Songs like Sun and Stars by Harry Lightfoot
Based on a tempo of (+/- 10%) and a similar genre
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Iliya Zaki
Lyra
120 bpm • C min • 03:31 • -14.07db
23% Popularity • 51% Danceability • 55% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
23% Popularity • 51% Danceability • 55% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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Harry Lightfoot
Deep Within
120 bpm • C Maj • 02:39 • -21.42db
1% Popularity • 66% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
1% Popularity • 66% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Soundcritters
Invent Yourself
120 bpm • F Maj • 01:51 • -10db
36% Popularity • 33% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
36% Popularity • 33% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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BoDleasons
Epic Cinematic Trailer Music
120 bpm • A min • 01:47 • -11.81db
16% Popularity • 58% Danceability • 52% Energy • 29% Liveness
88% Instrumentalness • 17% Positiveness
16% Popularity • 58% Danceability • 52% Energy • 29% Liveness
88% Instrumentalness • 17% Positiveness
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Dirk Ehlert
Burning Sky
120 bpm • D min • 04:37 • -11.4db
11% Popularity • 45% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 45% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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derani
Invincible
120 bpm • D Maj • 02:20 • -17.14db
28% Popularity • 55% Danceability • 50% Energy • 37% Liveness
90% Instrumentalness • 6% Positiveness
28% Popularity • 55% Danceability • 50% Energy • 37% Liveness
90% Instrumentalness • 6% Positiveness
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Mitchell Broom
Together We Rise
120 bpm • D min • 03:27 • -14.15db
28% Popularity • 46% Danceability • 60% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 46% Danceability • 60% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Harry Lightfoot
All at Once
120 bpm • A min • 03:38 • -11.69db
1% Popularity • 36% Danceability • 33% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
1% Popularity • 36% Danceability • 33% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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Evolving Sound
Immortal Spark
120 bpm • A# Maj • 03:38 • -9.14db
6% Popularity • 40% Danceability • 69% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
6% Popularity • 40% Danceability • 69% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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David Eman
Pulse
120 bpm • F min • 02:53 • -12.7db
32% Popularity • 50% Danceability • 43% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 50% Danceability • 43% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Immediate
Dream Worlds
120 bpm • F# Maj • 03:38 • -14.19db
8% Popularity • 46% Danceability • 53% Energy • 22% Liveness
59% Instrumentalness • 36% Positiveness
8% Popularity • 46% Danceability • 53% Energy • 22% Liveness
59% Instrumentalness • 36% Positiveness
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Dirk Ehlert
Elevation
120 bpm • C Maj • 04:31 • -12.4db
10% Popularity • 44% Danceability • 47% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
10% Popularity • 44% Danceability • 47% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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Christoffer Isefält
Release Me
120 bpm • C# Maj • 02:56 • -11.02db
11% Popularity • 41% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
11% Popularity • 41% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Harry Lightfoot
Dawn Awaits
120 bpm • C Maj • 02:13 • -13.94db
0% Popularity • 42% Danceability • 31% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
0% Popularity • 42% Danceability • 31% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
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James Everingham
Aftershock
120 bpm • C# min • 02:36 • -9.98db
13% Popularity • 47% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
13% Popularity • 47% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
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Elephant Music
Peacock
120 bpm • C Maj • 02:07 • -9.23db
17% Popularity • 69% Danceability • 95% Energy • 14% Liveness
92% Instrumentalness • 55% Positiveness
17% Popularity • 69% Danceability • 95% Energy • 14% Liveness
92% Instrumentalness • 55% Positiveness
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Immediate
Exaltation
120 bpm • D min • 02:36 • -13.6db
8% Popularity • 60% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 10% Positiveness
8% Popularity • 60% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 10% Positiveness
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J.T. Peterson
Voices of the Wind
120 bpm • A min • 02:23 • -16.49db
35% Popularity • 28% Danceability • 25% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 28% Danceability • 25% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Florian Bur
One Last Fight
120 bpm • C min • 03:04 • -16.71db
30% Popularity • 56% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
