Songs like Surena by Luis "Papo" Marquez & Team V.I.P
Based on a tempo of (+/- 10%) and a similar genre
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Ece Göksu
Neden
91 bpm • C# Maj • 04:23 • -13db
10% Popularity • 57% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
10% Popularity • 57% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Benjamin Jephta
The Ben-Dhlamini Stomp
91 bpm • C# min • 05:18 • -8.54db
24% Popularity • 62% Danceability • 64% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
24% Popularity • 62% Danceability • 64% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
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Marcus Johnson
Mas Que Nada
91 bpm • F min • 07:14 • -13.79db
16% Popularity • 40% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 77% Positiveness
16% Popularity • 40% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 77% Positiveness
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Chano Dominguez
Freddie Freeloader
91 bpm • A# min • 09:33 • -12.13db
10% Popularity • 45% Danceability • 46% Energy • 82% Liveness
82% Instrumentalness • 56% Positiveness
10% Popularity • 45% Danceability • 46% Energy • 82% Liveness
82% Instrumentalness • 56% Positiveness
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Förnuft och Känsla
Byn i Staden
91 bpm • C Maj • 04:37 • -13.64db
10% Popularity • 33% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
10% Popularity • 33% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
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Terence Blanchard
Footprints
91 bpm • F min • 07:31 • -11.2db
22% Popularity • 65% Danceability • 34% Energy • 9% Liveness
47% Instrumentalness • 38% Positiveness
22% Popularity • 65% Danceability • 34% Energy • 9% Liveness
47% Instrumentalness • 38% Positiveness
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Ellis Marsalis
Magnolia Triangle
91 bpm • G min • 06:03 • -14.81db
11% Popularity • 55% Danceability • 43% Energy • 11% Liveness
83% Instrumentalness • 55% Positiveness
11% Popularity • 55% Danceability • 43% Energy • 11% Liveness
83% Instrumentalness • 55% Positiveness
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Eli Degibri
Henri and Rachel
90 bpm • B min • 04:42 • -14.16db
10% Popularity • 44% Danceability • 36% Energy • 11% Liveness
71% Instrumentalness • 34% Positiveness
10% Popularity • 44% Danceability • 36% Energy • 11% Liveness
71% Instrumentalness • 34% Positiveness
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Chihiro Yamanaka
ライフ・ゴーズ・オン
90 bpm • B min • 04:42 • -13.57db
10% Popularity • 59% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 79% Positiveness
10% Popularity • 59% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 79% Positiveness
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Ubiratan Marques
Uma mulher, um homem e uma casa
90 bpm • A# Maj • 06:50 • -13.88db
10% Popularity • 56% Danceability • 45% Energy • 10% Liveness
25% Instrumentalness • 32% Positiveness
10% Popularity • 56% Danceability • 45% Energy • 10% Liveness
25% Instrumentalness • 32% Positiveness
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Jamie Baum
An Old Story
90 bpm • D Maj • 09:22 • -9.05db
9% Popularity • 47% Danceability • 72% Energy • 10% Liveness
14% Instrumentalness • 38% Positiveness
9% Popularity • 47% Danceability • 72% Energy • 10% Liveness
14% Instrumentalness • 38% Positiveness
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Jazzmeia Horn
Free Your Mind
90 bpm • C Maj • 04:47 • -9.52db
27% Popularity • 56% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 56% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Kenichiro Nishihara
PUP
92 bpm • D min • 05:19 • -6.32db
9% Popularity • 45% Danceability • 85% Energy • 21% Liveness
83% Instrumentalness • 84% Positiveness
9% Popularity • 45% Danceability • 85% Energy • 21% Liveness
83% Instrumentalness • 84% Positiveness
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Susanne Alt
Roy Allan
92 bpm • G# Maj • 05:54 • -9.43db
17% Popularity • 63% Danceability • 57% Energy • 11% Liveness
55% Instrumentalness • 62% Positiveness
17% Popularity • 63% Danceability • 57% Energy • 11% Liveness
55% Instrumentalness • 62% Positiveness
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Förnuft och Känsla
Händelse
92 bpm • F Maj • 04:39 • -16.12db
20% Popularity • 64% Danceability • 34% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
20% Popularity • 64% Danceability • 34% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
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Robert Glasper
F.T.B.
