Songs like Summer Song by Marques Toliver
Based on a tempo of (+/- 10%) and a similar genre
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Marques Toliver
Stay
101 bpm • G min • 04:10 • -8.35db
2% Popularity • 54% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
2% Popularity • 54% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Dirty Projectors
Gun Has No Trigger
101 bpm • A min • 03:24 • -5.89db
20% Popularity • 68% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 68% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Kiwanuka
Ode To You
101 bpm • C# Maj • 03:20 • -13.61db
29% Popularity • 77% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 77% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Dry the River
Shaker Hymns
101 bpm • A# Maj • 03:49 • -10db
21% Popularity • 40% Danceability • 38% Energy • 7% Liveness
8% Instrumentalness • 38% Positiveness
21% Popularity • 40% Danceability • 38% Energy • 7% Liveness
8% Instrumentalness • 38% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
I'll Find You
101 bpm • G# min • 03:01 • -11.49db
0% Popularity • 34% Danceability • 54% Energy • 27% Liveness
2% Instrumentalness • 32% Positiveness
0% Popularity • 34% Danceability • 54% Energy • 27% Liveness
2% Instrumentalness • 32% Positiveness
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Charlene Soraia
Daffodils
102 bpm • A Maj • 04:08 • -16db
7% Popularity • 44% Danceability • 18% Energy • 12% Liveness
16% Instrumentalness • 30% Positiveness
7% Popularity • 44% Danceability • 18% Energy • 12% Liveness
16% Instrumentalness • 30% Positiveness
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Marques Toliver
Summer Song
101 bpm • C# min • 03:25 • -14.56db
0% Popularity • 48% Danceability • 45% Energy • 14% Liveness
39% Instrumentalness • 46% Positiveness
0% Popularity • 48% Danceability • 45% Energy • 14% Liveness
39% Instrumentalness • 46% Positiveness
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Lo-Fang
When We're Fire
100 bpm • C# Maj • 03:48 • -8.97db
29% Popularity • 75% Danceability • 54% Energy • 9% Liveness
55% Instrumentalness • 18% Positiveness
29% Popularity • 75% Danceability • 54% Energy • 9% Liveness
55% Instrumentalness • 18% Positiveness
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Dirty Gold
The Quiet Life
100 bpm • E Maj • 04:42 • -11.18db
11% Popularity • 50% Danceability • 62% Energy • 39% Liveness
29% Instrumentalness • 17% Positiveness
11% Popularity • 50% Danceability • 62% Energy • 39% Liveness
29% Instrumentalness • 17% Positiveness
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Fink
This Is The Thing - Spotify Exclusive
102 bpm • D Maj • 05:02 • -15.61db
12% Popularity • 45% Danceability • 15% Energy • 33% Liveness
7% Instrumentalness • 33% Positiveness
12% Popularity • 45% Danceability • 15% Energy • 33% Liveness
7% Instrumentalness • 33% Positiveness
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Tessa Rose Jackson
(All The) King's Horses
100 bpm • B Maj • 03:39 • -7.13db
11% Popularity • 74% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 74% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Generationals
Say for Certain
100 bpm • C Maj • 04:15 • -5.58db
23% Popularity • 78% Danceability • 93% Energy • 8% Liveness
53% Instrumentalness • 40% Positiveness
23% Popularity • 78% Danceability • 93% Energy • 8% Liveness
53% Instrumentalness • 40% Positiveness
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Marques Toliver
Anniversary
100 bpm • G min • 03:41 • -8.03db
0% Popularity • 25% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 25% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
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Firehorse
Our Hearts
100 bpm • C Maj • 04:02 • -8.88db
15% Popularity • 74% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
15% Popularity • 74% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Laura Marling
The Muse
102 bpm • E min • 03:40 • -12db
18% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Love Inks
Leather Glove
99 bpm • D Maj • 03:28 • -11.85db
11% Popularity • 79% Danceability • 30% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
11% Popularity • 79% Danceability • 30% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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Beirut
Goshen
99 bpm • B Maj • 03:20 • -10db
38% Popularity • 29% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
38% Popularity • 29% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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I Am Oak
Curt - Acoustic
103 bpm • D# min • 02:28 • -15.24db
9% Popularity • 74% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 74% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Marques Toliver
White Sails (Demo)
100 bpm • C Maj • 03:45 • -8.22db
9% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
I See Them Coming
103 bpm • F# Maj • 02:16 • -9.8db
0% Popularity • 20% Danceability • 59% Energy • 16% Liveness
75% Instrumentalness • 39% Positiveness
0% Popularity • 20% Danceability • 59% Energy • 16% Liveness
75% Instrumentalness • 39% Positiveness
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Mayer Hawthorne
No Strings (Classixx Original)
103 bpm • D Maj • 03:49 • -7.24db
