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Summa Irukkathunga
Songs like
Summa Irukkathunga
by
N. S. Krishnan
Based on a tempo of (+/- 10%) and a similar genre
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Naagoor E M Hanifa
Nagoorar Peyarai Naaval
110 bpm • G min • 04:11 • -10.23db
12% Popularity • 66% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Nithya Sri Mahadeven
Kundrellaam Kumara
110 bpm • F min • 10:07 • -5.71db
10% Popularity • 60% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Vayswavi
Adi Padi
110 bpm • D# min • 07:37 • -8.28db
8% Popularity • 64% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Puthugai Manimaran
Karpaga Vinayaka Saranam
110 bpm • F# min • 05:42 • -11.63db
16% Popularity • 53% Danceability • 55% Energy • 25% Liveness
1% Instrumentalness • 95% Positiveness
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Veeramani Raju
Annathana Prabhuve Saranam
110 bpm • A Maj • 03:34 • -6.31db
10% Popularity • 47% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Sirkazhi Govindarajan
Arpudha Poongarpagam
110 bpm • F Maj • 02:55 • -10.96db
2% Popularity • 59% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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K. Veeramani
Puviyil Vaa - Language: Tamil; Genre: Ay...
109 bpm • A# Maj • 03:56 • -5.46db
7% Popularity • 52% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Gyan Varma
Oracha Manjala Orasi Paathu
109 bpm • G Maj • 02:48 • -5.01db
8% Popularity • 61% Danceability • 91% Energy • 61% Liveness
0% Instrumentalness • 77% Positiveness
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Bombay Saradha
Vana Vana Kavadi
109 bpm • F Maj • 06:04 • -8.7db
9% Popularity • 64% Danceability • 62% Energy • 4% Liveness
3% Instrumentalness • 93% Positiveness
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Puthugai Manimaran
Title Songs
111 bpm • C Maj • 00:41 • -10.59db
10% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sakthidaasan
Moonu Kannu
109 bpm • D Maj • 06:25 • -7.08db
12% Popularity • 64% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Chitra
Nila Nila Nee Vaa
111 bpm • E Maj • 04:17 • -14.25db
17% Popularity • 84% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Rani Rajendran
Siluvai Yesuvin
109 bpm • D min • 05:04 • -3.95db
8% Popularity • 59% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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K. Veeramani
Vaakkundaam Nallamanam Undaam
111 bpm • F# Maj • 00:54 • -7.62db
9% Popularity • 43% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Malaysia Vasudevan
Kalyana Tharagare
112 bpm • A# Maj • 04:45 • -8.22db
8% Popularity • 84% Danceability • 64% Energy • 62% Liveness
24% Instrumentalness • 90% Positiveness
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Pushpavanam Kuppusamy
Ponga Vaipom
108 bpm • C# min • 05:44 • -11.47db
11% Popularity • 60% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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Pithukuli Murugadas
Ambalatharasey
108 bpm • D# min • 01:11 • -9.35db
11% Popularity • 36% Danceability • 37% Energy • 16% Liveness
53% Instrumentalness • 52% Positiveness
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Eelam Music
Inthamann Enkalin Sonthamann
112 bpm • A# Maj • 03:42 • -9.85db
13% Popularity • 71% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Bharani
Gigu Gimba
112 bpm • C# Maj • 04:13 • -7.44db
11% Popularity • 84% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Karumari Karna
Kulasi Nagar
112 bpm • G# Maj • 05:12 • -7.34db
9% Popularity • 71% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Sudha Ragunathan
Natanam Adinar
107 bpm • F# Maj • 06:37 • -10.08db