90 bpm • A Maj • 05:57 • -18.4db
33% Popularity • 48% Danceability • 30% Energy • 7% Liveness
83% Instrumentalness • 27% Positiveness
33% Popularity • 48% Danceability • 30% Energy • 7% Liveness
83% Instrumentalness • 27% Positiveness
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Ludovic Louis
Missing You
90 bpm • D min • 04:08 • -11.66db
15% Popularity • 55% Danceability • 48% Energy • 15% Liveness
92% Instrumentalness • 37% Positiveness
15% Popularity • 55% Danceability • 48% Energy • 15% Liveness
92% Instrumentalness • 37% Positiveness
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Rodrigo Lessa
Choro de Verão
92 bpm • A min • 04:27 • -8.31db
36% Popularity • 58% Danceability • 65% Energy • 10% Liveness
86% Instrumentalness • 61% Positiveness
36% Popularity • 58% Danceability • 65% Energy • 10% Liveness
86% Instrumentalness • 61% Positiveness
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Rikard From
Stuck Inside a Wall
92 bpm • G Maj • 03:18 • -14.82db
28% Popularity • 68% Danceability • 47% Energy • 7% Liveness
77% Instrumentalness • 70% Positiveness
28% Popularity • 68% Danceability • 47% Energy • 7% Liveness
77% Instrumentalness • 70% Positiveness
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Cécile McLorin Salvant
Until
92 bpm • C# Maj • 06:31 • -12.89db
27% Popularity • 44% Danceability • 34% Energy • 7% Liveness
2% Instrumentalness • 26% Positiveness
27% Popularity • 44% Danceability • 34% Energy • 7% Liveness
2% Instrumentalness • 26% Positiveness
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Wayne Wallace Latin Jazz Quintet
Things Ain't What They Used to Be
90 bpm • C Maj • 06:45 • -8.03db
8% Popularity • 52% Danceability • 72% Energy • 6% Liveness
49% Instrumentalness • 74% Positiveness
8% Popularity • 52% Danceability • 72% Energy • 6% Liveness
49% Instrumentalness • 74% Positiveness
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Andres Hayes
Las flechas
90 bpm • A# Maj • 05:31 • -10.22db
11% Popularity • 61% Danceability • 40% Energy • 34% Liveness
23% Instrumentalness • 54% Positiveness
11% Popularity • 61% Danceability • 40% Energy • 34% Liveness
23% Instrumentalness • 54% Positiveness
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Rosie Turton
Orange Moon
90 bpm • C# Maj • 07:56 • -17.5db
13% Popularity • 43% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
13% Popularity • 43% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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TBN TRIO
Beyond Affinity
92 bpm • F# min • 07:55 • -11.39db
12% Popularity • 68% Danceability • 49% Energy • 13% Liveness
87% Instrumentalness • 54% Positiveness
12% Popularity • 68% Danceability • 49% Energy • 13% Liveness
87% Instrumentalness • 54% Positiveness
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Oren Levine
When the Morning Comes
90 bpm • C# Maj • 03:28 • -11.16db
14% Popularity • 44% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 44% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Daniel Maza
Eres para mí
90 bpm • C Maj • 06:03 • -11db
23% Popularity • 72% Danceability • 67% Energy • 26% Liveness
48% Instrumentalness • 94% Positiveness
23% Popularity • 72% Danceability • 67% Energy • 26% Liveness
48% Instrumentalness • 94% Positiveness
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Julieta Eugenio
Trapped
90 bpm • G# Maj • 06:23 • -12.68db
11% Popularity • 46% Danceability • 29% Energy • 26% Liveness
64% Instrumentalness • 50% Positiveness
11% Popularity • 46% Danceability • 29% Energy • 26% Liveness
64% Instrumentalness • 50% Positiveness
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Makram Aboul Hosn
Modjadji
92 bpm • A min • 05:01 • -8db
16% Popularity • 70% Danceability • 52% Energy • 28% Liveness
66% Instrumentalness • 54% Positiveness
16% Popularity • 70% Danceability • 52% Energy • 28% Liveness
66% Instrumentalness • 54% Positiveness
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Miguel Zenón
