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Superdeformed
Songs like
Superdeformed
by
Matthew Sweet
Based on a tempo of (+/- 10%) and a similar genre
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Matthew Sweet
I've Been Waiting
129 bpm • D Maj • 03:36 • -7.16db
36% Popularity • 50% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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fIREHOSE
Flyin' the Flannel
129 bpm • D Maj • 02:48 • -7.5db
20% Popularity • 64% Danceability • 88% Energy • 33% Liveness
5% Instrumentalness • 54% Positiveness
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Robyn Hitchcock & The Egyptians
So You Think You're In Love
129 bpm • E Maj • 02:34 • -8.67db
28% Popularity • 59% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Soul Coughing
Soundtrack to Mary
129 bpm • B Maj • 03:06 • -8db
31% Popularity • 72% Danceability • 68% Energy • 12% Liveness
15% Instrumentalness • 84% Positiveness
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Urge Overkill
Bottle Of Fur
129 bpm • C Maj • 04:13 • -6.89db
19% Popularity • 52% Danceability • 95% Energy • 32% Liveness
3% Instrumentalness • 57% Positiveness
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Old 97's
Jagged
129 bpm • F Maj • 03:27 • -4db
30% Popularity • 44% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Matthew Sweet
Superdeformed
129 bpm • G Maj • 03:55 • -6.37db
13% Popularity • 33% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Superdrag
Sold You an Alibi
129 bpm • B min • 03:12 • -6.75db
20% Popularity • 57% Danceability • 81% Energy • 12% Liveness
5% Instrumentalness • 83% Positiveness
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Sugar
JC Auto
129 bpm • E Maj • 06:13 • -4.42db
14% Popularity • 40% Danceability • 95% Energy • 51% Liveness
83% Instrumentalness • 31% Positiveness
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Material Issue
Kim The Waitress
129 bpm • D Maj • 04:57 • -7.75db
21% Popularity • 23% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Joel Plaskett Emergency
Maybe We Should Just Go Home
129 bpm • A Maj • 02:57 • -2.57db
12% Popularity • 29% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Westerberg
World Class Fad
129 bpm • F Maj • 03:30 • -3db
23% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Matthew Sweet
Holy War
129 bpm • E min • 03:25 • -12.23db
12% Popularity • 42% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Velvet Crush
My Blank Pages
128 bpm • B Maj • 03:29 • -6.22db
11% Popularity • 37% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Gigolo Aunts
Cope
128 bpm • E min • 03:49 • -7.85db
8% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Catherine Wheel
Waydown
128 bpm • G Maj • 03:14 • -7.32db
24% Popularity • 53% Danceability • 87% Energy • 21% Liveness
30% Instrumentalness • 36% Positiveness
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The Judybats
All Day Afternoon
130 bpm • E Maj • 03:27 • -9db
13% Popularity • 39% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Black Francis
She Took All the Money
130 bpm • C Maj • 02:32 • -5.37db
19% Popularity • 62% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Matthew Sweet
Over It
130 bpm • F Maj • 01:38 • -6.68db
13% Popularity • 48% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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The Smithereens
Cigrette
128 bpm • D# min • 02:30 • -15.36db
12% Popularity • 50% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Wilco
Outtasite (Outta Mind) - 2017 Remaster
130 bpm • A Maj • 02:34 • -5.44db
29% Popularity • 41% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Superdrag
The Staggering Genius
130 bpm • D Maj • 04:02 • -5.91db
20% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Juliana Hatfield
Universal Heart-Beat
128 bpm • D Maj • 03:25 • -8db
32% Popularity • 53% Danceability • 81% Energy • 72% Liveness
1% Instrumentalness • 69% Positiveness
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Sloan
Snowsuit Sound
130 bpm • A Maj • 03:48 • -8.47db
15% Popularity • 45% Danceability • 67% Energy • 8% Liveness
6% Instrumentalness • 80% Positiveness
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Matthew Sweet
Devil With The Green Eyes
128 bpm • B min • 04:42 • -6.89db
21% Popularity • 40% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
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The Judybats
Saturday
130 bpm • D Maj • 03:29 • -10db
9% Popularity • 61% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Jason Falkner
My Lucky Day
128 bpm • G Maj • 03:25 • -5.85db
11% Popularity • 46% Danceability • 93% Energy • 26% Liveness
2% Instrumentalness • 46% Positiveness
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Sidewinders
We Don't Do That Anymore
130 bpm • D Maj • 04:01 • -9db
12% Popularity • 48% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Urge Overkill
Positive Bleeding
128 bpm • E Maj • 03:42 • -7.44db
29% Popularity • 50% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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The dB's
That Time Is Gone
130 bpm • A Maj • 03:32 • -4.46db
20% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Matthew Sweet
Ugly Truth Rock
130 bpm • G Maj • 02:57 • -7.34db
17% Popularity • 42% Danceability • 81% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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Throwing Muses
Shimmer
130 bpm • D Maj • 03:14 • -5db
18% Popularity • 55% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Frank Black
(I Want to Live on an) Abstract Plain
130 bpm • E Maj • 02:17 • -5.65db
28% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Tripping Daisy
Step Behind
127 bpm • B Maj • 03:59 • -8.46db
16% Popularity • 33% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Liz Phair
Supernova
131 bpm • A Maj • 02:48 • -10.46db
47% Popularity • 52% Danceability • 76% Energy • 33% Liveness
72% Instrumentalness • 70% Positiveness
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Velvet Crush
Hold Me Up
127 bpm • C# Maj • 02:58 • -7.41db
25% Popularity • 37% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Superdrag
Lighting the Way
131 bpm • B Maj • 03:27 • -5.18db
22% Popularity • 38% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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For Squirrels
8:02 PM
131 bpm • A Maj • 03:27 • -5.52db
18% Popularity • 34% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Material Issue
What Girls Want
131 bpm • A Maj • 03:54 • -9db
24% Popularity • 58% Danceability • 90% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
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Tripping Daisy
Same Dress New Day
127 bpm • D Maj • 03:32 • -9.84db
16% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Sloan
The Lines You Amend
127 bpm • F Maj • 02:32 • -5.53db
27% Popularity • 68% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Bash & Pop
Friday Night (Is Killing Me)
127 bpm • B Maj • 04:39 • -5.63db
17% Popularity • 53% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Guided By Voices
Skills Like This
127 bpm • D Maj • 02:47 • -4.44db
17% Popularity • 41% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Matthew Sweet
What Matters
127 bpm • A Maj • 04:12 • -5.04db
8% Popularity • 46% Danceability • 90% Energy • 58% Liveness
0% Instrumentalness • 52% Positiveness
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Material Issue
Funny Feeling
127 bpm • C Maj • 03:25 • -6.4db
13% Popularity • 32% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Velvet Crush
Ash & Earth
132 bpm • B Maj • 02:58 • -9.6db
8% Popularity • 43% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Sloan
I Can Feel It
127 bpm • C Maj • 03:26 • -8.35db
20% Popularity • 81% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Superdrag
Baby's Waiting
126 bpm • D Maj • 03:08 • -5.02db
20% Popularity • 35% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Westerberg
As Far As I Know
132 bpm • D# Maj • 03:01 • -6.23db
22% Popularity • 42% Danceability • 88% Energy • 35% Liveness
58% Instrumentalness • 66% Positiveness
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Matthew Sweet
Back To You
132 bpm • C Maj • 03:10 • -6.91db
10% Popularity • 45% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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School Of Fish
Wrong
126 bpm • A# Maj • 04:28 • -9.57db
16% Popularity • 65% Danceability • 50% Energy • 22% Liveness
1% Instrumentalness • 26% Positiveness
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Thrush Hermit
From the Back of the Film
126 bpm • F# min • 02:04 • -3.78db
19% Popularity • 46% Danceability • 91% Energy • 64% Liveness
0% Instrumentalness • 58% Positiveness
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Limblifter
Vicious
132 bpm • A Maj • 03:11 • -2.82db
14% Popularity • 36% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Orbit
Medicine
126 bpm • F Maj • 03:55 • -4.33db
20% Popularity • 60% Danceability • 91% Energy • 56% Liveness
2% Instrumentalness • 59% Positiveness
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The Posies
Dream All Day
126 bpm • B min • 03:04 • -5.81db
39% Popularity • 48% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Matthew Sweet
I Wanted To Tell You
126 bpm • C Maj • 04:31 • -12.48db
14% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Superdrag
Do the Vampire
132 bpm • C# Maj • 03:40 • -7.87db
18% Popularity • 60% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Guided By Voices
Chasing Heather Crazy
126 bpm • C Maj • 02:53 • -4.44db
27% Popularity • 48% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Frank Black & The Catholics
Hermaphroditos
132 bpm • F Maj • 04:12 • -3.92db
12% Popularity • 48% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Thrush Hermit
Hated It
132 bpm • G Maj • 03:49 • -7db
11% Popularity • 38% Danceability • 87% Energy • 23% Liveness
2% Instrumentalness • 55% Positiveness
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The Judybats
Native Son
132 bpm • C# min • 03:18 • -10.84db
19% Popularity • 51% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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School Of Fish
Under The Microscope
132 bpm • D Maj • 04:34 • -9.29db
13% Popularity • 55% Danceability • 55% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
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Superdrag
Keep It Close to Me
132 bpm • F Maj • 03:50 • -5.72db
24% Popularity • 38% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
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The Smithereens
Only A Memory
132 bpm • C# Maj • 03:42 • -5.22db
18% Popularity • 41% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Eleventh Dream Day
Makin' Like a Rug
132 bpm • E Maj • 03:43 • -9.85db
13% Popularity • 46% Danceability • 87% Energy • 17% Liveness
17% Instrumentalness • 58% Positiveness
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Velvet Crush
Weird Summer
132 bpm • C Maj • 03:51 • -9.29db
10% Popularity • 48% Danceability • 68% Energy • 22% Liveness
3% Instrumentalness • 74% Positiveness
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Frank Black
Speedy Marie
126 bpm • F Maj • 03:34 • -8.37db
