Songs like Supply & Demand by Wilder Woods
Based on a tempo of (+/- 10%) and a similar genre
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Wilder Woods
Supply & Demand
160 bpm • G# Maj • 03:16 • -5.05db
56% Popularity • 49% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 49% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Sammy Rae & The Friends
Kick It to Me
160 bpm • D Maj • 06:27 • -6.43db
58% Popularity • 60% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 60% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Aloe Blacc
All Love Everything
160 bpm • E Maj • 02:27 • -8.23db
39% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Jamestown Revival
California (Cast Iron Soul)
162 bpm • E Maj • 04:12 • -5.44db
51% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Mt. Joy
Sheep
159 bpm • C# Maj • 03:43 • -8.4db
63% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Juice
Peace of Mind
162 bpm • C# Maj • 04:19 • -5.48db
37% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Wilder Woods
Feel
160 bpm • F min • 02:59 • -4.08db
33% Popularity • 57% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 57% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Sammy Rae & The Friends
Kick It to Me - Single Version
160 bpm • D Maj • 04:32 • -6.15db
45% Popularity • 69% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 69% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 94% Positiveness
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The Dip
Atlas
162 bpm • A# Maj • 03:47 • -7db
60% Popularity • 44% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 44% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
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Brett Dennen
Paul Newman Daytona Rolex
158 bpm • C min • 03:21 • -8.28db
46% Popularity • 64% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 64% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Ben Rector
I Like You
158 bpm • D# Maj • 02:18 • -11.89db
55% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Greg Mayo
Alone Again
162 bpm • F# min • 05:50 • -6.98db
34% Popularity • 43% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 43% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Wilder Woods
Be Yourself (Stripped Sessions)
159 bpm • F Maj • 03:35 • -7.88db
30% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ripe
Young Tom Rose
158 bpm • B min • 05:33 • -4.36db
38% Popularity • 62% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 62% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Dip
Atlas (OurVinyl Sessions)
164 bpm • A# Maj • 03:36 • -10.84db
47% Popularity • 44% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 44% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Fruit Bats
The Bottom of It
156 bpm • C Maj • 03:01 • -10.73db
61% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
61% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Marc Scibilia
Believer
156 bpm • C Maj • 03:31 • -5.63db
35% Popularity • 71% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 71% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Sister Sparrow
Gold
156 bpm • D# Maj • 03:14 • -4.69db
38% Popularity • 49% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 49% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Wilder Woods
Get It Back
162 bpm • G# Maj • 03:24 • -5.69db
41% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ethan Gruska
Teenage Drug
156 bpm • G Maj • 03:40 • -10db
41% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Judah & the Lion
Suit and Jacket
164 bpm • A# Maj • 03:42 • -8.62db
59% Popularity • 45% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
59% Popularity • 45% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Colony House
Silhouettes
165 bpm • G# Maj • 02:57 • -7db
59% Popularity • 48% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 48% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Rector
Over and Over
165 bpm • D Maj • 03:24 • -5.87db
47% Popularity • 57% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 57% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Elliot Root
Soul Is Fire
165 bpm • F Maj • 03:43 • -10db
33% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Wilder Woods
Sure Ain't
164 bpm • E Maj • 03:11 • -3.6db
38% Popularity • 63% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 63% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Phillip LaRue
Marigold
166 bpm • F# Maj • 02:52 • -12.62db
47% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Dawson Hollow
Take Me There
166 bpm • A Maj • 04:42 • -7.68db
28% Popularity • 43% Danceability • 84% Energy • 8% Liveness
32% Instrumentalness • 61% Positiveness
28% Popularity • 43% Danceability • 84% Energy • 8% Liveness
32% Instrumentalness • 61% Positiveness
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Josh Gilligan
Absent Mind
154 bpm • D Maj • 03:48 • -11.39db
31% Popularity • 75% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 75% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Rayland Baxter
Yellow Eyes
154 bpm • A# Maj • 03:50 • -7.9db
62% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Collection
You Taste Like Wine
168 bpm • A# Maj • 03:46 • -7db
48% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sonny Cleveland
If It Ain't Broke
168 bpm • C Maj • 03:27 • -6.23db
44% Popularity • 75% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 75% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 64% Positiveness
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Good Old War
Every Morning
152 bpm • G Maj • 03:00 • -6db
37% Popularity • 57% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 57% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Elliot Root
Believe
152 bpm • A# Maj • 04:10 • -9.07db
30% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Wild Rivers
Speak Too Soon
152 bpm • G Maj • 02:53 • -10.77db
71% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
71% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Rayland Baxter
Willy's Song
167 bpm • C# min • 03:43 • -8.2db
54% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Ellie Holcomb
Sweet Ever After
151 bpm • B Maj • 03:31 • -5.18db
59% Popularity • 51% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 51% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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The Dip
O.P. Jebediah
169 bpm • G Maj • 04:02 • -6.57db
56% Popularity • 45% Danceability • 61% Energy • 66% Liveness
2% Instrumentalness • 70% Positiveness
56% Popularity • 45% Danceability • 61% Energy • 66% Liveness
2% Instrumentalness • 70% Positiveness
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Wilder Woods
Make Your Own Mistakes (Stripped Session...