Navegando (Las Estrellas Nos Guían)
93 bpm • E min • 07:56 • -9db
8% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Pablo Rubén Maldonado
Mi esencia eres tu. Tanguillos a mi aire
92 bpm • A# min • 04:56 • -13.09db
10% Popularity • 61% Danceability • 57% Energy • 10% Liveness
89% Instrumentalness • 74% Positiveness
10% Popularity • 61% Danceability • 57% Energy • 10% Liveness
89% Instrumentalness • 74% Positiveness
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Eduardo Cardinho
It Was Just a Dream
89 bpm • F min • 07:08 • -12.04db
12% Popularity • 36% Danceability • 44% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
12% Popularity • 36% Danceability • 44% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
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Guerrero Jazz
Por los Caminos del Sur
89 bpm • G Maj • 05:39 • -4.67db
13% Popularity • 51% Danceability • 67% Energy • 6% Liveness
7% Instrumentalness • 45% Positiveness
13% Popularity • 51% Danceability • 67% Energy • 6% Liveness
7% Instrumentalness • 45% Positiveness
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Kenny Garrett
Back Where You Started
93 bpm • A# min • 04:29 • -9.14db
11% Popularity • 57% Danceability • 54% Energy • 13% Liveness
41% Instrumentalness • 38% Positiveness
11% Popularity • 57% Danceability • 54% Energy • 13% Liveness
41% Instrumentalness • 38% Positiveness
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Dannah Garay
No Hagas Caso
93 bpm • C# Maj • 03:53 • -10.85db
17% Popularity • 71% Danceability • 53% Energy • 10% Liveness
22% Instrumentalness • 61% Positiveness
17% Popularity • 71% Danceability • 53% Energy • 10% Liveness
22% Instrumentalness • 61% Positiveness
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Trevor Lawrence Jr.
Selma
93 bpm • E min • 02:18 • -10.49db
13% Popularity • 50% Danceability • 36% Energy • 7% Liveness
6% Instrumentalness • 62% Positiveness
13% Popularity • 50% Danceability • 36% Energy • 7% Liveness
6% Instrumentalness • 62% Positiveness
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Antonio Adolfo
The Frog
93 bpm • C Maj • 03:38 • -10.99db
12% Popularity • 74% Danceability • 54% Energy • 19% Liveness
75% Instrumentalness • 60% Positiveness
12% Popularity • 74% Danceability • 54% Energy • 19% Liveness
75% Instrumentalness • 60% Positiveness
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Afro-Peruvian Jazz Orchestra
Madame Bantu
93 bpm • B min • 07:53 • -12.5db
11% Popularity • 47% Danceability • 44% Energy • 8% Liveness
70% Instrumentalness • 56% Positiveness
11% Popularity • 47% Danceability • 44% Energy • 8% Liveness
70% Instrumentalness • 56% Positiveness
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Theo Erskine
June
94 bpm • C# Maj • 06:28 • -12.58db
9% Popularity • 50% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
9% Popularity • 50% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Kenny Garrett
It’s Time to Come Home
89 bpm • A min • 09:48 • -18.44db
24% Popularity • 64% Danceability • 30% Energy • 6% Liveness
54% Instrumentalness • 40% Positiveness
24% Popularity • 64% Danceability • 30% Energy • 6% Liveness
54% Instrumentalness • 40% Positiveness
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The Adam Price Group
Chameleon Colored Eyes
94 bpm • D min • 05:58 • -9.55db
14% Popularity • 44% Danceability • 40% Energy • 9% Liveness
13% Instrumentalness • 34% Positiveness
14% Popularity • 44% Danceability • 40% Energy • 9% Liveness
13% Instrumentalness • 34% Positiveness
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New Cool Collective
Villechaize
88 bpm • F Maj • 05:00 • -10.4db
30% Popularity • 68% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 48% Positiveness
30% Popularity • 68% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 48% Positiveness
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Alan Braufman
Edge of Time
