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Surfing in the Rain
Songs like
Surfing in the Rain
by
Both Sides Of The Line
Based on a tempo of (+/- 10%) and a similar genre
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Both Sides Of The Line
Dangerous
132 bpm • C# min • 03:54 • -7.7db
0% Popularity • 56% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Angie Kuske
The Candle
132 bpm • E Maj • 04:23 • -3.44db
26% Popularity • 60% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Big Thief
Spud Infinity
132 bpm • A# Maj • 05:34 • -6db
48% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Big Heaven
Someone Else
132 bpm • C Maj • 02:15 • -3.64db
12% Popularity • 54% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Tennis
High Road
133 bpm • E Maj • 03:03 • -4.45db
23% Popularity • 50% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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She & Him
Over It Over Again
131 bpm • C Maj • 03:29 • -4.8db
2% Popularity • 54% Danceability • 86% Energy • 20% Liveness
8% Instrumentalness • 79% Positiveness
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Both Sides Of The Line
Surfing in the Rain
132 bpm • A Maj • 03:26 • -7.38db
0% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Blithe Bryce
Deliberately Incite
131 bpm • B min • 05:02 • -9.09db
19% Popularity • 48% Danceability • 74% Energy • 18% Liveness
30% Instrumentalness • 34% Positiveness
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Cass McCombs
Name Written in Water
131 bpm • C Maj • 02:52 • -14.83db
32% Popularity • 82% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
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Saint Saviour
Animal, I
133 bpm • G Maj • 02:48 • -10.68db
16% Popularity • 62% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Erin Rae
Modern Woman
131 bpm • C Maj • 03:24 • -7.56db
22% Popularity • 68% Danceability • 67% Energy • 26% Liveness
1% Instrumentalness • 65% Positiveness
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She & Him
I Was Made For You
133 bpm • C Maj • 02:32 • -5.6db
7% Popularity • 54% Danceability • 73% Energy • 14% Liveness
35% Instrumentalness • 89% Positiveness
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Allo Darlin'
My Heart is a Drummer
131 bpm • F Maj • 03:17 • -8.57db
18% Popularity • 52% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
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Both Sides Of The Line
Taking a Chance
132 bpm • A min • 03:34 • -6.77db
0% Popularity • 59% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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The Young Veins
When You Walk in the Room
131 bpm • C Maj • 02:41 • -5.89db
28% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Dolly Mixture
Spend Your Wishes
134 bpm • B Maj • 03:33 • -5.91db
7% Popularity • 50% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Whyte Horses
Satellite Of Love
130 bpm • F Maj • 03:08 • -7.26db
7% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Joanna Wang
Nobody's a Nun
134 bpm • C# min • 03:08 • -7.75db
9% Popularity • 77% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Hole
Northern Star
134 bpm • A min • 04:58 • -9db
39% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Both Sides Of The Line
Wheel of Fortune
130 bpm • A min • 03:34 • -7.3db
0% Popularity • 54% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Julia Pietrucha
Swing Boy
134 bpm • A min • 03:18 • -7.18db
20% Popularity • 58% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Harding Horton
Only In My Dreams
130 bpm • D Maj • 03:44 • -7.64db
20% Popularity • 57% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Mary Timony
Not the Only One
134 bpm • D Maj • 04:34 • -8.29db
27% Popularity • 59% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Heavenly
Mark Angel
130 bpm • G Maj • 03:22 • -5.19db
13% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Sikivu Hutchinson
Diamond Grenade
130 bpm • D Maj • 04:09 • -7db
14% Popularity • 70% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Martha and the Muffins
Save It For Later
130 bpm • D Maj • 02:57 • -4.89db
9% Popularity • 66% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Spencer Freeman
Magical Mr E
134 bpm • A Maj • 02:27 • -11.68db
30% Popularity • 38% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 56% Positiveness
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The Parting Gifts
Walkin' Through The Sleepy City
130 bpm • D Maj • 01:58 • -7.61db
20% Popularity • 63% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Wendy James
The Moon Dead In The River
134 bpm • A min • 04:56 • -5db
11% Popularity • 47% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
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Alex Blum and the Roadside Quartet
Someday Soon
130 bpm • C Maj • 03:11 • -6.73db
12% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Jenny Lewis
The Charging Sky
130 bpm • C Maj • 02:58 • -6db
15% Popularity • 54% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Ezra Furman
Weak Knees
135 bpm • D Maj • 05:34 • -5.54db
8% Popularity • 37% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Cowboy Junkies
If You Gotta Go, Go Now
129 bpm • C Maj • 03:07 • -8.67db
14% Popularity • 50% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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I Was A King
Lo Pressure
135 bpm • C Maj • 02:22 • -6.39db
13% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Gabriel Dexter
Love Is a Crime
135 bpm • D min • 03:59 • -11.07db
28% Popularity • 46% Danceability • 37% Energy • 20% Liveness
77% Instrumentalness • 24% Positiveness
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Tigers Jaw
Gypsy
135 bpm • F Maj • 04:25 • -7.99db
36% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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She & Him
Black Hole
129 bpm • D Maj • 02:14 • -7.69db
6% Popularity • 65% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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April March
Lay Down Snow White
129 bpm • G Maj • 03:05 • -7db
7% Popularity • 59% Danceability • 73% Energy • 31% Liveness
1% Instrumentalness • 88% Positiveness
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The fin.
