Songs like Sunday Monday by Mani Sharma
Based on a tempo of (+/- 10%) and a similar genre
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Mani Sharma
Sunday Monday
118 bpm • C Maj • 04:39 • -7.11db
36% Popularity • 85% Danceability • 61% Energy • 7% Liveness
15% Instrumentalness • 83% Positiveness
36% Popularity • 85% Danceability • 61% Energy • 7% Liveness
15% Instrumentalness • 83% Positiveness
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Sagar
Jaaruko
118 bpm • G Maj • 04:21 • -5db
45% Popularity • 84% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 84% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Hemachandra Vedala
Heartu Lo Battery
118 bpm • G Maj • 05:34 • -7.25db
28% Popularity • 84% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 84% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Simha
Orabba
118 bpm • G min • 05:36 • -8.24db
21% Popularity • 94% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 94% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Ramana Gogula
Dhaga Dhaga Merise
118 bpm • F# min • 04:18 • -8.05db
39% Popularity • 78% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 78% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Rahul Sipligunj
Nee Kannulu
117 bpm • C# min • 02:57 • -5.86db
46% Popularity • 94% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 94% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Suchith Suresan
Padipoyaanila
119 bpm • B min • 03:06 • -10.2db
6% Popularity • 86% Danceability • 54% Energy • 21% Liveness
2% Instrumentalness • 94% Positiveness
6% Popularity • 86% Danceability • 54% Energy • 21% Liveness
2% Instrumentalness • 94% Positiveness
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Shankar Mahadevan, Shreya Ghoshal
Dhinaku Dhin Jiya
117 bpm • F# Maj • 04:44 • -9.5db
40% Popularity • 82% Danceability • 67% Energy • 6% Liveness
7% Instrumentalness • 96% Positiveness
40% Popularity • 82% Danceability • 67% Energy • 6% Liveness
7% Instrumentalness • 96% Positiveness
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Mangli
Brindavanam
119 bpm • A# min • 03:52 • -9db
57% Popularity • 82% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
57% Popularity • 82% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Mano
Simhamanti
117 bpm • D# min • 04:54 • -7db
40% Popularity • 58% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 58% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Mani Sharma
Chinnanati Chelikade
119 bpm • G Maj • 05:39 • -8.73db
37% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Sameera Bharadwaj
Entha Chitram Kada
119 bpm • D# Maj • 04:11 • -7db
41% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Vishal Chandrashekhar
Tharali Tharali
119 bpm • D Maj • 01:17 • -6.94db
44% Popularity • 56% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 56% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Sunitha
Ee Velalo Neevu
120 bpm • G min • 04:20 • -8db
49% Popularity • 38% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 38% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Ramana Gogula
Vevela Mainala Ganam
120 bpm • G min • 04:23 • -11.18db
39% Popularity • 74% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 74% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Kala Bhairava, Nikhita Gandhi
Yedetthu Mallele
120 bpm • D# Maj • 03:25 • -11db
48% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Mukesh
Dandiya India
120 bpm • C Maj • 04:41 • -4db
45% Popularity • 63% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 83% Positiveness
45% Popularity • 63% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 83% Positiveness
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Kalpana
Musugu Veyyoddu
120 bpm • D Maj • 05:08 • -5db
38% Popularity • 79% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 79% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Karunya
Vayyarala
120 bpm • G# min • 05:20 • -6db
54% Popularity • 80% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 80% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Rahul Nambiar
Guruvaram
120 bpm • C min • 04:22 • -11.31db
54% Popularity • 82% Danceability • 59% Energy • 28% Liveness
9% Instrumentalness • 71% Positiveness
54% Popularity • 82% Danceability • 59% Energy • 28% Liveness
9% Instrumentalness • 71% Positiveness
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Mickey J. Meyer
Rang de
120 bpm • D# min • 04:01 • -8.57db
57% Popularity • 90% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 90% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Deepu
Kothagunna Haye
120 bpm • C min • 04:48 • -9db
36% Popularity • 69% Danceability • 66% Energy • 37% Liveness
2% Instrumentalness • 20% Positiveness
36% Popularity • 69% Danceability • 66% Energy • 37% Liveness
2% Instrumentalness • 20% Positiveness
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Hariharan
Vastha Nee Venuka
120 bpm • F min • 05:33 • -7db
56% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Kalyani Malik
Chantaina Bujjaina
120 bpm • B min • 05:27 • -8.14db
41% Popularity • 84% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 84% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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R. P. Patnaik