94 bpm • G# Maj • 05:25 • -9.89db
31% Popularity • 38% Danceability • 51% Energy • 10% Liveness
50% Instrumentalness • 57% Positiveness
31% Popularity • 38% Danceability • 51% Energy • 10% Liveness
50% Instrumentalness • 57% Positiveness
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Alexis Valet
What's Next
88 bpm • F min • 04:53 • -14.83db
13% Popularity • 62% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
13% Popularity • 62% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
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Alberto Parmegiani Quintet
Feet Don't Fail Me Now
88 bpm • F# Maj • 05:43 • -13db
8% Popularity • 42% Danceability • 46% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
8% Popularity • 42% Danceability • 46% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
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Manu Katché
Rolling
94 bpm • A# min • 06:03 • -12.01db
10% Popularity • 54% Danceability • 61% Energy • 12% Liveness
80% Instrumentalness • 77% Positiveness
10% Popularity • 54% Danceability • 61% Energy • 12% Liveness
80% Instrumentalness • 77% Positiveness
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Chucho Valdés
Mambo Influenciado
88 bpm • D min • 04:09 • -11.49db
28% Popularity • 56% Danceability • 59% Energy • 17% Liveness
88% Instrumentalness • 90% Positiveness
28% Popularity • 56% Danceability • 59% Energy • 17% Liveness
88% Instrumentalness • 90% Positiveness
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Camilla George
The People Could Fly
94 bpm • C Maj • 04:20 • -11db
19% Popularity • 56% Danceability • 51% Energy • 14% Liveness
48% Instrumentalness • 49% Positiveness
19% Popularity • 56% Danceability • 51% Energy • 14% Liveness
48% Instrumentalness • 49% Positiveness
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Reinier Baas
Pivot & Swivel
88 bpm • C# Maj • 04:22 • -13.42db
19% Popularity • 60% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
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The Consouls
Force Your Way
94 bpm • E min • 04:48 • -13.04db
9% Popularity • 54% Danceability • 41% Energy • 24% Liveness
1% Instrumentalness • 59% Positiveness
9% Popularity • 54% Danceability • 41% Energy • 24% Liveness
1% Instrumentalness • 59% Positiveness
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Chihiro Yamanaka
パソリーニ
88 bpm • D Maj • 05:20 • -15.65db
11% Popularity • 39% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 51% Positiveness
11% Popularity • 39% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 51% Positiveness
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Wasted Generation
Father's Day
94 bpm • C# Maj • 04:22 • -10.28db
16% Popularity • 39% Danceability • 48% Energy • 9% Liveness
26% Instrumentalness • 47% Positiveness
16% Popularity • 39% Danceability • 48% Energy • 9% Liveness
26% Instrumentalness • 47% Positiveness
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Marco Vavassori
Sognando
94 bpm • G min • 04:53 • -11.18db
10% Popularity • 50% Danceability • 38% Energy • 8% Liveness
32% Instrumentalness • 54% Positiveness
10% Popularity • 50% Danceability • 38% Energy • 8% Liveness
32% Instrumentalness • 54% Positiveness
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Eddie Henderson
Cook's Bay
95 bpm • C Maj • 07:19 • -11.18db
10% Popularity • 44% Danceability • 44% Energy • 8% Liveness
69% Instrumentalness • 47% Positiveness
10% Popularity • 44% Danceability • 44% Energy • 8% Liveness
69% Instrumentalness • 47% Positiveness
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Nobuo Uematsu
Not Alone - Jazz Arrangement
95 bpm • C Maj • 06:26 • -10.62db
14% Popularity • 43% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
14% Popularity • 43% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
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Wayne Wallace Latin Jazz Quintet
Solar
95 bpm • G# Maj • 06:19 • -10db
