Songs like Superman / Sidekick by Michael Friedman
Based on a tempo of (+/- 10%) and a similar genre
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Gaby Alter
Friday Night
125 bpm • C Maj • 04:03 • -6.97db
10% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Superhero Band
Prologue / The Adventures of the Amazing...
125 bpm • G Maj • 04:55 • -5.96db
8% Popularity • 44% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 44% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Kirsti Kruger
The Beautiful Disguise
125 bpm • F min • 03:08 • -8.41db
11% Popularity • 36% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 36% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Friedman
Superman / Sidekick
125 bpm • B Maj • 04:21 • -11.13db
5% Popularity • 52% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 52% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Brian D'Arcy James
435
125 bpm • D Maj • 03:44 • -12.74db
16% Popularity • 51% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 51% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Andi Alhadeff
What Is Life?
125 bpm • D# min • 02:44 • -6db
7% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Williams
Legend in Leather
125 bpm • B min • 02:51 • -9.36db
9% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Michael R. Jackson
Matthew Scott
126 bpm • D Maj • 01:54 • -8.88db
16% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Rachael Duddy
Confession
126 bpm • B min • 03:29 • -15.13db
10% Popularity • 76% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 76% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Original Off-Broadway Cast of Nevermore
From the Beginning
126 bpm • F min • 09:22 • -7.14db
9% Popularity • 60% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 60% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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Jake Wilson
Eyes Wide Open
126 bpm • F# Maj • 05:59 • -6.43db
11% Popularity • 36% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 36% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Travis Moser
Rainbow Connection
124 bpm • G Maj • 03:49 • -14.35db
22% Popularity • 42% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 42% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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J. Sylvan
Kind of King
126 bpm • D Maj • 03:00 • -3.76db
12% Popularity • 67% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 67% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Alejandro RodrÃguez
Days From Long Ago
124 bpm • A# min • 05:06 • -10.35db
19% Popularity • 58% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 58% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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John Pierson
How Many People In Family
126 bpm • G# min • 03:19 • -8.79db
23% Popularity • 78% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 78% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Brian D'Arcy James
Forgiveness
126 bpm • G Maj • 01:57 • -13.77db
20% Popularity • 46% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 46% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Benjamin Lewis
Intellectual Boy
126 bpm • E Maj • 03:06 • -11.21db
7% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Tally Sessions
Dance While You Can
126 bpm • F# Maj • 03:00 • -9.74db
8% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Lesley Joseph
He Vas My Boyfriend
127 bpm • A# min • 04:59 • -12.92db
9% Popularity • 56% Danceability • 36% Energy • 88% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 56% Danceability • 36% Energy • 88% Liveness
0% Instrumentalness • 56% Positiveness
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Michael R. Jackson
Scott Matthew
124 bpm • G Maj • 01:04 • -4.7db
15% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Anna DeNoia
Paranoid, Anyway (Voicemail #3)
123 bpm • A Maj • 02:05 • -13.53db
12% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Headless Cast
The Poison Within
123 bpm • A min • 02:16 • -10.68db
7% Popularity • 53% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 53% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Skyler Volpe
Suzanne's Letter
123 bpm • G Maj • 01:08 • -7.93db
10% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Fraggle Rock
Is It True?
