Songs like Surviving by Luca Fogale
Based on a tempo of (+/- 10%) and a similar genre
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Edwin Raphael
Tangerine Skies
84 bpm • F Maj • 03:52 • -6.56db
46% Popularity • 52% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
46% Popularity • 52% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Jordan Hart
I Don't Want to Let You Go
84 bpm • A Maj • 03:35 • -12.7db
43% Popularity • 40% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
43% Popularity • 40% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Davis John Patton
Eason
84 bpm • G Maj • 04:19 • -13db
29% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The Light The Heat
Steady Me
84 bpm • C Maj • 02:37 • -12.07db
41% Popularity • 48% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
41% Popularity • 48% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
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Wrabel
london
84 bpm • A Maj • 04:26 • -7.67db
48% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Luca Fogale
Surviving
84 bpm • A# Maj • 03:16 • -9db
40% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Harrison Storm
For a While
84 bpm • D Maj • 03:21 • -12.47db
42% Popularity • 36% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
42% Popularity • 36% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Cujo Moon
With You
84 bpm • D Maj • 03:31 • -13db
50% Popularity • 44% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
50% Popularity • 44% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
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Boundary Run
Bulletproof
84 bpm • F Maj • 03:18 • -11.62db
34% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Paper Kites
Nothing More Than That
84 bpm • B min • 03:01 • -20db
43% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
43% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
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Wrabel
london
84 bpm • A Maj • 04:26 • -7db
40% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Dustin Tebbutt
Resin
83 bpm • C# min • 03:23 • -12.93db
63% Popularity • 26% Danceability • 37% Energy • 12% Liveness
18% Instrumentalness • 20% Positiveness
63% Popularity • 26% Danceability • 37% Energy • 12% Liveness
18% Instrumentalness • 20% Positiveness
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Ross Copperman
Stars Are on Your Side
85 bpm • C Maj • 03:38 • -8.31db
41% Popularity • 26% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 26% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Harrison Storm
Under Dusk
85 bpm • B min • 03:39 • -13db
44% Popularity • 39% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 39% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Emily James
Bird of Prey
85 bpm • F min • 02:48 • -12db
41% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Oscar Blue
Silhouettes
85 bpm • A Maj • 03:54 • -11db
34% Popularity • 61% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 61% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Rhys Lewis
Things You Can't Change
85 bpm • C# Maj • 03:19 • -7.56db
50% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Boundary Run
Beggars
85 bpm • C Maj • 03:11 • -10.7db
45% Popularity • 22% Danceability • 34% Energy • 13% Liveness
20% Instrumentalness • 20% Positiveness
45% Popularity • 22% Danceability • 34% Energy • 13% Liveness
20% Instrumentalness • 20% Positiveness
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David Nevory
Still
85 bpm • G# min • 03:40 • -14.55db
28% Popularity • 70% Danceability • 22% Energy • 54% Liveness
1% Instrumentalness • 34% Positiveness
28% Popularity • 70% Danceability • 22% Energy • 54% Liveness
1% Instrumentalness • 34% Positiveness
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Harrison Storm
Run
85 bpm • C# min • 03:16 • -8.94db
61% Popularity • 55% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 55% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Hayden Everett
Resolve
83 bpm • G# Maj • 03:34 • -10.86db
25% Popularity • 49% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 49% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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James Smith
Got the Love
85 bpm • B Maj • 03:03 • -10db
55% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jake Etheridge
Wherever I May Go
85 bpm • G Maj • 03:01 • -13.86db
41% Popularity • 38% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
41% Popularity • 38% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Fran Minney
Normal
83 bpm • C Maj • 04:05 • -12.18db
29% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Fancy Hagood
Forest
83 bpm • G Maj • 04:15 • -14.45db
43% Popularity • 45% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 45% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Euan Allison
Lego Bricks
82 bpm • A Maj • 03:55 • -10.73db
32% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Billy Raffoul