25% Popularity • 58% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Sloan
I Hate My Generation
133 bpm • A Maj • 02:26 • -9.93db
21% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Superdrag
Sucked Out
125 bpm • E Maj • 02:46 • -7db
42% Popularity • 40% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Urge Overkill
And You'll Say
133 bpm • B Maj • 03:39 • -7.81db
9% Popularity • 55% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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The Smithereens
Only A Memory
133 bpm • G# min • 03:43 • -13.41db
27% Popularity • 44% Danceability • 80% Energy • 8% Liveness
9% Instrumentalness • 62% Positiveness
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Redd Kross
Jimmy's Fantasy
133 bpm • A Maj • 03:46 • -8db
22% Popularity • 28% Danceability • 83% Energy • 9% Liveness
70% Instrumentalness • 42% Positiveness
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Ned's Atomic Dustbin
Selfish
133 bpm • B Maj • 03:49 • -11.49db
22% Popularity • 27% Danceability • 85% Energy • 33% Liveness
1% Instrumentalness • 70% Positiveness
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Sloan
Coax Me
134 bpm • G# min • 03:26 • -11db
33% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Superdrag
Baby Goes to 11
133 bpm • D Maj • 04:01 • -7.45db
18% Popularity • 44% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Soul Asylum
Twiddly Dee
134 bpm • G Maj • 03:00 • -16.5db
12% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Smithereens
Yesterday Girl
125 bpm • G# Maj • 03:27 • -8db
30% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Redd Kross
Visionary
133 bpm • A Maj • 04:03 • -8.07db
11% Popularity • 34% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 22% Positiveness
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School Of Fish
1/2 A Believer
124 bpm • E Maj • 03:17 • -8.41db
12% Popularity • 54% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Sloan
Underwhelmed
134 bpm • B Maj • 04:45 • -7db
33% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Superdrag
Gimme Animosity
134 bpm • D Maj • 03:23 • -5.85db
16% Popularity • 46% Danceability • 94% Energy • 48% Liveness
0% Instrumentalness • 33% Positiveness
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Frank Black & The Catholics
I Gotta Move
134 bpm • A# min • 03:37 • -4.21db
16% Popularity • 48% Danceability • 92% Energy • 29% Liveness
16% Instrumentalness • 76% Positiveness
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The Smithereens
Drown In My Own Tears
124 bpm • C# Maj • 03:12 • -13db
9% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Robyn Hitchcock & The Egyptians
She Doesn't Exist
134 bpm • D Maj • 04:25 • -16.06db
11% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Redd Kross
Saragon
133 bpm • D Maj • 02:46 • -11.14db
10% Popularity • 29% Danceability • 86% Energy • 11% Liveness
82% Instrumentalness • 78% Positiveness
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Sloan
Sugartune
124 bpm • F# Maj • 03:33 • -6.77db
14% Popularity • 43% Danceability • 93% Energy • 12% Liveness
13% Instrumentalness • 80% Positiveness
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Superdrag
Hellbent
133 bpm • E Maj • 03:03 • -6.17db
19% Popularity • 49% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 85% Positiveness
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Wax
California
134 bpm • D Maj • 02:15 • -7.06db
25% Popularity • 31% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Camper Van Beethoven
Eye Of Fatima - Pt. 1
124 bpm • C Maj • 02:37 • -15.36db
7% Popularity • 57% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Tripping Daisy
Bang
135 bpm • B Maj • 04:03 • -7.95db
18% Popularity • 56% Danceability • 59% Energy • 45% Liveness
0% Instrumentalness • 84% Positiveness
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Redd Kross
Lady In The Front Row
134 bpm • C Maj • 03:19 • -8db
19% Popularity • 27% Danceability • 93% Energy • 18% Liveness
82% Instrumentalness • 46% Positiveness
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Sloan
Penpals
134 bpm • E Maj • 03:08 • -10db
23% Popularity • 56% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Paul Westerberg
Gun Shy
124 bpm • B min • 03:12 • -5.12db
12% Popularity • 52% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Freedy Johnston
On the Way Out
135 bpm • F min • 02:48 • -6db
21% Popularity • 51% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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The Jesus and Mary Chain
I Love Rock 'N' Roll
123 bpm • C# Maj • 02:37 • -6.14db
26% Popularity • 36% Danceability • 78% Energy • 30% Liveness
87% Instrumentalness • 52% Positiveness
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Ned's Atomic Dustbin
Intact
123 bpm • F Maj • 04:46 • -11.78db
19% Popularity • 51% Danceability • 86% Energy • 32% Liveness
35% Instrumentalness • 78% Positiveness
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Urge Overkill
Tequila Sundae
135 bpm • B min • 04:19 • -8.18db
22% Popularity • 50% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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Sloan
She Says What She Means
123 bpm • A Maj • 03:01 • -4.98db
24% Popularity • 40% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Too Much Joy
Crush Story
135 bpm • A Maj • 04:01 • -9.98db
18% Popularity • 61% Danceability • 92% Energy • 2% Liveness
0% Instrumentalness • 37% Positiveness
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The I Don't Cares
Born For Me
135 bpm • C# Maj • 04:08 • -4.05db
15% Popularity • 51% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Superdeformed