123 bpm • A# Maj • 01:46 • -6.45db
12% Popularity • 72% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 72% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Jessamine Barham
Puppet Girl
123 bpm • G min • 01:24 • -12.88db
9% Popularity • 84% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 84% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mary Testa
Fancy Meeting You Here
127 bpm • D Maj • 03:07 • -7.47db
9% Popularity • 58% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 58% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Anna DeNoia
Paranoid (Voicemail #1)
123 bpm • D Maj • 01:30 • -12.66db
14% Popularity • 81% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 81% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Original Off-Broadway Cast of Nevermore
The Family Poe (Pt. I)
127 bpm • D# Maj • 04:02 • -7.27db
7% Popularity • 62% Danceability • 51% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 62% Danceability • 51% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
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Ethan Levine
Move On, Janie
128 bpm • B Maj • 05:53 • -10db
8% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Shapera
Jenna's Birthday
122 bpm • A Maj • 01:14 • -14.22db
13% Popularity • 74% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 74% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Sierra Nelson
Playing With the Big Boys
122 bpm • A# Maj • 02:55 • -7.74db
11% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Amanda Tori Meating
No Good Deed
122 bpm • C# Maj • 03:31 • -8.23db
10% Popularity • 38% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 38% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Anna DeNoia
Paranoid Reprise (Voicemail #2)
128 bpm • D Maj • 01:24 • -12db
16% Popularity • 73% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 73% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Mr. Burns Original Cast Recording Ensemble
Theme from Cape Feare
122 bpm • G Maj • 01:35 • -8.5db
8% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Keith Ferguson & Bruce Greer
If You Want the Moon
122 bpm • C Maj • 03:08 • -7.46db
8% Popularity • 28% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 28% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Paul Shapera
Mining Planet 9A
122 bpm • C Maj • 09:56 • -12.39db
14% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Michael R. Jackson
Modest Is Hottest
129 bpm • A# min • 03:37 • -8.28db
18% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Savannah-Lee Mumford
Barb's Turn
122 bpm • A min • 03:59 • -4.98db
11% Popularity • 62% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 62% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Von Freeman
Be My Love
129 bpm • G Maj • 08:22 • -12.73db
2% Popularity • 59% Danceability • 28% Energy • 12% Liveness
55% Instrumentalness • 24% Positiveness
2% Popularity • 59% Danceability • 28% Energy • 12% Liveness
55% Instrumentalness • 24% Positiveness
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Central Park Cast
I Mooned the Whole School
121 bpm • D Maj • 00:56 • -13.26db
9% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 44% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Alex Brightman
The Chosen One
129 bpm • F# min • 02:54 • -4.79db
17% Popularity • 38% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 38% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Nicky Croydon
I Know Now
129 bpm • C# Maj • 03:06 • -12.45db
8% Popularity • 80% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 80% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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ARLO HILL
Marching Orders
121 bpm • A# min • 03:48 • -6.72db
11% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
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Selena Ingersoll
The Friendly Pirates
130 bpm • C# Maj • 03:08 • -12.94db
29% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Brian D'Arcy James
Forgiveness - Reprise
130 bpm • G Maj • 02:44 • -13.27db
17% Popularity • 51% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 51% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Patch the Pirate
A Logical Explanation
120 bpm • D Maj • 01:49 • -6.94db
10% Popularity • 68% Danceability • 58% Energy • 64% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 68% Danceability • 58% Energy • 64% Liveness
0% Instrumentalness • 91% Positiveness
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Police Cops
Am I an American't - 2021 Version
130 bpm • G Maj • 03:19 • -9.08db
10% Popularity • 44% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 44% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Daphne Rubin-Vega
Baggage
120 bpm • B Maj • 04:00 • -7.24db
7% Popularity • 43% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 43% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Robbie Rozelle
Little Girls / Captain Hook's Tango - Li...
120 bpm • F min • 03:38 • -9.96db
7% Popularity • 61% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 61% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 63% Positiveness
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Selena Ingersoll
A Very Good Princess
120 bpm • F Maj • 03:53 • -6.09db
29% Popularity • 32% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 32% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Brian Belding
The Sheep Chose a Wolf
130 bpm • E Maj • 03:19 • -5.12db
8% Popularity • 63% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 63% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Chanel Karimkhani
So Good so Far
130 bpm • A Maj • 04:25 • -6.19db
10% Popularity • 46% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 46% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Paul Shapera
The Discussion 2 (A2 S7)
120 bpm • G Maj • 03:12 • -10.24db
8% Popularity • 73% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 73% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gaby Alter
Twirler Girl
130 bpm • D# Maj • 03:40 • -7.82db
12% Popularity • 56% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 56% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Enrique Acevedo
Smile for Me, Lucia
130 bpm • C Maj • 02:10 • -9.45db
7% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Williams
Snap
120 bpm • F Maj • 02:45 • -5.47db
13% Popularity • 78% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 78% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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42 Balloons
Somebody's Story
120 bpm • D Maj • 04:23 • -5.69db
18% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Umay
Holding Back
120 bpm • D Maj • 03:12 • -9.4db
12% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Norbert Leo Butz
You're Changing
120 bpm • C# Maj • 02:51 • -10.66db
19% Popularity • 70% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 70% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Kate Buddeke
God of the Bigots
120 bpm • C Maj • 04:16 • -6.99db
0% Popularity • 65% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 65% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Shapera
Jes
120 bpm • D Maj • 03:46 • -11.36db
12% Popularity • 76% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 76% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Central Park Cast
How It Happened Reprise
130 bpm • F# Maj • 00:59 • -7.9db
9% Popularity • 61% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 61% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Original Cast of Aristos: The Musical
Who Is This Boy?
