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Swamp
Songs like
Swamp
by
Eric Gales
Based on a tempo of (+/- 10%) and a similar genre
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Simon McBride
Don't Be a Fool
118 bpm • F# Maj • 03:47 • -5db
31% Popularity • 60% Danceability • 88% Energy • 15% Liveness
3% Instrumentalness • 70% Positiveness
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Buddy Whittington
For Crystal Beach
118 bpm • G# min • 03:18 • -6.73db
34% Popularity • 76% Danceability • 64% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
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The Vaughan Brothers
Telephone Song
118 bpm • G# Maj • 03:28 • -12.16db
45% Popularity • 72% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Eric Gales
Swamp
118 bpm • B Maj • 05:17 • -5.94db
11% Popularity • 68% Danceability • 77% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
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Kirk Fletcher
Ain't No Way
118 bpm • G# Maj • 03:00 • -7.46db
17% Popularity • 68% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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King King
Wait on Time - Live
118 bpm • E Maj • 06:26 • -8.4db
32% Popularity • 56% Danceability • 80% Energy • 71% Liveness
0% Instrumentalness • 59% Positiveness
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Greg Koch
Word
118 bpm • F Maj • 03:57 • -8.04db
19% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Buddy Whittington
Pay the Band
118 bpm • A Maj • 04:33 • -5db
37% Popularity • 69% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Dave Meniketti
Bad Feeling
118 bpm • B min • 05:46 • -5.47db
25% Popularity • 38% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Jeff Healey
Sugar Sweet
118 bpm • C Maj • 03:46 • -10db
33% Popularity • 63% Danceability • 76% Energy • 13% Liveness
4% Instrumentalness • 94% Positiveness
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Blindside Blues Band
Dirty Double Dealer
119 bpm • A Maj • 04:16 • -5.09db
13% Popularity • 42% Danceability • 87% Energy • 15% Liveness
9% Instrumentalness • 76% Positiveness
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Pinnick Gales Pridgen
Psychofunkadelic Blues
117 bpm • C# min • 04:21 • -5.14db
1% Popularity • 27% Danceability • 88% Energy • 23% Liveness
26% Instrumentalness • 43% Positiveness
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Mark May
Wound Up
119 bpm • A# Maj • 04:56 • -9.92db
13% Popularity • 56% Danceability • 77% Energy • 10% Liveness
16% Instrumentalness • 86% Positiveness
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Michael Landau
Gettin Old
117 bpm • A Maj • 03:17 • -8.67db
21% Popularity • 71% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Albert Castiglia
Big Toe
117 bpm • G Maj • 05:31 • -7db
26% Popularity • 39% Danceability • 66% Energy • 10% Liveness
25% Instrumentalness • 58% Positiveness
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Back Door Slam
Tear Down the Walls
119 bpm • F# min • 05:01 • -6db
20% Popularity • 45% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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David Gogo
Sulfite Boogie
116 bpm • D Maj • 03:46 • -6db
26% Popularity • 55% Danceability • 60% Energy • 16% Liveness
7% Instrumentalness • 69% Positiveness
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Michael Burks
Good Man, Bad Thing
116 bpm • D Maj • 03:55 • -5.03db
26% Popularity • 66% Danceability • 83% Energy • 4% Liveness
41% Instrumentalness • 96% Positiveness
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Supersonic Blues Machine
Devil At The Doorstep
120 bpm • B min • 07:58 • -5.8db
5% Popularity • 51% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Shemekia Copeland
Money Makes You Ugly
116 bpm • G Maj • 03:36 • -5db
36% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Tony Spinner
Dirty Little Mynx
120 bpm • C# Maj • 03:20 • -6.04db
22% Popularity • 70% Danceability • 68% Energy • 22% Liveness
10% Instrumentalness • 86% Positiveness
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Kirk Fletcher
Wrapped up, Tangled up in the Blues
120 bpm • G# Maj • 05:05 • -4.72db
18% Popularity • 73% Danceability • 88% Energy • 6% Liveness
14% Instrumentalness • 73% Positiveness
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Gary Hoey
Under The Rug
120 bpm • B min • 04:57 • -6.78db
22% Popularity • 62% Danceability • 81% Energy • 12% Liveness
10% Instrumentalness • 82% Positiveness
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David Gogo
Cuts Me To The Bone
120 bpm • G Maj • 03:19 • -6.76db
30% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Eric Gales
I Ain't No Shrink
120 bpm • G# Maj • 04:16 • -8.76db
7% Popularity • 66% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Royal Southern Brotherhood
Where There's Smoke There's Fire
120 bpm • G min • 04:37 • -4db
22% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Buddaheads
Blues Power
120 bpm • A Maj • 02:53 • -8.96db
34% Popularity • 90% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Tony Spinner
The Answer
116 bpm • F# Maj • 05:02 • -6db
33% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Sonny Landreth
Walkin' Blues
116 bpm • D Maj • 04:49 • -8.61db
30% Popularity • 59% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Michael Burks
Salty Tears
116 bpm • A# Maj • 04:33 • -2.91db
25% Popularity • 54% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Doyle Bramhall II
Problem Child
120 bpm • G Maj • 05:50 • -5db
17% Popularity • 31% Danceability • 92% Energy • 11% Liveness
6% Instrumentalness • 53% Positiveness
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Damon Fowler
It Came out of Nowhere
116 bpm • C Maj • 02:55 • -6db
33% Popularity • 75% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Dave Meniketti
Angel On My Shoulder
116 bpm • E min • 05:22 • -4.81db
19% Popularity • 41% Danceability • 85% Energy • 13% Liveness
1% Instrumentalness • 51% Positiveness
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Carl Verheyen
Someday After a While
115 bpm • F Maj • 04:30 • -6.11db
29% Popularity • 72% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Sean Chambers
World on Fire
121 bpm • G# Maj • 05:07 • -5.44db
15% Popularity • 42% Danceability • 92% Energy • 15% Liveness
14% Instrumentalness • 55% Positiveness
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The Cold Stares
I Was a Fool
121 bpm • G Maj • 03:23 • -6.57db
38% Popularity • 57% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Christone "Kingfish" Ingram
Empty Promises - Live
121 bpm • D min • 07:49 • -7.14db
40% Popularity • 38% Danceability • 51% Energy • 26% Liveness
1% Instrumentalness • 29% Positiveness
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Tinsley Ellis
Sound Of A Broken Man
115 bpm • F# min • 04:51 • -3.25db
33% Popularity • 64% Danceability • 90% Energy • 10% Liveness
13% Instrumentalness • 96% Positiveness
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Supersonic Blues Machine
Too Late
115 bpm • C# Maj • 03:27 • -4.23db
12% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Bryce Janey
Funky Guitar Blues
115 bpm • F Maj • 04:21 • -5.83db
42% Popularity • 56% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Doyle Bramhall II
Hear My Train A Comin'
121 bpm • D Maj • 05:08 • -8.3db
20% Popularity • 38% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Cain
Helping Hand
115 bpm • F Maj • 02:37 • -7db
26% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Ana Popovic
Can't You See What You're Doing to Me
122 bpm • B min • 03:52 • -3db
28% Popularity • 32% Danceability • 97% Energy • 40% Liveness
3% Instrumentalness • 30% Positiveness
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Eric Gales
Resolution
122 bpm • E Maj • 05:05 • -6.33db
14% Popularity • 48% Danceability • 72% Energy • 11% Liveness
67% Instrumentalness • 44% Positiveness
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Sonny Landreth
The Promise Land
122 bpm • G Maj • 03:22 • -6db
23% Popularity • 54% Danceability • 88% Energy • 11% Liveness
15% Instrumentalness • 79% Positiveness
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Anthony Gomes
Come Down
114 bpm • A Maj • 04:34 • -6.69db
29% Popularity • 78% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Mick Clarke
Walking in the Dark
114 bpm • A Maj • 03:32 • -8.41db
36% Popularity • 73% Danceability • 52% Energy • 13% Liveness
87% Instrumentalness • 50% Positiveness
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Alastair Greene
Living Today
122 bpm • D Maj • 04:19 • -7.34db
19% Popularity • 37% Danceability • 87% Energy • 31% Liveness
24% Instrumentalness • 44% Positiveness