14% Popularity • 71% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 71% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Cody Chesnutt
That's Still Mama
99 bpm • C min • 04:15 • -4.28db
13% Popularity • 49% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 49% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Yuna
Remember My Name
103 bpm • A Maj • 03:37 • -8.34db
19% Popularity • 73% Danceability • 66% Energy • 8% Liveness
8% Instrumentalness • 67% Positiveness
19% Popularity • 73% Danceability • 66% Energy • 8% Liveness
8% Instrumentalness • 67% Positiveness
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Javelin
Light Out
103 bpm • F# Maj • 03:08 • -6.37db
7% Popularity • 73% Danceability • 68% Energy • 17% Liveness
4% Instrumentalness • 87% Positiveness
7% Popularity • 73% Danceability • 68% Energy • 17% Liveness
4% Instrumentalness • 87% Positiveness
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Marques Toliver
Try Your Best
100 bpm • F# Maj • 04:24 • -9.79db
0% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Little Scream
The Heron and the Fox
98 bpm • F# Maj • 05:02 • -13.44db
14% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lucy Rose
Scar
104 bpm • D Maj • 04:05 • -9.62db
23% Popularity • 70% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 70% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Matthew E. White
Big Love
99 bpm • E min • 04:39 • -11db
18% Popularity • 48% Danceability • 69% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
18% Popularity • 48% Danceability • 69% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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Feist
Bittersweet Melodies
98 bpm • D Maj • 03:56 • -8.72db
26% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Active Child
Diamond Heart - b-side- Bonus Track
104 bpm • C# Maj • 05:40 • -7.84db
3% Popularity • 56% Danceability • 77% Energy • 8% Liveness
23% Instrumentalness • 52% Positiveness
3% Popularity • 56% Danceability • 77% Energy • 8% Liveness
23% Instrumentalness • 52% Positiveness
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Marques Toliver
Charter Magic
100 bpm • G Maj • 06:24 • -7.67db
0% Popularity • 54% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 54% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
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Emmy The Great
Dinosaur Sex
98 bpm • G Maj • 05:37 • -13.66db
8% Popularity • 43% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
8% Popularity • 43% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Peter and the Wolf
The Reason
104 bpm • F# min • 03:14 • -11.4db
21% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Jack Peñate
Body Down
98 bpm • G min • 04:06 • -6.49db
11% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Slow Club
Apples and Pairs
98 bpm • C Maj • 03:43 • -16.16db
12% Popularity • 76% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 76% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Cody Chesnutt
I've Been Life
104 bpm • A# min • 04:39 • -4.72db
11% Popularity • 66% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 66% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Matthew E. White
Gone Away
98 bpm • C Maj • 06:53 • -12.68db
10% Popularity • 42% Danceability • 22% Energy • 16% Liveness
13% Instrumentalness • 14% Positiveness
10% Popularity • 42% Danceability • 22% Energy • 16% Liveness
13% Instrumentalness • 14% Positiveness
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Dry the River
Hammer
98 bpm • C# Maj • 03:45 • -11.68db
15% Popularity • 74% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 74% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Corinne Bailey Rae
Are You Here
98 bpm • A Maj • 04:12 • -9.25db
27% Popularity • 43% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
27% Popularity • 43% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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LÃ¥psley
Brownlow
104 bpm • B Maj • 04:21 • -10.73db
25% Popularity • 40% Danceability • 28% Energy • 25% Liveness
43% Instrumentalness • 11% Positiveness
25% Popularity • 40% Danceability • 28% Energy • 25% Liveness
43% Instrumentalness • 11% Positiveness
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Benjamin Francis Leftwich
Is That You On That Plane
105 bpm • B Maj • 05:21 • -10.4db
9% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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MS MR
Dance Yrself Clean - Spotify Sessions
98 bpm • F Maj • 05:01 • -9.54db
9% Popularity • 69% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 69% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 41% Positiveness
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Lost In The Trees
Golden Eyelids
97 bpm • B Maj • 05:01 • -7.03db
11% Popularity • 50% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 50% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Dry the River
Weights & Measures
98 bpm • C# Maj • 05:04 • -6.07db
26% Popularity • 21% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 21% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Black Atlantic
Fragile Meadow
105 bpm • C# Maj • 03:32 • -12.21db
19% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Shins
No Way Down - Spotify Sessions Curated b...