Better
82 bpm • C Maj • 02:35 • -8.77db
49% Popularity • 75% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 75% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Jonah Kagen
broken (Acoustic)
82 bpm • C# Maj • 02:57 • -10db
45% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jordan Hart
Show Me Yours
82 bpm • A min • 03:36 • -13db
29% Popularity • 42% Danceability • 32% Energy • 15% Liveness
2% Instrumentalness • 17% Positiveness
29% Popularity • 42% Danceability • 32% Energy • 15% Liveness
2% Instrumentalness • 17% Positiveness
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Toby Johnson
Tiny Fires
86 bpm • C# min • 04:16 • -12db
32% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Andrew Belle
When the End Comes (Hushed)
86 bpm • G Maj • 05:20 • -13db
27% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Rhys Lewis
Hold On To Happiness
86 bpm • B min • 03:38 • -10db
39% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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SAILR
Gold
82 bpm • C Maj • 03:26 • -11.66db
30% Popularity • 42% Danceability • 36% Energy • 14% Liveness
14% Instrumentalness • 18% Positiveness
30% Popularity • 42% Danceability • 36% Energy • 14% Liveness
14% Instrumentalness • 18% Positiveness
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Luca Fogale
Gloria
86 bpm • E Maj • 03:23 • -13.4db
21% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jordan Hart
Freedom
82 bpm • D Maj • 04:21 • -9db
42% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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CHPTRS
Return to Me
82 bpm • E Maj • 04:55 • -14.34db
29% Popularity • 53% Danceability • 45% Energy • 12% Liveness
45% Instrumentalness • 46% Positiveness
29% Popularity • 53% Danceability • 45% Energy • 12% Liveness
45% Instrumentalness • 46% Positiveness
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David Nevory
Bright Eyes
82 bpm • C# min • 02:29 • -10.81db
37% Popularity • 64% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 64% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Tom Speight
You & I
82 bpm • E Maj • 02:34 • -9.34db
37% Popularity • 50% Danceability • 51% Energy • 17% Liveness
18% Instrumentalness • 20% Positiveness
37% Popularity • 50% Danceability • 51% Energy • 17% Liveness
18% Instrumentalness • 20% Positiveness
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Woodlock
Forever Ago
82 bpm • A Maj • 04:42 • -17db
53% Popularity • 43% Danceability • 20% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
53% Popularity • 43% Danceability • 20% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
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Jordan Critz
Through Your Eyes
82 bpm • C Maj • 03:47 • -14db
42% Popularity • 36% Danceability • 35% Energy • 9% Liveness
59% Instrumentalness • 18% Positiveness
42% Popularity • 36% Danceability • 35% Energy • 9% Liveness
59% Instrumentalness • 18% Positiveness
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Luca Fogale
Evergreen
86 bpm • A Maj • 03:04 • -8db
36% Popularity • 36% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 36% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Joshua Radin
Next to Me
82 bpm • F# Maj • 03:07 • -10.04db
39% Popularity • 52% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 52% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Vancouver Sleep Clinic
The Wire
81 bpm • G Maj • 03:00 • -12.86db
46% Popularity • 38% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
46% Popularity • 38% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Emily James
For an Evening
82 bpm • C Maj • 04:15 • -12.12db
36% Popularity • 65% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 65% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Jeremy Lister
One Step
87 bpm • B Maj • 03:43 • -7.07db
30% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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JP Saxe
A Little Bit Yours
87 bpm • C# Maj • 03:48 • -8.53db
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Luca Fogale
Unfolding
81 bpm • D# Maj • 03:43 • -11.54db
40% Popularity • 45% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
40% Popularity • 45% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Harrison Storm
Warm A Cold Heart - Acoustic
87 bpm • B Maj • 03:32 • -11.44db
42% Popularity • 56% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 41% Positiveness
42% Popularity • 56% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 41% Positiveness
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David Nevory
Slow Down
87 bpm • F# Maj • 03:10 • -14.3db
29% Popularity • 33% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
29% Popularity • 33% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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Boundary Run
Premonitions
81 bpm • F# min • 03:00 • -13.59db