17% Popularity • 56% Danceability • 68% Energy • 25% Liveness
69% Instrumentalness • 75% Positiveness
17% Popularity • 56% Danceability • 68% Energy • 25% Liveness
69% Instrumentalness • 75% Positiveness
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東京アクティブNEETs
Eagle Rabbit
95 bpm • C min • 04:08 • -7.25db
9% Popularity • 63% Danceability • 75% Energy • 37% Liveness
91% Instrumentalness • 82% Positiveness
9% Popularity • 63% Danceability • 75% Energy • 37% Liveness
91% Instrumentalness • 82% Positiveness
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Jon Batiste
Bowlegs
95 bpm • C# Maj • 05:04 • -13.83db
13% Popularity • 66% Danceability • 47% Energy • 8% Liveness
51% Instrumentalness • 69% Positiveness
13% Popularity • 66% Danceability • 47% Energy • 8% Liveness
51% Instrumentalness • 69% Positiveness
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Pipi Piazzolla Trio
Mientras estás dormida
87 bpm • F min • 05:28 • -11.43db
8% Popularity • 58% Danceability • 40% Energy • 8% Liveness
94% Instrumentalness • 45% Positiveness
8% Popularity • 58% Danceability • 40% Energy • 8% Liveness
94% Instrumentalness • 45% Positiveness
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Lauren Henderson
Potions
87 bpm • F min • 05:40 • -17.42db
16% Popularity • 58% Danceability • 29% Energy • 8% Liveness
60% Instrumentalness • 64% Positiveness
16% Popularity • 58% Danceability • 29% Energy • 8% Liveness
60% Instrumentalness • 64% Positiveness
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Terence Blanchard
Flow Part 1
95 bpm • C# Maj • 05:29 • -10.76db
8% Popularity • 51% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 61% Positiveness
8% Popularity • 51% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 61% Positiveness
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GENTLE LOVE
Enemy Approaching
95 bpm • F Maj • 04:24 • -9.41db
15% Popularity • 44% Danceability • 36% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
15% Popularity • 44% Danceability • 36% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
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Emilie-Claire Barlow
So Danço Samba
87 bpm • D Maj • 04:46 • -10.56db
13% Popularity • 61% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 61% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Harold López-Nussa
Mi Son Cerra’o
96 bpm • C# Maj • 04:47 • -16db
21% Popularity • 43% Danceability • 41% Energy • 7% Liveness
91% Instrumentalness • 73% Positiveness
21% Popularity • 43% Danceability • 41% Energy • 7% Liveness
91% Instrumentalness • 73% Positiveness
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André Manoukian
Elaeudanla Téïtéïa
96 bpm • C min • 03:43 • -12.88db
10% Popularity • 64% Danceability • 54% Energy • 9% Liveness
78% Instrumentalness • 72% Positiveness
10% Popularity • 64% Danceability • 54% Energy • 9% Liveness
78% Instrumentalness • 72% Positiveness
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João Donato
Malandro
96 bpm • C# Maj • 03:50 • -8.67db
12% Popularity • 73% Danceability • 69% Energy • 8% Liveness
88% Instrumentalness • 64% Positiveness
12% Popularity • 73% Danceability • 69% Energy • 8% Liveness
88% Instrumentalness • 64% Positiveness
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Mark Lockheart
Back And Forth
96 bpm • A# min • 06:22 • -9.38db
10% Popularity • 59% Danceability • 40% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
10% Popularity • 59% Danceability • 40% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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Poquet
Rifftoro el Dred
96 bpm • A# min • 01:03 • -9.95db
14% Popularity • 51% Danceability • 60% Energy • 35% Liveness
60% Instrumentalness • 81% Positiveness
14% Popularity • 51% Danceability • 60% Energy • 35% Liveness
60% Instrumentalness • 81% Positiveness
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Gregoire Maret
The Good, the Bad and the Ugly: The Ecst...