Kakulu Durani (Nijam Title Song)
120 bpm • E min • 01:46 • -6.66db
24% Popularity • 71% Danceability • 93% Energy • 54% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 71% Danceability • 93% Energy • 54% Liveness
0% Instrumentalness • 38% Positiveness
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Sreerama Chandra
Gelupu Thalupule
116 bpm • A min • 05:17 • -5.79db
56% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Mickey J. Meyer
Jarra Jarra
120 bpm • A# min • 03:01 • -9.59db
54% Popularity • 90% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
54% Popularity • 90% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Deepu
Naa Chore
120 bpm • C# Maj • 04:53 • -8.2db
44% Popularity • 79% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 79% Positiveness
44% Popularity • 79% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 79% Positiveness
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Vijai Bulganin
Riba Pappa
120 bpm • B min • 05:02 • -10.11db
42% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Dhanunjay Seepana
Whattey Beauty - Telugu
121 bpm • D Maj • 03:54 • -3db
51% Popularity • 91% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 91% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Mani Sharma
Nuvvem Maya
121 bpm • F min • 04:02 • -8.43db
54% Popularity • 84% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 84% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Mallikarjun
Kaneeti Vaana
121 bpm • C min • 01:47 • -13.44db
42% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
42% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Mickey J. Meyer
Kalasalalo
120 bpm • G Maj • 03:54 • -9.64db
39% Popularity • 95% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 95% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Deepu
Naakosam
116 bpm • F min • 03:54 • -7.29db
47% Popularity • 86% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
47% Popularity • 86% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Kailash Kher
Elegeylaga
121 bpm • D Maj • 04:20 • -8db
47% Popularity • 84% Danceability • 79% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
47% Popularity • 84% Danceability • 79% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
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M.M.Keeravani, Sunitha
Jum Jum Maya
115 bpm • F Maj • 04:38 • -8.13db
46% Popularity • 86% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
46% Popularity • 86% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Revanth, Chitra
Andam Hindolam - Remix
115 bpm • A Maj • 04:22 • -4db
33% Popularity • 85% Danceability • 91% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
33% Popularity • 85% Danceability • 91% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
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Mallikarjun
Nee Navvula
121 bpm • A min • 04:42 • -8.2db
51% Popularity • 87% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 87% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Ramesh Thamilmani
Lalana ")
115 bpm • G min • 02:57 • -10.44db
14% Popularity • 94% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 94% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Devan Ekambaram
Computerlu
115 bpm • D Maj • 05:22 • -5.26db
36% Popularity • 88% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 88% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Kailash Kher
Pandagala
115 bpm • C Maj • 04:51 • -5db
44% Popularity • 74% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 74% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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S. P. Balasubrahmanyam
Hai Hai
121 bpm • F min • 05:28 • -8db
43% Popularity • 65% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 65% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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M. M. Keeravani
Vaastu Bagunde
115 bpm • F min • 04:29 • -7db
46% Popularity • 90% Danceability • 84% Energy • 7% Liveness
5% Instrumentalness • 96% Positiveness
46% Popularity • 90% Danceability • 84% Energy • 7% Liveness
5% Instrumentalness • 96% Positiveness
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Mani Sharma
Dakkho Dakkho
115 bpm • A# min • 04:21 • -11.32db
14% Popularity • 75% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 75% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Ramana Gogula
Bangala Kathamulo
115 bpm • G Maj • 04:37 • -8.42db
57% Popularity • 85% Danceability • 83% Energy • 13% Liveness
66% Instrumentalness • 45% Positiveness
57% Popularity • 85% Danceability • 83% Energy • 13% Liveness
66% Instrumentalness • 45% Positiveness
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Karunya
Ammayi Kitiki Pakkana
122 bpm • E Maj • 03:35 • -11.5db
36% Popularity • 88% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 88% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Mathangi
X Pichi Y Pichi
122 bpm • C min • 04:08 • -6.86db
35% Popularity • 89% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 89% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Sooraj Santhosh
Labbar Bomma
122 bpm • D min • 04:33 • -5.12db
