Songs like Surprised by the Joy - Edit by Richard Ashcroft
Based on a tempo of (+/- 10%) and a similar genre
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Puressence
Street Lights
130 bpm • F min • 03:22 • -6.48db
14% Popularity • 42% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 42% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Doves
Pounding
130 bpm • C# Maj • 04:45 • -4.1db
47% Popularity • 55% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
47% Popularity • 55% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Morrissey
You Have Killed Me
130 bpm • G# min • 03:08 • -4.72db
48% Popularity • 50% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 50% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Del Amitri
Driving With The Brakes On
130 bpm • D# Maj • 04:44 • -9.6db
41% Popularity • 64% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 64% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Pulp
I Spy
130 bpm • G# Maj • 05:55 • -8.14db
42% Popularity • 51% Danceability • 86% Energy • 9% Liveness
6% Instrumentalness • 18% Positiveness
42% Popularity • 51% Danceability • 86% Energy • 9% Liveness
6% Instrumentalness • 18% Positiveness
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The Divine Comedy
Love What You Do
130 bpm • G Maj • 03:52 • -7.52db
23% Popularity • 50% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 50% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Thrills
Big Sur
130 bpm • A min • 03:07 • -4.17db
46% Popularity • 55% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 55% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Doves
Catch The Sun
130 bpm • D Maj • 04:49 • -6.49db
38% Popularity • 35% Danceability • 84% Energy • 19% Liveness
4% Instrumentalness • 22% Positiveness
38% Popularity • 35% Danceability • 84% Energy • 19% Liveness
4% Instrumentalness • 22% Positiveness
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Snow Patrol
Take Back The City
130 bpm • G# Maj • 04:38 • -4.44db
45% Popularity • 52% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 52% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Lightning Seeds
Sugar Coated Iceberg
130 bpm • B Maj • 03:51 • -5db
22% Popularity • 54% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 54% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Hurricane #1
Think of the Sunshine
130 bpm • A min • 04:37 • -7.1db
9% Popularity • 39% Danceability • 69% Energy • 20% Liveness
2% Instrumentalness • 42% Positiveness
9% Popularity • 39% Danceability • 69% Energy • 20% Liveness
2% Instrumentalness • 42% Positiveness
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Dodgy
Melodies Haunt You
130 bpm • D Maj • 03:40 • -6.48db
25% Popularity • 55% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 55% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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The Stone Roses
Elephant Stone - Remastered
130 bpm • G# Maj • 04:50 • -4.88db
46% Popularity • 40% Danceability • 98% Energy • 26% Liveness
10% Instrumentalness • 34% Positiveness
46% Popularity • 40% Danceability • 98% Energy • 26% Liveness
10% Instrumentalness • 34% Positiveness
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Noel Gallagher
There Is A Light That Never Goes Out - L...
130 bpm • E min • 04:57 • -3.98db
36% Popularity • 22% Danceability • 69% Energy • 96% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 22% Danceability • 69% Energy • 96% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Ashcroft
Surprised by the Joy
130 bpm • A min • 05:37 • -6.42db
27% Popularity • 62% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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New Order
Hey Now What You Doing - 2015 Remaster
129 bpm • E min • 05:13 • -4.49db
22% Popularity • 52% Danceability • 92% Energy • 15% Liveness
4% Instrumentalness • 74% Positiveness
22% Popularity • 52% Danceability • 92% Energy • 15% Liveness
4% Instrumentalness • 74% Positiveness
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Badly Drawn Boy
You Were Right
131 bpm • D Maj • 04:52 • -6db
32% Popularity • 57% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 57% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Dodgy
Found You
129 bpm • G Maj • 04:53 • -6.48db
18% Popularity • 44% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 44% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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The Stone Roses
Sally Cinnamon - 12" Single Mix
129 bpm • G Maj • 03:27 • -13.21db
44% Popularity • 42% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 42% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Proud Mary
Give a Little Love
131 bpm • G Maj • 04:28 • -8.04db
16% Popularity • 48% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 48% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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The Seahorses
Happiness Is Eggshaped
129 bpm • D Maj • 03:45 • -6.88db
30% Popularity • 33% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 33% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Deacon Blue
Only Tender Love
129 bpm • D Maj • 05:10 • -9.79db
24% Popularity • 52% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
24% Popularity • 52% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
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JJ72
October Swimmer
128 bpm • C Maj • 03:20 • -7.16db
30% Popularity • 42% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 42% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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The La's
There She Goes - Liz Kershaw 31/05/88
131 bpm • F# Maj • 02:36 • -4.21db
32% Popularity • 49% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 49% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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The Stone Roses
Sally Cinnamon - Single Mix
131 bpm • G Maj • 02:53 • -13db
58% Popularity • 32% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 32% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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The Waterboys
Don't Bang the Drum - 2004 Remaster
132 bpm • E min • 06:46 • -8db
42% Popularity • 48% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 48% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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The Coral
Who's Gonna Find Me
132 bpm • B min • 03:27 • -5.2db
20% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Pulp
Do You Remember The First Time?
