Songs like Sun Nights by Harlin James
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Kingslow
Ruthless
120 bpm • G Maj • 04:31 • -7db
13% Popularity • 64% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 64% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 53% Positiveness
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Dayliii
Come to Me
120 bpm • C Maj • 03:03 • -9.33db
1% Popularity • 84% Danceability • 62% Energy • 5% Liveness
10% Instrumentalness • 73% Positiveness
1% Popularity • 84% Danceability • 62% Energy • 5% Liveness
10% Instrumentalness • 73% Positiveness
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Beds and Beats
On Top of the World
120 bpm • C Maj • 02:10 • -8.58db
19% Popularity • 61% Danceability • 62% Energy • 62% Liveness
32% Instrumentalness • 28% Positiveness
19% Popularity • 61% Danceability • 62% Energy • 62% Liveness
32% Instrumentalness • 28% Positiveness
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Elijah N
Right Behind
120 bpm • F# min • 03:10 • -4.7db
15% Popularity • 75% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 75% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Harlin James
Dreaming in the Daylight
120 bpm • F Maj • 04:39 • -7.81db
8% Popularity • 62% Danceability • 88% Energy • 13% Liveness
4% Instrumentalness • 53% Positiveness
8% Popularity • 62% Danceability • 88% Energy • 13% Liveness
4% Instrumentalness • 53% Positiveness
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Wizardz Of Oz
Take Them Down
120 bpm • F Maj • 03:16 • -5db
13% Popularity • 58% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 58% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Vasco
Liar Liar
120 bpm • G min • 02:43 • -7.26db
18% Popularity • 59% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 59% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Ameryh
Like in the Movies
120 bpm • F# Maj • 03:06 • -6.45db
17% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Aiyo
Does Somebody Know
120 bpm • F# Maj • 03:22 • -6.38db
20% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Elijah N
Like U Like That
120 bpm • A# Maj • 03:18 • -4.08db
17% Popularity • 80% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 80% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Ray
Yeah You
120 bpm • B min • 03:36 • -3.28db
14% Popularity • 71% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 71% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Club Yoko
I Want It All
120 bpm • F# Maj • 02:43 • -6.02db
10% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Lyvi
Better Now
120 bpm • F# Maj • 04:09 • -4.93db
11% Popularity • 74% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 74% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Who Is Fancy
Seven Minutes In Heaven
120 bpm • C# Maj • 03:56 • -4.8db
9% Popularity • 70% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 70% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Rayelle
Just Move
120 bpm • F# min • 02:37 • -6.01db
19% Popularity • 89% Danceability • 80% Energy • 7% Liveness
31% Instrumentalness • 70% Positiveness
19% Popularity • 89% Danceability • 80% Energy • 7% Liveness
31% Instrumentalness • 70% Positiveness
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Sam Trocki
Inspiration
120 bpm • B Maj • 02:58 • -5.39db
45% Popularity • 73% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 73% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Oh, Hush!
Endless Possibilities
120 bpm • C Maj • 03:24 • -8.66db
16% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 54% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Nameless
Underneath the velvet sky, stars shining
120 bpm • A Maj • 01:56 • -13.31db
7% Popularity • 75% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 75% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Andy Powell
We're In Free Fall
120 bpm • G min • 03:12 • -7.99db
17% Popularity • 68% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 68% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Harlin James
I Don't Want It to Stop
120 bpm • B min • 03:49 • -6.63db
1% Popularity • 68% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
1% Popularity • 68% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Danger Twins
I Could Get Used To This
120 bpm • F min • 02:45 • -4.32db
17% Popularity • 74% Danceability • 90% Energy • 10% Liveness
5% Instrumentalness • 94% Positiveness
17% Popularity • 74% Danceability • 90% Energy • 10% Liveness
5% Instrumentalness • 94% Positiveness
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Sly & the Family Stallone
I Feel the Love
120 bpm • F min • 02:30 • -5db
32% Popularity • 72% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 72% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Mike Stringer
Pull Me Out
120 bpm • A min • 03:40 • -6db
12% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Siine
Naked
120 bpm • G# Maj • 03:15 • -6.2db
13% Popularity • 79% Danceability • 88% Energy • 6% Liveness
6% Instrumentalness • 84% Positiveness
13% Popularity • 79% Danceability • 88% Energy • 6% Liveness
6% Instrumentalness • 84% Positiveness
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Daniel Farrant
The Sound of Thunder
120 bpm • E min • 03:43 • -5.89db
19% Popularity • 56% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 56% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Harlin James
