Michael Giacchino
Mayoral Ducting
140 bpm • A# min • 02:34 • -27.81db
38% Popularity • 29% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Jeff van Dyck
Epic
140 bpm • G Maj • 05:22 • -11.11db
23% Popularity • 52% Danceability • 59% Energy • 35% Liveness
93% Instrumentalness • 23% Positiveness
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Stuart Chatwood
Mournweald Encounter
124 bpm • G Maj • 02:25 • -6.37db
38% Popularity • 58% Danceability • 95% Energy • 8% Liveness
84% Instrumentalness • 28% Positiveness
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Senyawa
Fasih
141 bpm • A# Maj • 03:56 • -10.15db
4% Popularity • 46% Danceability • 87% Energy • 18% Liveness
93% Instrumentalness • 49% Positiveness
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Mario Batkovic
There She Is…A Real City, The Future
124 bpm • A min • 00:36 • -19.94db
36% Popularity • 18% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Heart of the Jito
141 bpm • C# Maj • 04:15 • -19.46db
31% Popularity • 18% Danceability • 7% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Greg Edmonson
Atlantis of the Sands
141 bpm • D Maj • 02:33 • -11db
30% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
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Jeff van Dyck
Carthage Intro
140 bpm • D Maj • 01:18 • -15.43db
33% Popularity • 46% Danceability • 49% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Ron Fish
Labor of Destruction
123 bpm • B min • 01:36 • -8.66db
31% Popularity • 38% Danceability • 66% Energy • 10% Liveness
8% Instrumentalness • 9% Positiveness
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Daniel Licht
Dishonored 2 Main Theme
141 bpm • C min • 02:30 • -17.31db
42% Popularity • 37% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Waiting for the Engineer
142 bpm • F min • 01:31 • -19.15db
23% Popularity • 18% Danceability • 27% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Shigeru Umebayashi
Tsushima Suite: IV. Kodoku
123 bpm • D Maj • 09:50 • -18.91db
29% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Greg Edmonson
Grave Robbing
141 bpm • A Maj • 02:01 • -17.89db
19% Popularity • 15% Danceability • 23% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
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Ennio Morricone
Sterilization
142 bpm • E min • 05:08 • -25.2db
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 5% Positiveness
► Preview
Halo
Nightfall
142 bpm • F min • 05:40 • -20.24db
34% Popularity • 31% Danceability • 49% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Hans Zimmer
Retreat and Reveille
142 bpm • B min • 02:57 • -11db
37% Popularity • 55% Danceability • 55% Energy • 11% Liveness
71% Instrumentalness • 38% Positiveness
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Woody Jackson
The Wheel
142 bpm • C min • 03:53 • -16.45db
40% Popularity • 14% Danceability • 16% Energy • 16% Liveness
57% Instrumentalness • 7% Positiveness
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Daniel Lanois
Red
142 bpm • C Maj • 02:15 • -16db
50% Popularity • 41% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Yuka Kitamura
Premonition
142 bpm • C min • 02:06 • -26.41db
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Sujud (Prostration)