36% Popularity • 23% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 23% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Ed Patrick
What You See
81 bpm • D# Maj • 03:25 • -13.11db
33% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Invention of Flight
Stillness
81 bpm • D Maj • 03:10 • -13db
23% Popularity • 10% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
23% Popularity • 10% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Luca Fogale
Unfolding - Acoustic
81 bpm • D# Maj • 03:46 • -13.41db
29% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Juke Ross
Colour Me
81 bpm • G# min • 03:31 • -8.36db
57% Popularity • 54% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 54% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Grace Davies
iris
88 bpm • F Maj • 02:33 • -11db
60% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
60% Popularity • 50% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Luz
the author
81 bpm • C Maj • 03:37 • -12.57db
51% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Quinn Lewis
Only Everything
88 bpm • D Maj • 02:52 • -7.65db
44% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Dustin Tebbutt
Last Line
88 bpm • D# Maj • 04:52 • -12.34db
45% Popularity • 45% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
45% Popularity • 45% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Luca Fogale
Evergreen - Piano
88 bpm • A Maj • 03:04 • -9.32db
21% Popularity • 31% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 31% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Riley Pearce
Habit
88 bpm • E Maj • 03:31 • -12.17db
42% Popularity • 58% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 58% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Harrison Storm
You & I
88 bpm • E min • 03:41 • -10db
42% Popularity • 55% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 55% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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sød ven
mystery
88 bpm • D Maj • 03:05 • -16.83db
35% Popularity • 20% Danceability • 25% Energy • 8% Liveness
5% Instrumentalness • 13% Positiveness
35% Popularity • 20% Danceability • 25% Energy • 8% Liveness
5% Instrumentalness • 13% Positiveness
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Boundary Run
Lose Ourselves
80 bpm • A Maj • 03:25 • -10.48db
32% Popularity • 50% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 50% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Voyageur
I Will Fight for You
88 bpm • C# Maj • 03:50 • -10db
27% Popularity • 46% Danceability • 57% Energy • 14% Liveness
85% Instrumentalness • 10% Positiveness
27% Popularity • 46% Danceability • 57% Energy • 14% Liveness
85% Instrumentalness • 10% Positiveness
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Luca Fogale
Feel It
88 bpm • F# min • 03:25 • -8.38db
41% Popularity • 51% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 51% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Donovan Woods
Portland, Maine
80 bpm • E Maj • 03:23 • -14db
61% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
61% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
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SAILR
Heartbeat
80 bpm • B Maj • 03:11 • -15.51db
45% Popularity • 51% Danceability • 42% Energy • 10% Liveness
10% Instrumentalness • 45% Positiveness
45% Popularity • 51% Danceability • 42% Energy • 10% Liveness
10% Instrumentalness • 45% Positiveness
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Blakey
One For You
80 bpm • G# Maj • 03:08 • -7db
40% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Woodlock
The Future of an End - Acoustic
80 bpm • F Maj • 03:55 • -9.55db
33% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Billy Lockett
Wide Eyed
80 bpm • A# Maj • 02:42 • -12db
44% Popularity • 40% Danceability • 28% Energy • 9% Liveness
6% Instrumentalness • 24% Positiveness
44% Popularity • 40% Danceability • 28% Energy • 9% Liveness
6% Instrumentalness • 24% Positiveness
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Trevor Myall
All the Things
80 bpm • A Maj • 04:35 • -8.48db
28% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Old Sea Brigade
Budapest
80 bpm • D# Maj • 03:05 • -10.98db
45% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Young
I Don't Need Anything But My Love
80 bpm • B min • 02:54 • -13.66db
43% Popularity • 46% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 46% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Davis John Patton
The Oceans
80 bpm • D Maj • 03:24 • -12.94db
35% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Happiest Kind of Sad
Smile At The Party
80 bpm • D# Maj • 04:26 • -9.55db
42% Popularity • 28% Danceability • 26% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
42% Popularity • 28% Danceability • 26% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Handsome Ghost
Weeds
80 bpm • C Maj • 04:13 • -9.84db
