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Summer's Little Angel
Songs like
Summer's Little Angel
by
Steve Forde
Based on a tempo of (+/- 10%) and a similar genre
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Ben Ransom
You're The Reason Why
105 bpm • A Maj • 03:30 • -6db
10% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Steve Forde
Summer's Little Angel
105 bpm • C Maj • 02:53 • -5db
32% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Kip Moore
What I Do
105 bpm • D Maj • 03:28 • -6db
32% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Brad Cox
Acres
105 bpm • C# Maj • 03:52 • -4.99db
45% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Casey Barnes
Better Days
105 bpm • A Maj • 03:52 • -4.66db
17% Popularity • 61% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Christie Lamb
Hot Hot Kiss
105 bpm • E Maj • 03:17 • -6db
15% Popularity • 64% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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Davisson Brothers Band
Big City Hillbilly
105 bpm • A Maj • 03:42 • -6.82db
18% Popularity • 70% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Keith Urban
Jeans On
106 bpm • E Maj • 03:33 • -7.21db
37% Popularity • 82% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Brooks & Dunn
One More Roll of the Dice
104 bpm • B Maj • 04:05 • -3.97db
21% Popularity • 65% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
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Busby Marou
Over Drinking Over You
106 bpm • C# Maj • 03:00 • -6.56db
37% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Casey Barnes
The Way We Ride
105 bpm • G# Maj • 03:11 • -4db
29% Popularity • 60% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Andrew Swift
Runaway Train
106 bpm • F Maj • 03:58 • -6db
21% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Emerson Drive
Believe
106 bpm • C# min • 03:56 • -1.78db
12% Popularity • 61% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Keith Anderson
Wild Girls
106 bpm • C Maj • 03:29 • -6.33db
28% Popularity • 63% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Lee Brice
Girls In Bikinis
104 bpm • G Maj • 03:13 • -10db
30% Popularity • 78% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Hurricane Fall
Love Her Right
104 bpm • D Maj • 03:32 • -3db
18% Popularity • 58% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Blue County
Nothin' But Cowboy Boots
106 bpm • E Maj • 03:34 • -5.12db
10% Popularity • 55% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Mark McGuinn
Mrs. Steven Rudy
104 bpm • A Maj • 03:29 • -5db
31% Popularity • 65% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Blackjack Billy
Slow Dancing Under The Sheets
106 bpm • G Maj • 03:29 • -3.73db
13% Popularity • 69% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Deric Ruttan
Take the Week Off
104 bpm • D# Maj • 02:58 • -5.61db
28% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sara Storer
Raining on the Plains
104 bpm • F min • 03:08 • -8.96db
37% Popularity • 69% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Hurricane Fall
How We Get Down
104 bpm • D Maj • 02:59 • -3db
26% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Jasmine Rae
Country Singer
104 bpm • D Maj • 03:21 • -3db
15% Popularity • 67% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Simply Bushed
The Great Australian Love Song
106 bpm • C Maj • 03:33 • -6.13db
14% Popularity • 72% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Catherine Britt
Red Dirt
104 bpm • B Maj • 02:20 • -5db
23% Popularity • 59% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Travis Sinclair
El Dorado Saddle
106 bpm • D Maj • 03:35 • -10.2db
26% Popularity • 70% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Costa
Tractors & Bikes
107 bpm • A Maj • 02:50 • -6.15db
15% Popularity • 68% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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James Blundell
Down On The Farm
103 bpm • D Maj • 03:56 • -8.23db
35% Popularity • 66% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Walker Hayes
Pants
107 bpm • G Maj • 03:39 • -6db
31% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Tom Curtain
Get Around It
107 bpm • D Maj • 03:03 • -4.66db
18% Popularity • 78% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Melinda Schneider
9 To 5
103 bpm • F Maj • 03:27 • -7.13db
26% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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McAlister Kemp
It Don't Buy You Love
103 bpm • F Maj • 04:06 • -7db
16% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Viper Creek Band
Green Light
107 bpm • B min • 03:21 • -4.4db
23% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
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James Blundell