120 bpm • F Maj • 06:21 • -21.11db
8% Popularity • 51% Danceability • 7% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 51% Danceability • 7% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Alex Brightman
Lenny the Great
130 bpm • D# Maj • 02:28 • -9.25db
16% Popularity • 39% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 39% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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James Chapeskie
I think that our son has gone mad
120 bpm • F Maj • 01:23 • -13.07db
13% Popularity • 55% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 55% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Kooman & Dimond
The Heights of Mt. Olympus
120 bpm • C# Maj • 03:20 • -10.36db
10% Popularity • 43% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 43% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Sight & Sound Theatres
The Plagues
131 bpm • A# Maj • 05:17 • -12.33db
8% Popularity • 37% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 37% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Elise Truax
Sunny Days
131 bpm • F Maj • 04:01 • -9.59db
11% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Seahorse Trash
Cat & Mouse
120 bpm • G min • 02:18 • -21.22db
11% Popularity • 61% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 61% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Bryn Terfel
The Irish Rover
131 bpm • A Maj • 03:43 • -8.97db
13% Popularity • 66% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 66% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Alex Brightman
Horrible Seders
132 bpm • D min • 05:30 • -10db
15% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Joshua Turchin
Stuck With You
132 bpm • A Maj • 03:04 • -12.6db
7% Popularity • 75% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 75% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Mo Willems
Swimmy, Fancy
132 bpm • D Maj • 05:06 • -7.84db
13% Popularity • 71% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 71% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Up Here - Cast
I Feel Like I've Always Known You (Woods...
132 bpm • D# Maj • 02:20 • -17.32db
10% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Michael Friedman
White Boy
132 bpm • G Maj • 02:05 • -8.29db
2% Popularity • 66% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 66% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Story Pirates
The Amazing Adventure
132 bpm • C min • 06:11 • -6.55db
9% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Hannah Whitney
Sun Song
132 bpm • G Maj • 03:16 • -11.67db
13% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Margo Seibert
Worst Town (Reprise)
118 bpm • C Maj • 00:55 • -15.75db
3% Popularity • 54% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
3% Popularity • 54% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Dana Al Fardan
The Moon of Your Heart
118 bpm • F# Maj • 05:06 • -11.03db
9% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Robbie Rozelle
I Have Found - Live
133 bpm • A Maj • 03:37 • -15.93db
8% Popularity • 37% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 37% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Musical Monday
Evil Mister Scientist
117 bpm • G# min • 04:13 • -6.88db
12% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Geoff Carne
Insanity (Piano Mix)
117 bpm • G# min • 03:17 • -10.67db
11% Popularity • 64% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 64% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jeremy Morse
Jeff
117 bpm • D Maj • 05:19 • -8.65db
8% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Stuart Matthew Price
Coming Back
117 bpm • B min • 02:35 • -12.49db
8% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Bitter Ruin
Stand to Attention
134 bpm • B min • 05:19 • -6.37db
15% Popularity • 35% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 35% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Annie Kozuch
Waters of March: Aguas De Marco
134 bpm • C Maj • 03:36 • -12.36db
8% Popularity • 57% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 57% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Kate Loprest
I Could Listen To That
117 bpm • F# Maj • 04:13 • -10.66db
15% Popularity • 90% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 90% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Grace Dangers
When The Sun First Rose - demo
134 bpm • E min • 03:38 • -16db
8% Popularity • 65% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 65% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Shapera
Storyville Station (A3 S6)
134 bpm • C Maj • 04:05 • -11.76db
8% Popularity • 57% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 57% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Jake Wilson
The Battery's Down
134 bpm • F Maj • 00:52 • -11.84db
11% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Ryan Scott Oliver
I Don't Want to Be Sad Anymore
116 bpm • G# Maj • 03:15 • -12.82db
7% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 32% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Catherine Cohen
Live or Die
134 bpm • G# Maj • 06:13 • -11.71db
8% Popularity • 55% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 55% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Williams
Bikini Beauty
116 bpm • D Maj • 00:54 • -6.01db
9% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Rachel Bay Jones
Calle Santa Barbara
116 bpm • D Maj • 02:52 • -11db
10% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Von Freeman
An Affair To Remember
116 bpm • F Maj • 08:23 • -10.86db
0% Popularity • 57% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 57% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Gaby Alter
Get It Together
116 bpm • C# min • 05:28 • -7.16db
8% Popularity • 67% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 67% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Michelle Knight
A Happy Tune?
116 bpm • G Maj • 02:47 • -6.04db
7% Popularity • 57% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 57% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Paul Shapera
Rainu & Mir 1
135 bpm • G# Maj • 03:19 • -15.04db
12% Popularity • 67% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 67% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness