Songs like sunday by Joy Oladokun
Based on a tempo of (+/- 10%) and a similar genre
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Zach Seabaugh
Maybe We Do
76 bpm • D# Maj • 02:53 • -13.06db
49% Popularity • 62% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 62% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Joy Oladokun
sunday
76 bpm • F# Maj • 03:13 • -8.69db
49% Popularity • 64% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 64% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Riley Pearce
8 Hour Drive
76 bpm • F Maj • 03:36 • -8.63db
38% Popularity • 47% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 47% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Trousdale
Movie Star
76 bpm • D Maj • 03:40 • -9.42db
36% Popularity • 36% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 36% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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SYML
Believer
76 bpm • C Maj • 04:23 • -8db
53% Popularity • 68% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 68% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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BAILEN
Your Love Is All I Know
77 bpm • C Maj • 03:39 • -9db
41% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Zach Seabaugh
Not How I Want To
75 bpm • C# Maj • 02:54 • -10.74db
52% Popularity • 65% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
52% Popularity • 65% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Joy Oladokun
sunday - Spotify Singles
76 bpm • F# Maj • 03:23 • -9.81db
26% Popularity • 70% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 70% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Hosanna Poetry
The Road
75 bpm • A Maj • 06:32 • -7.64db
6% Popularity • 52% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 52% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Mipso
Carolina Rolling By
76 bpm • A Maj • 04:55 • -10.78db
42% Popularity • 66% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
42% Popularity • 66% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Ben Rector
Steady Love
77 bpm • B Maj • 03:44 • -10.54db
52% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Donovan Woods
Seeing Other People
77 bpm • G# Maj • 03:06 • -11.08db
39% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jill Andrews
Sorry Now
75 bpm • G# Maj • 03:12 • -11db
56% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Devon Gilfillian
Love You Anyway
75 bpm • C Maj • 03:47 • -9.34db
38% Popularity • 56% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 56% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Joy Oladokun
if you got a problem
77 bpm • B Maj • 03:06 • -6.84db
50% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Tiny Habits
hemenway
77 bpm • D Maj • 02:55 • -8.99db
44% Popularity • 49% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 49% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Penny and Sparrow
Voodoo
75 bpm • A Maj • 03:41 • -11.13db
32% Popularity • 60% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 60% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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River Whyless
Michigan Cherry
75 bpm • C# min • 03:43 • -11db
55% Popularity • 46% Danceability • 37% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
55% Popularity • 46% Danceability • 37% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
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Hazlett
Blame The Moon
75 bpm • A# Maj • 03:43 • -15.38db
69% Popularity • 50% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
69% Popularity • 50% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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![Love You Anyway [Feat. Sammy Rae & The Friends] cover art](https://i.scdn.co/image/ab67616d00001e023766179b7e7fa2c13edf3c0e)
Devon Gilfillian
Love You Anyway [Sammy Rae & The Friends...
75 bpm • C Maj • 03:58 • -9.41db
42% Popularity • 39% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 39% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Joy Oladokun
I Can't Make You Love Me - Spotify Singl...
75 bpm • C Maj • 03:16 • -8db
48% Popularity • 59% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
48% Popularity • 59% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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The Paper Kites
Paint
77 bpm • E Maj • 03:11 • -13.05db
62% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hans Williams
All Is Well
78 bpm • D Maj • 02:30 • -7db
67% Popularity • 68% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
67% Popularity • 68% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Nathaniel Rateliff
And It's Still Alright
78 bpm • D# Maj • 03:55 • -9.13db
62% Popularity • 52% Danceability • 49% Energy • 12% Liveness
62% Instrumentalness • 30% Positiveness
62% Popularity • 52% Danceability • 49% Energy • 12% Liveness
62% Instrumentalness • 30% Positiveness
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Lake Street Dive
Better Than
78 bpm • C Maj • 03:35 • -12db
70% Popularity • 79% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
70% Popularity • 79% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Mipso
I Will Follow You Into The Dark
74 bpm • E Maj • 03:44 • -13.58db
35% Popularity • 68% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
35% Popularity • 68% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
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PJ Harding
The Worst Of You
78 bpm • A# min • 03:29 • -10.96db
53% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Josiah and the Bonnevilles
Ghost
78 bpm • G# Maj • 02:26 • -9db
70% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
70% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Abraham Alexander
Tears Run Dry
78 bpm • G# min • 04:14 • -9db
34% Popularity • 35% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 35% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Vincent Lima
Somewhere
78 bpm • F# Maj • 03:10 • -7.91db
53% Popularity • 57% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 57% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:25 • -11.08db
68% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
68% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Foy Vance
System
74 bpm • A# Maj • 03:53 • -12.34db
42% Popularity • 63% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 63% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Foreman
In Bloom
78 bpm • E Maj • 03:13 • -6.81db
55% Popularity • 63% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
55% Popularity • 63% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
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Steinza
The Former
78 bpm • C Maj • 02:37 • -13db
59% Popularity • 35% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 35% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Lawrence
The Weather (Acoustic)
78 bpm • C# Maj • 03:10 • -7.3db
46% Popularity • 37% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 37% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jack Van Cleaf
Rattlesnake
78 bpm • C# Maj • 04:56 • -10.16db
41% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:11 • -12.56db
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Jon Bryant
At Home
74 bpm • B Maj • 03:46 • -11db
50% Popularity • 38% Danceability • 52% Energy • 10% Liveness
9% Instrumentalness • 36% Positiveness
50% Popularity • 38% Danceability • 52% Energy • 10% Liveness
9% Instrumentalness • 36% Positiveness
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Noah Kahan
Glue Myself Shut
73 bpm • C# Maj • 03:16 • -8.1db
70% Popularity • 62% Danceability • 31% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
70% Popularity • 62% Danceability • 31% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Trousdale
Always, Joni
79 bpm • F Maj • 03:09 • -10.52db
43% Popularity • 38% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 38% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Allison Russell
Nightflyer
73 bpm • D Maj • 04:55 • -9.78db
51% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Sumbuck
Hey Honey
79 bpm • B Maj • 03:41 • -10.44db
48% Popularity • 62% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
48% Popularity • 62% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
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Penny and Sparrow
Need You
79 bpm • A# Maj • 03:09 • -7.34db
50% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Joy Oladokun
Bigger Man
79 bpm • D Maj • 03:06 • -10.33db
39% Popularity • 53% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 53% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Garrett Kato
I'll Be Around
79 bpm • C# Maj • 03:06 • -12db
58% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Drew Holcomb
Feels Like Home
73 bpm • D Maj • 04:03 • -8db
42% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Wilder Woods
Be Yourself
79 bpm • G# Maj • 03:23 • -8.43db
47% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Hush Kids
Weatherman
73 bpm • F min • 03:31 • -14db
43% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Mipso
People Change
79 bpm • G Maj • 03:32 • -14.95db
62% Popularity • 37% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
62% Popularity • 37% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Joy Oladokun
mighty die young
79 bpm • C Maj • 02:18 • -10.01db
28% Popularity • 50% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 50% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Novo Amor
Decimal
79 bpm • G Maj • 02:58 • -8db
64% Popularity • 58% Danceability • 43% Energy • 8% Liveness
22% Instrumentalness • 32% Positiveness
64% Popularity • 58% Danceability • 43% Energy • 8% Liveness
22% Instrumentalness • 32% Positiveness
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Noah Cyrus
July
72 bpm • A min • 02:32 • -9.6db
75% Popularity • 71% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
75% Popularity • 71% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Ballroom Thieves
In the Morning
80 bpm • A Maj • 02:26 • -7db
58% Popularity • 64% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
58% Popularity • 64% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Sam Burchfield
Late to the Fire
80 bpm • A# Maj • 04:50 • -7.82db
43% Popularity • 60% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 60% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Lennon Stella
Goodnight
80 bpm • D Maj • 02:56 • -10.44db
51% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Joy Oladokun
Say You Will
79 bpm • A Maj • 03:39 • -10.37db
12% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Wilder Woods
Be Yourself
80 bpm • G# Maj • 03:22 • -8.7db
55% Popularity • 66% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 66% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Abraham Alexander
Knee Deep
80 bpm • G# Maj • 03:42 • -12.54db
24% Popularity • 42% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 42% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Wilderado
Take Some Time
80 bpm • A# Maj • 03:30 • -9.09db
55% Popularity • 62% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 85% Positiveness
55% Popularity • 62% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 85% Positiveness
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Garrett Kato
Be
80 bpm • B min • 02:29 • -9db
54% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Tiny Habits
landslide
80 bpm • C# Maj • 03:00 • -8.86db
47% Popularity • 46% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 46% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Joy Oladokun
taking the heat
80 bpm • F Maj • 03:17 • -8.43db
20% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Bronze Radio Return
There Will Be Another
80 bpm • G Maj • 03:51 • -10.66db
48% Popularity • 66% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
48% Popularity • 66% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Donovan Woods
Portland, Maine
80 bpm • E Maj • 03:23 • -14db
61% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
61% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
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Jon Bryant
would you call me up?
72 bpm • A Maj • 04:11 • -9.09db
40% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Billianne
Full Circle
72 bpm • A Maj • 03:19 • -11.13db
37% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sumbuck
Weekend
72 bpm • C# Maj • 02:27 • -10.84db
55% Popularity • 72% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 72% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Katie Pruitt
Loving Her
80 bpm • A# Maj • 05:04 • -8.24db
37% Popularity • 46% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 46% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Holly Humberstone
Vanilla (Stairwell Version)
81 bpm • C Maj • 04:06 • -9.24db
45% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Donovan Woods
Whatever Keeps You Going - Children's Ch...
72 bpm • F# Maj • 03:23 • -10.17db
31% Popularity • 52% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 52% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Leif Vollebekk
Long Blue Light
72 bpm • A Maj • 03:20 • -9.11db
65% Popularity • 55% Danceability • 48% Energy • 16% Liveness
11% Instrumentalness • 51% Positiveness
65% Popularity • 55% Danceability • 48% Energy • 16% Liveness
11% Instrumentalness • 51% Positiveness
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Ben Abraham
Requiem
72 bpm • B Maj • 03:38 • -12.87db
32% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Joy Oladokun
Keeping The Light On - Living Proof Vers...
81 bpm • F Maj • 03:12 • -9.6db
23% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Allison Ponthier
Faking My Own Death
81 bpm • B min • 03:58 • -10db
45% Popularity • 38% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 38% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Layup
Every Mile
81 bpm • D Maj • 03:21 • -10db
48% Popularity • 52% Danceability • 28% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
48% Popularity • 52% Danceability • 28% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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The Paper Kites
The Sweet Sound of You
71 bpm • E Maj • 04:57 • -16.91db
43% Popularity • 44% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 18% Positiveness
43% Popularity • 44% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 18% Positiveness
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Blake Rose
Ordinary People
71 bpm • G Maj • 04:13 • -11.66db
52% Popularity • 36% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 36% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Salt Tree
Coming Home to You
82 bpm • A Maj • 03:12 • -9.84db
5% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Joy Oladokun
if you got a problem - stripped
82 bpm • E Maj • 02:37 • -8.01db
18% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Aisha Badru
The Way Back Home
82 bpm • A Maj • 03:34 • -16.56db
55% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
55% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Patrick Droney
Free
82 bpm • E Maj • 03:39 • -8db
38% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Morningsiders
Honey Hold Me
82 bpm • C Maj • 03:01 • -6.84db
62% Popularity • 61% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
62% Popularity • 61% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Abraham Alexander
Eye Can See
82 bpm • C min • 02:50 • -8.75db
34% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Penny and Sparrow
Cheyenne
70 bpm • C Maj • 04:00 • -11.04db
32% Popularity • 25% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 25% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Allison Russell
The Returner
70 bpm • G Maj • 03:50 • -7.25db
46% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Fancy Hagood
Forest
83 bpm • G Maj • 04:15 • -14db
41% Popularity • 45% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 45% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Patrick Droney
I'll Be By Your Side
82 bpm • F Maj • 03:34 • -9db
39% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Dustin Tebbutt
Resin
83 bpm • C# min • 03:23 • -12.93db
63% Popularity • 26% Danceability • 37% Energy • 12% Liveness
18% Instrumentalness • 20% Positiveness
63% Popularity • 26% Danceability • 37% Energy • 12% Liveness
18% Instrumentalness • 20% Positiveness
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Sumbuck
Tigersharks
83 bpm • C# min • 04:17 • -9db
48% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Maren Morris
Look At Us Now (Honeycomb)
69 bpm • D# min • 03:52 • -7.96db
43% Popularity • 36% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 36% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Cujo Moon
With You
84 bpm • D Maj • 03:31 • -13db
49% Popularity • 44% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
49% Popularity • 44% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
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Noah Gundersen
Atlantis
83 bpm • D Maj • 05:19 • -10.7db
51% Popularity • 59% Danceability • 56% Energy • 16% Liveness
5% Instrumentalness • 46% Positiveness
51% Popularity • 59% Danceability • 56% Energy • 16% Liveness
5% Instrumentalness • 46% Positiveness
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Wrabel
london
84 bpm • A Maj • 04:26 • -7.67db
48% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Joy Oladokun
Keeping The Light On
84 bpm • F Maj • 03:43 • -6db
40% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Sun On Shade
Tiger Lilies - Lloyd Buchanan
84 bpm • A Maj • 05:07 • -5db
46% Popularity • 74% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
46% Popularity • 74% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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John Vincent III
Highway Woman
69 bpm • C Maj • 03:48 • -7.87db
42% Popularity • 38% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 38% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The National Parks
Time
84 bpm • G Maj • 03:37 • -9db
43% Popularity • 54% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 54% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Jensen McRae
Good Legs
85 bpm • E Maj • 02:46 • -5.86db
36% Popularity • 49% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 49% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