32% Popularity • 90% Danceability • 88% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
32% Popularity • 90% Danceability • 88% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
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Udit Narayan
Ra Ra Rajakumara
114 bpm • G min • 05:33 • -6.7db
45% Popularity • 81% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 81% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Mani Sharma
Theme Music
122 bpm • A min • 02:14 • -10.06db
24% Popularity • 76% Danceability • 49% Energy • 11% Liveness
31% Instrumentalness • 59% Positiveness
24% Popularity • 76% Danceability • 49% Energy • 11% Liveness
31% Instrumentalness • 59% Positiveness
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Prakash Raj
Idea Cheppu Friendu
114 bpm • A min • 04:07 • -9db
27% Popularity • 94% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 94% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Hemachandra Vedala
Baadshah
114 bpm • G# Maj • 03:27 • -7db
46% Popularity • 76% Danceability • 97% Energy • 8% Liveness
2% Instrumentalness • 39% Positiveness
46% Popularity • 76% Danceability • 97% Energy • 8% Liveness
2% Instrumentalness • 39% Positiveness
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M. M. Keeravani
A Vachi B Pai
114 bpm • B Maj • 04:43 • -7.21db
53% Popularity • 81% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
53% Popularity • 81% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
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Anirudh Ravichander
Thappale Unna
113 bpm • D Maj • 03:24 • -7db
23% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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S.P. Charan
Kaadhana Preme (Version 1)
123 bpm • F min • 06:54 • -7db
54% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mani Sharma
Makathika
114 bpm • C Maj • 04:49 • -6.69db
38% Popularity • 85% Danceability • 69% Energy • 12% Liveness
37% Instrumentalness • 69% Positiveness
38% Popularity • 85% Danceability • 69% Energy • 12% Liveness
37% Instrumentalness • 69% Positiveness
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Karthik, Suchitra
Champakamala
113 bpm • F# Maj • 04:47 • -9.87db
44% Popularity • 83% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 83% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Nakash Aziz
Mecchuko
123 bpm • G Maj • 04:20 • -3.98db
40% Popularity • 86% Danceability • 92% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
40% Popularity • 86% Danceability • 92% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
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R. P. Patnaik
Gaajuvaka Pilla
112 bpm • A min • 03:46 • -4db
56% Popularity • 87% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 87% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Hemachandra Vedala
Gundello
124 bpm • A min • 04:01 • -4db
43% Popularity • 83% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
43% Popularity • 83% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
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Karunya
Endhuko Pichi Pichi
124 bpm • E min • 04:31 • -6db
61% Popularity • 86% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 86% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Mani Sharma
Yuthame (Theme)
113 bpm • C min • 02:34 • -7.24db
36% Popularity • 66% Danceability • 73% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
36% Popularity • 66% Danceability • 73% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Kushi Murali
Kaatuka Kallu
124 bpm • D Maj • 03:58 • -3db
44% Popularity • 84% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 84% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Chakri
Krishna Nagarey
124 bpm • F# Maj • 04:39 • -7db
46% Popularity • 72% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
46% Popularity • 72% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Shakthisree Gopalan
Asalelaa
112 bpm • A min • 01:05 • -8.44db
59% Popularity • 50% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 50% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Hemachandra Vedala
Ori Devuda
112 bpm • F# min • 04:28 • -8.75db
49% Popularity • 54% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 54% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Karunya
Pillani Choosthey
124 bpm • G Maj • 04:04 • -4db
33% Popularity • 86% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 86% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Mani Sharma
Aaru Padai
124 bpm • A min • 04:54 • -5.24db
43% Popularity • 54% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 54% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Venu Srirangam
Priya Priya
112 bpm • D min • 02:37 • -7.52db
49% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jaspreet Jasz
Preme Aakasamaithe
112 bpm • G Maj • 03:34 • -7.4db
32% Popularity • 83% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 83% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Mickey J. Meyer
Hey Abbayi
112 bpm • F# min • 03:42 • -5.92db
33% Popularity • 80% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 80% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Sonu Nigam
Endhuko
112 bpm • A# Maj • 04:41 • -6.48db