105 bpm • C# Maj • 03:23 • -6.54db
9% Popularity • 47% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 47% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Kiwanuka
Any Day Will Do Fine
105 bpm • G# Maj • 03:37 • -11.74db
33% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jenny O.
Good Love
105 bpm • E min • 04:02 • -8.68db
13% Popularity • 67% Danceability • 69% Energy • 36% Liveness
6% Instrumentalness • 94% Positiveness
13% Popularity • 67% Danceability • 69% Energy • 36% Liveness
6% Instrumentalness • 94% Positiveness
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Feist
Woe Be
105 bpm • F Maj • 03:14 • -7.36db
18% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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POLIÇA
I Need $
97 bpm • A min • 04:38 • -9.27db
1% Popularity • 66% Danceability • 42% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
1% Popularity • 66% Danceability • 42% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
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Darwin Deez
You Can't Be My Girl
97 bpm • D Maj • 03:19 • -5.6db
11% Popularity • 56% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 56% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Blair
Wake Up Shake Up
97 bpm • F# Maj • 03:56 • -10db
22% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Tobias Jesso Jr.
Hollywood
97 bpm • C Maj • 06:08 • -11.99db
22% Popularity • 32% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 14% Positiveness
22% Popularity • 32% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 14% Positiveness
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Laura Marling
I Was Just A Card
97 bpm • A Maj • 03:30 • -11.23db
18% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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GIVERS
Noche Nada
97 bpm • D Maj • 04:47 • -5db
19% Popularity • 34% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 34% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Fink
Save It For Somebody Else
106 bpm • A Maj • 03:49 • -9.13db
32% Popularity • 75% Danceability • 38% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
32% Popularity • 75% Danceability • 38% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
South
106 bpm • G# Maj • 01:26 • -11.45db
1% Popularity • 62% Danceability • 60% Energy • 30% Liveness
18% Instrumentalness • 91% Positiveness
1% Popularity • 62% Danceability • 60% Energy • 30% Liveness
18% Instrumentalness • 91% Positiveness
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Diego Garcia
All Eyes on You
106 bpm • E min • 04:05 • -6.47db
8% Popularity • 59% Danceability • 83% Energy • 7% Liveness
4% Instrumentalness • 82% Positiveness
8% Popularity • 59% Danceability • 83% Energy • 7% Liveness
4% Instrumentalness • 82% Positiveness
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Keegan DeWitt
Say La La
106 bpm • E min • 03:10 • -5.74db
12% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Feist
The Circle Married The Line
106 bpm • D Maj • 03:25 • -6.38db
29% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Joseph Arthur
Horses
107 bpm • E min • 04:12 • -11.75db
14% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Fink
Yesterday Was Hard On All Of Us - Spotif...