Cloncurry Cattle Song
107 bpm • D Maj • 03:24 • -11.67db
31% Popularity • 74% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Aaron Lines
Turn It Up (I LIke The Sound Of That)
108 bpm • C# Maj • 03:50 • -8db
21% Popularity • 52% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Melanie Dyer
Save My Cents
108 bpm • D Maj • 03:18 • -3.5db
22% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Jasmine Rae
Heartbeat
108 bpm • E min • 03:14 • -7.55db
10% Popularity • 59% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Bobby Wills
Never Didn’t Love You
108 bpm • B min • 03:13 • -6db
27% Popularity • 67% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Kip Moore
Just Another Girl
102 bpm • E Maj • 03:47 • -4.31db
40% Popularity • 70% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Steve Forde
Road Dog
108 bpm • G Maj • 03:51 • -4.17db
12% Popularity • 53% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Cold Creek County
Beer Weather
102 bpm • C# Maj • 03:01 • -3.35db
26% Popularity • 62% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Dallas Smith
Nothing But Summer
102 bpm • D# Maj • 03:06 • -2.67db
31% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Jasmine Rae
My Daddy's Name
108 bpm • G Maj • 03:19 • -3.09db
8% Popularity • 70% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Buddy Goode
Dickens Cider
102 bpm • G Maj • 02:17 • -5.72db
16% Popularity • 74% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Jayne Denham
Chick Ute
108 bpm • G min • 03:08 • -3.84db
13% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Road Hammers
Get on Down the Road
109 bpm • F# min • 03:14 • -5.44db
29% Popularity • 63% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Brad Cox
Lake House
109 bpm • A# Maj • 03:52 • -9.2db
41% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Curtain
In the West
109 bpm • D Maj • 03:24 • -5db
28% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Matt Cornell
It's Only Midnight
101 bpm • G# Maj • 03:41 • -8db
21% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Mick Lindsay
The Horses
101 bpm • G Maj • 03:39 • -6db
20% Popularity • 52% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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McAlister Kemp
Harder to Tame
101 bpm • C Maj • 03:19 • -6.03db
20% Popularity • 54% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Big & Rich
Six Foot Town
110 bpm • C Maj • 03:47 • -0.29db
30% Popularity • 64% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Travis Sinclair
Dream Machine
110 bpm • D Maj • 03:55 • -10.17db
19% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Slim Dusty
Boomaroo Flyer
100 bpm • A# Maj • 03:33 • -7.93db
24% Popularity • 64% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Tom Curtain
Billy Don't Like No Hip Hop
110 bpm • A Maj • 03:13 • -7.58db
25% Popularity • 82% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Route 33
Last First Kiss
110 bpm • B Maj • 03:23 • -4.43db
15% Popularity • 64% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Casey Barnes
Ain't Coming Home
110 bpm • C Maj • 03:05 • -4.45db
28% Popularity • 68% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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McAlister Kemp
Songs That Make Us Country
110 bpm • D Maj • 03:18 • -3.86db
11% Popularity • 62% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Blackjack Billy
Got A Feeling
110 bpm • A Maj • 03:16 • -4db
16% Popularity • 73% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Deep Creek Road
If You Only Knew Me When
110 bpm • G Maj • 04:04 • -5.4db
16% Popularity • 57% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Curtain
Why We Live Out Here
110 bpm • A Maj • 03:53 • -5db
22% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Jayne Denham
Trucker Chicks
110 bpm • A# Maj • 03:46 • -4.91db
16% Popularity • 76% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Casey Barnes
Kiss Me Like You Mean It
110 bpm • B Maj • 03:06 • -3.53db
33% Popularity • 64% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Tim Hicks
Got a Feeling
110 bpm • A Maj • 03:15 • -4.94db
34% Popularity • 80% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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McAlister Kemp
Hard Work
100 bpm • A Maj • 03:25 • -3.9db
18% Popularity • 54% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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James Johnston
SMALL TOWN
100 bpm • D Maj • 02:40 • -4.85db
41% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Steve Forde
Dust
100 bpm • E Maj • 03:57 • -5.87db
21% Popularity • 56% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Brad Cox
Old Skoolin'
100 bpm • A# Maj • 02:41 • -4.14db
35% Popularity • 72% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Wills