39% Popularity • 58% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 58% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Kathleen Regan
Good Place
80 bpm • C Maj • 02:42 • -15.16db
34% Popularity • 54% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 54% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Rhys Lewis
Better Than Today
80 bpm • C Maj • 03:49 • -10.75db
50% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Luca Fogale
Slow Correction
80 bpm • G Maj • 04:00 • -13.59db
27% Popularity • 38% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 38% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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K E M A L
Everywhere
80 bpm • D Maj • 02:18 • -15db
55% Popularity • 43% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
55% Popularity • 43% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
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REUNIØN
out in the wild
89 bpm • G min • 03:51 • -13db
24% Popularity • 20% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 20% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Novo Amor
Decimal
79 bpm • G Maj • 02:58 • -8db
65% Popularity • 58% Danceability • 43% Energy • 8% Liveness
22% Instrumentalness • 32% Positiveness
65% Popularity • 58% Danceability • 43% Energy • 8% Liveness
22% Instrumentalness • 32% Positiveness
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Bre Kennedy
Twenty Something
89 bpm • D Maj • 03:41 • -13db
36% Popularity • 53% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 53% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Troy Ramey
I Will Follow You into the Dark
89 bpm • F Maj • 02:31 • -11.83db
34% Popularity • 46% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 46% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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sød ven
borderline
79 bpm • E Maj • 03:07 • -12.83db
33% Popularity • 35% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 39% Positiveness
33% Popularity • 35% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 39% Positiveness
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Ashleigh Ball
Never Found (Nude)
89 bpm • F# min • 04:48 • -14.79db
4% Popularity • 60% Danceability • 23% Energy • 9% Liveness
7% Instrumentalness • 36% Positiveness
4% Popularity • 60% Danceability • 23% Energy • 9% Liveness
7% Instrumentalness • 36% Positiveness
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Dan Millward
As We Are
79 bpm • B min • 03:06 • -10db
40% Popularity • 30% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 30% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Wild Rivers
Love Gone Wrong
79 bpm • C Maj • 02:40 • -5.59db
43% Popularity • 54% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 54% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Marc Scibilia
Wildest Dreams
90 bpm • G Maj • 02:52 • -6.71db
34% Popularity • 50% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 50% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
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Boundary Run
Sailing Ships
78 bpm • E Maj • 02:43 • -11.15db
32% Popularity • 31% Danceability • 37% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
32% Popularity • 31% Danceability • 37% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Salt Tree
Sparkly Socks
90 bpm • F# Maj • 02:43 • -10.19db
56% Popularity • 73% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 73% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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SAILR
Sleep
90 bpm • F# Maj • 03:38 • -13.59db
30% Popularity • 33% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
30% Popularity • 33% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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sød ven
comatose
90 bpm • E Maj • 03:36 • -11.61db
48% Popularity • 39% Danceability • 48% Energy • 7% Liveness
38% Instrumentalness • 18% Positiveness
48% Popularity • 39% Danceability • 48% Energy • 7% Liveness
38% Instrumentalness • 18% Positiveness
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David Nevory
With the Wind
90 bpm • F# Maj • 04:13 • -12.16db
22% Popularity • 59% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
22% Popularity • 59% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Billy Raffoul
Easy Tiger
78 bpm • C# Maj • 03:16 • -10db
50% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Tom Rosenthal
Hugging You - Acoustic
78 bpm • G# Maj • 03:53 • -20.46db
56% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Chase Eagleson
Electric Feel
78 bpm • D# Maj • 04:32 • -17.73db
38% Popularity • 42% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 42% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Ed Patrick
Nothing Personal
78 bpm • F Maj • 02:27 • -15db
47% Popularity • 66% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
47% Popularity • 66% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