The King
120 bpm • D Maj • 02:53 • -7.16db
0% Popularity • 65% Danceability • 72% Energy • 35% Liveness
3% Instrumentalness • 73% Positiveness
0% Popularity • 65% Danceability • 72% Energy • 35% Liveness
3% Instrumentalness • 73% Positiveness
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Neda Zehra
Release the Genie
120 bpm • G min • 03:19 • -6.25db
20% Popularity • 77% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 77% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Katrina Stone
You and the Summer
120 bpm • C Maj • 03:36 • -4.14db
9% Popularity • 70% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 70% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Robert Lamond
Don't Wanna Grow Up
120 bpm • D# min • 03:07 • -6.42db
13% Popularity • 72% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 72% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Zach Berkman
Get Up, Get Up
120 bpm • C# Maj • 03:32 • -7.91db
8% Popularity • 47% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 47% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Little Spirits
Turn Up the Love
120 bpm • G Maj • 03:32 • -4.71db
20% Popularity • 90% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 90% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Harlin James
Time of Our Lives
120 bpm • F min • 03:17 • -7.91db
2% Popularity • 52% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 52% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 20% Positiveness
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Luftmensch
Lucid Light
120 bpm • B min • 03:06 • -6.87db
10% Popularity • 79% Danceability • 75% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 79% Danceability • 75% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
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Colbae
You're Never Alone
120 bpm • A Maj • 03:10 • -6.3db
14% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Cut One
Do Right
120 bpm • G min • 02:53 • -6.02db
7% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Lewis
Hey Ho
120 bpm • G# Maj • 02:45 • -6.33db
0% Popularity • 54% Danceability • 76% Energy • 16% Liveness
60% Instrumentalness • 47% Positiveness
0% Popularity • 54% Danceability • 76% Energy • 16% Liveness
60% Instrumentalness • 47% Positiveness
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X-Ray Dog
This Is Not the End
120 bpm • G min • 03:13 • -8.1db
14% Popularity • 50% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
14% Popularity • 50% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Harlin James
Limitless
121 bpm • D# Maj • 03:18 • -8.06db
3% Popularity • 53% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
3% Popularity • 53% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Wolfgang Black
Set Aim Fire
121 bpm • A# min • 03:28 • -4.07db
7% Popularity • 56% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 56% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Antoinette Halliday
My Symmetry
121 bpm • F Maj • 03:18 • -6db
14% Popularity • 34% Danceability • 82% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
14% Popularity • 34% Danceability • 82% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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WAT3RS
The Fool
118 bpm • C min • 03:26 • -5.22db
11% Popularity • 70% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
11% Popularity • 70% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Paul Lewis
4 on da Floor
119 bpm • G Maj • 02:45 • -9.07db
0% Popularity • 92% Danceability • 39% Energy • 10% Liveness
52% Instrumentalness • 54% Positiveness
0% Popularity • 92% Danceability • 39% Energy • 10% Liveness
52% Instrumentalness • 54% Positiveness
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Yesable
Love Will Set Us Free
122 bpm • A# min • 03:48 • -5.63db
18% Popularity • 65% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 65% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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X. ARI
Neuroplastic
118 bpm • C Maj • 03:03 • -5.24db
19% Popularity • 61% Danceability • 64% Energy • 43% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 61% Danceability • 64% Energy • 43% Liveness
0% Instrumentalness • 35% Positiveness
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Mondays
First Kiss
122 bpm • C# min • 03:42 • -4.38db
23% Popularity • 81% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 81% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Future Royalty
Bomb Baby
118 bpm • E min • 02:48 • -8.12db
13% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Joybird
Gimme Some More
122 bpm • C Maj • 03:17 • -4.44db
15% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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KALLICO
When I Get Going
122 bpm • A# min • 02:15 • -8.51db
21% Popularity • 82% Danceability • 88% Energy • 7% Liveness
6% Instrumentalness • 92% Positiveness
21% Popularity • 82% Danceability • 88% Energy • 7% Liveness
6% Instrumentalness • 92% Positiveness
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Thomas McNeice
Revelling
122 bpm • D# Maj • 03:52 • -5.62db
18% Popularity • 70% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 70% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Elijah N