132 bpm • G min • 04:22 • -5.69db
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Supergrass
Pumping on Your Stereo
132 bpm • D Maj • 03:20 • -4.79db
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
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Badly Drawn Boy
Nothing's Gonna Change Your Mind
132 bpm • B min • 05:17 • -5.05db
16% Popularity • 33% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 33% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Stone Roses
I Am the Resurrection - Remastered
129 bpm • E Maj • 08:12 • -6.32db
58% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
58% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
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Razorlight
I Can't Stop This Feeling I've Got
132 bpm • A Maj • 03:25 • -7.21db
39% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Kaiser Chiefs
Love's Not A Competition (But I'm Winnin...
132 bpm • G min • 03:15 • -5.62db
30% Popularity • 60% Danceability • 69% Energy • 48% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 60% Danceability • 69% Energy • 48% Liveness
0% Instrumentalness • 41% Positiveness
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The Divine Comedy
Something for the Weekend
128 bpm • C min • 04:19 • -7db
38% Popularity • 54% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 54% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Ashcroft
Hold On
128 bpm • A min • 05:40 • -4.66db
33% Popularity • 54% Danceability • 86% Energy • 56% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 54% Danceability • 86% Energy • 56% Liveness
0% Instrumentalness • 57% Positiveness
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Primal Scream
I'll Be There for You
132 bpm • G Maj • 06:27 • -6.25db
17% Popularity • 57% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 57% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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The Stone Roses
Made of Stone - Remastered
132 bpm • G Maj • 04:14 • -5.01db
60% Popularity • 26% Danceability • 97% Energy • 33% Liveness
18% Instrumentalness • 43% Positiveness
60% Popularity • 26% Danceability • 97% Energy • 33% Liveness
18% Instrumentalness • 43% Positiveness
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The Seahorses
Standing On Your Head
132 bpm • A Maj • 04:39 • -8.95db
27% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Tears
Apollo 13
132 bpm • E Maj • 05:34 • -6.74db
13% Popularity • 34% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 34% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Doves
Snowden
128 bpm • G Maj • 04:12 • -6.33db
40% Popularity • 23% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 23% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Richard Ashcroft
We All Bleed
128 bpm • F# min • 03:58 • -7.47db
20% Popularity • 58% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 58% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Primal Scream
Rocks
128 bpm • G Maj • 03:36 • -4.16db
55% Popularity • 62% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 62% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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The Slow Readers Club
I Saw A Ghost
133 bpm • G Maj • 03:32 • -5.41db
32% Popularity • 56% Danceability • 80% Energy • 43% Liveness
42% Instrumentalness • 30% Positiveness
32% Popularity • 56% Danceability • 80% Energy • 43% Liveness
42% Instrumentalness • 30% Positiveness
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New Order
Waiting for the Sirens' Call - 2015 Rema...