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Kirk Fletcher
The Answer
114 bpm • G min • 08:10 • -6.62db
25% Popularity • 42% Danceability • 54% Energy • 12% Liveness
50% Instrumentalness • 24% Positiveness
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Josh Smith
Brown Gatton
122 bpm • A Maj • 04:10 • -6.96db
27% Popularity • 66% Danceability • 62% Energy • 14% Liveness
78% Instrumentalness • 50% Positiveness
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Smokin' Joe Kubek & Bnois King
Out Of Body, Out Of Mind
123 bpm • B min • 04:30 • -3db
32% Popularity • 62% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 92% Positiveness
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Dave Meniketti
Just Coastin'
123 bpm • F min • 04:52 • -6.42db
27% Popularity • 53% Danceability • 80% Energy • 6% Liveness
68% Instrumentalness • 59% Positiveness
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Selwyn Birchwood
I'd Climb Mountains
123 bpm • C min • 03:30 • -4.83db
27% Popularity • 70% Danceability • 87% Energy • 57% Liveness
0% Instrumentalness • 79% Positiveness
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Lil Ed & The Blues Imperials
Giving Up On Your Love
113 bpm • C min • 03:39 • -3.2db
36% Popularity • 63% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Kirk Fletcher
Place in This World
114 bpm • G min • 04:19 • -7.16db
11% Popularity • 74% Danceability • 69% Energy • 16% Liveness
3% Instrumentalness • 54% Positiveness
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Emanuel Casablanca
Bloodshot Eyes
113 bpm • E min • 03:41 • -6.43db
34% Popularity • 70% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
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Smokin' Joe Kubek & Bnois King
Wishful Thinking
123 bpm • E min • 04:06 • -3.1db
24% Popularity • 46% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Julian Sas
Life On The Line
113 bpm • A min • 05:01 • -3db
26% Popularity • 59% Danceability • 77% Energy • 9% Liveness
8% Instrumentalness • 52% Positiveness
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Supersonic Blues Machine
Right Now
113 bpm • A min • 03:56 • -3.46db
26% Popularity • 71% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Artur Menezes
Fading Away
113 bpm • G# Maj • 03:44 • -4.54db
29% Popularity • 64% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Kirk Fletcher
I'd Rather Fight Than Switch
113 bpm • G# Maj • 04:01 • -6.13db
9% Popularity • 49% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Bryce Janey
Goin' Down to the River
113 bpm • A Maj • 03:09 • -4.68db
20% Popularity • 62% Danceability • 78% Energy • 7% Liveness
5% Instrumentalness • 62% Positiveness
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Snowy White
Blues Is the Road
124 bpm • A# Maj • 04:32 • -5db
30% Popularity • 61% Danceability • 71% Energy • 9% Liveness
33% Instrumentalness • 90% Positiveness
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Carl Verheyen
Stardust Blues
113 bpm • G Maj • 04:04 • -5.35db
13% Popularity • 66% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Micki Free
Judicator Blues
124 bpm • B Maj • 03:43 • -3.26db
22% Popularity • 30% Danceability • 93% Energy • 28% Liveness
4% Instrumentalness • 45% Positiveness
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Danny Bryant's Redeyeband
Heart Working Overtime
124 bpm • A min • 03:19 • -4.65db
16% Popularity • 67% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Dan Patlansky
Poor Old John
124 bpm • G# Maj • 02:47 • -6.08db
15% Popularity • 56% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Shemekia Copeland
Pink Turns To Red
124 bpm • G# min • 03:28 • -5.03db
35% Popularity • 63% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Toronzo Cannon
Get Together Or Get Apart
124 bpm • D Maj • 03:31 • -3.25db
19% Popularity • 66% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Tom Principato
Lock and Key
124 bpm • B min • 04:41 • -6.91db
8% Popularity • 61% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Buddaheads
Let It Roll
124 bpm • F# Maj • 03:33 • -7.12db
19% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Narada Michael Walden
A World Without War
124 bpm • F# Maj • 05:18 • -8.98db
2% Popularity • 62% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Lonnie Mack
Camp Washington Chile/If You Have To Kno...