Let Us Drive
122 bpm • G# min • 03:20 • -3.34db
15% Popularity • 72% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 72% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Harlin James
Fire It Up
122 bpm • G# min • 03:19 • -7.14db
6% Popularity • 65% Danceability • 69% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
6% Popularity • 65% Danceability • 69% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
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Jeff Lewis
Drivin'
122 bpm • A min • 03:28 • -7.32db
19% Popularity • 63% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 63% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Winn
Another Broken Heart
118 bpm • E min • 03:27 • -11.61db
18% Popularity • 71% Danceability • 64% Energy • 33% Liveness
10% Instrumentalness • 24% Positiveness
18% Popularity • 71% Danceability • 64% Energy • 33% Liveness
10% Instrumentalness • 24% Positiveness
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Craig Reever
We're Dynamite
118 bpm • F# min • 03:21 • -8.89db
16% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Miss Amani
My World
118 bpm • A# min • 03:31 • -4.39db
12% Popularity • 67% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 67% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Hael
Perfect Combination
122 bpm • G Maj • 02:40 • -7db
32% Popularity • 69% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 69% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Matt Sierra
Tough Love
118 bpm • G# min • 03:24 • -6.03db
13% Popularity • 76% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 76% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Ray
Intertwined
118 bpm • C# min • 02:56 • -8.18db
24% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Eden Maze
Should Have Known Better
118 bpm • D min • 02:57 • -4.36db
12% Popularity • 82% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 82% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Mia Mayer
Low Key
118 bpm • A min • 02:47 • -7.98db
1% Popularity • 86% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 86% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Mnr Plsr
Feel My Crown
118 bpm • G Maj • 02:17 • -7.01db
11% Popularity • 68% Danceability • 61% Energy • 30% Liveness
20% Instrumentalness • 56% Positiveness
11% Popularity • 68% Danceability • 61% Energy • 30% Liveness
20% Instrumentalness • 56% Positiveness
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Louis II
Just Watch How I Do It
118 bpm • D Maj • 03:23 • -5.78db
14% Popularity • 82% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 82% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Flyers
We Are the Future
118 bpm • G Maj • 03:25 • -5.54db
12% Popularity • 56% Danceability • 73% Energy • 37% Liveness
1% Instrumentalness • 52% Positiveness
12% Popularity • 56% Danceability • 73% Energy • 37% Liveness
1% Instrumentalness • 52% Positiveness
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Paul Lewis
Summer Bring the Good Times
123 bpm • B min • 02:15 • -5.63db
6% Popularity • 72% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
6% Popularity • 72% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Clooney
The Party's Here
123 bpm • A min • 04:33 • -5db
10% Popularity • 70% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 70% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Luna Wave
Nobody Else
117 bpm • E Maj • 02:43 • -5.8db
12% Popularity • 63% Danceability • 80% Energy • 85% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 63% Danceability • 80% Energy • 85% Liveness
0% Instrumentalness • 48% Positiveness
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Duffy Sylvander
Right Stuff
117 bpm • A min • 02:33 • -9.27db
2% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
2% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Pop Talk
Never Stop Believing
116 bpm • G# Maj • 03:31 • -7.66db
14% Popularity • 47% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 47% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Neon Beach
Hudson Hawk
124 bpm • A min • 02:46 • -6.44db
7% Popularity • 72% Danceability • 94% Energy • 22% Liveness
18% Instrumentalness • 89% Positiveness
7% Popularity • 72% Danceability • 94% Energy • 22% Liveness
18% Instrumentalness • 89% Positiveness
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Harlin James
Gonna Win
124 bpm • B Maj • 03:35 • -6.53db
2% Popularity • 61% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
2% Popularity • 61% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Ray
Left In Me
124 bpm • A min • 04:34 • -6db
17% Popularity • 69% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 69% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Devin Hoffman
Give Me One Shot
124 bpm • G Maj • 03:05 • -6.22db
8% Popularity • 67% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 67% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Selectracks
Good to Be King
124 bpm • C# Maj • 03:05 • -6.13db
10% Popularity • 65% Danceability • 92% Energy • 8% Liveness
14% Instrumentalness • 96% Positiveness
10% Popularity • 65% Danceability • 92% Energy • 8% Liveness
14% Instrumentalness • 96% Positiveness
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Henry Parsley
Get up and Dance
124 bpm • D# Maj • 02:45 • -6.01db