133 bpm • D Maj • 05:39 • -5db
27% Popularity • 51% Danceability • 87% Energy • 11% Liveness
26% Instrumentalness • 68% Positiveness
27% Popularity • 51% Danceability • 87% Energy • 11% Liveness
26% Instrumentalness • 68% Positiveness
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Puressence
She's Gotten Over You
127 bpm • B Maj • 03:24 • -4.42db
12% Popularity • 44% Danceability • 87% Energy • 38% Liveness
1% Instrumentalness • 47% Positiveness
12% Popularity • 44% Danceability • 87% Energy • 38% Liveness
1% Instrumentalness • 47% Positiveness
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Doves
Snowden - Rich Costey Mix
127 bpm • D Maj • 04:14 • -5.06db
9% Popularity • 22% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 22% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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The Stone Roses
This Is the One - Remastered
127 bpm • A Maj • 04:59 • -7db
56% Popularity • 25% Danceability • 78% Energy • 56% Liveness
4% Instrumentalness • 34% Positiveness
56% Popularity • 25% Danceability • 78% Energy • 56% Liveness
4% Instrumentalness • 34% Positiveness
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The Tears
Lovers
127 bpm • A Maj • 04:03 • -3.54db
17% Popularity • 34% Danceability • 87% Energy • 36% Liveness
7% Instrumentalness • 23% Positiveness
17% Popularity • 34% Danceability • 87% Energy • 36% Liveness
7% Instrumentalness • 23% Positiveness
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Gene
Fighting Fit
133 bpm • F# min • 03:54 • -5.04db
31% Popularity • 34% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 34% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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The Coral
Jacqueline
127 bpm • F# Maj • 03:28 • -5db
36% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Editors
All Sparks
126 bpm • F# min • 03:32 • -5.91db
16% Popularity • 47% Danceability • 73% Energy • 22% Liveness
6% Instrumentalness • 77% Positiveness
16% Popularity • 47% Danceability • 73% Energy • 22% Liveness
6% Instrumentalness • 77% Positiveness
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Razorlight
Vice
134 bpm • A Maj • 03:13 • -4.41db
31% Popularity • 44% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 44% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Puressence
It Doesn't Matter Anymore
127 bpm • A# Maj • 04:29 • -6.27db
21% Popularity • 25% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 25% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Lightning Seeds
Lucky You
134 bpm • E min • 04:19 • -9.85db
36% Popularity • 57% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
36% Popularity • 57% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
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The Wonder Stuff
Mission Drive
126 bpm • A Maj • 04:09 • -9.79db
27% Popularity • 47% Danceability • 88% Energy • 18% Liveness
35% Instrumentalness • 46% Positiveness
27% Popularity • 47% Danceability • 88% Energy • 18% Liveness
35% Instrumentalness • 46% Positiveness
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The Coral
In the Morning
126 bpm • F# min • 02:32 • -6.17db
58% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Verve
History - Remastered 2016
134 bpm • D Maj • 05:26 • -7.99db
46% Popularity • 34% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 34% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Kingmaker
You and I Will Never See Things Eye to E...
134 bpm • F Maj • 05:01 • -11db
19% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Kasabian
Where Did All the Love Go?
134 bpm • C# Maj • 04:18 • -5.13db
54% Popularity • 66% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 71% Positiveness
54% Popularity • 66% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 71% Positiveness
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James Dean Bradfield
THE BOY FROM THE PLANTATION
126 bpm • C Maj • 03:54 • -4.88db
20% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Cherry Ghost
People Help the People
134 bpm • F# min • 03:55 • -5.79db
38% Popularity • 44% Danceability • 64% Energy • 24% Liveness
21% Instrumentalness • 57% Positiveness
38% Popularity • 44% Danceability • 64% Energy • 24% Liveness
21% Instrumentalness • 57% Positiveness
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Deacon Blue
Your Town
126 bpm • C# min • 05:21 • -10db
35% Popularity • 54% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 35% Positiveness
35% Popularity • 54% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 35% Positiveness
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Proud Mary
Just for You
134 bpm • D Maj • 02:58 • -6.11db
8% Popularity • 47% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 47% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Morrissey
First of the Gang to Die
134 bpm • B Maj • 03:38 • -4.24db
60% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Supergrass
Seen the Light
126 bpm • A Maj • 02:25 • -6.45db
39% Popularity • 49% Danceability • 84% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
39% Popularity • 49% Danceability • 84% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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Lloyd Cole and the Commotions
Jennifer She Said
134 bpm • A Maj • 03:01 • -9.65db
40% Popularity • 65% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 65% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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The Music
Turn Out The Light
126 bpm • A Maj • 06:22 • -6db
21% Popularity • 28% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 28% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Athlete
Wires
135 bpm • D# min • 04:20 • -7db
50% Popularity • 50% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 50% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Hard-FI
Hard to Beat
125 bpm • A# Maj • 04:13 • -5db
53% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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The Lightning Seeds
Ready or Not
135 bpm • B Maj • 03:47 • -6.92db
14% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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James Dean Bradfield
