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Summer
Songs like
Summer
by
L. Martin
Based on a tempo of (+/- 10%) and a similar genre
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The Polar Boys
Nothing Has Changed
145 bpm • C# Maj • 03:34 • -5.95db
53% Popularity • 47% Danceability • 77% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
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L. Martin
Playful Enemy
145 bpm • D Maj • 02:52 • -2.95db
2% Popularity • 55% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Fishing in Japan
Only on the Weekends
145 bpm • G Maj • 02:45 • -7db
30% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Boy Called Cute
Bloop Bloop
145 bpm • C# min • 03:01 • -11db
15% Popularity • 70% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Wallows
Are You Bored Yet? - Sachi of Joy Again...
145 bpm • B Maj • 02:35 • -7.69db
24% Popularity • 69% Danceability • 73% Energy • 8% Liveness
17% Instrumentalness • 85% Positiveness
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Semiset
Space
145 bpm • F# min • 03:31 • -17db
28% Popularity • 54% Danceability • 30% Energy • 17% Liveness
14% Instrumentalness • 32% Positiveness
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Peach Pit
Puppy Grin
145 bpm • D min • 02:51 • -7.45db
44% Popularity • 55% Danceability • 82% Energy • 9% Liveness
9% Instrumentalness • 52% Positiveness
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L. Martin
Summer
145 bpm • A Maj • 02:29 • -8db
28% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Suns Up
Grows
145 bpm • G Maj • 03:12 • -3.8db
24% Popularity • 53% Danceability • 96% Energy • 7% Liveness
2% Instrumentalness • 71% Positiveness
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Shane Malone
Nowhere
145 bpm • C# Maj • 04:10 • -12.74db
15% Popularity • 57% Danceability • 63% Energy • 6% Liveness
78% Instrumentalness • 31% Positiveness
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marinelli
Turtleneck Sweater
145 bpm • E Maj • 02:30 • -5db
39% Popularity • 72% Danceability • 57% Energy • 7% Liveness
22% Instrumentalness • 86% Positiveness
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The Montreals
Lilac, I Think
145 bpm • C# min • 04:03 • -6.35db
13% Popularity • 53% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Arlie
barcelona boots
145 bpm • A# min • 03:47 • -4db
44% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Duncan Fellows
Rosalyn (Whenever You Call)
146 bpm • G Maj • 04:22 • -9.55db
26% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Blubird
Mischief
146 bpm • E Maj • 03:25 • -11db
29% Popularity • 51% Danceability • 49% Energy • 11% Liveness
51% Instrumentalness • 32% Positiveness
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Divine Sweater
2x2
146 bpm • D Maj • 04:36 • -7.36db
37% Popularity • 52% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Strawberry Mountain
Harsh Augmented Reality
146 bpm • B Maj • 04:02 • -4.34db
37% Popularity • 56% Danceability • 88% Energy • 9% Liveness
8% Instrumentalness • 68% Positiveness
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Okey Dokey
Threw My Love Away
144 bpm • A Maj • 03:31 • -6.69db
44% Popularity • 33% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Geskle
Ruby
146 bpm • F min • 03:21 • -13db
36% Popularity • 42% Danceability • 59% Energy • 17% Liveness
5% Instrumentalness • 24% Positiveness
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Peach Pit
Adidas
144 bpm • C Maj • 04:15 • -8.43db
39% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Grady
CAN YOU HEAR THE MOON
146 bpm • F# min • 03:02 • -6.02db
52% Popularity • 34% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Leisure Club
Strange Times
143 bpm • G Maj • 03:13 • -5.83db
15% Popularity • 46% Danceability • 87% Energy • 10% Liveness
6% Instrumentalness • 27% Positiveness
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Boy Called Cute
Starlet
148 bpm • G Maj • 04:34 • -8.69db
23% Popularity • 52% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Back to Yours
Mallory
142 bpm • G# Maj • 03:26 • -10db
27% Popularity • 44% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Geskle
Vivid
147 bpm • F# Maj • 01:38 • -12.7db
28% Popularity • 46% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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The Hails
Sugar
142 bpm • C Maj • 03:47 • -4.84db
32% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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John Eatherly
Burnout
142 bpm • F# Maj • 03:23 • -6.08db
21% Popularity • 60% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Wabie
Darcy
142 bpm • E Maj • 03:24 • -8.51db
43% Popularity • 67% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Beach Fuzz
I Think I'm Falling for Her
148 bpm • D Maj • 04:14 • -10.75db
33% Popularity • 66% Danceability • 56% Energy • 10% Liveness
19% Instrumentalness • 90% Positiveness
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Rebounder
Swim Zone
142 bpm • C Maj • 03:33 • -6.93db
27% Popularity • 64% Danceability • 63% Energy • 20% Liveness
36% Instrumentalness • 78% Positiveness
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The Polar Boys
Barbados
149 bpm • F Maj • 03:52 • -6.1db
35% Popularity • 49% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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One South Lark
Buffaloes
149 bpm • G min • 03:03 • -6.1db
12% Popularity • 60% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Daphne's Couch
Strawberries
141 bpm • C Maj • 02:49 • -5.47db
33% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Max Diaz
Bummer Lover
141 bpm • A Maj • 02:32 • -7db
19% Popularity • 55% Danceability • 85% Energy • 21% Liveness
27% Instrumentalness • 89% Positiveness
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Eli Smart
Hope I Don't Fall in Love
141 bpm • D Maj • 04:39 • -9.14db
29% Popularity • 68% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
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Bird and Byron
Life Is a Bore
150 bpm • B Maj • 02:59 • -1.46db
30% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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Grant Claytor
Play for You
150 bpm • D# Maj • 03:12 • -11.11db
19% Popularity • 50% Danceability • 69% Energy • 10% Liveness
5% Instrumentalness • 56% Positiveness
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The Polar Boys
Life's a Dream
150 bpm • E Maj • 02:58 • -5.71db
39% Popularity • 38% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Dayglow
False Direction
150 bpm • B Maj • 04:37 • -10db
51% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Nico Days
Break Your Heart Twice
150 bpm • F Maj • 04:03 • -10.54db
14% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Boy Called Cute
Lobster
150 bpm • G# min • 04:08 • -4db
45% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Arlie
wait a minute
140 bpm • E Maj • 03:23 • -4db
29% Popularity • 36% Danceability • 87% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
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Spendtime Palace
Twin Bed
150 bpm • F# min • 03:04 • -9.75db
19% Popularity • 52% Danceability • 67% Energy • 19% Liveness
2% Instrumentalness • 63% Positiveness
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L. Martin
It's All Right Here
140 bpm • C Maj • 02:52 • -8.3db
2% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Besphrenz
Tired Eyes
150 bpm • A# Maj • 03:21 • -6db
35% Popularity • 55% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Dayglow
Something
140 bpm • C min • 01:54 • -5db
51% Popularity • 82% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Hala
Found A Way
140 bpm • C Maj • 03:23 • -3.03db
26% Popularity • 75% Danceability • 68% Energy • 16% Liveness
9% Instrumentalness • 98% Positiveness
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HUNNY
Saturday Night
140 bpm • A min • 02:33 • -3db
38% Popularity • 56% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Phoneboy
Fomo
150 bpm • A# min • 03:17 • -8.25db
39% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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L. Martin
Alive Tonight (demo)
150 bpm • E Maj • 01:58 • -13.78db
2% Popularity • 62% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Polar Boys
After Breakfast
140 bpm • A Maj • 02:48 • -4.82db
25% Popularity • 42% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Neighbor Susan
My Corduroy Hat
140 bpm • A Maj • 04:24 • -8.06db
10% Popularity • 57% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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Vista Kicks
All Or Nothing
140 bpm • D Maj • 03:16 • -6.71db
22% Popularity • 49% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Greer
Bittersweet
150 bpm • F Maj • 03:55 • -7.84db
41% Popularity • 29% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Felix Rabito
Cure
151 bpm • A Maj • 05:56 • -7.71db
17% Popularity • 46% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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sam.sts
Boy Who Cries
151 bpm • E min • 03:09 • -6.86db
24% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Hails
Denial
139 bpm • F# min • 04:14 • -9db
28% Popularity • 74% Danceability • 57% Energy • 28% Liveness
1% Instrumentalness • 92% Positiveness
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Oberhofer
Eye Lv U
151 bpm • D Maj • 02:04 • -9.05db
21% Popularity • 37% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Trash Panda
Floating Circus
152 bpm • D Maj • 03:31 • -7.79db
19% Popularity • 45% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Phoneboy
1987
152 bpm • C# min • 02:42 • -12.8db
49% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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HUNNY
Everything Means Everything Meant Everyt...