9% Popularity • 68% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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L. R. Eswari
Eeswariyea Magamaayi
113 bpm • D Maj • 03:15 • -5.31db
10% Popularity • 76% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Rahul
Sivashtakam
107 bpm • A Maj • 02:57 • -6.47db
12% Popularity • 60% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Veeramanidasan
Naga Vadivanavale
107 bpm • F Maj • 04:51 • -7.91db
7% Popularity • 62% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Adithyan
Yedukondala
113 bpm • D Maj • 04:42 • -9.72db
9% Popularity • 93% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Krishnaraj
Sri Jayaraman
113 bpm • E min • 06:14 • -7.69db
8% Popularity • 72% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 89% Positiveness
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Puthugai Manimaran
Erigan Kondu
107 bpm • G Maj • 05:24 • -7.3db
12% Popularity • 86% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Sasireka
Muthu Mani Pallaaku
107 bpm • F# Maj • 04:50 • -6.59db
10% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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T. R. Mahalingam
Viduthalai
107 bpm • C Maj • 01:06 • -11.89db
3% Popularity • 67% Danceability • 47% Energy • 24% Liveness
18% Instrumentalness • 97% Positiveness
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Kumari, Suresh Kuzhuvinar
Dasara
106 bpm • C Maj • 06:38 • -13.06db
9% Popularity • 51% Danceability • 69% Energy • 22% Liveness
82% Instrumentalness • 78% Positiveness
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Malaysia Vasudevan
Aaduthadi
106 bpm • A Maj • 04:47 • -7.85db
9% Popularity • 52% Danceability • 72% Energy • 34% Liveness
17% Instrumentalness • 83% Positiveness
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Thiruthuraipoondi Radhakrishnan Pappa
Sakthi Yauam
114 bpm • D# min • 03:31 • -11.22db
9% Popularity • 76% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Puthugai Manimaran
Aiseyavela Periya
114 bpm • C Maj • 06:32 • -7.34db
9% Popularity • 88% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Pushpavanam Kuppusamy
Kavadiyam Kavadi
106 bpm • A min • 08:01 • -2.83db
0% Popularity • 57% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Prabhakar
Bhomikkoru Thaye
106 bpm • E Maj • 04:48 • -7.31db
14% Popularity • 57% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Sakthidaasan
Suyambu Vidivinil
115 bpm • D Maj • 04:53 • -12.04db
12% Popularity • 63% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Sirkazhi Govindarajan
Vinaayagar Agaval (Version 1)
115 bpm • D# Maj • 04:36 • -9.39db
4% Popularity • 68% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Ekanthan
Agayam Bhoomi
115 bpm • G min • 05:06 • -11.06db
8% Popularity • 74% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Sriramakrishnan V
Ayyappa Swami Ayyappa
105 bpm • F# Maj • 04:49 • -7.86db
11% Popularity • 45% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Sadhasivam V
Aathula Thanni Varum Kummi pattu
115 bpm • G Maj • 09:29 • -6.91db
10% Popularity • 79% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Dr. Vijiya Lakshmi Navanetha Krishnan
Maalai Maayagiruchu
105 bpm • A# Maj • 04:03 • -4.21db
9% Popularity • 59% Danceability • 87% Energy • 80% Liveness
3% Instrumentalness • 70% Positiveness
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Puthugai Manimaran
Peramburu Veeramma
105 bpm • A min • 12:20 • -6.62db
7% Popularity • 86% Danceability • 64% Energy • 26% Liveness
2% Instrumentalness • 90% Positiveness
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Pushpavanam Kuppusamy
Manja Matha (Pishpavanam Kuppusamy) - La...
115 bpm • C min • 04:45 • -8.17db
7% Popularity • 90% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Hema G.
Karthar Than - A Mighty Fortress is our ...
105 bpm • G Maj • 04:38 • -6.55db
9% Popularity • 78% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Gangai Amaran
Alli Alli Veesuthama
105 bpm • A Maj • 05:31 • -8.04db
10% Popularity • 65% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Pithukuli Murugadas
Naaranar Enum
115 bpm • C min • 02:17 • -5.19db
15% Popularity • 48% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Anuradha Sriram
Siva Namam
105 bpm • D Maj • 03:49 • -5.12db
9% Popularity • 70% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Sirkazhi Govindarajan
Nee Illadha
105 bpm • F Maj • 05:03 • -9.73db
3% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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T. L. Maharajan
Adhimuthalvanku
105 bpm • A# Maj • 06:27 • -8.64db
7% Popularity • 67% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Tithi
Komal Komal Dehia
116 bpm • D min • 05:25 • -0.9db
15% Popularity • 58% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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P. Jayachandran
Kilai Ella Marangalil
104 bpm • F min • 04:32 • -8.66db
17% Popularity • 51% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Sadhasivam V
Ediyaa Muzhanguthe
116 bpm • C# Maj • 05:07 • -4.28db
11% Popularity • 85% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Krishnaraj
Moovoru Irivan
116 bpm • A# Maj • 04:31 • -10.8db
7% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Sudha Raja
Natesar Kavuthuvam
117 bpm • D# Maj • 04:20 • -5.8db
7% Popularity • 55% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 75% Positiveness
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S.A. Rajkumar
Anthapura Nandnavanam
116 bpm • F# Maj • 02:42 • -8.81db
2% Popularity • 44% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Adithyan
Tring Tring
117 bpm • D Maj • 04:16 • -3.3db
6% Popularity • 77% Danceability • 97% Energy • 5% Liveness
1% Instrumentalness • 42% Positiveness
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Rajkumar Bharathi
Aacharya Hanumane
103 bpm • A min • 04:03 • -10.37db
9% Popularity • 76% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Pushpavanam Kuppusamy
Velli Mulatchathada
118 bpm • G Maj • 07:50 • -5.81db
12% Popularity • 56% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Gyan Varma
Gangai Karaiyil Adiyavar Koottam
102 bpm • F# min • 04:59 • -4.23db
10% Popularity • 41% Danceability • 88% Energy • 74% Liveness
0% Instrumentalness • 41% Positiveness
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Karumari Karna
Azhagu Mutharamma
103 bpm • F# min • 05:07 • -4.57db
15% Popularity • 83% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Soolamangalam Rajalakshmi
Aarumuga Maana Porul
102 bpm • F Maj • 03:15 • -10.9db
6% Popularity • 56% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Malaysia Vasudevan
Kizhakku Veluthuruchu
118 bpm • F min • 04:36 • -10.44db
16% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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D V Ramani
Sakhi Varugiral
102 bpm • F# min • 04:13 • -6.58db
12% Popularity • 44% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Traditional
Narayana Namo
102 bpm • D# Maj • 04:18 • -8.15db
5% Popularity • 45% Danceability • 87% Energy • 15% Liveness
91% Instrumentalness • 50% Positiveness
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K. J. Yesudas
Thanthaikku Guruvaki
102 bpm • F# min • 05:09 • -9.91db
8% Popularity • 59% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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SAKTHI SHANMUGARAJA
MALAIYANOOR MANNEDUTHU
102 bpm • D Maj • 05:13 • -9.97db
9% Popularity • 70% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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J. Manimaran
Malai Azhaga - Female Version
102 bpm • E min • 05:30 • -8.29db
13% Popularity • 49% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Malaysia Vasudevan
Salaam Sadukudu
102 bpm • D Maj • 04:36 • -10.32db
12% Popularity • 60% Danceability • 61% Energy • 13% Liveness
7% Instrumentalness • 91% Positiveness
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Veeramani Raju
Ayyan Arul Undu
101 bpm • D Maj • 04:18 • -12.74db
7% Popularity • 61% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Gana Amul
Suthamana
101 bpm • C min • 04:01 • -4.52db
10% Popularity • 60% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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K. J. Yesudas
Tham Tharikida Tharikida Thom
101 bpm • A min • 04:39 • -10.1db
14% Popularity • 59% Danceability • 64% Energy • 18% Liveness
34% Instrumentalness • 91% Positiveness
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Mano
Adi Raani Sultana
120 bpm • C Maj • 04:18 • -15.46db
0% Popularity • 79% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Ilayaraja
Vellinila
120 bpm • C min • 05:37 • -15.45db
11% Popularity • 53% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 57% Positiveness
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Malaysia Vasudevan
Kathavai Thiradi Bama
101 bpm • G# Maj • 04:57 • -11.12db
0% Popularity • 50% Danceability • 43% Energy • 24% Liveness
2% Instrumentalness • 76% Positiveness
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Rev.S.Rajendran
Thedivantha Deva Rajan
120 bpm • C Maj • 03:44 • -5.93db
8% Popularity • 59% Danceability • 65% Energy • 37% Liveness
4% Instrumentalness • 78% Positiveness
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Sakthidaasan
Om Sakthi Om
100 bpm • A# Maj • 04:55 • -8.73db
7% Popularity • 50% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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N. S. Krishnan
Unmele Naan
121 bpm • G# Maj • 03:29 • -9.64db
0% Popularity • 67% Danceability • 57% Energy • 36% Liveness
2% Instrumentalness • 87% Positiveness
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Nagu
PP Celebration
100 bpm • C Maj • 05:27 • -7.37db
12% Popularity • 70% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Karumari Karna
Varalam Varalam
100 bpm • E min • 07:20 • -5.34db
9% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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A. R. Ramani Ammal
Kandanum Varuvan
100 bpm • F# Maj • 03:20 • -13db
11% Popularity • 62% Danceability • 66% Energy • 78% Liveness
1% Instrumentalness • 78% Positiveness
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K. V. Mahadevan
Thillaanaa Mohanambaal Theme - Instrumen...