96 bpm • A min • 06:28 • -12.64db
17% Popularity • 38% Danceability • 48% Energy • 9% Liveness
78% Instrumentalness • 12% Positiveness
17% Popularity • 38% Danceability • 48% Energy • 9% Liveness
78% Instrumentalness • 12% Positiveness
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Hadouk Trio
Bille en tête
96 bpm • C Maj • 05:05 • -10.99db
12% Popularity • 44% Danceability • 52% Energy • 14% Liveness
78% Instrumentalness • 60% Positiveness
12% Popularity • 44% Danceability • 52% Energy • 14% Liveness
78% Instrumentalness • 60% Positiveness
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Eric Legnini Trio
Amarone
96 bpm • G Maj • 04:06 • -9.64db
17% Popularity • 52% Danceability • 50% Energy • 9% Liveness
94% Instrumentalness • 48% Positiveness
17% Popularity • 52% Danceability • 50% Energy • 9% Liveness
94% Instrumentalness • 48% Positiveness
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Sue Giles
Feel Like Making Love
86 bpm • F Maj • 04:53 • -12.99db
15% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Elina Duni
Ne Tirane
96 bpm • F Maj • 03:09 • -10.04db
8% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Vincent De Jesus
Far From Home
86 bpm • E min • 06:51 • -15.56db
13% Popularity • 41% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
13% Popularity • 41% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
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Joey Alexander
Zealousy
97 bpm • A# min • 06:46 • -15.98db
20% Popularity • 53% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
20% Popularity • 53% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Fabrice Tarel
Suite for Freedom-, Pt. I
97 bpm • A min • 06:33 • -13.22db
11% Popularity • 34% Danceability • 40% Energy • 10% Liveness
68% Instrumentalness • 26% Positiveness
11% Popularity • 34% Danceability • 40% Energy • 10% Liveness
68% Instrumentalness • 26% Positiveness
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Binker Golding
You, That Place, That Time
97 bpm • G min • 07:35 • -12.22db
7% Popularity • 47% Danceability • 43% Energy • 16% Liveness
80% Instrumentalness • 58% Positiveness
7% Popularity • 47% Danceability • 43% Energy • 16% Liveness
80% Instrumentalness • 58% Positiveness
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Munir Hossn
Não para
97 bpm • E min • 03:19 • -15.96db
20% Popularity • 63% Danceability • 41% Energy • 38% Liveness
82% Instrumentalness • 60% Positiveness
20% Popularity • 63% Danceability • 41% Energy • 38% Liveness
82% Instrumentalness • 60% Positiveness
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Antonio Adolfo
Samba Do Carioca
97 bpm • A min • 04:52 • -8.63db
9% Popularity • 48% Danceability • 60% Energy • 17% Liveness
52% Instrumentalness • 39% Positiveness
9% Popularity • 48% Danceability • 60% Energy • 17% Liveness
52% Instrumentalness • 39% Positiveness
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Baptiste Herbin
Gemeos
85 bpm • G# min • 06:24 • -6.27db
17% Popularity • 52% Danceability • 68% Energy • 11% Liveness
65% Instrumentalness • 43% Positiveness
17% Popularity • 52% Danceability • 68% Energy • 11% Liveness
65% Instrumentalness • 43% Positiveness
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Summer Camargo
Exploring the City
97 bpm • G Maj • 05:54 • -13.45db
13% Popularity • 51% Danceability • 38% Energy • 9% Liveness
87% Instrumentalness • 48% Positiveness
13% Popularity • 51% Danceability • 38% Energy • 9% Liveness
87% Instrumentalness • 48% Positiveness
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Kit Downes
Close Up
97 bpm • A Maj • 03:00 • -14.09db
18% Popularity • 44% Danceability • 55% Energy • 13% Liveness
73% Instrumentalness • 56% Positiveness
18% Popularity • 44% Danceability • 55% Energy • 13% Liveness
73% Instrumentalness • 56% Positiveness
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Fraser Smith Quartet
Pip
97 bpm • F min • 05:23 • -8.2db
4% Popularity • 50% Danceability • 68% Energy • 33% Liveness
93% Instrumentalness • 69% Positiveness
4% Popularity • 50% Danceability • 68% Energy • 33% Liveness
93% Instrumentalness • 69% Positiveness
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Miguel Zenón
Oyelo
97 bpm • G# min • 06:16 • -11.03db
10% Popularity • 51% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 51% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Christian Scott aTunde Adjuah
So What
97 bpm • C Maj • 04:04 • -12.29db
24% Popularity • 71% Danceability • 39% Energy • 26% Liveness