96 bpm • C Maj • 05:02 • -19.65db
16% Popularity • 57% Danceability • 14% Energy • 14% Liveness
5% Instrumentalness • 46% Positiveness
16% Popularity • 57% Danceability • 14% Energy • 14% Liveness
5% Instrumentalness • 46% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
Unto the Trees
106 bpm • B Maj • 04:16 • -10.28db
0% Popularity • 27% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 27% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Bombay Bicycle Club
You Already Know
95 bpm • D Maj • 04:21 • -16db
25% Popularity • 68% Danceability • 23% Energy • 10% Liveness
42% Instrumentalness • 41% Positiveness
25% Popularity • 68% Danceability • 23% Energy • 10% Liveness
42% Instrumentalness • 41% Positiveness
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How To Dress Well
When I Was In Trouble
95 bpm • C min • 03:22 • -19.56db
9% Popularity • 23% Danceability • 26% Energy • 12% Liveness
44% Instrumentalness • 12% Positiveness
9% Popularity • 23% Danceability • 26% Energy • 12% Liveness
44% Instrumentalness • 12% Positiveness
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Laura Marling
Where Can I Go?
95 bpm • G Maj • 03:40 • -13.97db
25% Popularity • 34% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 33% Positiveness
25% Popularity • 34% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 33% Positiveness
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Jamie Lidell
Your Sweet Boom
107 bpm • G Maj • 03:13 • -4.05db
7% Popularity • 73% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 73% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Guillemots
Fleet
95 bpm • D Maj • 04:43 • -9.71db
14% Popularity • 61% Danceability • 46% Energy • 29% Liveness
4% Instrumentalness • 17% Positiveness
14% Popularity • 61% Danceability • 46% Energy • 29% Liveness
4% Instrumentalness • 17% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
Wrapped in Silk
106 bpm • G Maj • 01:08 • -8.67db
0% Popularity • 51% Danceability • 87% Energy • 28% Liveness
68% Instrumentalness • 50% Positiveness
0% Popularity • 51% Danceability • 87% Energy • 28% Liveness
68% Instrumentalness • 50% Positiveness
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Marques Toliver
Something's Wrong
95 bpm • C Maj • 02:53 • -5.81db
0% Popularity • 50% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 50% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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POLIÇA
Wandering Star
95 bpm • C Maj • 04:58 • -6.12db
8% Popularity • 56% Danceability • 74% Energy • 39% Liveness
4% Instrumentalness • 36% Positiveness
8% Popularity • 56% Danceability • 74% Energy • 39% Liveness
4% Instrumentalness • 36% Positiveness
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Fink
Perfect Darkness - Spotify Exclusive
95 bpm • G Maj • 05:31 • -15.95db
12% Popularity • 63% Danceability • 18% Energy • 29% Liveness
1% Instrumentalness • 39% Positiveness
12% Popularity • 63% Danceability • 18% Energy • 29% Liveness
1% Instrumentalness • 39% Positiveness
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Nick Mulvey
Nitrous - Single Version
108 bpm • A Maj • 04:03 • -7.33db
27% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lulu & The Lampshades
Feet to the Sky
108 bpm • D Maj • 03:45 • -11.27db
14% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 60% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Barbarossa
Turbine
108 bpm • E min • 02:28 • -4.92db
9% Popularity • 78% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 78% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
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David Lemaitre
Spirals
108 bpm • F Maj • 03:55 • -10.72db
13% Popularity • 57% Danceability • 39% Energy • 14% Liveness
14% Instrumentalness • 20% Positiveness
13% Popularity • 57% Danceability • 39% Energy • 14% Liveness
14% Instrumentalness • 20% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
Strange Ideas
94 bpm • F# Maj • 05:09 • -9.77db
0% Popularity • 18% Danceability • 34% Energy • 31% Liveness
1% Instrumentalness • 22% Positiveness
0% Popularity • 18% Danceability • 34% Energy • 31% Liveness
1% Instrumentalness • 22% Positiveness
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Kishi Bashi
Bright Whites - EP Mix
108 bpm • G Maj • 04:16 • -6.8db
20% Popularity • 66% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 66% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
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Villagers
Passing A Message
108 bpm • C min • 03:11 • -9.5db
12% Popularity • 62% Danceability • 70% Energy • 8% Liveness