170 bpm • C# Maj • 04:10 • -8.64db
31% Popularity • 55% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 55% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Galactic
Going Straight Crazy
170 bpm • C# min • 03:27 • -4.76db
38% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Mt. Joy
Astrovan
170 bpm • D# Maj • 03:06 • -9.4db
71% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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MisterWives
SUPERBLOOM
170 bpm • G# Maj • 03:33 • -3.95db
62% Popularity • 56% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 56% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Nathaniel Rateliff & The Night Sweats
A Little Honey
150 bpm • C Maj • 03:10 • -7db
61% Popularity • 49% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
61% Popularity • 49% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Caamp
Believe
150 bpm • D# Maj • 03:15 • -8.02db
64% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ray LaMontagne
You Are the Best Thing
171 bpm • A# Maj • 03:51 • -4.87db
69% Popularity • 58% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
69% Popularity • 58% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Elliot Root
Punks and Poets
150 bpm • C Maj • 04:03 • -11.59db
40% Popularity • 58% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 29% Positiveness
40% Popularity • 58% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 29% Positiveness
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Ben Rector
Sunday
150 bpm • D Maj • 03:22 • -5.46db
57% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Jon Bellion
Blu - Acoustic
150 bpm • C Maj • 03:00 • -9db
45% Popularity • 42% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 42% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Jesse Roper
Does Anybody Know
150 bpm • C# Maj • 03:28 • -6db
50% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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My Brothers And I
Maddy Brown
150 bpm • B Maj • 03:39 • -6.14db
34% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Wilder Woods
Criminal
150 bpm • G# Maj • 03:18 • -5.91db
35% Popularity • 47% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 47% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Caamp
26
171 bpm • D Maj • 03:55 • -13db
67% Popularity • 49% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
67% Popularity • 49% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Emily Brimlow
Afasawaya
150 bpm • C# Maj • 03:00 • -9.75db
29% Popularity • 52% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 52% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Tyson Motsenbocker
Come to California
149 bpm • G Maj • 03:54 • -8db
18% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Ben Rector
Wonderful World
149 bpm • F Maj • 02:45 • -7.5db
51% Popularity • 81% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 81% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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The California Honeydrops
Live Learn
172 bpm • B Maj • 04:35 • -6.62db
48% Popularity • 60% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 60% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Anderson East
This Too Shall Last
149 bpm • E Maj • 03:42 • -9db
57% Popularity • 50% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 68% Positiveness
57% Popularity • 50% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 68% Positiveness
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Collin Miller & the Brother Nature
Side by Side
172 bpm • D Maj • 05:34 • -9.02db
38% Popularity • 45% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 45% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Jukebox The Ghost
Girl - The Wild Honey Pie Buzzsession
172 bpm • G# Maj • 03:49 • -6.6db
37% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Judah & the Lion
Find Another Reason Why
172 bpm • C# Maj • 03:19 • -8.59db
48% Popularity • 28% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
48% Popularity • 28% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Tyson Motsenbocker
Sunday Morning
148 bpm • C Maj • 04:59 • -11.64db
33% Popularity • 68% Danceability • 55% Energy • 9% Liveness
7% Instrumentalness • 62% Positiveness
33% Popularity • 68% Danceability • 55% Energy • 9% Liveness
7% Instrumentalness • 62% Positiveness
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Elliot Root
Canary
148 bpm • B Maj • 02:54 • -7.97db
20% Popularity • 53% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 53% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Ballroom Thieves
Anybody Else
172 bpm • C Maj • 04:03 • -8db
50% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Phillip LaRue
Summer
148 bpm • C# min • 03:52 • -10.99db
50% Popularity • 68% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 32% Positiveness
50% Popularity • 68% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 32% Positiveness
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Wilder Adkins
Dancing In The Dark
148 bpm • G Maj • 04:12 • -13db
31% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Caamp
Apple Tree Blues
173 bpm • G# Maj • 03:32 • -11db
63% Popularity • 54% Danceability • 65% Energy • 12% Liveness
6% Instrumentalness • 74% Positiveness
63% Popularity • 54% Danceability • 65% Energy • 12% Liveness
6% Instrumentalness • 74% Positiveness
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NEEDTOBREATHE
LET'S STAY HOME TONIGHT
148 bpm • F Maj • 03:20 • -9.27db
56% Popularity • 55% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 55% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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The Dip
Slow Sipper
174 bpm • D# Maj • 03:00 • -8db
