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Sunny
Songs like
Sunny
by
Kim Waters
Based on a tempo of (+/- 10%) and a similar genre
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Jay Soto
Stay Awhile
114 bpm • D Maj • 03:35 • -4db
30% Popularity • 77% Danceability • 88% Energy • 5% Liveness
4% Instrumentalness • 76% Positiveness
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Pamela Williams
Afterglow
114 bpm • F min • 03:57 • -8.36db
37% Popularity • 77% Danceability • 63% Energy • 15% Liveness
81% Instrumentalness • 68% Positiveness
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Jeanette Harris
All I Do
114 bpm • G min • 04:51 • -8.48db
26% Popularity • 68% Danceability • 64% Energy • 15% Liveness
21% Instrumentalness • 59% Positiveness
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Oli Silk
All We Need
114 bpm • F min • 03:31 • -8db
42% Popularity • 87% Danceability • 73% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
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Gail Jhonson
Uptown Philly
113 bpm • F min • 04:08 • -5.9db
21% Popularity • 72% Danceability • 67% Energy • 12% Liveness
91% Instrumentalness • 70% Positiveness
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Kim Waters
In The House
115 bpm • G Maj • 05:01 • -7.56db
17% Popularity • 76% Danceability • 76% Energy • 10% Liveness
35% Instrumentalness • 69% Positiveness
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The Sax Pack
Can't Help Myself
113 bpm • F min • 04:12 • -8.03db
42% Popularity • 76% Danceability • 75% Energy • 6% Liveness
85% Instrumentalness • 76% Positiveness
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Warren Hill
Gimme Some
115 bpm • F min • 04:22 • -5.68db
19% Popularity • 80% Danceability • 81% Energy • 11% Liveness
44% Instrumentalness • 68% Positiveness
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Wayman Tisdale
Ain't No Stoppin' Us Now
113 bpm • G# Maj • 04:06 • -5.92db
39% Popularity • 76% Danceability • 74% Energy • 8% Liveness
9% Instrumentalness • 78% Positiveness
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Cal Harris Jr.
Breakthrough
113 bpm • A min • 04:13 • -9.81db
28% Popularity • 75% Danceability • 62% Energy • 20% Liveness
50% Instrumentalness • 60% Positiveness
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Eric Marienthal
Blue Water
115 bpm • D min • 04:14 • -7.41db
46% Popularity • 69% Danceability • 69% Energy • 6% Liveness
49% Instrumentalness • 65% Positiveness
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Kim Waters
Shakedown
113 bpm • C Maj • 04:00 • -8.9db
15% Popularity • 64% Danceability • 57% Energy • 58% Liveness
48% Instrumentalness • 68% Positiveness
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The Sax Pack
Fallin' For You
115 bpm • G# Maj • 03:33 • -6db
44% Popularity • 74% Danceability • 76% Energy • 32% Liveness
88% Instrumentalness • 61% Positiveness
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Steve Oliver
Fun in the Sun
116 bpm • G# Maj • 03:50 • -6db
28% Popularity • 69% Danceability • 79% Energy • 10% Liveness
80% Instrumentalness • 59% Positiveness
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Dave Bradshaw Jr.
Flipside
112 bpm • G Maj • 03:47 • -8.12db
22% Popularity • 68% Danceability • 88% Energy • 9% Liveness
92% Instrumentalness • 89% Positiveness
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Dave Stringer
Guru Kripanjana
116 bpm • A min • 05:45 • -11.75db
2% Popularity • 58% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Eric Marienthal
Costa del Soul
116 bpm • D min • 05:18 • -6.51db
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
42% Instrumentalness • 44% Positiveness
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Zachary Breaux
Café Reggio
116 bpm • F# min • 06:06 • -10.05db
33% Popularity • 74% Danceability • 64% Energy • 11% Liveness
83% Instrumentalness • 58% Positiveness
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Fourplay
Play Lady Play
111 bpm • C Maj • 04:37 • -8.6db
28% Popularity • 80% Danceability • 69% Energy • 7% Liveness
84% Instrumentalness • 79% Positiveness
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Kim Scott
Back Together Again
112 bpm • E min • 04:05 • -8db
42% Popularity • 70% Danceability • 78% Energy • 27% Liveness
71% Instrumentalness • 60% Positiveness
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Jeff Kashiwa
3-Day Weekend
117 bpm • C Maj • 04:53 • -5.68db
19% Popularity • 76% Danceability • 74% Energy • 11% Liveness
85% Instrumentalness • 86% Positiveness
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Kim Waters
In Deep
117 bpm • F min • 05:28 • -5.74db
14% Popularity • 83% Danceability • 73% Energy • 12% Liveness
77% Instrumentalness • 75% Positiveness
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Greg Adams
Smooth Operator
111 bpm • F min • 03:48 • -13.66db
38% Popularity • 76% Danceability • 48% Energy • 7% Liveness
89% Instrumentalness • 73% Positiveness
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Marc Antoine & Paul Brown
Foreign Exchange
117 bpm • D Maj • 04:03 • -7db
35% Popularity • 81% Danceability • 75% Energy • 9% Liveness
84% Instrumentalness • 92% Positiveness
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Cal Harris Jr.