74% Instrumentalness • 48% Positiveness
12% Popularity • 62% Danceability • 70% Energy • 8% Liveness
74% Instrumentalness • 48% Positiveness
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James Vincent McMorrow
If I Had A Boat
108 bpm • G Maj • 04:08 • -10db
25% Popularity • 46% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
25% Popularity • 46% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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John Legend
Show Me
94 bpm • F Maj • 04:58 • -9.05db
36% Popularity • 63% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 63% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Alice Smith
Cabaret
109 bpm • G min • 03:17 • -5.02db
18% Popularity • 74% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 74% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
First Blush of Winter
94 bpm • F# Maj • 02:05 • -9.45db
0% Popularity • 24% Danceability • 60% Energy • 9% Liveness
8% Instrumentalness • 36% Positiveness
0% Popularity • 24% Danceability • 60% Energy • 9% Liveness
8% Instrumentalness • 36% Positiveness
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Jack Peñate
Everything Is New
109 bpm • F min • 04:00 • -4.22db
15% Popularity • 60% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 60% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Marques Toliver
Weatherman
109 bpm • E Maj • 04:20 • -7.59db
0% Popularity • 54% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
0% Popularity • 54% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Sarah Jaffe
Shut It Down
109 bpm • G# Maj • 03:47 • -8.56db
7% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Summer Camp
Fresh
110 bpm • C# min • 03:21 • -6.77db
14% Popularity • 65% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 65% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Bowerbirds
Tuck the Darkness In
110 bpm • G Maj • 04:50 • -9db
28% Popularity • 62% Danceability • 43% Energy • 12% Liveness
25% Instrumentalness • 31% Positiveness
28% Popularity • 62% Danceability • 43% Energy • 12% Liveness
25% Instrumentalness • 31% Positiveness
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James Blake
Enough Thunder
110 bpm • A# Maj • 04:15 • -12.33db
20% Popularity • 41% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 41% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Alice Smith
Shot
110 bpm • C Maj • 03:58 • -7.81db
14% Popularity • 73% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 73% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Marques Toliver
control
110 bpm • C Maj • 05:01 • -6.29db
1% Popularity • 34% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 34% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Max Jury
Christian Eyes
110 bpm • C min • 03:45 • -8.75db
11% Popularity • 63% Danceability • 48% Energy • 10% Liveness
49% Instrumentalness • 39% Positiveness
11% Popularity • 63% Danceability • 48% Energy • 10% Liveness
49% Instrumentalness • 39% Positiveness
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Paul Thomas Saunders
Appointment in Samarra
92 bpm • A# min • 05:06 • -9.11db
9% Popularity • 43% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 43% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Santigold
This Isn't Our Parade
92 bpm • A min • 03:53 • -6.84db
27% Popularity • 75% Danceability • 57% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
27% Popularity • 75% Danceability • 57% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Andy Burrows
Keep on Moving On
92 bpm • F# min • 02:37 • -5.11db
16% Popularity • 56% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 56% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Tune-Yards
Wait for a Minute
111 bpm • C Maj • 03:53 • -10.1db
13% Popularity • 79% Danceability • 52% Energy • 13% Liveness
6% Instrumentalness • 37% Positiveness
13% Popularity • 79% Danceability • 52% Energy • 13% Liveness
6% Instrumentalness • 37% Positiveness
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Marques Toliver
Canaan
92 bpm • G Maj • 02:28 • -7.81db
0% Popularity • 36% Danceability • 78% Energy • 32% Liveness
44% Instrumentalness • 34% Positiveness
0% Popularity • 36% Danceability • 78% Energy • 32% Liveness
44% Instrumentalness • 34% Positiveness
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Thao & Mirah
Rubies and Rocks
111 bpm • A# min • 04:02 • -10.03db
17% Popularity • 73% Danceability • 62% Energy • 23% Liveness
40% Instrumentalness • 87% Positiveness
17% Popularity • 73% Danceability • 62% Energy • 23% Liveness
40% Instrumentalness • 87% Positiveness