18% Popularity • 61% Danceability • 94% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
18% Popularity • 61% Danceability • 94% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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Jay Denton
If I'm Honest
124 bpm • D Maj • 04:17 • -9.76db
11% Popularity • 47% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 47% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Harlin James
Gonna Win - Instrumental Version
124 bpm • B Maj • 03:34 • -7.39db
0% Popularity • 69% Danceability • 88% Energy • 7% Liveness
79% Instrumentalness • 39% Positiveness
0% Popularity • 69% Danceability • 88% Energy • 7% Liveness
79% Instrumentalness • 39% Positiveness
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Leon Duran
Like a Boss
116 bpm • C Maj • 03:08 • -9.63db
0% Popularity • 87% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 87% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Loving Caliber
Looking For A New Start
116 bpm • G Maj • 03:17 • -8.98db
19% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jamie Norton
Back to Life
125 bpm • F# min • 03:38 • -7.9db
12% Popularity • 46% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 46% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Curtis Cole
Empty Streets
125 bpm • G Maj • 02:23 • -8.2db
15% Popularity • 59% Danceability • 57% Energy • 16% Liveness
90% Instrumentalness • 54% Positiveness
15% Popularity • 59% Danceability • 57% Energy • 16% Liveness
90% Instrumentalness • 54% Positiveness
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Kadant
Strange Delight
125 bpm • G# min • 03:12 • -4.94db
15% Popularity • 63% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 63% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Harlin James
How We Do This
124 bpm • F min • 02:38 • -6.84db
3% Popularity • 83% Danceability • 79% Energy • 17% Liveness
6% Instrumentalness • 70% Positiveness
3% Popularity • 83% Danceability • 79% Energy • 17% Liveness
6% Instrumentalness • 70% Positiveness
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Andy Powell
Feel It Burn
125 bpm • F# Maj • 02:41 • -6.75db
8% Popularity • 66% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 66% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Angus Brill Reed
Small Stuff
125 bpm • D Maj • 03:12 • -3.84db
8% Popularity • 79% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
8% Popularity • 79% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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JekK
Delightful Life
125 bpm • F# Maj • 03:27 • -7.58db
7% Popularity • 75% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 75% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Miss Amani
Sexy
125 bpm • A# min • 03:20 • -6.95db
13% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Unknown
Mountain Preach
125 bpm • C Maj • 04:02 • -8.83db
0% Popularity • 81% Danceability • 66% Energy • 12% Liveness
78% Instrumentalness • 62% Positiveness
0% Popularity • 81% Danceability • 66% Energy • 12% Liveness
78% Instrumentalness • 62% Positiveness
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Little Violet
Don’t Stop (Odjbox Remix)
125 bpm • G# min • 04:31 • -5.17db
13% Popularity • 69% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 69% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Cacti
Our Skies
125 bpm • A min • 03:54 • -5.2db
15% Popularity • 67% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 67% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ramin
Strange Brew
125 bpm • A# min • 03:49 • -3.78db
18% Popularity • 50% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 50% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Cherry Cherry Red
One Step at a Time
125 bpm • A Maj • 02:55 • -8db
11% Popularity • 75% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 75% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Jules Larson
Lady Renegade
115 bpm • G Maj • 03:03 • -4.09db
17% Popularity • 62% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 62% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Ray
Plenty Of Time
125 bpm • G Maj • 03:53 • -5.13db
14% Popularity • 74% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
14% Popularity • 74% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
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Paul Lewis
This Is My Time
115 bpm • B min • 03:24 • -11.52db
0% Popularity • 64% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 64% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Luna Wave
New Generation
115 bpm • F# Maj • 03:34 • -5db
9% Popularity • 51% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 51% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Wildson
Walk Straight
115 bpm • G# Maj • 03:10 • -6.62db
16% Popularity • 68% Danceability • 71% Energy • 21% Liveness
2% Instrumentalness • 85% Positiveness
16% Popularity • 68% Danceability • 71% Energy • 21% Liveness
2% Instrumentalness • 85% Positiveness
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Dexter French
Under Your Spell
115 bpm • F Maj • 02:49 • -6.73db
9% Popularity • 58% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 58% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Adua Blaize
Girls Gone Wild
115 bpm • F Maj • 02:00 • -5.31db
18% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