Timeline
111 bpm • C# Maj • 04:07 • -11.59db
51% Popularity • 78% Danceability • 51% Energy • 13% Liveness
85% Instrumentalness • 62% Positiveness
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Kim Scott
Take it to the Rink
111 bpm • C# Maj • 04:20 • -5db
34% Popularity • 77% Danceability • 83% Energy • 10% Liveness
73% Instrumentalness • 96% Positiveness
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Dan Siegel
Street Talk
111 bpm • G min • 03:44 • -9.48db
40% Popularity • 79% Danceability • 52% Energy • 9% Liveness
85% Instrumentalness • 94% Positiveness
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Kim Waters
Joy Dance
111 bpm • D Maj • 04:11 • -10.39db
15% Popularity • 82% Danceability • 49% Energy • 9% Liveness
56% Instrumentalness • 60% Positiveness
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Peter White
Who's That Lady
110 bpm • D min • 04:30 • -8.81db
41% Popularity • 78% Danceability • 51% Energy • 10% Liveness
80% Instrumentalness • 42% Positiveness
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Ben Tankard
Right Turn Ahead
118 bpm • B min • 03:43 • -10db
35% Popularity • 72% Danceability • 68% Energy • 25% Liveness
85% Instrumentalness • 69% Positiveness
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The Sax Pack
All I Really Want
111 bpm • C Maj • 04:24 • -8db
34% Popularity • 68% Danceability • 54% Energy • 6% Liveness
80% Instrumentalness • 26% Positiveness
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Joe McBride
Lakewood
118 bpm • D min • 05:16 • -9.03db
34% Popularity • 68% Danceability • 66% Energy • 7% Liveness
74% Instrumentalness • 82% Positiveness
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Warren Hill
The Passion Theme
110 bpm • A min • 04:50 • -8.25db
21% Popularity • 53% Danceability • 51% Energy • 19% Liveness
33% Instrumentalness • 17% Positiveness
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Kim Waters
Steppin' Out
111 bpm • G min • 04:05 • -5.37db
47% Popularity • 70% Danceability • 79% Energy • 30% Liveness
27% Instrumentalness • 77% Positiveness
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Kayla Waters
Undulation
110 bpm • C# Maj • 04:53 • -9.19db
29% Popularity • 66% Danceability • 57% Energy • 8% Liveness
93% Instrumentalness • 48% Positiveness
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Art Porter
Passion Sunrise
118 bpm • F Maj • 06:32 • -10.14db
19% Popularity • 54% Danceability • 50% Energy • 11% Liveness
43% Instrumentalness • 36% Positiveness
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Chris Standring
Love Street
110 bpm • G# Maj • 03:42 • -10.13db
40% Popularity • 71% Danceability • 55% Energy • 9% Liveness
70% Instrumentalness • 75% Positiveness
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Ragan Whiteside
Early Arrival
110 bpm • C Maj • 04:15 • -8.41db
21% Popularity • 72% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Steve Oliver
Feeling Good
110 bpm • F# Maj • 04:59 • -6.54db
39% Popularity • 76% Danceability • 81% Energy • 9% Liveness
93% Instrumentalness • 81% Positiveness
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Kim Waters
It's a Party in Here
110 bpm • D Maj • 04:26 • -8.21db
14% Popularity • 77% Danceability • 64% Energy • 42% Liveness
74% Instrumentalness • 43% Positiveness
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Greg Manning
Top Down
110 bpm • G Maj • 04:22 • -7.26db
42% Popularity • 77% Danceability • 65% Energy • 7% Liveness
76% Instrumentalness • 59% Positiveness
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Jeff Golub
Droptop
109 bpm • C Maj • 05:48 • -7.96db
37% Popularity • 84% Danceability • 59% Energy • 3% Liveness
76% Instrumentalness • 77% Positiveness
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Cal Harris Jr.