You Can See It In The Blue
129 bpm • B Maj • 03:39 • -5db
12% Popularity • 61% Danceability • 68% Energy • 35% Liveness
24% Instrumentalness • 62% Positiveness
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Pina Palau
Jupi
129 bpm • G Maj • 02:46 • -9.91db
39% Popularity • 76% Danceability • 59% Energy • 17% Liveness
45% Instrumentalness • 69% Positiveness
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The Detroit Cobras
Bye Bye Baby
129 bpm • F# Maj • 02:31 • -3db
18% Popularity • 51% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Charlotte Cornfield
Modern Medicine
129 bpm • A Maj • 03:15 • -8.25db
12% Popularity • 72% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Both Sides Of The Line
Good Things Happen
135 bpm • A# Maj • 03:01 • -6.41db
0% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Allo Darlin'
Kiss Your Lips
129 bpm • A# Maj • 03:46 • -8.36db
27% Popularity • 68% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Drug Cabin
Emily
129 bpm • C Maj • 01:51 • -7.82db
37% Popularity • 59% Danceability • 57% Energy • 14% Liveness
58% Instrumentalness • 62% Positiveness
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Shannon Shaw
Make Believe
129 bpm • C Maj • 02:29 • -5.6db
16% Popularity • 47% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Suzi Quatro
Hollywood - 2017 Remaster
129 bpm • C Maj • 03:00 • -8.75db
26% Popularity • 82% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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April March
While We're Young
135 bpm • A min • 02:29 • -6.94db
22% Popularity • 44% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Both Sides Of The Line
Guidance Counsellor
129 bpm • E min • 03:22 • -6.52db
0% Popularity • 64% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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The Wave Pictures
I Love You Like a Madman
129 bpm • G Maj • 02:58 • -3.66db
31% Popularity • 74% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Daniel Romano
Animals Above Our Town
129 bpm • C# min • 02:36 • -9.11db
18% Popularity • 51% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Papooz
Figs and Gorgonzola
129 bpm • D Maj • 03:29 • -7.5db
21% Popularity • 65% Danceability • 82% Energy • 12% Liveness
10% Instrumentalness • 55% Positiveness
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Pete Molinari
Streetcar Named Desire
128 bpm • E Maj • 03:54 • -5db
10% Popularity • 58% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Liz Phair
Cinco De Mayo
128 bpm • E Maj • 02:43 • -10.38db
25% Popularity • 72% Danceability • 63% Energy • 8% Liveness
48% Instrumentalness • 90% Positiveness
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Suzi Quatro
Roxy Roller
136 bpm • A Maj • 03:07 • -6db
19% Popularity • 65% Danceability • 82% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Nowhere Man and a Whiskey Girl
LindyMindy
128 bpm • A Maj • 04:38 • -9.13db
18% Popularity • 68% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Texas
Talk About Love
136 bpm • G Maj • 03:28 • -6.99db
13% Popularity • 48% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Gaelynn Lea
I Wait
128 bpm • C min • 02:51 • -10.21db
7% Popularity • 77% Danceability • 47% Energy • 8% Liveness
4% Instrumentalness • 57% Positiveness
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S.G. Goodman
Take It Away - Pt. B
128 bpm • C Maj • 02:10 • -9.08db
31% Popularity • 59% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Joe Shane
One Night Stand
128 bpm • B Maj • 04:14 • -9.35db
14% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Orange & Lemons
Lovers Go, Lovers Come
128 bpm • C Maj • 03:52 • -7.65db
33% Popularity • 66% Danceability • 64% Energy • 31% Liveness
1% Instrumentalness • 84% Positiveness
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Röda Bönor
Oh Carol
136 bpm • A# Maj • 02:15 • -8db
16% Popularity • 50% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Gina Giambone
Buried Treasures - Teddy Bear
128 bpm • G Maj • 07:30 • -6.42db
10% Popularity • 44% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Belle and Sebastian
Paper Boat
128 bpm • F Maj • 02:48 • -15.08db
21% Popularity • 65% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 73% Positiveness
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Silver Jews
Suffering Jukebox
128 bpm • G Maj • 04:21 • -10.86db
42% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
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S.G. Goodman
Take It Away
128 bpm • C Maj • 06:37 • -9.77db
13% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jess Cornelius
Banging My Head
128 bpm • A min • 03:06 • -7.06db
8% Popularity • 64% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Holiday Ghosts
In My Head
128 bpm • E Maj • 03:23 • -3.1db
11% Popularity • 69% Danceability • 88% Energy • 17% Liveness
3% Instrumentalness • 80% Positiveness
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She & Him
Don't Look Back
128 bpm • A Maj • 03:23 • -3.56db
4% Popularity • 57% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Neko Case
Train From Kansas City
128 bpm • D Maj • 03:25 • -6db
20% Popularity • 28% Danceability • 92% Energy • 79% Liveness
0% Instrumentalness • 54% Positiveness