124 bpm • A# Maj • 07:34 • -11.27db
35% Popularity • 36% Danceability • 73% Energy • 97% Liveness
56% Instrumentalness • 79% Positiveness
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Davy Knowles
Devil And The Deep Blue Sea
112 bpm • D Maj • 05:23 • -8.93db
14% Popularity • 55% Danceability • 55% Energy • 12% Liveness
23% Instrumentalness • 32% Positiveness
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Joe Louis Walker
Blues Comin' On
112 bpm • E min • 05:55 • -7db
21% Popularity • 70% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Kirk Fletcher
Natural Anthem
112 bpm • E Maj • 04:27 • -7.1db
20% Popularity • 64% Danceability • 73% Energy • 7% Liveness
78% Instrumentalness • 67% Positiveness
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Albert Castiglia
Let the Big Dog Eat
124 bpm • A min • 03:28 • -4.36db
30% Popularity • 50% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Eric Gales
Hush
112 bpm • C# min • 04:36 • -5.77db
7% Popularity • 52% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Mark Selby
Kink In The Chain
124 bpm • A Maj • 03:34 • -5db
30% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Anthony Gomes
Back to the Start
112 bpm • C# Maj • 03:34 • -4db
24% Popularity • 58% Danceability • 87% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Royal Southern Brotherhood
Trapped
112 bpm • B min • 03:52 • -8.84db
13% Popularity • 70% Danceability • 71% Energy • 28% Liveness
1% Instrumentalness • 74% Positiveness
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Tommy Castro
Fear Is The Enemy
125 bpm • F min • 03:34 • -5db
32% Popularity • 56% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Rob Tognoni
New Set of Rays
125 bpm • C# Maj • 02:46 • -4.4db
40% Popularity • 76% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 71% Positiveness
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Eric Gales
Southpaw Serenade
125 bpm • A# min • 08:31 • -5.88db
19% Popularity • 42% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Debbie Davies
So What
111 bpm • G Maj • 04:11 • -9.17db
19% Popularity • 75% Danceability • 52% Energy • 10% Liveness
86% Instrumentalness • 86% Positiveness
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Chris Cain
Drinking Straight Tequila
125 bpm • B min • 02:52 • -4.72db
30% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Altered Five Blues Band
Mischief Man
111 bpm • G Maj • 03:18 • -5.72db
28% Popularity • 67% Danceability • 85% Energy • 34% Liveness
2% Instrumentalness • 85% Positiveness
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Christone "Kingfish" Ingram
It Ain't Right
111 bpm • D Maj • 03:05 • -4.55db
44% Popularity • 51% Danceability • 83% Energy • 5% Liveness
1% Instrumentalness • 59% Positiveness
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Anthony Gomes
Love Sweet Love
111 bpm • C# min • 03:29 • -3db
35% Popularity • 61% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Eric Gales
Pedal To The Metal - Remix / Bonus Track
125 bpm • G# min • 03:46 • -7.93db
9% Popularity • 87% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Toronzo Cannon
The Chicago Way
111 bpm • E min • 04:22 • -4.87db
24% Popularity • 56% Danceability • 93% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Devon Allman
Say Your Prayers
126 bpm • A Maj • 03:15 • -5.87db
24% Popularity • 53% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Tinsley Ellis
Kiss This World
111 bpm • G Maj • 03:55 • -4.81db
26% Popularity • 39% Danceability • 86% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
► Preview
Christone "Kingfish" Ingram
My Bad
126 bpm • E Maj • 03:36 • -5.74db
26% Popularity • 39% Danceability • 80% Energy • 12% Liveness
21% Instrumentalness • 48% Positiveness
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Sonny Landreth
Somebody Gotta Make A Move
126 bpm • E min • 03:54 • -8.7db
42% Popularity • 57% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Eric Gales
Good Time
111 bpm • C# Maj • 02:52 • -4.73db
24% Popularity • 70% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 53% Positiveness
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Walter Trout
We're All In This Together
110 bpm • D Maj • 07:57 • -5.05db
41% Popularity • 39% Danceability • 84% Energy • 9% Liveness
44% Instrumentalness • 61% Positiveness
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Ana Popovic
Wasted
110 bpm • F min • 02:16 • -6db
43% Popularity • 60% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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David Garfield
Shufflin' West Coast
110 bpm • C Maj • 04:22 • -6.24db
20% Popularity • 64% Danceability • 74% Energy • 22% Liveness
90% Instrumentalness • 56% Positiveness
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Christone "Kingfish" Ingram
That's What You Do
110 bpm • A Maj • 03:23 • -4.68db
42% Popularity • 50% Danceability • 89% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
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Swamp