Endless Summer
109 bpm • F min • 03:40 • -10db
42% Popularity • 75% Danceability • 57% Energy • 8% Liveness
66% Instrumentalness • 15% Positiveness
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The Sax Pack
Wanna Get Closer
109 bpm • C Maj • 03:46 • -7.73db
37% Popularity • 74% Danceability • 70% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
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Brian Tarquin
Darlin Darlin Baby
109 bpm • B min • 03:27 • -7db
34% Popularity • 63% Danceability • 88% Energy • 35% Liveness
53% Instrumentalness • 72% Positiveness
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Kim Waters
The Moment I See You
110 bpm • D min • 05:31 • -6.71db
7% Popularity • 80% Danceability • 59% Energy • 15% Liveness
70% Instrumentalness • 40% Positiveness
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Jeff Lorber
Grasshopper
109 bpm • A# min • 04:20 • -8.53db
28% Popularity • 70% Danceability • 77% Energy • 8% Liveness
62% Instrumentalness • 88% Positiveness
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Jazz Holdouts
Simple Things
120 bpm • B min • 04:03 • -10.09db
38% Popularity • 66% Danceability • 67% Energy • 16% Liveness
83% Instrumentalness • 68% Positiveness
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Jeff Golub
Jesus Children Of America
120 bpm • G# Maj • 04:42 • -8.51db
40% Popularity • 84% Danceability • 57% Energy • 5% Liveness
78% Instrumentalness • 89% Positiveness
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Kim Scott
Treetops
120 bpm • F# Maj • 04:17 • -12.5db
42% Popularity • 69% Danceability • 37% Energy • 22% Liveness
81% Instrumentalness • 67% Positiveness
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Gregg Karukas
Manhattan
120 bpm • C# Maj • 04:46 • -11db
40% Popularity • 78% Danceability • 55% Energy • 5% Liveness
84% Instrumentalness • 82% Positiveness
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Kim Waters
Feels Like Friday Night
110 bpm • F min • 04:19 • -6.4db
47% Popularity • 86% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 91% Positiveness
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Chris Standring
Love and Paragraphs
120 bpm • G Maj • 03:51 • -7db
34% Popularity • 80% Danceability • 55% Energy • 6% Liveness
85% Instrumentalness • 94% Positiveness
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The Sax Pack
Sooner Or Later
120 bpm • F min • 03:48 • -7db
37% Popularity • 70% Danceability • 81% Energy • 27% Liveness
88% Instrumentalness • 79% Positiveness
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Brian Hughes
Pamela
120 bpm • G# min • 05:16 • -10db
37% Popularity • 68% Danceability • 69% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
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Pamela Williams
Positive Vibe
108 bpm • D# Maj • 03:25 • -5.16db
29% Popularity • 80% Danceability • 75% Energy • 10% Liveness
26% Instrumentalness • 70% Positiveness
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Brian Bromberg
Choices
108 bpm • G min • 05:46 • -8.61db
27% Popularity • 69% Danceability • 73% Energy • 8% Liveness
9% Instrumentalness • 55% Positiveness
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Kim Waters
Pathway To Love
110 bpm • G# Maj • 04:31 • -8.02db
6% Popularity • 87% Danceability • 71% Energy • 7% Liveness
80% Instrumentalness • 69% Positiveness
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Gail Jhonson
Feel Good Groove
108 bpm • E min • 03:50 • -12.79db
30% Popularity • 68% Danceability • 59% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Blake Aaron
Drive
108 bpm • F min • 04:19 • -7.99db
38% Popularity • 68% Danceability • 86% Energy • 5% Liveness
70% Instrumentalness • 69% Positiveness
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JJ Sansaverino
Style and Elegance
108 bpm • C Maj • 04:12 • -9.06db
37% Popularity • 78% Danceability • 58% Energy • 6% Liveness
79% Instrumentalness • 50% Positiveness
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Pamela Williams
Fly Away With Me
108 bpm • F min • 04:30 • -6.38db