54% Popularity • 56% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 56% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Tyson Motsenbocker
Talk All Night for Nothing
148 bpm • A Maj • 03:53 • -12db
27% Popularity • 68% Danceability • 36% Energy • 13% Liveness
3% Instrumentalness • 56% Positiveness
27% Popularity • 68% Danceability • 36% Energy • 13% Liveness
3% Instrumentalness • 56% Positiveness
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Ben Rector
Old Friends
147 bpm • G# Maj • 03:44 • -9db
54% Popularity • 47% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 47% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Wilder Woods
heavenly light (work tape)
174 bpm • E Maj • 03:11 • -6db
51% Popularity • 49% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 49% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jordy Searcy
Daylight
147 bpm • C Maj • 03:25 • -7db
42% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Mt. Joy
Let Loose
147 bpm • C Maj • 03:41 • -6.94db
61% Popularity • 51% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
61% Popularity • 51% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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Bahamas
Way With Words
146 bpm • F# min • 04:20 • -7db
60% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Tyson Motsenbocker
Coeur d’Alene
174 bpm • A Maj • 02:34 • -8db
27% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Avett Brothers
Untitled #4
147 bpm • A# Maj • 04:04 • -8.29db
49% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Collection
Beautiful Life
146 bpm • D Maj • 04:15 • -7.16db
49% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Jordy Searcy
Daylight - Stripped
146 bpm • B Maj • 03:28 • -7db
36% Popularity • 74% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 74% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Durand Jones & The Indications
Long Way Home
175 bpm • G Maj • 03:21 • -4.43db
52% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Sure Sure
Warm Animal (Acoustic)
146 bpm • F Maj • 03:00 • -9db
40% Popularity • 68% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 68% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Wilder Woods
Mary, You're Wrong
146 bpm • C# Maj • 03:36 • -7.94db
46% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Current Swell
Woman in White
146 bpm • C Maj • 03:22 • -4.88db
53% Popularity • 35% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 35% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Abraham Alexander
335
176 bpm • C Maj • 03:04 • -6.23db
19% Popularity • 45% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 45% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Birdtalker
Graveclothes
177 bpm • G Maj • 03:47 • -5.59db
46% Popularity • 43% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 43% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Madelyn Grant
Reasons
146 bpm • C# Maj • 04:21 • -7db
34% Popularity • 58% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 58% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Ben Rector
Range Rover
145 bpm • D Maj • 03:20 • -6.05db
51% Popularity • 71% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 71% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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HARBOUR
Float
145 bpm • B Maj • 04:31 • -6.33db
64% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
64% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Wild Rivers
Call It a Night
144 bpm • A Maj • 04:07 • -7.4db
50% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Hutchinson
a million bucks on a queen motel bed
178 bpm • G Maj • 05:42 • -5db
32% Popularity • 30% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 30% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 18% Positiveness
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Judah & the Lion
Beautiful Anyway
144 bpm • D Maj • 04:58 • -5db
46% Popularity • 28% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 28% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gabe Dixon
Lay It on Me
144 bpm • F Maj • 03:18 • -7.19db
21% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Rector
Brand New
145 bpm • A Maj • 04:03 • -5.04db
65% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
65% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The National Parks
As We Ran
144 bpm • A Maj • 03:20 • -7db
59% Popularity • 41% Danceability • 57% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
59% Popularity • 41% Danceability • 57% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
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Jordy Searcy
Fire
144 bpm • A Maj • 03:09 • -9db
54% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
54% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Wilder Woods
Supply & Demand - Jean Tonique Remix
144 bpm • G# Maj • 03:23 • -6.8db
19% Popularity • 71% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 71% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Maggie Rogers
Overnight
178 bpm • G# Maj • 03:20 • -5db
55% Popularity • 48% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 48% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Moon Taxi
Rooftops
144 bpm • A Maj • 03:49 • -9.22db
33% Popularity • 66% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
33% Popularity • 66% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Bahamas
Trick To Happy
178 bpm • D Maj • 03:24 • -9.66db
60% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Amos Lee
Shoulda Known Better
178 bpm • G Maj • 03:04 • -7db
46% Popularity • 56% Danceability • 82% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
46% Popularity • 56% Danceability • 82% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