79% Instrumentalness • 60% Positiveness
24% Popularity • 71% Danceability • 39% Energy • 26% Liveness
79% Instrumentalness • 60% Positiveness
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Baptiste Herbin
Nao Me Deixe
85 bpm • E min • 07:04 • -7db
12% Popularity • 43% Danceability • 64% Energy • 12% Liveness
73% Instrumentalness • 46% Positiveness
12% Popularity • 43% Danceability • 64% Energy • 12% Liveness
73% Instrumentalness • 46% Positiveness
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Kenny Garrett
Tango in 6
85 bpm • D min • 05:51 • -11.82db
15% Popularity • 50% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 54% Positiveness
15% Popularity • 50% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 54% Positiveness
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Daniel, Me Estás Matando
Te Vi en el Mar - Remix
97 bpm • C Maj • 07:21 • -13.96db
16% Popularity • 61% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 35% Positiveness
16% Popularity • 61% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 35% Positiveness
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Alfredo Rodriguez
Tree of Stars
98 bpm • C# min • 02:58 • -12.77db
15% Popularity • 67% Danceability • 46% Energy • 7% Liveness
82% Instrumentalness • 73% Positiveness
15% Popularity • 67% Danceability • 46% Energy • 7% Liveness
82% Instrumentalness • 73% Positiveness
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Caribbean Jazz Project
Libertad
98 bpm • C min • 04:50 • -7.59db
10% Popularity • 60% Danceability • 75% Energy • 31% Liveness
7% Instrumentalness • 55% Positiveness
10% Popularity • 60% Danceability • 75% Energy • 31% Liveness
7% Instrumentalness • 55% Positiveness
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Gerry Lopez
Paris Song
98 bpm • G min • 05:29 • -10.87db
8% Popularity • 72% Danceability • 52% Energy • 6% Liveness
82% Instrumentalness • 78% Positiveness
8% Popularity • 72% Danceability • 52% Energy • 6% Liveness
82% Instrumentalness • 78% Positiveness
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Perico Sambeat
Travesía
85 bpm • A# min • 07:20 • -9.84db
8% Popularity • 62% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 52% Positiveness
8% Popularity • 62% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 52% Positiveness
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Benjamin Jephta Quintet
Requiem for the Wandering
98 bpm • F Maj • 08:14 • -13.63db
11% Popularity • 35% Danceability • 23% Energy • 11% Liveness
48% Instrumentalness • 9% Positiveness
11% Popularity • 35% Danceability • 23% Energy • 11% Liveness
48% Instrumentalness • 9% Positiveness
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Web Web
Journey to No End
98 bpm • A# min • 05:33 • -9.58db
13% Popularity • 41% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 88% Positiveness
13% Popularity • 41% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 88% Positiveness
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The Adam Price Group
Eu Quero Você
84 bpm • G Maj • 06:07 • -12.07db
9% Popularity • 60% Danceability • 38% Energy • 6% Liveness
16% Instrumentalness • 40% Positiveness
9% Popularity • 60% Danceability • 38% Energy • 6% Liveness
16% Instrumentalness • 40% Positiveness
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Antonio Torrini Avicenne Jazz Project
Grand Bubu
98 bpm • C# Maj • 05:54 • -9.27db
9% Popularity • 43% Danceability • 51% Energy • 4% Liveness
65% Instrumentalness • 54% Positiveness
9% Popularity • 43% Danceability • 51% Energy • 4% Liveness
65% Instrumentalness • 54% Positiveness
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Kit Downes
EB
84 bpm • E Maj • 01:41 • -13.69db
27% Popularity • 40% Danceability • 61% Energy • 7% Liveness
72% Instrumentalness • 52% Positiveness
27% Popularity • 40% Danceability • 61% Energy • 7% Liveness
72% Instrumentalness • 52% Positiveness
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Platina Jazz
Hanawa Odoreya Irohaniho
98 bpm • F min • 03:47 • -9.73db
9% Popularity • 57% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 78% Positiveness
9% Popularity • 57% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 78% Positiveness
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Raul De Souza
Ilha do Mel
99 bpm • A# Maj • 03:33 • -15.79db
27% Popularity • 58% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
27% Popularity • 58% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