30% Popularity • 56% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
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Harry Lightfoot
Follow Your Heart
120 bpm • E Maj • 02:17 • -20.77db
1% Popularity • 48% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
1% Popularity • 48% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Twelve Titans Music
Persistence of Hope
120 bpm • C Maj • 03:18 • -14db
29% Popularity • 31% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Olexandr Ignatov
Truth Will Triumph
120 bpm • C Maj • 02:37 • -13db
37% Popularity • 41% Danceability • 41% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
37% Popularity • 41% Danceability • 41% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
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Immediate
Newton's Law
120 bpm • G min • 02:53 • -10.82db
20% Popularity • 39% Danceability • 58% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
20% Popularity • 39% Danceability • 58% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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ScoreHero
Odyssium
120 bpm • G min • 02:41 • -16.37db
8% Popularity • 45% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
8% Popularity • 45% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Kári Sigurðsson
When Our Journey Ends
120 bpm • C Maj • 01:58 • -13db
47% Popularity • 28% Danceability • 53% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
47% Popularity • 28% Danceability • 53% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Harry Lightfoot
Discomfort
120 bpm • G Maj • 02:14 • -16.77db
0% Popularity • 58% Danceability • 48% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
0% Popularity • 58% Danceability • 48% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Twelve Titans Music
Coda
120 bpm • C Maj • 03:31 • -10.89db
28% Popularity • 20% Danceability • 44% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 44% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Daniel Law Heath
Journey to the Abyss
120 bpm • D min • 01:47 • -12.17db
38% Popularity • 31% Danceability • 59% Energy • 5% Liveness
87% Instrumentalness • 31% Positiveness
38% Popularity • 31% Danceability • 59% Energy • 5% Liveness
87% Instrumentalness • 31% Positiveness
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StereojamMusic
Epically
120 bpm • G Maj • 02:16 • -7.25db
18% Popularity • 49% Danceability • 88% Energy • 23% Liveness
71% Instrumentalness • 59% Positiveness
18% Popularity • 49% Danceability • 88% Energy • 23% Liveness
71% Instrumentalness • 59% Positiveness
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David Eman
Awakening Souls II
120 bpm • C# min • 02:46 • -12.68db
17% Popularity • 40% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 40% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Will Slater
Change is Coming
120 bpm • E min • 01:16 • -16.28db
27% Popularity • 47% Danceability • 24% Energy • 5% Liveness
83% Instrumentalness • 4% Positiveness
27% Popularity • 47% Danceability • 24% Energy • 5% Liveness
83% Instrumentalness • 4% Positiveness
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Harry Lightfoot
Suspended Tactics
120 bpm • G# Maj • 03:00 • -14.59db
1% Popularity • 54% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
1% Popularity • 54% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Twelve Titans Music
Dreamer
120 bpm • A# Maj • 03:08 • -11.93db
21% Popularity • 23% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Thomas J. Curran
Stellar Alignment
120 bpm • A min • 04:21 • -10.27db
12% Popularity • 38% Danceability • 48% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
12% Popularity • 38% Danceability • 48% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Liquid Cinema
Lumina
120 bpm • C# Maj • 02:34 • -12.14db
14% Popularity • 26% Danceability • 50% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
14% Popularity • 26% Danceability • 50% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
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Romansenykmusic
Epic Drama Cinematic Trailer
120 bpm • A min • 03:08 • -7.02db
35% Popularity • 44% Danceability • 76% Energy • 7% Liveness
52% Instrumentalness • 20% Positiveness
35% Popularity • 44% Danceability • 76% Energy • 7% Liveness
52% Instrumentalness • 20% Positiveness
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Franck Barré
Another Land
120 bpm • A# Maj • 02:29 • -10.27db
11% Popularity • 46% Danceability • 59% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
11% Popularity • 46% Danceability • 59% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
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Harry Lightfoot
Rocky Hills
120 bpm • D# Maj • 02:29 • -21.83db
0% Popularity • 64% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
0% Popularity • 64% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Soundcritters
Thunderlane
120 bpm • D min • 02:01 • -14.84db
44% Popularity • 44% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
44% Popularity • 44% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Merkwood Music
Celestial
120 bpm • C min • 02:56 • -15.51db
12% Popularity • 34% Danceability • 38% Energy • 9% Liveness