152 bpm • C Maj • 02:52 • -2.97db
25% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Insomnia Beach Club
Staring at the Sun
152 bpm • G Maj • 02:46 • -8.37db
30% Popularity • 70% Danceability • 74% Energy • 12% Liveness
63% Instrumentalness • 66% Positiveness
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Peach Pit
Second Life with Emily
152 bpm • G# Maj • 03:39 • -7.26db
39% Popularity • 46% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Doc Aquatic
All Timer
138 bpm • B min • 03:41 • -6.78db
22% Popularity • 40% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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JAWNY
For Abby
138 bpm • C# Maj • 03:22 • -4.15db
33% Popularity • 57% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Ben Chandler
Out of My Head
138 bpm • E Maj • 02:15 • -3.45db
22% Popularity • 65% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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shy kids
Backward in Love
138 bpm • G# min • 03:22 • -8.04db
42% Popularity • 71% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Wallows
Talk Like That
138 bpm • F# min • 02:00 • -3db
46% Popularity • 68% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
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HUNNY
Change Ur Mind
138 bpm • D# min • 02:51 • -4db
34% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Sleep House
Skydiving in Dubai
138 bpm • D Maj • 03:40 • -6.74db
13% Popularity • 52% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Sleeping Jesus
Cigarette Skies
138 bpm • A Maj • 03:11 • -4.65db
28% Popularity • 48% Danceability • 78% Energy • 34% Liveness
41% Instrumentalness • 52% Positiveness
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JAWNY
4Tounce
138 bpm • A Maj • 02:48 • -5.79db
39% Popularity • 49% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Ritt Momney
Set The Table
138 bpm • F Maj • 03:15 • -5.62db
30% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Make Friends
Ellie
153 bpm • D Maj • 03:54 • -8db
34% Popularity • 56% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Cannibal Kids
Save Me the Time
153 bpm • G min • 03:53 • -6.64db
30% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Cautious
San Diego
137 bpm • C# min • 03:04 • -6db
36% Popularity • 60% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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L. Martin
Let You In
153 bpm • E Maj • 03:34 • -12.83db
1% Popularity • 40% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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mmmonika
Swamp Time!
137 bpm • D Maj • 03:42 • -4.85db
28% Popularity • 76% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Rebounder
Meet Me At The Bar
137 bpm • C# Maj • 03:15 • -6.67db
33% Popularity • 66% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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Florence Rose
Just Relax
137 bpm • G Maj • 03:35 • -7.66db
29% Popularity • 62% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Okey Dokey
Cut Me Off
137 bpm • F Maj • 03:36 • -8.89db
9% Popularity • 41% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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John-Robert
Pelican
137 bpm • F# min • 02:37 • -7db
31% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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MyKey
Mazda5
154 bpm • G# Maj • 02:12 • -5db
36% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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Wallows
It's Only Right
154 bpm • B min • 04:34 • -7.4db
52% Popularity • 45% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Hot Flash Heat Wave
Blue
136 bpm • B min • 04:16 • -6.4db
23% Popularity • 34% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Greer
Bye Bye Baby
154 bpm • D Maj • 03:07 • -5.8db
32% Popularity • 46% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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eisenach
Google Earth
136 bpm • A Maj • 02:29 • -7.91db
24% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Ralph Castelli
Running
136 bpm • C min • 02:38 • -8.79db
34% Popularity • 85% Danceability • 58% Energy • 7% Liveness
35% Instrumentalness • 89% Positiveness
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Del Water Gap
Let's Pretend
136 bpm • F Maj • 03:56 • -3.93db
39% Popularity • 52% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Younger Hunger
Goodbye Bye Bye
136 bpm • A# Maj • 02:35 • -4.37db
34% Popularity • 65% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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mmmonika
see me on the outside!
136 bpm • F# min • 02:32 • -6.39db
39% Popularity • 70% Danceability • 59% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
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Wallows
Just Like a Movie
136 bpm • B Maj • 04:07 • -5.18db
59% Popularity • 45% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Cuva
Erase Yourself
155 bpm • E Maj • 03:47 • -8.92db
30% Popularity • 41% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Mothé
Summer's Almost Gone
136 bpm • A Maj • 03:44 • -6.13db
22% Popularity • 33% Danceability • 76% Energy • 12% Liveness
18% Instrumentalness • 52% Positiveness
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Glow!
If It Were Me
155 bpm • F# min • 03:16 • -8db
32% Popularity • 38% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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The Grinns
Don't Look Back
136 bpm • E min • 04:03 • -9.91db
30% Popularity • 61% Danceability • 72% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
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Hala
Why Do You Want Anything To Do With Me?
155 bpm • F# min • 02:48 • -6db
11% Popularity • 53% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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The Irons
Goodbye Too Soon
155 bpm • G Maj • 04:38 • -10.55db
34% Popularity • 67% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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The Spring
Pursuits
155 bpm • F min • 03:45 • -5.32db
13% Popularity • 44% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Summer