Won't You Be Mine
100 bpm • A# Maj • 03:37 • -5.37db
27% Popularity • 52% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Tim Hicks
What a Song Should Do
100 bpm • C Maj • 03:57 • -4.09db
37% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Travis Sinclair
Glory Bound
100 bpm • A Maj • 04:54 • -10db
26% Popularity • 63% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Casey Barnes
We're Good Together
100 bpm • B Maj • 02:59 • -4.08db
39% Popularity • 71% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Andrew Swift
Head Full of Honey
99 bpm • A Maj • 04:03 • -4.77db
25% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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McAlister Kemp
All Kinds of Tough
99 bpm • C Maj • 04:03 • -5db
17% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Bobby Wills
Somebody Will
111 bpm • D Maj • 03:10 • -8db
13% Popularity • 62% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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The Road Hammers
Your Love Is the Drug
99 bpm • C Maj • 03:29 • -5.19db
20% Popularity • 64% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Adam Eckersley Band
Long Enough To Disappear
99 bpm • A Maj • 03:30 • -4db
15% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Kirsty Lee Akers
Wake Me Up When You're Sober
112 bpm • B Maj • 03:07 • -3.82db
18% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Andrew Swift
Never Meant to Break Your Heart
99 bpm • G Maj • 03:45 • -7db
17% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Casey Barnes
Come Turn Me On
112 bpm • B Maj • 03:04 • -2.91db
37% Popularity • 61% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Jayne Denham
East Bound And Down
112 bpm • D# Maj • 02:11 • -5db
27% Popularity • 65% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Steve Forde
Revenge
112 bpm • C Maj • 02:57 • -6.62db
3% Popularity • 53% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Hurricane Fall
Levis
112 bpm • D Maj • 03:12 • -3.54db
25% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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McAlister Kemp
White Line
112 bpm • G Maj • 03:59 • -4.13db
9% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Tim Hicks
Stompin' Ground
98 bpm • A min • 03:09 • -3.95db
40% Popularity • 69% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Casey Barnes
Sparks Fly
98 bpm • B Maj • 02:58 • -4db
32% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Dean Perrett
Six Decks to Darwin
113 bpm • F Maj • 03:14 • -4db
22% Popularity • 74% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Steve Forde
Something Beautiful
112 bpm • A# Maj • 03:39 • -6.6db
4% Popularity • 78% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Caitlyn Shadbolt
Shoot out the Lights
98 bpm • D Maj • 03:28 • -5.09db
12% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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McAlister Kemp
Fight Me
113 bpm • A Maj • 03:27 • -6.89db
23% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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James McKay
Collerina Road
113 bpm • G Maj • 02:19 • -4.58db
40% Popularity • 79% Danceability • 80% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
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Tom Curtain
Roper River
113 bpm • G Maj • 02:53 • -7.21db
25% Popularity • 73% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jason McCoy
Born Again in Dixieland
113 bpm • B Maj • 03:25 • -7.62db
31% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Forde
Wasted-Revenge
112 bpm • C Maj • 04:37 • -4.45db
4% Popularity • 67% Danceability • 69% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
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Dallas Steele
One Hell of a Past
97 bpm • G Maj • 03:16 • -7.71db
19% Popularity • 61% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Graeme Connors
Kimberley Frontier
97 bpm • G Maj • 04:03 • -6.36db
25% Popularity • 56% Danceability • 74% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
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Adam Brand
Party Down Under
114 bpm • E min • 03:16 • -4.77db
39% Popularity • 57% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
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Kip Moore
I've Been Around
114 bpm • F min • 03:37 • -5db
41% Popularity • 76% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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DJ Garth
Baby Let's Lay Down and Dance
114 bpm • G Maj • 02:53 • -7.52db
19% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Steve Forde
Wasted
112 bpm • C Maj • 03:15 • -5.74db
5% Popularity • 68% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Summer's Little Angel