33% Popularity • 80% Danceability • 79% Energy • 6% Liveness
92% Instrumentalness • 68% Positiveness
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Eric Marienthal
Get Here
108 bpm • C# Maj • 04:27 • -7.02db
39% Popularity • 58% Danceability • 42% Energy • 12% Liveness
31% Instrumentalness • 12% Positiveness
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Kim Waters
In The Fast Lane
120 bpm • F min • 04:19 • -6.17db
6% Popularity • 75% Danceability • 65% Energy • 12% Liveness
63% Instrumentalness • 65% Positiveness
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Jonathan Fritzén
Turn Back Time
121 bpm • F min • 04:23 • -9.72db
42% Popularity • 78% Danceability • 61% Energy • 5% Liveness
92% Instrumentalness • 81% Positiveness
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Richard Elliot
Moomba
107 bpm • B min • 04:55 • -6db
39% Popularity • 69% Danceability • 70% Energy • 5% Liveness
70% Instrumentalness • 66% Positiveness
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Adam Hawley
Traveling Mood
107 bpm • A# min • 03:50 • -6.14db
16% Popularity • 78% Danceability • 72% Energy • 30% Liveness
69% Instrumentalness • 69% Positiveness
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Pamela Williams
Frobidden Fruit
107 bpm • B min • 03:22 • -6.4db
38% Popularity • 70% Danceability • 65% Energy • 4% Liveness
14% Instrumentalness • 66% Positiveness
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Bob Mamet
Morningside
107 bpm • G# Maj • 03:57 • -11db
26% Popularity • 76% Danceability • 63% Energy • 5% Liveness
85% Instrumentalness • 73% Positiveness
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Kim Waters
Groove With Me
108 bpm • G# Maj • 04:41 • -5.99db
14% Popularity • 80% Danceability • 72% Energy • 6% Liveness
91% Instrumentalness • 80% Positiveness
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Renato Falaschi
Following My Soul
107 bpm • F min • 05:05 • -8.12db
45% Popularity • 67% Danceability • 75% Energy • 13% Liveness
96% Instrumentalness • 67% Positiveness
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Darren Rahn
I Can't Go for That
107 bpm • F min • 03:57 • -7.72db
30% Popularity • 69% Danceability • 73% Energy • 16% Liveness
80% Instrumentalness • 83% Positiveness
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Jacob Webb
Belmont Ave
107 bpm • F Maj • 03:58 • -9db
31% Popularity • 68% Danceability • 71% Energy • 8% Liveness
11% Instrumentalness • 45% Positiveness
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Jazz Holdouts
Summer Nights
122 bpm • G Maj • 04:06 • -10db
42% Popularity • 74% Danceability • 66% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
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Paul Jackson, Jr.
The East from the West
122 bpm • B min • 05:38 • -11.67db
37% Popularity • 74% Danceability • 50% Energy • 4% Liveness
61% Instrumentalness • 40% Positiveness
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Kim Waters
Waterfall
121 bpm • G min • 05:12 • -8db
23% Popularity • 80% Danceability • 74% Energy • 7% Liveness
91% Instrumentalness • 69% Positiveness
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Jeff Golub
On The Beach
122 bpm • F min • 04:42 • -7db
47% Popularity • 82% Danceability • 62% Energy • 8% Liveness
71% Instrumentalness • 86% Positiveness
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Jonathan Fritzén
One Night With You
107 bpm • F Maj • 04:13 • -9.54db
46% Popularity • 72% Danceability • 45% Energy • 10% Liveness
78% Instrumentalness • 29% Positiveness
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Willie Bradley
It's On Now
106 bpm • F min • 03:48 • -6.31db
42% Popularity • 70% Danceability • 70% Energy • 4% Liveness
23% Instrumentalness • 94% Positiveness
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The Sax Pack
A Little Bit Closer
106 bpm • A# min • 04:40 • -7.67db
31% Popularity • 69% Danceability • 77% Energy • 8% Liveness
16% Instrumentalness • 77% Positiveness
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Paul Jackson, Jr.