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The Manbergs
Sittin'(On Your Front Porch)
127 bpm • G# Maj • 03:35 • -7.82db
9% Popularity • 66% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Kassi Valazza
Pastures
127 bpm • D# Maj • 04:31 • -9.21db
13% Popularity • 56% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Both Sides Of The Line
Crazy
127 bpm • E min • 04:09 • -5.77db
0% Popularity • 55% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
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Wanda Jackson
Funnel of Love
127 bpm • C# min • 02:32 • -5.48db
42% Popularity • 62% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Mattiel
On The Run
127 bpm • G Maj • 02:48 • -6.21db
19% Popularity • 55% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
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Neko Case
People Got A Lotta Nerve
137 bpm • C# Maj • 02:31 • -5.32db
39% Popularity • 41% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Nikki Lane
I Don't Care
138 bpm • B min • 02:58 • -6.85db
20% Popularity • 53% Danceability • 78% Energy • 13% Liveness
4% Instrumentalness • 77% Positiveness
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Marjo Leinonen
BB Queen
127 bpm • C Maj • 02:49 • -7db
9% Popularity • 67% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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La Luz
I Won't Hesitate
127 bpm • A Maj • 02:23 • -7.38db
21% Popularity • 59% Danceability • 63% Energy • 14% Liveness
17% Instrumentalness • 59% Positiveness
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Laura Stevenson
Master of Art
127 bpm • A Maj • 03:57 • -7.42db
9% Popularity • 61% Danceability • 52% Energy • 13% Liveness
42% Instrumentalness • 59% Positiveness
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Camera Obscura
Swans
126 bpm • D Maj • 04:08 • -5.11db
24% Popularity • 43% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Mount Moriah
Lament
138 bpm • D min • 02:33 • -7db
31% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Nikki Lane
Coming Home to You
138 bpm • G# Maj • 02:36 • -5.31db
8% Popularity • 55% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Both Sides Of The Line
La-La Land
138 bpm • F# min • 03:36 • -7.91db
0% Popularity • 62% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Tristen
Avalanche
126 bpm • G Maj • 03:38 • -4.83db
8% Popularity • 31% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Stevenson
Master of Art
126 bpm • A Maj • 03:57 • -5.8db
30% Popularity • 59% Danceability • 57% Energy • 19% Liveness
40% Instrumentalness • 49% Positiveness
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Le Tigre
Les and Ray
138 bpm • C Maj • 02:06 • -5.61db
30% Popularity • 73% Danceability • 89% Energy • 9% Liveness
12% Instrumentalness • 59% Positiveness
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Ollie Whitby
You're my Sunshine
138 bpm • D Maj • 05:10 • -7.44db
23% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Hannah White
The Aftershow
138 bpm • A Maj • 02:58 • -9.39db
13% Popularity • 62% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
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Jamie Pollock
These Times
138 bpm • C# Maj • 04:33 • -4.56db
9% Popularity • 56% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Little Barrie
Dream To Live
138 bpm • B min • 03:14 • -9.26db
9% Popularity • 69% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Edie Brickell & New Bohemians
Stranger Things
126 bpm • A Maj • 03:20 • -8.11db
21% Popularity • 72% Danceability • 64% Energy • 7% Liveness
3% Instrumentalness • 61% Positiveness
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The School
Hoping And Praying
138 bpm • G Maj • 02:23 • -5.82db
12% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Pretenders
One More Day
126 bpm • A min • 04:15 • -8.32db
10% Popularity • 58% Danceability • 59% Energy • 60% Liveness
1% Instrumentalness • 49% Positiveness
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Ian Kay
Little Granadin
126 bpm • E Maj • 02:55 • -7.89db
11% Popularity • 74% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Gillian Welch
455 Rocket - Revival Outtake
126 bpm • D Maj • 04:02 • -11.06db
16% Popularity • 65% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 92% Positiveness
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Sheer Mag
When You Get Back
126 bpm • D Maj • 02:27 • -3.79db
30% Popularity • 56% Danceability • 77% Energy • 20% Liveness
25% Instrumentalness • 72% Positiveness
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The Clean
Anything Could Happen
126 bpm • E Maj • 02:37 • -13db
48% Popularity • 62% Danceability • 54% Energy • 21% Liveness
84% Instrumentalness • 96% Positiveness
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La Luz
Watching Cartoons
126 bpm • C Maj • 03:28 • -8db
37% Popularity • 57% Danceability • 67% Energy • 16% Liveness
79% Instrumentalness • 68% Positiveness
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Ty Segall
I'm Free
126 bpm • E Maj • 02:42 • -8.75db
20% Popularity • 51% Danceability • 59% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
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Surfing in the Rain