39% Popularity • 69% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 69% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Kalyani Malik
Ganga AC
125 bpm • F min • 05:21 • -8.55db
37% Popularity • 74% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 74% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Mani Sharma
Hay Rey Hai
112 bpm • F min • 05:05 • -8.13db
45% Popularity • 75% Danceability • 80% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
45% Popularity • 75% Danceability • 80% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
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Venu Srirangam
Vennelintha
125 bpm • D# min • 04:17 • -8.79db
50% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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G. V. Prakash
Sittharala Sithravathi
125 bpm • B min • 03:36 • -8.4db
47% Popularity • 83% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 83% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Anurag Kulkarni
Ranjithame [Telugu]
125 bpm • A Maj • 04:46 • -6.64db
50% Popularity • 54% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 54% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Raghu Kunche
Subba Lakshmi
111 bpm • F min • 04:46 • -4db
33% Popularity • 87% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 87% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Raja Hasan
Chinnadana Neekosam
126 bpm • G Maj • 03:59 • -8db
44% Popularity • 65% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 65% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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M. M. Keeravani
Roolar
111 bpm • A# min • 04:52 • -6.49db
38% Popularity • 91% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 91% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Dhanunjay Seepana
Yelo Yedarilo Vaana
126 bpm • F Maj • 04:03 • -7.59db
36% Popularity • 78% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 78% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Shekar Chandra
Bullet La
126 bpm • G min • 03:27 • -8db
42% Popularity • 77% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 77% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Anurag Kulkarni
Ek Dum Ek Dum
125 bpm • G# Maj • 04:20 • -8.78db
34% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Sagar
O Manmadhuda
126 bpm • C Maj • 04:43 • -5db
41% Popularity • 85% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 85% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Priya Hemesh
Bad Boyz
126 bpm • F min • 03:47 • -10.06db
53% Popularity • 78% Danceability • 96% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
53% Popularity • 78% Danceability • 96% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Chaitra
Vaana Vaana
126 bpm • A# min • 03:59 • -3.92db
35% Popularity • 74% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 74% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Sameera Bharadwaj
Chirugaali Aagipove
110 bpm • G min • 04:09 • -7.25db
17% Popularity • 61% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 61% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Jaspreet Jasz
Kanyakumari
110 bpm • F min • 04:33 • -3.06db
44% Popularity • 84% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 84% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Mani Sharma
Thamizhan Veera Thamizhan
110 bpm • G# Maj • 03:42 • -3.97db
33% Popularity • 77% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 77% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Kapil, Swetha Mohan
Neevente Nenunte
110 bpm • G Maj • 03:50 • -5.13db
32% Popularity • 79% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 79% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Chakri
Kalloki Dilloki
110 bpm • A Maj • 04:16 • -4db
44% Popularity • 86% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 86% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Ramana Gogula
Challipidugullo
110 bpm • G min • 04:29 • -10.8db
32% Popularity • 74% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 74% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Vidyasagar
Yedho Yedho-2
127 bpm • C Maj • 03:11 • -9.15db
28% Popularity • 80% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 80% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Anudeep Dev
E Velalona
109 bpm • E min • 03:35 • -8.47db
41% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Sonu Nigam
Raave Na Cheliya
109 bpm • A# Maj • 05:49 • -9db
44% Popularity • 81% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 81% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Hemachandra Vedala
Oka Padam
128 bpm • A min • 04:33 • -6.28db
42% Popularity • 74% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 74% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Yazin Nizar
24/7 Party
128 bpm • D min • 03:41 • -6db
42% Popularity • 80% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 80% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Ramana Gogula
Yey Chikittha
110 bpm • D min • 04:27 • -9db
56% Popularity • 79% Danceability • 94% Energy • 6% Liveness
2% Instrumentalness • 73% Positiveness
56% Popularity • 79% Danceability • 94% Energy • 6% Liveness
2% Instrumentalness • 73% Positiveness