To Be Like Him
122 bpm • G# min • 05:35 • -7.36db
33% Popularity • 69% Danceability • 64% Energy • 32% Liveness
77% Instrumentalness • 30% Positiveness
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Jeff Kashiwa
When It Feels Good
106 bpm • F Maj • 04:34 • -8.23db
23% Popularity • 71% Danceability • 77% Energy • 7% Liveness
5% Instrumentalness • 82% Positiveness
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Kim Waters
Got To Give It Up
122 bpm • D Maj • 04:27 • -5.67db
18% Popularity • 82% Danceability • 82% Energy • 33% Liveness
66% Instrumentalness • 97% Positiveness
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Darren Rahn
What Cha' Gonna Do for Me
106 bpm • F min • 04:06 • -6.6db
25% Popularity • 65% Danceability • 70% Energy • 6% Liveness
66% Instrumentalness • 70% Positiveness
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Jeff Ryan
Up and Up
106 bpm • G# Maj • 04:18 • -6.18db
29% Popularity • 65% Danceability • 74% Energy • 5% Liveness
61% Instrumentalness • 56% Positiveness
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Chris Standring
Have Your Cake And Eat It
106 bpm • G min • 04:03 • -9.69db
48% Popularity • 80% Danceability • 48% Energy • 22% Liveness
28% Instrumentalness • 65% Positiveness
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Dee Brown
I Will
105 bpm • C Maj • 04:20 • -9.45db
46% Popularity • 66% Danceability • 76% Energy • 13% Liveness
84% Instrumentalness • 77% Positiveness
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Ryan Montano
Soulfully
105 bpm • E min • 04:10 • -7.2db
34% Popularity • 70% Danceability • 84% Energy • 13% Liveness
94% Instrumentalness • 68% Positiveness
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Wayman Tisdale
It's a Good Day
105 bpm • C Maj • 04:15 • -7.1db
20% Popularity • 68% Danceability • 80% Energy • 33% Liveness
80% Instrumentalness • 88% Positiveness
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Chieli Minucci & Special EFX
Mystical
105 bpm • B min • 04:08 • -6.86db
28% Popularity • 66% Danceability • 78% Energy • 12% Liveness
40% Instrumentalness • 81% Positiveness
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3rd Force
Believe In Me
105 bpm • A# min • 05:19 • -8.12db
23% Popularity • 69% Danceability • 86% Energy • 24% Liveness
30% Instrumentalness • 74% Positiveness
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Chris Standring
Ready Steady Flow
105 bpm • G Maj • 04:29 • -10db
36% Popularity • 89% Danceability • 59% Energy • 34% Liveness
39% Instrumentalness • 83% Positiveness
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Special EFX
Seduction
105 bpm • F min • 04:46 • -9.94db
31% Popularity • 71% Danceability • 66% Energy • 12% Liveness
88% Instrumentalness • 39% Positiveness
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Maysa
It's Gonna Be Alright (The Nigel Lowis R...
105 bpm • F Maj • 05:02 • -10.98db
21% Popularity • 65% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Nathan Mitchell
Swing City
105 bpm • F min • 04:05 • -7.44db
42% Popularity • 75% Danceability • 72% Energy • 17% Liveness
57% Instrumentalness • 58% Positiveness
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The Sax Pack
Like Old Times
105 bpm • F Maj • 04:35 • -7.05db
31% Popularity • 72% Danceability • 71% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
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Pamela Williams
A House Is Not A Home
105 bpm • C Maj • 06:57 • -6.64db
29% Popularity • 36% Danceability • 46% Energy • 13% Liveness
58% Instrumentalness • 9% Positiveness
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Jessy J
Hot Sauce
124 bpm • G min • 03:17 • -3.86db
40% Popularity • 66% Danceability • 79% Energy • 15% Liveness
73% Instrumentalness • 58% Positiveness
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Paul Jackson, Jr.
Never Too Much
104 bpm • D Maj • 05:03 • -7.85db
40% Popularity • 74% Danceability • 83% Energy • 29% Liveness
86% Instrumentalness • 81% Positiveness
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Fattburger
You've Got Mail!
104 bpm • G min • 05:19 • -6.51db
27% Popularity • 70% Danceability • 64% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Sunny