78% Instrumentalness • 8% Positiveness
12% Popularity • 34% Danceability • 38% Energy • 9% Liveness
78% Instrumentalness • 8% Positiveness
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Andrés Hernández Sarmiento
Divine Assault
120 bpm • E min • 03:46 • -10.02db
15% Popularity • 32% Danceability • 73% Energy • 12% Liveness
86% Instrumentalness • 18% Positiveness
15% Popularity • 32% Danceability • 73% Energy • 12% Liveness
86% Instrumentalness • 18% Positiveness
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Twelve Titans Music
Be Free
120 bpm • C Maj • 03:46 • -14.1db
30% Popularity • 19% Danceability • 42% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
30% Popularity • 19% Danceability • 42% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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IMAscore
Final Salute
120 bpm • C Maj • 03:00 • -15.66db
7% Popularity • 17% Danceability • 34% Energy • 28% Liveness
97% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 34% Energy • 28% Liveness
97% Instrumentalness • 4% Positiveness
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Harry Lightfoot
Epic Heart
120 bpm • A Maj • 02:54 • -10.78db
9% Popularity • 44% Danceability • 77% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
9% Popularity • 44% Danceability • 77% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Andreas M. Resch
Little Wonders
120 bpm • C min • 03:20 • -11.2db
14% Popularity • 26% Danceability • 45% Energy • 12% Liveness
30% Instrumentalness • 6% Positiveness
14% Popularity • 26% Danceability • 45% Energy • 12% Liveness
30% Instrumentalness • 6% Positiveness
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Merkwood Music
Ethereal Beings
120 bpm • G# min • 03:39 • -14.17db
10% Popularity • 20% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Revolt Production Music
More Than Anything
120 bpm • F# min • 03:40 • -9.51db
11% Popularity • 36% Danceability • 59% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
11% Popularity • 36% Danceability • 59% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
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Pauli Hausmann
Century
119 bpm • F Maj • 04:09 • -6.07db
14% Popularity • 42% Danceability • 77% Energy • 17% Liveness
22% Instrumentalness • 15% Positiveness
14% Popularity • 42% Danceability • 77% Energy • 17% Liveness
22% Instrumentalness • 15% Positiveness
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Sky Mubs
When Hope guides You
119 bpm • C min • 04:47 • -13.53db
17% Popularity • 24% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
17% Popularity • 24% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
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Harry Lightfoot
Sulcao
120 bpm • C Maj • 01:32 • -14.37db
0% Popularity • 56% Danceability • 74% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
0% Popularity • 56% Danceability • 74% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Dominik A. Hecker
Dust
121 bpm • A# Maj • 03:27 • -15.55db
30% Popularity • 20% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
30% Popularity • 20% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Twelve Titans Music
Transcendence
122 bpm • C min • 02:48 • -12.54db
30% Popularity • 22% Danceability • 42% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 42% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Lea Edwards
Be True
122 bpm • C# Maj • 02:00 • -12.74db
2% Popularity • 37% Danceability • 65% Energy • 8% Liveness
10% Instrumentalness • 17% Positiveness
2% Popularity • 37% Danceability • 65% Energy • 8% Liveness
10% Instrumentalness • 17% Positiveness
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Bonnie Grace
Against the Conspiracy
122 bpm • G Maj • 02:33 • -14.59db
24% Popularity • 42% Danceability • 51% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
24% Popularity • 42% Danceability • 51% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
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IMAscore
Castle of Ice
118 bpm • B Maj • 03:05 • -9.09db
24% Popularity • 46% Danceability • 46% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
24% Popularity • 46% Danceability • 46% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
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Harry Lightfoot
Buried Truth
120 bpm • F# min • 02:25 • -20.25db
3% Popularity • 47% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
3% Popularity • 47% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Fox Sailor
Supernova
122 bpm • A min • 04:14 • -12.03db
23% Popularity • 37% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
23% Popularity • 37% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Twelve Titans Music
Elevate
118 bpm • A# Maj • 02:39 • -10.76db
18% Popularity • 36% Danceability • 67% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
18% Popularity • 36% Danceability • 67% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Francis Wells
Surge
118 bpm • C# Maj • 01:51 • -10.22db
33% Popularity • 57% Danceability • 58% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
33% Popularity • 57% Danceability • 58% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Matias Puumala