Say Hello To The Pope
135 bpm • A Maj • 03:24 • -5.23db
11% Popularity • 52% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 52% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Primal Scream
(I'm Gonna) Cry Myself Blind
135 bpm • F Maj • 04:28 • -6.58db
30% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Supergrass
St. Petersburg
125 bpm • F# min • 03:09 • -8.57db
50% Popularity • 48% Danceability • 60% Energy • 10% Liveness
53% Instrumentalness • 46% Positiveness
50% Popularity • 48% Danceability • 60% Energy • 10% Liveness
53% Instrumentalness • 46% Positiveness
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The Mock Turtles
And Then She Smiles
135 bpm • C Maj • 04:17 • -5db
24% Popularity • 54% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
24% Popularity • 54% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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Mansun
I Can Only Disappoint U
135 bpm • A min • 04:47 • -6.7db
24% Popularity • 55% Danceability • 86% Energy • 50% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 55% Danceability • 86% Energy • 50% Liveness
0% Instrumentalness • 35% Positiveness
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The Lightning Seeds
Sweet Dreams
125 bpm • E Maj • 04:29 • -12.62db
26% Popularity • 59% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 59% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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The Stone Roses
Mersey Paradise - Remastered
136 bpm • G Maj • 02:46 • -3.18db
54% Popularity • 41% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
54% Popularity • 41% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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The Rifles
The General
124 bpm • C Maj • 03:49 • -9.52db
24% Popularity • 47% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 47% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Richard Ashcroft
Crazy World
124 bpm • C Maj • 04:57 • -6.35db
31% Popularity • 54% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 54% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Primal Scream
Country Girl
124 bpm • F min • 04:31 • -3.17db
48% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Mansun
I Can Only Disappoint U - Single Mix
135 bpm • F Maj • 04:21 • -7.06db
17% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Lightning Seeds
What If...
125 bpm • G Maj • 03:22 • -6.16db
13% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Coral
Change Your Mind
136 bpm • G Maj • 03:07 • -5.9db
31% Popularity • 52% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 52% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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The Thrills
One Horse Town
136 bpm • E Maj • 03:14 • -3.05db
35% Popularity • 53% Danceability • 95% Energy • 8% Liveness
8% Instrumentalness • 90% Positiveness
35% Popularity • 53% Danceability • 95% Energy • 8% Liveness
8% Instrumentalness • 90% Positiveness
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Razorlight
In The Morning
124 bpm • E min • 03:42 • -3.5db
57% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Noel Gallagher
Here Comes The Nice
124 bpm • D Maj • 02:57 • -4.28db
19% Popularity • 28% Danceability • 86% Energy • 84% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 28% Danceability • 86% Energy • 84% Liveness
0% Instrumentalness • 55% Positiveness
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Hard-FI
Stars of CCTV
136 bpm • C Maj • 03:58 • -7.08db
32% Popularity • 61% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
32% Popularity • 61% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
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Pulp
F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.
136 bpm • A min • 06:01 • -10.41db
41% Popularity • 40% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
41% Popularity • 40% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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The Lightning Seeds
Pure
124 bpm • E Maj • 03:47 • -10.61db
57% Popularity • 62% Danceability • 70% Energy • 9% Liveness
44% Instrumentalness • 86% Positiveness
57% Popularity • 62% Danceability • 70% Energy • 9% Liveness
44% Instrumentalness • 86% Positiveness
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The Supernaturals
The Day Before Yesterday's Man
123 bpm • C Maj • 03:22 • -5db
19% Popularity • 30% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 30% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Hurricane #1
Let Go Of The Dream
136 bpm • G Maj • 02:37 • -8.59db
13% Popularity • 48% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 48% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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The Silencers
I Can Feel It
123 bpm • E Maj • 05:18 • -9.81db
28% Popularity • 46% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 46% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Dodgy
In A Room - Full Version
123 bpm • D min • 04:15 • -6db
37% Popularity • 33% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 33% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Coral
Goodbye
137 bpm • D Maj • 04:02 • -7db
28% Popularity • 30% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 47% Positiveness
28% Popularity • 30% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 47% Positiveness
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The Bluetones
Keep The Home Fires Burning
123 bpm • D Maj • 03:27 • -7.33db
28% Popularity • 42% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 42% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Editors
Smokers Outside The Hospital Doors
123 bpm • G Maj • 04:57 • -3.79db
52% Popularity • 53% Danceability • 68% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
52% Popularity • 53% Danceability • 68% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
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Hurricane #1
Chain Reaction
123 bpm • G Maj • 03:41 • -7db
12% Popularity • 44% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 44% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