122 bpm • F# Maj • 00:59 • -11.06db
5% Popularity • 44% Danceability • 57% Energy • 27% Liveness
96% Instrumentalness • 82% Positiveness
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Sivakumar Poosari
Malayanooru Anagalamma
99 bpm • B min • 08:11 • -3.13db
12% Popularity • 40% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Bharani
Osho Pennai
122 bpm • G Maj • 04:06 • -6.03db
15% Popularity • 86% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Seergazhi G.Sivachidambaram
Thirupugazh Padum - Language: Tamil; Gen...
99 bpm • G Maj • 04:35 • -3.93db
7% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Murali Prasad
Ayyappa
99 bpm • C min • 05:06 • -10.99db
7% Popularity • 82% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Krishnaraj
Thamizhan Thamizhan
99 bpm • G Maj • 04:30 • -12.79db
12% Popularity • 76% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Bombay Saradha
Kunkumam
122 bpm • B min • 07:33 • -5.44db
4% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Nagore E.M. Haniffa
Ella Pugalum
98 bpm • C# Maj • 03:09 • -7.37db
7% Popularity • 46% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Sirkazhi Govindarajan
Vinaayagar Agaval (Version 2)
99 bpm • D Maj • 06:39 • -7.86db
10% Popularity • 58% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Vidyasagar
Kathu Pasanga
123 bpm • G# Maj • 05:06 • -9.08db
9% Popularity • 70% Danceability • 77% Energy • 4% Liveness
1% Instrumentalness • 68% Positiveness
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Sadhasivam V
Sattaiyathan Suzhattikittu
98 bpm • C# Maj • 08:11 • -2.42db
12% Popularity • 46% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Gangai Amaran
Vellarikka
98 bpm • A min • 05:05 • -8.71db
8% Popularity • 64% Danceability • 59% Energy • 38% Liveness
16% Instrumentalness • 75% Positiveness
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Abul Barakath Belali
Komaan Nabee
98 bpm • A Maj • 05:16 • -5.56db
7% Popularity • 47% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Nagoor H. M. Hanifa
Nenjil Niraitha
124 bpm • F Maj • 04:21 • -13.2db
13% Popularity • 56% Danceability • 33% Energy • 8% Liveness
17% Instrumentalness • 64% Positiveness
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Sirkazhi Govindarajan
Maari Maari Olikkum
98 bpm • F Maj • 04:40 • -9.83db
2% Popularity • 66% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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A. R. Sheik Mohammed
Thamizhagathu
97 bpm • F# min • 10:49 • -3.88db
15% Popularity • 58% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
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D.V. Ramani
Veppilaiyam Veppilaiyam
97 bpm • G# Maj • 05:55 • -3.35db
10% Popularity • 65% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Veeramanidasan
Pachaimayil
125 bpm • C Maj • 04:49 • -5.48db
8% Popularity • 72% Danceability • 82% Energy • 65% Liveness
0% Instrumentalness • 90% Positiveness
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Rahul
Lingashtakam
125 bpm • C Maj • 03:11 • -6.31db
13% Popularity • 73% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Shankar - Ganesh
Ennadi Muniyamma
97 bpm • F Maj • 04:06 • -6.2db
9% Popularity • 64% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Summa Irukkathunga