Elden Horizon
123 bpm • B min • 02:58 • -11.33db
32% Popularity • 18% Danceability • 73% Energy • 38% Liveness
95% Instrumentalness • 5% Positiveness
32% Popularity • 18% Danceability • 73% Energy • 38% Liveness
95% Instrumentalness • 5% Positiveness
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Songs To Your Eyes
Star Travellers
117 bpm • B min • 03:15 • -13db
25% Popularity • 33% Danceability • 48% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 33% Danceability • 48% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Harry Lightfoot
Over the Horizon
120 bpm • D Maj • 02:58 • -11.93db
6% Popularity • 37% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
6% Popularity • 37% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Twisted Jukebox
Fragments Of Time
124 bpm • A# min • 03:16 • -12.58db
9% Popularity • 27% Danceability • 31% Energy • 11% Liveness
76% Instrumentalness • 7% Positiveness
9% Popularity • 27% Danceability • 31% Energy • 11% Liveness
76% Instrumentalness • 7% Positiveness
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PostHaste Music
Omega Point
124 bpm • C# Maj • 02:59 • -9.24db
31% Popularity • 35% Danceability • 70% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
31% Popularity • 35% Danceability • 70% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Francis Wells
First Call Horns
117 bpm • A# min • 02:04 • -13.59db
24% Popularity • 53% Danceability • 58% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
24% Popularity • 53% Danceability • 58% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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Matias Puumala
Against the Odds
117 bpm • G# min • 03:07 • -9db
30% Popularity • 36% Danceability • 59% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
30% Popularity • 36% Danceability • 59% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
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Songs To Your Eyes
Dare To Dream
117 bpm • F# min • 01:55 • -11.67db
17% Popularity • 17% Danceability • 33% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 33% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Lea Edwards
Challenger
124 bpm • F Maj • 02:57 • -12.74db
2% Popularity • 52% Danceability • 66% Energy • 9% Liveness
28% Instrumentalness • 11% Positiveness
2% Popularity • 52% Danceability • 66% Energy • 9% Liveness
28% Instrumentalness • 11% Positiveness
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Harry Lightfoot
A Legend Is Born
120 bpm • C min • 03:15 • -12.91db
6% Popularity • 38% Danceability • 49% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
6% Popularity • 38% Danceability • 49% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Dirk Ehlert
Awakening
116 bpm • C Maj • 02:52 • -13db
27% Popularity • 45% Danceability • 50% Energy • 20% Liveness
94% Instrumentalness • 10% Positiveness
27% Popularity • 45% Danceability • 50% Energy • 20% Liveness
94% Instrumentalness • 10% Positiveness
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J.T. Peterson
Boundless
124 bpm • G Maj • 03:18 • -9.52db
25% Popularity • 21% Danceability • 59% Energy • 10% Liveness
50% Instrumentalness • 6% Positiveness
25% Popularity • 21% Danceability • 59% Energy • 10% Liveness
50% Instrumentalness • 6% Positiveness
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Twelve Titans Music
On the Shore of Forever
116 bpm • D# min • 02:51 • -12.64db
24% Popularity • 17% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Songs To Your Eyes
Last Hope For Mankind
116 bpm • D Maj • 04:02 • -11.06db
16% Popularity • 17% Danceability • 45% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 45% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Andrés Hernández Sarmiento
Wildfire
116 bpm • F min • 03:24 • -10.13db
8% Popularity • 18% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
8% Popularity • 18% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Harry Lightfoot
Light Speed
120 bpm • G Maj • 02:55 • -10.79db
7% Popularity • 36% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
7% Popularity • 36% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Arn Andersson
Heart and Soul (Eyvindr)
125 bpm • C min • 03:13 • -9.14db
20% Popularity • 28% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
20% Popularity • 28% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Dominik A. Hecker
Into the Void
115 bpm • F min • 02:47 • -10.77db
28% Popularity • 34% Danceability • 64% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
28% Popularity • 34% Danceability • 64% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
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Lea Edwards
The Guards
125 bpm • A# Maj • 02:44 • -11.41db
2% Popularity • 39% Danceability • 80% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
2% Popularity • 39% Danceability • 80% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Andreas Kübler
Life in Full Bloom
125 bpm • D Maj • 02:24 • -12.75db
22% Popularity • 28% Danceability • 41% Energy • 12% Liveness
75% Instrumentalness • 12% Positiveness
22% Popularity • 28% Danceability • 41% Energy • 12% Liveness
75% Instrumentalness • 12% Positiveness
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Luna Skylark
Starry Night Symphony
125 bpm • G min • 02:18 • -19.72db
21% Popularity • 55% Danceability • 40% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
21% Popularity • 55% Danceability • 40% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
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Harry Lightfoot
Wildest Adventure
120 bpm • D Maj • 03:03 • -10.94db
3% Popularity • 47% Danceability • 72% Energy • 17% Liveness
76% Instrumentalness • 17% Positiveness
3% Popularity • 47% Danceability • 72% Energy • 17% Liveness
76% Instrumentalness • 17% Positiveness
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Liquid Cinema
This Moment
125 bpm • G# Maj • 02:18 • -11.26db
21% Popularity • 18% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
21% Popularity • 18% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
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Matias Puumala
Beneath the Blazing Sky
115 bpm • C# Maj • 03:54 • -9db
35% Popularity • 39% Danceability • 64% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
35% Popularity • 39% Danceability • 64% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Patryk Scelina
We Are Here for Each Other
115 bpm • A min • 02:09 • -9db
35% Popularity • 35% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 35% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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IMAscore
Army of Strings
115 bpm • A Maj • 02:39 • -9.05db
13% Popularity • 34% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
13% Popularity • 34% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Tonal Chaos Trailer Music
A Wonder to Behold
126 bpm • G min • 02:35 • -10.31db
8% Popularity • 21% Danceability • 54% Energy • 57% Liveness
94% Instrumentalness • 10% Positiveness
8% Popularity • 21% Danceability • 54% Energy • 57% Liveness
94% Instrumentalness • 10% Positiveness
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Harry Lightfoot
The Ocean Depths
120 bpm • A# min • 02:44 • -13.99db
2% Popularity • 26% Danceability • 46% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
2% Popularity • 26% Danceability • 46% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Adriel Fair
The Crew
126 bpm • F min • 01:40 • -11.44db
33% Popularity • 76% Danceability • 52% Energy • 9% Liveness
81% Instrumentalness • 35% Positiveness
33% Popularity • 76% Danceability • 52% Energy • 9% Liveness
81% Instrumentalness • 35% Positiveness
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Lea Edwards
From the Ashes
126 bpm • D# min • 02:17 • -14.19db
16% Popularity • 48% Danceability • 63% Energy • 44% Liveness
96% Instrumentalness • 31% Positiveness
16% Popularity • 48% Danceability • 63% Energy • 44% Liveness
96% Instrumentalness • 31% Positiveness
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Iliya Zaki
Starlight
114 bpm • E min • 02:43 • -15db
33% Popularity • 46% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
33% Popularity • 46% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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IMAscore
Fading Memories
114 bpm • E min • 02:07 • -13.56db
9% Popularity • 26% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Mitchell Broom
Gravity
114 bpm • A min • 02:57 • -14.09db
19% Popularity • 17% Danceability • 54% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
19% Popularity • 17% Danceability • 54% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
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Harry Lightfoot
Plexora
117 bpm • C Maj • 02:04 • -20.52db
0% Popularity • 23% Danceability • 34% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 34% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Pauli Hausmann
Call of the Stars
113 bpm • D min • 04:13 • -6.71db
17% Popularity • 34% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
17% Popularity • 34% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Carlos Estella
Epic Inspiring Adventure Cinematic
128 bpm • G Maj • 02:23 • -13.16db
15% Popularity • 57% Danceability • 60% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
15% Popularity • 57% Danceability • 60% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
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Dustin Krizan
Grasp Onto Hope
128 bpm • G Maj • 03:13 • -8.03db
13% Popularity • 22% Danceability • 71% Energy • 8% Liveness
67% Instrumentalness • 9% Positiveness
13% Popularity • 22% Danceability • 71% Energy • 8% Liveness
67% Instrumentalness • 9% Positiveness
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Yung Kizii
Motivation anthem
128 bpm • G Maj • 02:44 • -9.51db
15% Popularity • 42% Danceability • 63% Energy • 15% Liveness
82% Instrumentalness • 5% Positiveness
15% Popularity • 42% Danceability • 63% Energy • 15% Liveness
82% Instrumentalness • 5% Positiveness
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Tonal Chaos Trailer Music
The Expanse
128 bpm • C min • 03:01 • -8.12db
18% Popularity • 36% Danceability • 51% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 36% Danceability • 51% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness